Film and Media Studies Commons^™

Trespassers Of Space: Rewriting Female Narratives In Mexican Cinema, Andrea Ruvalcaba

Undergraduate Theses in Art History

How have Mexican cultural figures such as Maria Novaro and Adela Sequeyo made space for themselves in the male-dominated film realm? How and why have these women dared to become “contrabandistas,” or trespassers, in a social fabric defined and governed by men? The same questions apply to the world of Mexican cinema — more specifically Mexican Feminist cinema. Throughout these pages, I will explore how the film Los Pasos de Ana (1991), by the Mexican filmmaker Marysa Sistach, integrates women’s perspectives into Mexican film culture to counteract the neutralization of powerful female representations played out across various facets of Mexican …

Towards Active Learning Practice: A Theory To Practice-Led Model. Part 1: Principles Of Student-Centred Learning, Strutts Psyridis

Staff Scholarship - Australia & Dubai

This monograph explores Active Learning as a student-centred pedagogical model that bridges theory and practice in screen education. It examines constructivist approaches, metacognition, and situated learning, arguing for performative, embodied teaching methods. The paper highlights tensions between traditional instruction and experiential learning, proposing adaptable frameworks for enhancing engagement, autonomy, and transferable skills.

Towards Active Learning Practice: A Theory To Practice-Led Model. Part 3: Engagement, Motivation And Classroom Management, Strutts Psyridis

Staff Scholarship - Australia & Dubai

Part 3 of this continuing series on Active Learning examines engagement, motivation, and classroom management within active learning environments, arguing that meaningful engagement is performative, designed, and context-dependent. Drawing on creative industries, intrinsic motivation theory, flipped classroom models, and digital pedagogies, it proposes that effective teaching integrates facilitation, structure, and adaptive strategies to sustain learner agency, participation, and deep learning.

Student Planners, City Futures: A Crp Documentary, Natalie Kate Venable

City and Regional Planning

Student Planners, City Futures, is a documentary following Professor Dave Amos and 22 students as they prepare a draft of Grover Beach’s General Plan Circulation Element update. Students in their final year in Cal Poly’s City & Regional Planning program take CRP410 – Community Planning Lab I and CRP 411 – Community Planning Lab II during fall and winter quarter as their capstone planning studio. Each studio completes a different project each year. For the 2024-2025 school year, Professor Amos’s section was tasked with completing a General Plan Circulation Element update for the City of Grover Beach. The film …

Video Poem: What Remains, Edie Steiner

The Goose

What Remainsis a three-minute poetry film I created to address the issue of “becoming-with” (Wright 2014). In the film, I document two large-scale, public-art spectacles I witnessed in Toronto, as historical markers of collective becoming-with. I contrast super-8mm film footage of the 1984 outdoor public performance “Shibola” at the Bell Trinity Square building in Toronto, by the Japanese Butoh dance group Sankai Juku, with digital video of “A Tribute to Toronto,” Judy Chicago’s 2022 Smoke Sculpture on the Toronto waterfront. I then intercut these images with digital recordings of ruins and relics, both ancient and modern, merging as …

Towards The Non-Spectacle: Responses To Necropolitics In The Artwork Of Teresa Margolles And Maya Watanabe, Leslie Anne Condon

Masters Theses

How do we engage with artwork that addresses complicated histories

of colonialism and political violence, specifically intangible and

incomprehensible violence? Mexican artist Teresa Margolles’ 2005 work, Lote

Bravo, is named after and composed of the soil from a mass grave site

discovered in 1995 in the southeastern corner of Ciudad Juárez, a city known

internationally for the femicide that has continued to haunt its streets and

peripheries since the 1990s. Peruvian filmmaker Maya Watanabe’s 2019 film

Liminal cinematically documents the official exhumation of two mass graves

in the Ayacucho and Huánuco regions of the Andes highlands, where

thousands of …

You Get That From Me, Robyn Duncan

Theses and Dissertations

You Get That From Me is a mixed-media, collage-based film that integrates personal portraits, allegorical maps, and digital collages with spoken narration to craft a stylistic memoir of a pivotal period in my life: the transition from childhood to motherhood.

Burn, Deborah Rolf

Theses and Dissertations

Burn is a hybrid documentary that explores the collective experience of being “burned out” through interviews and lumen photography. Burnout is a syndrome associated with improperly managed workplace stress. Lumen printing is an alternative photographic process where photographic paper is exposed to daylight.

