Film and Media Studies Commons^™

Invisible In 'The Archive': Librarians, Archivists, And The Caswell Test, Bridget Whearty

English, General Literature, and Rhetoric Faculty Scholarship

This presentation, "Invisible in 'The Archive': Archivists, Librarians, and The Caswell Test," was given at the 53rd International Congress for Medieval Studies, on May 11, 2018. It argues that medievalists, and humanities scholars more broadly, have erred in writing and theorizing about "the archive" as an abstract, depopulated space, untouched by human labor and laborers. Building on the work of M. L. Caswell, Eira Tansey, Amy Hildreth Chen, Myron Groover, and other scholars of library and information sciences, it proposes that humanities scholars adopt what I call "The Caswell Test."

Based on the famous "Bechdel Test" for gender representation in …

The Archivettes, Megan D. Rossman

Theses and Dissertations

The Archivettes is a feature-length documentary film about the Lesbian Herstory Archives and the personal lives of the women involved in it. The film provides a comprehensive look at the history of the group, the materials it protects and the challenges arising as the founders face their final years.

The Lesbian Herstory Archives began in 1974, when a group of women involved in the Gay Academic Union realized that lesbian history was disappearing as quickly as it was being made (Edel). It is now home to the world's largest collection of materials by and about lesbians and their communities.

Cellist, Catalyst, Collaborator: The Work Of Charlotte Moorman, Saisha Grayson

Dissertations, Theses, and Capstone Projects

When classically trained cellist Charlotte Moorman (1933-1991) moved to New York City in 1957, she swiftly positioned herself at the intersection of experimental music, performance, video, and the visual arts. She interpreted works by composers like John Cage, collaborated with artists such as Nam June Paik, and founded and organized the New York Avant Garde Festival from 1963 to 1980. This dissertation argues that Moorman’s career sheds new light on what it meant to be an artist in this post-medium-specific moment and proposes that Moorman’s deterritorialization of authorship exerts pressure on traditional art histories. The generative dynamics of her collaborations …

Party On, Derrida!: A Queer, Deconstructionist Look At Wayne's World, Glam, And The Losers Of Rock And Roll, Michelle A. Arp

Dissertations, Theses, and Capstone Projects

What do you get when you mix a girl from Long Island, critical theory, a movie based on a Saturday Night Live sketch, David Bowie, and alternative rock of the early 2000s? A lot of losers, a lot of queerness, and plenty of room for deconstruction.

Part performance studies, part queer studies, and part memoir, this study is a cross-genre and experimental analysis of postmodern ideologies, rock and roll, and comedy. More specifically, I use Jacques Derrida’s notion of “the slash” (Of Grammatology, 1967) in relation to high and low culture via comedies, such that of Wayne’s World …

“The Childish, The Transformative, And The Queer”: Queer Interventions As Praxis In Children’S Cartoons, Heather Wright

Dissertations, Theses, and Capstone Projects

In Understanding Comics: The Invisible Art, Scott McCloud considers “the simplified reality of the cartoon,” establishing a definition and theory for the medium (30). McCloud believes that cartoons possess “a special power” that is tied to their unique ability to “focus our attention on an idea” (31). Put simply, there is something about cartoons that allows for an easy exchange of concepts. Cartoons can teach. Using cartoons, a general term, to refer to both comics and animation, this thesis examines the transformative power of queer world building and intervention in recent children’s cartoons and how it functions, and can …

Dolls Who Speak: Sex Robots, Cyborgs And The Image Of Woman, Victoria E. Pihl Sorensen

Dissertations, Theses, and Capstone Projects

This thesis examines the emerging phenomenon of sex robots from a feminist materialist perspective. I explore the current scholarly and popular debates on sex robots, and suggest a reading of sex robots in their machinic, literary and cinematic expressions to move beyond the moral-ethical impasse that seems to dominate sex robot discussions. Employing Donna Haraway’s “Cyborg Myth” on a methodological and theoretical level, I argue for an interdisciplinary approach to studying sex robots, which proceeds carefully so as to avoid contributing to sex panic, and which thinks critically about what it might mean to assess sex robots from a feminist …

Domestic Workers In Hong Kong: Their Stories, Self-Perception, And Their Portrayal In Hong Kong And Filipino Media, Lauren Ernst

Senior Theses

Foreign domestic helpers are one of the most common and unique sights in current-day Hong Kong. On the weekdays, they can be seen walking dogs, taking children to school, and completing chores around the house. On Sundays, they flood the streets in full force, relaxing and taking advantage of their one day off a week. This population faces many challenges during their time in Hong Kong – these challenges are modern as well as historical and include financial, governmental, emotional, and social challenges. Along with the challenges of day to day life, they also face challenges in that their stories …

"It's Like They're Right There Next To You": Maintaining Girls' Camp Friendships Via Mobile Media, Elise Bragard

