Film and Media Studies Commons^™

Women In Film: A Personal Account, Carlie Merlo

Honors Projects

My Honors Project addresses the inequalities that exist within the film industry by sitting down with several senior members of the BGSU Film Department to discuss this issue. Research done by Dr. Martha Lauzen through the Center for the Study of Women in Television and Film highlights the rampant sexism that currently exists in the entertainment industry. This subject is of particular concern for myself and for my female classmates who are preparing to make careers in the film field. After four years at BGSU, I have realized that the industry-wide sexism constantly discussed in the media does not exist …

Crafting Fear: The Horror Film Trailer, Courtney Dreyer

Honors Theses

My research project investigates horror film trailers in an effort to define the characteristics of this genre and discuss its ideological implications. Focusing on theatrical trailers for American wide-release horror films between 2013 and 2017, I closely viewed a sample of forty trailers to inform my investigation. Horror trailers create an intense emotional experience of both dread and fear, tending to follow a similar narrative structure and employ a common set of stylistic techniques to achieve this emotional intensity. The shared stylistic techniques include elements such as tight framing, innocent imagery, and genre misdirection. The repetition of these elements promotes …

Peace Has No Borders, Denis H. Mueller Ph.D., Deb Ellis

Ray Browne Conference on Cultural and Critical Studies (2015-2021)

Film Screening and Q/A with co-directors:

During the Iraq War, veterans from the United States crossed the border to Canada seeking refuge from serving in what they viewed as an unjust and immoral war. Peace Has No Borders follows three resisters and their supporters through a ten-year effort to remain in Canada.

Peace Has No Borders takes place within the backdrop of a previous migration to Canada. Between 1965-1973, over 50,000 Americans crossed the border seeking refuge from what is now widely recognized as a misguided war. Forty years later, Canada faces the same political dilemma – whether to give …

The Reflection Of Sub Continental Primitive Archetype Mother In The Films Of Ritwik Ghatak, Zuairijah Mou

Ray Browne Conference on Cultural and Critical Studies (2015-2021)

Ritwik Ghatak is one of the significant Indian filmmakers in the Indian subcontinent. The touch of the culture of Bengal is clearly evident in the films of Ritwik Ghatak. Before analyzing the role of the primitive mother archetype in the scenes or in the development of the characters in his films, it is necessary to understand the origin of the primitive mother archetype.

The primitive mother archetype or maternal form is the statements, figure, myth, pattern, form, use etc. which has been existing in any culture for a long time. For example, the form of 'Mother' in Bengal is worshiped …

17 Days: Cross-Country With Social Media, Zachary Alvarado

Senior Theses

"Austin Prescott and Zach Alvarado travel from South Carolina to California using social media to find and communicate with hosts throughout the country..."

https://www.youtube.com/watch?v=V8k6EQnW5D4

Costs of investment were weighed against capital contributions throughout our campaign. While the film serves to inspire, entertain, and inform, the paper dives deeper into the brand-building, cost-savings, and logistics of the trip. In the end, we more than doubled our initial investment and had an awesome time while doing it.

The Effect Of Post-Production On Storytelling In Narrative And Documentary Filmmaking, Natalie Pace

Senior Honors Theses

Documentaries and narrative films both tell stories in different ways. A common saying states that narrative filmmakers write one movie, shoot another, and edit a third. In postproduction, timelines are rearranged, montages are created, new dialog and voiceovers are written, and the score can alter the mood and meaning entirely. Documentaries can change even more over the course of their creation. Usually, the script of the documentary is not written until the edit, after most of the interviews and B roll have been shot. This paper examines whether documentary post-production makes more or less use of storytelling techniques than does …

Find Him In The Valley: A Missionary's Burden, Susannah Martin

Senior Honors Theses

The main portion of this thesis includes a presentation of the short film script, Find Him in the Valley: A Missionary’s Burden. The script follows a young missionary, his older mentor, and their guide on a journey to a village where they will be witnessing to people who have never heard the Gospel. Unfortunately, the village is mostly destroyed by a mudslide before they can arrive. I also explain my creative choices as an author, discuss how transmedia can be used to further engage viewers of the film, and explain my future plans for the script, including marketing.