Personification: A Short Film, Charles R. Adams

Undergraduate Honors Thesis Projects

Personification follows a group of college students as they receive news that mysterious shape-shifting creatures are posing as humans. They quickly turn on each other, realizing there is no one they can trust. In the style of mid-20th - century horror films, notably Don Siegel’s Invasion of the Body Snatchers (1956), the short film explores themes of paranoia and the value of human expression in a time when generative AI seeks to replace the creative method. In keeping with this theme, the emphasis for this project was on the act of creation. Pre-production—which included scriptwriting, casting, and various organizational tasks—ran …

A Guide To Creating Trans And Gender Variant Inclusive Film Sets: For Directors And Department Heads On Non-Union/Low Budget Film Sets, Perce Alvarez

CMC Senior Theses

The following thesis explores transgender and gender-variant inclusivity practices in film production. It conducts an overview of information on lgbtq+ and transgender populations, discrimination, and filmmaking practices. From there, a baseline of definitions for terms and worldviews adopted by transgender and gender-variant communities is established. Primarily, this thesis focuses on establishing reasoning for and presenting practical applications of transgender inclusivity that can be implemented throughout the film production process. It accomplishes this by focusing on specific parts of the production process and how the leaders of those subprocesses can put these inclusivity practices into action.

The Creative Front, Aleksandr O. Barrett

Graduate Student Theses, Dissertations, & Professional Papers

Abstract

In this paper, I will discuss my thesis exhibition, The Creative Front, focusing on my materials, content, and context as they relate to each piece or body of work. This exhibition is the culmination of my work, which centers on my experience with the Russo-Ukrainian war. My work can be interpreted metaphorically, poetically, and directly through sculpture, installation, sound, and film. I am portraying very human stories and experiences from a full-scale war raging in Europe. My work is immersive, placing the viewer in an atmosphere of war, and conveying a sense of urgency and compassion for those who …

Reckoning With The Cowboy: Justice, Trauma, And The Myth Of Freedom In Be The Cowboy, Abbie Oh Arroyo

Scripps Senior Theses

Be the Cowboy interrogates the romanticized myth of the cowboy as a symbol of justice and freedom through the lens of racialized and gendered trauma. Centered on two Korean American sisters, the film explores the aftermath of a sexual assault and the ensuing quest for justice, highlighting the emotional and ethical tensions between retribution and healing. Drawing from postcolonial, trauma, and feminist theory, the project critiques the cowboy archetype’s historical entwinement with white patriarchy, colonial violence, and the aestheticization of marginalized suffering. By reimagining the Western genre through a racialized and gendered perspective, Be the Cowboy challenges dominant cultural narratives …

'God Loves The World' Documentary, Ilona Kitchen

Williams Honors College, Honors Research Projects

The internet is a powerful place. People feel that they can share how they feel with no consequences. Hedviga Tkáčová (2021) argues that negative media portrayals of Christianity contribute to prejudice against Christian university students in Slovakia, which undermines social cohesion and highlights the need for greater support of religious diversity. From memes to viral videos, these digital interactions can feel like a personal attack, exposing how online spaces can betray the trust and faith of the Roman Catholic Church. As a Roman Catholic, I frequently encounter such issues when engaging with content in the media. In public settings, it …

East Of The Sun, West Of The Moon Film Pitch Deck, Micah Anderson

Williams Honors College, Honors Research Projects

A pitch deck to present an idea for a film adaptation of the fairy tale "East of the Sun and West of the Moon." The deliverables include a 3-5 minute animatic of a single scene (complete with placeholder audio), the script of the scene, storyboards used to map out each action, at least one model sheet for each major character, and rough sketches of all 30 characters. They are to be presented in an exhibition with the animatic on loop on a TV, a public presentation in the Myers auditorium, and a written paper on the details regarding the medium …

Sunlight, Veiled, Sina Ahmadkhani

Theses and Dissertations

Sunlight, Veiled is a narrative short film exploring themes of displacement, class, and identity through the lens of an Iranian intern navigating a morally ambiguous company party in the United States. This written component traces the evolution of the project from development through post-production, while reflecting on the personal and political frameworks that shaped the creative process. Through cinematic references, cultural analysis, and production insight, the paper aims to contextualize the film within a diasporic experience and a growing awareness of social power dynamics. It also reflects on the challenges of filmmaking as an outsider, where self-doubt, cultural translation, and …

