Film and Media Studies Commons^™

Review Of Environmental Humanities And Theologies: Ecoculture, Literature And The Bible, By Rod Giblett, Sam Mickey

Landscapes: the Journal of the International Centre for Landscape and Language

This is a review of Rod Giblett's Environmental Humanities and Theologies: Ecoculture, Literature and the Bible, published by Routledge in 2018. The review notes Giblett's contributions to the field in tracing wetlands iconography through theological and literary discourses in landmark works in the Anglo-American tradition, Judeo-Christian doctrine, and Australian Aboriginal myth.

Zemlja And Pioneer Day, Natalie D-Napoleon

Landscapes: the Journal of the International Centre for Landscape and Language

Poems: Zemlja and Pioneer Day by West Australia born author Natalie D-Napoleon.

Snorkel Virgin, Emma J. Young

Landscapes: the Journal of the International Centre for Landscape and Language

Snorkel Virgin

Plunging Down Under, Ian Smith

Landscapes: the Journal of the International Centre for Landscape and Language

Plunging Down Under

Solastalgia, Nostalgia, Exhilarating, Immersive: Landscapes: Heritage Ii, David F. Gray

Landscapes: the Journal of the International Centre for Landscape and Language

Landscape: Heritage II presents the scholarly and creative contributions to Landscapes, Volume 9, Issue 1.

Complete Issue 1, Volume 9

Landscapes: the Journal of the International Centre for Landscape and Language

The complete issue 1 of volume 9, Landscapes Journal.

Yugoslav Revolutionary Legacy: Female Soldiers And Activists In Nation-Building And Cultural Memory, 1941-1989, Maja Antonić

Masters Theses & Specialist Projects

While women are often excluded and/or portrayed as victims in the historical scholarship on war, this research builds on recent scholarship that shows women as active agents in warfare. I focus on Yugoslavia’s WWII Partizankas, female soldiers and activists, who held visible positions in the war effort, public consciousness and, later memory. Using gender as a category of analysis, my thesis explores Partizankas’ legacy and their contributions in the National Liberation Movement (NLM) in WWII (1941- 1945) and post-war nation building. I argue that the organizational framework of the Anti-Fascist Women’s Front (AWF) under the guidance of the Communist Party …

"Ein Pakt Mit Dem Teufel": Leni Riefenstahl, Triumph Of The Will, And The Nature Of Guilt, Andrew O. Burns

Student Publications

Leni Riefenstahl’s Triumph of the Will is rightly considered a massive technical achievement in the world of cinema and propaganda. However, this achievement was undertaken at the behest of the immoral, murderous regime of Nazi Germany, a regime that Riefenstahl was more than willing to work with and glorify in order to further her career. This thesis will argue that Riefenstahl’s onscreen deification of Hitler, visual representation of völkisch ideology, and use of the music of Richard Wagner make her later claims of ignorance as to the film’s ultimate meaning impossible to correlate with established facts.

1st Place Contest Entry: Countering The Current: The Function Of Cinematic Waves In Communist Vs. Capitalist Societies, Maddie Gwinn

Kevin and Tam Ross Undergraduate Research Prize

This is Maddie Gwinn's submission for the 2019 Kevin and Tam Ross Undergraduate Research Prize, which won first place. It contains her essay on using library resources, a three-page sample of her research project on how the Czech New Wave and New Hollywood cinema are defined by their agency in preserving and prescribing cultural meaning across their societies while being bound to their economic systems, and her works cited list.

Maddie is a senior at Chapman University, majoring in Film Production. Her faculty mentor is Dr. Carmichael Peters.

Film Review: 1945, Carolyn Sanzenbacher

Genocide Studies and Prevention: An International Journal

No abstract provided.

"La Llorona": Evolución, Ideología Y Uso En El Mundo Hispano, Raquel Sáenz-Llano

LSU Master's Theses

This thesis studies the evolution, ideology and use of the myth of La Llorona through time in the Hispanic World. Considering this myth as one of the most known traditional narratives of the American continent, I begin by providing visual, ethnohistorical and ethnographical insights of weeping in Mesoamerica and South America and the specific mention of a weeping woman in some Spanish chronicles to say how western values were stablished in “the new continent” through this legend. I suggest that during the postcolonialism the legend did not tell anymore about a mother that cries and search a place for their …

Southard Collection, 1924-1994 (Mss 650), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid and scans (Click on "additional files" below) for Manuscripts Collection 650. Financial records and some personal correspondence of Robert “Bob” Southard who ran an itinerant movie theater in a tent, 1931-1959, in south central Kentucky. Also includes research and promotional material for an exhibit titled “Breathless Moments: Green River Valley Picture Shows,” which showed at several public libraries in south central Kentucky.