Dissertations, Theses, and Capstone Projects

This thesis explores how a group of adolescent girls uses mobile and computer-mediated communication as a resource for social and emotional support from their friends. In the midst of widespread public panic about teenage social media use, this study finds nuanced and positive ways that technology is being used in girl culture. Within the context of a technology-free summer camp, adolescent girls form close relationships, which continue throughout the school year. The girls construct a virtual-symbolic camp space using mobile-emotive communication to stay connected with their friends. As a result, they recreate the intra- and inter-personal benefits they experienced at …

Building Brand Kurdistan: Helly Luv, The Gender Of Nationhood, And The War On Terror, Nicholas S. Glastonbury

Publications and Research

In the early 2000s, the Kurdistan Regional Government hired a US-based firm to begin a public relations campaign called “The Other Iraq.” Since that time, it has worked with a number of PR and lobbying firms to build a cultural, political, and financial apparatus that I refer to as Brand Kurdistan. This apparatus aims to prove to Western audiencesthat the Kurds are a liberal exception in an illiberal Middle East, and to build prospects of KRG’s eventual national independence. This article explores the connections between Brand Kurdistan and the gendering of Kurdish nationalism, focusing particularly on Kurdish pop diva Helly …

How To Be The Perfect Asian Wife!, Sophia Hill

Art and Art History Honors Projects

“How to be the Perfect Asian Wife” critiques exploitative power systems that assault female bodies of color in intersectional ways. This work explores strategies of healing and resistance through inserting one’s own narrative of flourishing rather than surviving, while reflecting violent realities. Three large drawings mimic pervasive advertisement language and presentation reflecting the oppressive strategies used to contain women of color. Created with charcoal, watercolor, and ink, these 'advertisements' contrast with an interactive rice bag filled with comics of my everyday experiences. These documentations compel viewers to reflect on their own participation in systems of power.

Living In The Liminal: Representation Of Transgender And Nonbinary Identity In 'Steven Universe', Mads Bradley

Media and Communication Studies Honors Papers

An analysis of the children’s animated series Steven Universe, this research takes a semiotic approach to explore anti-essentialist messages of gender identity. Atypical within the mainstream media, the cartoon expresses dynamic messages about gender by representing nonbinary characters and gender fluid themes. By contextualizing the American history of cartoon production, queer representation, and audience reception, this analysis provides insight into the importance of inclusive depictions of transgender identity in children’s media. Through close textual analysis and focus group findings with straight cisgender and queer informants, the research examines how the show portrays liminal identities. By combining textual analysis and …

The Reification Of Hegemonic Masculinity Via Heteronormativity, Sexual Objectification, And Masculine Performances In Tau Kappa Epsilon Recruitment Videos, Viki Tomanov

Butler Journal of Undergraduate Research

Fraternity members constitute a large percentage of men who hold highly influential jobs in politics, large corporations, and the like. Since fraternities are limited to men-only, it is important to examine how masculinity is both rhetorically constructed and subsequently performed. Tau Kappa Epsilon (TKE), the fraternity with the largest amount of chapters nationwide, is the focus of my analysis. Its popularity among college campuses signifies that its recruitment is successful and that, regardless of initiation into the fraternity, many men (and women) view TKE as an example of masculinity. In my analysis, I examine TKE recruitment videos from various universities …

Realness Over Reality: Analyzing Gender Binary Deconstruction In Rupaul’S Drag Race, Jonah Wilson

Ray Browne Conference on Cultural and Critical Studies (2015-2021)

From its conception in 2009, RuPaul’s Drag Race (RPDR) has grown incredibly in popularity, quality, and potential to serve as a mainstream way of change and acceptance for varying gender performances and identities. Particularly working within frames of commercialism, homonormativity, and queer commodification, RPDR loses a lot of its potential to serve as a radical, decentering challenge to the rest of mainstream television. In regards to rigid western ‘borders’ of gender and the gender binary, RPDR has done a considerable amount to deconstruct sociocultural boundaries that restrict individuals from presenting their gender identities and allowed a stage for transgender and …

Novitiate, Joshua Canzona

Journal of Religion & Film

This is a film review of Novitiate (2017) directed by Maggie Betts.

Thelma, Kevin V. Dodd

Journal of Religion & Film

This is a film review of Thelma (2017) directed by Joachim Trier.

Motherhood Makes A Matriarchy, Lily Mann

Undergraduate Honors Thesis Projects

This analysis will discuss the topic of matriarchies, how they created, and how they are sustained. Nathaniel Hawthorne’s The Scarlet Letter, and Ryan Murphy’s American Horror Story: Coven are used as examples of matriarchies, wherein Hawthorne’s matriarchy is at its start, whereas Murphy’s matriarchy is coming to a potential end. This will be examined through a comparative analysis between the characters in Hawthorne’s early American work with the characters in Murphy’s contemporary work. Ultimately, Hawthorne’s matriarchy is much more insidious and potentially damaging to a patriarchal norm than Murphy’s reclusive patriarchy. Hawthorne’s matriarchy has the option to disrupt a patriarchal …