Threading The Needle: Chinese American Adoptees And The In-Between, Annalee Johnson

Honors Undergraduate Theses

Threading the Needle is a short documentary that investigates the relationships between Chinese American adoptees, their families, and their heritage. The film features two primary participants, Mia Nails and Annalee “AJ” Johnson as they reflect on their Asian American identity, experiences with racism, and their struggles with cultural estrangement. The similarities and differences in their perspectives shed light on both the wonderful and the heartbreaking circumstances of adoption. The contemporary value of the film lies in how it challenges popular representations of the Asian American experience: Though in recent years, Asian American media has become more present in popular culture, …

Teaching Documentary Filmmaking As Social Advocacy: The Case Of The Yangon Film School, Violet Valdez, Mon Mon Myat

Department of Communication Faculty Publications

This is a descriptive case study of Yangon Film School (Yangon, Myanmar) in a setting of protracted civil conflict that has persisted since 1968. It examined the school’s approach in the teaching of documentary filmmaking and analyzed key aspects of the school’s operations. Findings show that the documentary filmmaking taught in the school was informed by social advocacy. This was fostered through the students’ participation in films commissioned to the school by civil society organizations and the practice of participatory filmmaking. The school stood out in the Myanmar setting for its dual character as a training center and a production …

The Romanticization Of Human-Vampire Relationships: How 'Twilight' And 'The Vampire Diaries' May Prime Young Women To Accept Dating Violence, Natalie M. Bowen

UROP Posters

The first literary vampire can be traced back to 18th century Germany, with Johann Wolfgang von Goethe’s poem “Die Braut von Korinth,” but the stereotypical features of a vampire are traditionally accredited to Bram Stoker’s Dracula. Modern vampires, such as Edward Cullen and Stefan Salvatore of the Twilight and The Vampire Diaries series respectively, have managed to win the hearts of teenage girls all across America with their sex appeal and charismatic nature. According to Bandura’s Social Cognitive Theory, individuals learn new behaviors by modeling and imitating the actions of those around them. This comprehensive literature review investigates the connection …

A Mandate For Healing: A World War Ii Vet Meets A Vietnam Vet In The Screenplay, Chinook With An Essay On War Screenplay Research, Buz Ecker

Antioch University Dissertations & Theses

Chinook is an original screenplay about a Vietnam vet with PTSD who meets a World War II vet in a VA Home, and the screenplay takes one afternoon to unfold. This dissertation explains how Chinook came to be, with all of the processes undertaken. It begins with an introduction about the characters in the screenplay and who these characters are based on. There are several books, movies, and articles contained in this section to make the characters, events, and flashbacks of what actually happened in World War II and Vietnam. The best resources were conversations with actual veterans from either …

Mirrors Of The Reel: Black Women's Identity In American Cinema (2009-2024), Melanie-Penny Harrison

Antioch University Dissertations & Theses

This study investigates whether white supremacy structures, embodied in Hollywood’s predominantly white leadership, drive negative portrayals of Black women in 31 mainstream American films from 2009 to 2024. Employing a mixed-methods approach—quantitative content analysis, qualitative content analysis (QCA), and narrative methodology—I code portrayals for racism, patriarchy, heterosexism, colorism, and internalized racism, classifying them as progressive (e.g., empowered roles), regressive (e.g., subservient stereotypes), or hybrid. Guided by Critical Race Theory and intersectionality, the analysis examines narrative structures, character agency, symbolism, and dialogue to uncover intersectional patterns (e.g., race, gender, class) across three periods: 2009–2013, 2014–2018, and 2019–2024. Across these periods, cultural …

Cashing In Or Giving Back: The Role Of Film Tax Incentives In The Cultural Impact Of Runaway Productions, Karolina Krok

Scripps Senior Theses

This thesis explores the internationalization of Hollywood through economic and creative runaway productions driven by international tax incentives. It examines how these incentives can impact not only the commercial but the cultural success of productions filmed abroad, focusing on regions such as Australia, New Zealand, Canada, the United Kingdom, France, Germany, California, New York, and New Jersey. The analysis centers on cultural tests and diversity requirements, revealing two main approaches: the first requires a minimum of diversity standards and cultural tests points to be met, while the second prioritizes and rewards productions with the highest achieved assessment of those. Furthermore, …

Cim316.2 Major Project Development Example 1, Sae University College

Exemplars

Concept reasoning and planning documentation for major project development.