Historical Movies, Historical Disciplines, And Getting What We Want And Deserve: Tarantino’S Inglourious Basterds And The Satisfactions Of Historical Reflection, Mike Kugler

Northwestern Review

Movies claiming to represent historical events remain popular. Historical films, however, differ from a disciplined study of the past, which is constrained by evidence from the past. Looking for an evidence-based historical argument in historical movies misses what they do best. A case in point is Quentin Tarantino’s Inglourious Basterds. This film combines two genres--exploitation films and World War II films. With Hitler and Nazis, argues the author, we viewers want justice achieved through vengeance—and Tarantino’s film gives us that. Historical movies in general give us the simpler past we want. They seldom, however, help us consider the full …

Rituals Of Remaindered Life In The Films Of Kidlat Tahimik, Alison R. Boldero

Dissertations, Theses, and Capstone Projects

Kidlat Tahimik, who achieved international renown during the Marcos regime for his film Perfumed Nightmare (Mababangong Bangungot, 1976), is relatively unknown outside of international film circles. Considered a pioneer of Third Cinema in the Philippines, a radical film movement from Latin America that has since inspired similar movements globally, Tahimik challenged cultural hegemony in a postcolonial, post-World War II Philippines through the production of imperfect films. This paper looks to three of Tahimik's films - Perfumed Nightmare, Turumba (1983), and Why is Yellow the Middle of the Rainbow? (Bakit Dilaw Ang Kulay ng Bahaghari, 1994) …

'Mary Poppins' And A Nanny's Shameful Flirting With Blackface, Daniel Pollack-Pelzner

Faculty Publications

In this piece originally published in the New York Times, Daniel Pollack-Pelzner discusses problematic racist imagery in both the 1964 and 2018 Mary Poppins films and argues that minstrelsy has long been Disney's mode of expressing topsy-turvy fun.

Female Filmmakers In The 1920s, Paige Brunsen

Honors Library Research Award

2018/2019 2nd place award winner. This paper explores the idea that the 1920s filmmaking "was recognized as an opportunity for big business, and women were pushed into the shadows with unfortunate long-lasting consequences." 13 pages.

The Justice System Is Criminal, Raven Delfina Otero-Symphony

2020 Award Winners

No abstract provided.

Famous Mexican Films, Irving W. Levinson

History Faculty Publications

Since 1896, México’s film industry has produced more than 5,000 films. These works cover a full range of genres.

Clark University Lgbtq+ History, Robert D. Tobin, Toni Armstrong, Arai Long, Griffin Minigiello, Students Of "Sexuality And Textuality", Spring 2018, Students Of "Sexuality And Human Rights", Fall 2018, Students Of "Sexuality And Textuality", Spring 2019

Publications

Robert Deam Tobin, editor in chief
Toni Armstrong and Arai Long, co-editors
Additional research provided by Griffin Minigello

and the students of:
"Sexuality and Textuality", Spring 2018
"Sexuality and Human Rights", Fall 2018
"Sexuality and Textuality", Spring 2019

A collaborative research-based catalog by Robert Tobin and his students. This work reports on and narrativizes Clark University's LGBTQ+ history beginning with the Clark Gay Alliance in the mid 1970s, one of the earliest gay student organizations in the country. The vast majority of research for this work comes from materials in Goddard Library's Archives and Special Collections.

Intimate Indigeneities: Aspirational Affective Solidarity In 21St Century Indigenous Mexican Representation, Jacob S. Neely

Theses and Dissertations--Hispanic Studies

This dissertation analyzes six contemporary texts (2008–18) that represent indigenous Mexicans to transnational audiences. Despite being disparate in authorship, genre, and mode of presentation, all address the failings of the Mexican state discourse of mestizaje that exalts indigenous antiquities while obfuscating the racialized socioeconomic hierarchies that marginalize contemporary indigenous peoples. Casting this conflict synecdochally as the national imposing itself on quotidian life, the texts help the reader/viewer come to understand it in personal, affective terms. The audience is encouraged to identify with how it feels to exist in a space where, paradoxically, the interruption of everyday life has become the …

In Black And White: Richmond’S Monument Avenue Recontextualized Through The Photographic Archive, Charlsa Anne Hensley

Theses and Dissertations--Art and Visual Studies

The release of the Monument Avenue Commission Report in July, 2018 was the culmination of over one year of research and collaboration with community members of Richmond, Virginia on how the city should approach the contentious history of Monument Avenue’s five Confederate centerpieces. What the monuments have symbolized within the predominately rich, white neighborhood and outside of its confines has been a matter of debate ever since they were unveiled, but the recent publicity accorded to Confederate monuments has led to considerations by historians, city leaders, and the public regarding recontextualization of Confederate monuments.