A Director Acts: My Experience Directing And Acting In A Short Film, Benjamin Grist

Senior Honors Theses

The purpose of this creative thesis was to test the difficulties of both directing and acting in a short film at the same time. I began my research by completing three honors petitions that covered this subject and used the information I gained while writing and performing them to inform my decisions while completing the thesis. During pre-production, I prepared for my roles in the film and began to discover the challenges involved. In the production phase, I directed and acted in a short film over the course of five days. This experiment has led me to believe that one …

Editorial In(Ter)Ventions: Comparing The Editorial Processes Of The Hebrew Bible And The Star Wars Saga, Timo Tekoniemi

Journal of Religion & Film

Canonicity and authority of one textual form over another, textual plurality, and scribal freedom in the early transmission of the Hebrew Bible have in the recent decades become prominent topics in the methodological discussions of biblical scholars. Since the discovery of the Dead Sea Scrolls, it has become clear that, when attempting to discern the oldest text of the Hebrew Bible, we are in need of new and better models of textual transmission that take into account all extant textual evidence. Working solely on the basis of the so-called Masoretic Text is no more methodologically tenable, especially when it comes …

A Reason To Daydream, Corinne Schipull

Honors Program: Senior Projects (Public)

Sexism in American culture comes as no surprise. In 2017, the film industry saw an increasing number of powerful men within its ranks exposed and exiled for allegations of sexually predatory behavior. Many see this purging as a sign of changing times, but this view is optimistic: the tides of change ebb in and out, and this problem far exceeds the movie industry. Well before the onslaught of articles on the likes of Harvey Weinstein, my classmates and I resolved to craft our senior thesis film with a crew made up entirely of women: we simply saw the pool of …

A Conversation With Luis Argueta, Francesca Soans

UNIversitas: Journal of Research, Scholarship, and Creative Activity

Synopsis: An interview with filmmaker Luis Argueta during his visit to UNI on October 13, 2017. Students from the Digital Media Production II class, taught by Professor Francesca Soans, planned, recorded, and edited the interview, as part of a 30-minute television show on immigration. Luis Argueta directed a trilogy on immigration in Iowa: AbUSed: The Postville Raid (2010); ABRAZOS (2014); and The U-Turn (2017).

Interview With Beatriz Gallardo, Stephen J. Gaies, Polly Alfano Translator, Jennifer Cooley Translator

UNIversitas: Journal of Research, Scholarship, and Creative Activity

Film has been a powerful tool in documenting and raising awareness about (im)migration. It can reveal the root causes of population movement, both voluntary and involuntary, and it can open our eyes to the economic, social, legal and psychological challenges of newcomers.

Beatriz (Bea) Gallardo Shaul has been involved as a film producer in bringing these issues of (im)migration to the attention of the general public and in preserving a record of the impact of these issues on the people of Guatemala. Gallardo earned a Masters in Communications from San Carlos University in Guatemala (cum laude). Her credits as a …

Lives In Motion: Depaul's All-Star Cinema Arts Faculty Teach The Art Of Documenting Life On Film

DePaul Magazine

This article highlights the award-winning female documentarians on faculty at DePaul University's School of Cinematic Arts and their various projects with students, including a program for female high school students living in Chicago Housing Authority housing. Sidebar by DePaul Law School graduate Chaz Ebert.

Introduction: (Re)Presenting (Im)Migration, Jennifer Cooley

UNIversitas: Journal of Research, Scholarship, and Creative Activity

This edition of UNIversitas is devoted to the study of Luis Argueta’s trilogy of documentary films about immigration, and, more broadly, the quest to faithfully represent the personal impact of immigration policies in the 21st century. Starting with abUSed: The Postville Raid (2010), followed by ABRAZOS (2014) and most recently The U Turn (2017), Argueta’s films invite us to reflect upon the ongoing injustices faced by Guatemalan migrants living in the Midwest and broader societal issues surrounding immigration as well. They do this by bringing individual stories to the forefront, by giving voice to those who are typically silenced, …

Sundance Film Festival 2018, John C. Lyden

Journal of Religion & Film

Introduction to the Sundance Film Festival 2018.

Half The Picture, John C. Lyden

Journal of Religion & Film

This is a film review of Half the Picture (2018), directed by Amy Adrion.

Electronic Rhapsody: Theremin And Matryomin, Kayoko Nakamura

Theses and Dissertations

Electronic Rhapsody: Theremin and Matryomin is a short documentary film, which explores two magical musical instruments: the Theremin and the Matryomin. Both instruments represent innovations in the history of electronic music. The film depicts the world of these unique musical instruments, their inventors and performers who make up the community.

In-Terracial Conversation, Cheryl Dunye, Alexandra Juhasz

Publications and Research

No abstract provided.

Whatever Happened To Blackwater Rd.?: A Visual Documentary Concerning Achievement In The Face Of Failure, Michael Stephenson

Electronic Theses and Dissertations

Whatever happened to Blackwater RD.? is a feature length documentary thesis film created and cultivated by Michael E. Stephenson to fulfill the requirements of the Master of Fine Arts degree in Entrepreneurial Digital Cinema while attending the University of Central Florida. Whatever happened to Blackwater RD.? has met these criteria of the School of Visual Arts and Design, in the College of Arts and Humanities, by being a feature length digital film with a budget no larger than $50,000. This film is the efforts of the filmmaker to trace the failure of his original narrative thesis film Blackwater RD., attempting …

Preserving Film Preservation From The Right Of Publicity, Christopher J. Buccafusco, Jared Vasconcellos Grubow, Ian J. Postman

Faculty Scholarship

No abstract provided.