Students went well beyond the required scope of the project to make their case.

What Makes A Great Movie Trailer?​, Bridget Hill

Honors Projects

This research analyzes four case study films across two genres to identify the best tactics used in trailer marketing and editing in order to create box office successful films that attract their identified target audiences. Existing research and a pre-existing interview were used to identify and define these tactics before then applying the strategies onto existing film trailers. The two genres chosen in this analysis include Romantic Comedies and Animated Action/Adventure Family Films. In each genre, a successful and unsuccessful film were chosen then compared against one another to determine if the successful film trailers utilized the previously identified tactics. …

Maka: Un Processo Collaborativo Raccontato A Tre Voci, Simone Brioni Dr., Geneviève Makaping, Elia Moutamid

Department of English Faculty Publications

The documentary Maka offers an account of Makaping’s journey of migration from Cameroon, her arrival in Italy in 1982 following the tragic death of her partner, her success as a journalist and television host, and her more recent relocation to Mantua. Maka focuses on questions of national belonging, and it reflects on how the perception of migration and race has changed since Makaping first came to Italy in the 1990s. This contribution includes a short article in which the protagonist, the writer and the director of the film reflect upon their collaboration. It also includes a video recording of the …

Artificial Creativity: How Artificial Intelligence Will Impact Creativity Via Post-Production, Nicole Dwyer

Honors Thesis

My thesis lives in the world of Post-Production, and it contains both a creative and written component. I was the editor for four Undergraduate thesis projects. Seeking to gain experience in editing various genres, I worked in drama, sports, period piece, coming of age, and adventure. My biggest takeaways from these projects are the importance of organization, communication, time management, and editing with a sense of imagination. I became a more confident, resilient, and prepared editor through these experiences.

Along with the hands-on filmmaking element of my thesis, I also conducted research on how artificial intelligence will impact conceptions of …

A Year From Now: A Behind-The-Scenes Documentary, Calvin Henson Jr

Electronic Theses and Dissertations

This thesis will explore A Year from Now: A Behind-the-Scenes Documentary, which I shot, directed, and edited. It will explore the 19-day production process of the 2019 SFA summer feature film, A Year from Now, shedding light on the experiences of both the cast and crew throughout production. Additionally, it will examine my role as the behind-the-scenes documentarian from being assigned the position, through gathering the footage and conducting the interviews, and developing the finished product.

Televangelism And Religion In Star Trek V And Licence To Kill, Robert Revington

Journal of Religion & Film

In June 1989, both Star Trek V: The Final Frontier and the James Bond film Licence to Kill were released in theatres within days of each other. This study analyzes how story elements in both films were directly inspired by recent televangelist scandals in the United States. The Star Trek film was also intended to have a deeper examination of the nature of God and the Devil. Nonetheless, both films were also intended to appeal to a mass audience. To that end, these films' explorations of religious issues were watered down to avoid offending Christian denominations or churches (though not …

Ani175.3 Cinematography Animatics And Previsualisation Example 2, Sae University College

Exemplars

Student exemplar for ANI175.3

Do Androids Dream Of Bad Tv?: Un/Originality In Neil Burger’S Voyagers, Tom Ue, Callum M. Mcnutt

Proceedings from the Document Academy

Critics did not take kindly to Neil Burger’s Voyager (2021). On Rotten Tomatoes, the film scored a dismal 25%, and the consensus is that it’s a trip best not taken: “It has a game cast and a premise ripe with potential, but Voyagers drifts in familiar orbit rather than fully exploring its intriguing themes.” This article seeks neither to reclaim the film as an unjustly neglected cinematic masterpiece nor to assert its importance in the canon of dystopian works. Rather, it treats Voyagers as a test case for exploring our own critical investment in the genre. Our aims are …

Poco Film Festival Talks: The Impact Of Ai: A Humanist Perspective, James Thompson

Staff Scholarship - Australia & Dubai

As regards the onset of AI technology use and influence in the film and screen industries, we need to be able to take account of the agency and the engagement of our creative minds and whether or not they are being invited in to realistic, tangible jobs and careers, or alternatively what the impacts of changing technological paradigms might have on their futures. In what ways does AI impact the screen industry?

This generation of young people, film and screen production students, want to have an in-person, socialised peer experience - they want to be together. They want to have …