Recontextualization of the monuments should not …

Gender, Politics, Market Segmentation, And Taste: Adult Contemporary Radio At The End Of The Twentieth Century, Saesha Senger

Theses and Dissertations--Music

This dissertation explores issues of gender politics, market segmentation, and taste through an examination of the contributions of several artists who have achieved Adult Contemporary (AC) chart success. The scope of the project is limited to a period when many artists who figured prominently in both the broader mainstream of American popular music and the more specific Adult Contemporary category were most commercially viable: from the mid-1980s through the 1990s. My contention is that, as gender politics and gendered social norms continued to change in the United States at this time, Adult Contemporary – the chart, the format, and the …

Uncovering Alice Bag: An Alternative Punk History, Emily Macune

Scripps Senior Theses

The intention of this thesis is to provide an alternative counter-narrative to the mainstream histories of punk that center white men. By focusing on the contributions of fem queer and POC punks, I aim to legitimize punk music as a form of resistance against systems of oppression that are oppositional to the commodified forms of mainstream punk. Using Alice Bag, as my central case study as a fem queer punk that is often left out of punk historical narratives, I contextualize her work through feminist, queer, and media studies lenses to bridge the gap between academia and forgotten personal experience.

Show Her It's A Man's World: How The Femme Fatale Became A Vehicle For Propaganda, Leann Bishop

Williams Honors College, Honors Research Projects

During World War II women joined the workforce in droves due to propaganda such as Rosie the Riveter. When Soldiers began returning from the war they wanted stability and normalcy. They wanted to return to the America they left where women ran the household and men went to work. Women, however, experienced a new sense of freedom from working and wanted to continue their liberation. It was during this time that femme fatales, the sultry women of film noir became popular. They represented the liberated women of the 1940s. The film industry saw an opportunity to use these women found …

The Intermedial Politics Of Handwritten Newspapers In The 19th-Century U.S., Mark A. Mattes

Faculty and Staff Scholarship

Handwritten newspapers appeared in a variety of social contexts in the 19th-century U.S.1 The largest extant portion of 19th-century handwritten newspapers emerged from home and school settings. More far-flung examples include those written aboard ships during exploratory and military voyages. Others were produced within institutions such as hospitals and asylums. Such works were written during times of privation, including life in an army regiment or a prisoner-of-war camp during the Civil War. At other times, handwritten newspapers accompanied efforts at westward settlement and transcontinental railway journeys. Impromptu papers could follow in the wake of natural disasters that knocked out print-based …

The Bullet In The Brick: The Materiality Of Conflict In Museum Objects, Siobhan Doyle

Articles

Tangible traces of conflict in visual artefacts can take viewers uncomfortably close to the realities of war—violence, destruction and fatalities. This article questions the evidential force of objects associated with conflict and their eventual display in exhibitions. Through a study of the display of a brick in which is embedded a bullet that is said to have passed through the body of Francis Sheehy Skeffington when he was executed by firing squad during the Easter Rising in Dublin in 1916, this article explores the historical configuration of the brick and analyses its public display in the National Museum of Ireland …

New Australia, Un Nuevo Mundo, Elizabeth Christensen

Capstone Projects and Master's Theses

I focus on the diaspora of the Australian immigration to the South American colony known as New Australia. My project addresses the question of identity. I address questions such as: how much do the surviving descendants of the New Australia colony identify with the homeland of Australia or the hostland of South America? How has their identities influenced the way they raise their children

The Colonized Masculinity And Cultural Politics Of Seediq Bale, Chin-Ju Lin

CLCWeb: Comparative Literature and Culture

In her article, “The Colonized Masculinity and Cultural Politics of Seediq Bale,” Chin-ju Lin discusses a Taiwanese blockbuster movie, a postcolonial historiography and a form of life-writing, which delineates the last Indigenous insurrection against Japanese colonialism. This article explores the cultural representations in Seediq Bale. Fighting back as a colonized man for pride and dignity is portrayed as means to restore their masculine identity. The headhunting tradition is remembered, romanticized, praised highly as heroic and even strengthened in an inaccurate way to promote individualistic masculinity and to forge a new national identity in postcolonial Taiwan. Nevertheless, the stereotypical …

Myth And Monstrosity: Teaching Indigenous Films, Ken Derry

Journal of Religion & Film

The past few times that I have taught my course on religion and film I have included a number of Indigenous movies. The response from students has been entirely positive, in part because most of them have rarely encountered Indigenous cultural products of any kind, especially contemporary ones. Students also respond well to the way in which many of these films use notions of the monstrous to explore, and explode, colonial myths. Goldstone, for example, by Kamilaroi filmmaker Ivan Sen, draws on noir tropes to peel back the smiling masks of the people responsible for the mining town’s success, …

‘I Am That Very Witch’: On The Witch, Feminism, And Not Surviving Patriarchy, Laurel Zwissler

Journal of Religion & Film

While contemporary discussions about witchcraft include reinterpretations and feminist reclamations, early modern accusations contained no such complexity. It is this historical witch as misogynist nightmare that the film, The Witch: A New England Folktale (2015), expresses so effectively. Within the film, the very patriarchal structures that decry witchcraft – the Puritan church from which the family exiles itself, the male headship to which the parents so desperately cling, the insistence, in the face of repeated failure, on the viability of the isolated nuclear family unit – are the same structures that inevitably foreclose the options of the lead character, Thomasin.