A To Z Of Superhero Movies, Jiyeon Kim

CMC Senior Theses

This project explores the question of originality and appropriation in the creative world by using mashup video as a medium. How can old repetitive stories be deconstructed and transformed into something new? I have created alphabetically ordered montages of shots/scenes containing words/letters from superhero films. By doing so, I do not provide a concrete answer to what is really original in today’s world, but rather encourage the audience to actively participate in the viewing experience of the carefully structured ontology and see the infinite possibility of the modern-day mashup culture.

Little Trees, Maxwell Kane

Honors Theses

I believe in the power of film as a medium of storytelling. My desire to head a year-long production as well as create a moving story that underlined my interest in sibling relationships motivated me to create a short film as my honors thesis. My film, Little Trees, emphasizes themes such as alienation and growth within a broken household. My ultimate goal is to become an artist who creates meaningful cinema by telling deeply personal stories, and creating Little Trees was a successful first step in that process.

Like Me: Generation Z, Instagram, And Self-Branding Practices, Emily Longley

Scripps Senior Theses

The newest generation, raised and immersed in today's hyper-consumer culture, has learned to define the self within a neoliberal and capitalist framework in which self-branding and ascribing to hegemonic principles appears imperative to one’s personal success.

Skinny Girls Bleed Flowers, And Other Sick Lies, Isadora Steiger

Scripps Senior Theses

This short film visualizes the experiences of seven Scripps students who have or have had eating disorders, using interview audio and projected imagery to critique existing media portrayals of eating disorders, as well as humanizing those who actually suffer from them.

Stay Woke, Langston A. Williams

LSU New Orleans Theses and Dissertations

Throughout the pages of my thesis, I comprehensively analyze the processes, intentions, and production of my thesis film Stay Woke. My examination will exhaustively probe every stage of the film from development to preproduction to production to postproduction and beyond. Individual aspects of this process including writing, casting, locations, production design, cinematography, directing, budgeting, scheduling, and postproduction workflows will be detailed. As I make elaborations in each section, I will explain my learning experiences from each day’s new tasks, challenges, and lessons. All of these things will be framed with regards to the overall goal and themes of the …

The Horse's Ass: A Survey Of Comediology, William M. Fisk

LSU New Orleans Theses and Dissertations

What is comedy? Can someone learn to be funny? Are there rules or guidelines for the production of laughter, the universal language? This paper, which outlines an investigation of successful comedians and the production of a short film, determines to aggregate as many of the relevant prerequisites of inducing giggles as possible, especially as they relate to the audiovisual medium of cinema.

On Capturing The Ineffable: A Moment From Experimental Film "59.10", Henry Leslie Foster Ii

The Transdisciplinary STEAM+ Journal

This artwork is a still from “59,” an experimental film installation I created with the following restrictions: I had to direct eleven 59-second films in eleven months with eleven collaborating artists, none of whom could be cis men.In the resulting project, we used film and those eleven short moments to capture our unique, fragile experiences. We explored everything from the way in which facets of personality drift in and out of the subconscious to the beautiful, mercurial nature of gender.

Only The Strong Live, Dewayne Gage

Capstones

This is a documentary about the life of Cadeem Gibbs. A glimpse of his past that lead him to incarceration for six years. After being released in 2013, Gibbs is dealing with the life outside of incarceration as he uses his life to inspire others and connect with the youth.

http://www.dewaynegage.com/blog/2017/1/9/filling-the-void-1

Hellbound - The First Season, Stephen Seiber

Honors Projects

A student short concept film developed in order to pitch a television series.

The Suppression Of Satirizing Belgian Community Difficulties In Flemish Cinema And The Film Adaptation Of Will-O'-The Wisp, Gertjan Willems

CLCWeb: Comparative Literature and Culture

In his article "The Suppression of Satirizing Belgian Community Difficulties in Flemish Cinema and the Film Adaptation of Will-O'-the Wisp" Gertjan Willems analyzes two film projects of Frans Buyens. In 1970, Buyens received a positive funding recommendation for Top-Hit Girl, a satire about community difficulties in Belgium. However, Minister of Culture Frans van Mechelen refused to support the project because it conflicted with his pro-Flemish views. The minister successfully swept this controversial decision under the rug by offering Buyens the option to trade his socially critical project for a film adaptation of Willem Elsschot's novel Will-O'-the Wisp. …