Disoriented Nationalist Discourse Of The Wenxuan Group Amidst Manchukuo’S Anti-Modern Chorus, Chao Liu

CLCWeb: Comparative Literature and Culture

In his article "Disoriented Nationalist Discourse of the Wenxuan Group amidst Manchukuo's Anti-Modern Chorus" Chao Liu analyzes the proposal of "native-land literature" made by left-wing Chinese writers in occupied northeast China. As it turns out, inheriting the nationalist discourse of the May Fourth Movement and further radicalizing it via a "new romanticism," those writers over-emphasized the socio-political function of literary production and took native-land literature as the most effective tool for nationalist mobilization. Accordingly, they repelled modern civilization as it was associated with the colonists, relying instead on natural wilderness and primitive force and thus adopting subject matters as well …

Pantheism And Escapism In Abu Madi's 'Enigmas' And 'The Evening' From English Romanticism Perspectives, Yasser K. R. Aman

CLCWeb: Comparative Literature and Culture

In his article "Pantheism and Escapism in Abu Madi's 'Enigmas' and 'The Evening' From English Romanticism Perspectives" Yasser K. R. Aman investigates and analyses the possibilities of pantheism's encirclement of escapism in Elia Abu Madi's two poems from English Romanticism perspective. The article compares Abu Madi's fluctuating attitude towards escapism and pantheism to William Wordsworth's "Lines Composed a Few Miles above Tintern Abbey, On Revisiting the Banks of the Wye during a Tour July 13, 1798," Samuel Taylor Coleridge's "The Rime of the Ancient Mariner," and Percy Bysshe Shelley's "Ode to the West Wind," highlighting the affinities and differences. The …

Beast, Rubina Ramji

Journal of Religion & Film

This is a film review of Beast (2018), directed by Michael Pearce.

Women Are Speaking Up At Sundance, Rubina Ramji

Journal of Religion & Film

Women speak up at Sundance 2018.

How Lucille Ball Fought The Patriarchy, While Lucy Ricardo (Indirectly) Contributed To Second-Wave (White) Feminism, Anam Rana Afzal

Dissertations, Theses, and Capstone Projects

Author Stephanie Coontz argues that our most powerful visions of traditional families derive from images that are still delivered to our homes in countless reruns of 1950s television sitcoms. In actuality, the happy, homogenous families that we “remember” from America in the 50s were a result of the media’s denial of diversity. Also, women’s retreat to housewifery after working during WWII was in many cases, not freely chosen. In his study of sitcoms, Saul Austerlitz claims that once television arrived in American cities after the war’s end, its impact was immediate and incontrovertible, and no sitcom caught America’s eye as …

Quiet Heroes, William L. Blizek

Journal of Religion & Film

This is a film review of Quiet Heroes (2018), directed by Jenny Mackenzie, Jared Ruga, and Amanda Stoddard.

Puzzle, John C. Lyden

Journal of Religion & Film

This is a film review of Puzzle (2018), directed by Marc Turtletaub.

The Miseducation Of Cameron Post, John C. Lyden

Journal of Religion & Film

This is a film review of The Miseducation of Cameron Post (2018), directed by Desiree Akhavan.

Half The Picture, John C. Lyden

Journal of Religion & Film

This is a film review of Half the Picture (2018), directed by Amy Adrion.

Believer, John C. Lyden

Journal of Religion & Film

This is a film review of Believer (2018), directed by Don Argott.

Long Vacation In Bk, Doll Chao

Theses and Dissertations

The diary of a transcontinental search for self and place, a journey through obtuse politics, cultural oppression, and loneliness - this film is the document of a lost generation of Taiwanese youth and its conflict with China, swirling in a transpacific gyre of sound, image, and text.

The Generosity Paradox, Paul Walker

Faculty & Staff Research and Creative Activity

No abstract provided.

The Floating Head Of Feminism: The Domesticated Domain And Erasure Of The Female (No)Body In Contemporary Television And Cinema, Alicia Brooke Turner

Theses, Dissertations and Capstones

The Floating Head of Feminism is a project that seeks to examine the concept of the abject as that which disobeys borders and blurs boundaries and to subsequently look at this conception through female-coded artificial intelligence. The AI abject is the part of the self that is cast off or removed so that one can claim an identity, which the abject, in turn, threatens. I discuss the importance of the female-coded AI’s digital embodiment in virtual spaces, and this idea is expanded on through an examination of the science-fiction film genre. This thesis serves to reveal the relationship of resistance …

Some-Ness In No-When: Queer Temporalities In The Horror Genre, Melody Hope Cooper

Theses, Dissertations and Capstones

In my research, I question why heteronormative society is afraid of the elements of horror films that are inherently queer. My focus is on temporal understandings of horror through the concepts of queer time, as theorized by Jack Halberstam and the theory of the abject, as presented by Julia Kristeva. I examine the relationship between queer time and heteronormative time. The abject serves as the return of time without identity or defined by binaries. Queer time is the time that will destroy heteronormative time’s conception of itself. This then relates to the horror that is created by the queering of …