Film and Media Studies Commons^™

Sex Between Women And Indianness: Vulnerable Casted Bodies, Antonia Navarro-Tejero

CLCWeb: Comparative Literature and Culture

In her essay, "Sex Between Women and Indianness: Vulnerable Casted Bodies," Antonia Navarro-Tejero examines the lesbian experience, using two heterosexual voices representing the lesbian abject: Shobha Dé’s popular bestseller novel Strange Obsession (1992) and Karan Razdan’s Bollywood film Girlfriend (2004), as they espouse the dominant ideology of heteronormativity, rendering homosexuality as a western illness that taints the Indian culture. First, the author provides an overview of the history of lesbian desire in India, and how it is rendered by Hindu nationalists. Then, following the postulates of Michel Foucault, she analyzes both cultural texts with respect to how same-sex desire is …

The Commodified Body And Post/In Human Subjectivities In Frears’S Dirty Pretty Things And Romanek’S Never Let Me Go, Rocio Carrasco

CLCWeb: Comparative Literature and Culture

Following new materialist analysis, this article takes the body as the central locus of analysis, and relates it to broader questions such as ethics, ideology, power and/or technologies. Specifically, it revolves around the idea of embodied subjectivity as articulated by scholars Rosi Braidotti, Sherryl Vint or Cary Wolfe, whereby body and subjectivity are indissolubly and interestingly connected. Stephen Frears’s Dirty Pretty Things (2002) and Mark Romanek’s Never Let Me Go (2010) exploit the idea of the commodified body, understood here as a vulnerable body, a disposable commodity at the service of powerful and/or wealthy people. Victims of the cruelties inflicted …

Trespassing Physical Boundaries: Transgression, Vulnerability And Resistance In Sarah Kane’S Blasted (1995), Paula Barba Guerrero, Ana Mª Manzanas Calvo

CLCWeb: Comparative Literature and Culture

Sarah Kane’s Blasted has been analyzed from various perspectives that address the layers of destruction it exposes. From the questioning of its title and meaning, to the unravelling of the protagonists’ abusive relationship, the analyses have emphasized the depiction of vulnerability as the defining human trait that Jean Ganteau observes in contemporary British literature. However, a key aspect has been overlooked in the critical response to the play: for Kane vulnerability does not equal helplessness, but rather stands in opposition to it. Hence, this article concentrates on how Blasted formulates a new understanding of vulnerability that fits Judith Butler’s later …

Introduction, Maria Isabel Romero Ruiz, Manuela Coppola

CLCWeb: Comparative Literature and Culture

This special issue addresses contemporary representations of “vulnerable” bodies in transit in Anglophone literature and culture and explores their strategies of resistance. The use of the expression “bodies in transit” in this issue has to be understood both as a reference to the materiality of diasporic, exiled, migrating, trafficked bodies, and as an allusion to the metaphorical transition of these marginalized subjects from alienation to regeneration in multiple contexts. The interdisciplinary contributions in this special issue tackle vulnerability as a marginal(ized) and potentially enabling condition entailing the crossing of bodily, sexual, mental, ethical, cultural, and national borders. Ranging from literature …

“In The Beginning Was Body Language” Clowning And Krump As Spiritual Healing And Resistance, Sarah S. Ohmer

Publications and Research

In the neighborhood of HollyWatts in Los Angeles, dance allows a shift from existing as bodies presented as sites of threat and extinction to sources of spiritual empowerment. Clowning and Krump dancers—their subjectivity and their dancing bodies—negotiate survival from trauma and socioeconomic marginalization. I argue that the dancers’ performances act as embodied narratives of “re-membering in the flesh.” The performance acts as a spiritual retrieval and re-integration of traumatic memories and afflictions into memory through the body. Choreography and quotes from dancers support the claim that Krump and Clowning is “re-membering in the flesh” that enacts self-worth, self-defined sexuality, and …

Behind Closet Doors: Horror And Dislocation In The Queer Closet, Corey C. Allen

Theses and Dissertations

“Behind Closet Doors: Horror and Dislocation in the Queer Closet,” is composed of a collection of sculptures, videos, and sound works that are directly associated with themes of horror and anxiety derived from the precarious space of the queer closet as detailed in this thesis of the same name.

Raised On Tv: A Queer Teen's Guide To Syndicated Sexualities, Francesca Petronio

Dissertations, Theses, and Capstone Projects

This thesis explores the contemporary landscape of LGBTQ adolescent television programming over the past decade. Applying a three-pronged approach to media content analysis—emphasizing a textual reading of the series, the networks’ political economy of production, and audience reception among scholars, culture critics and fans—the author provides both surface and symptomatic readings of Freeform’s Pretty Little Liars (2010-2017), MTV’s Faking It (2014-2016), and ABC’s The Real O’Neals (2016-2017). Thematically and chronologically, this period of programming spans the end of what has been called the gay-positive era, characterized by the politics of anti-bullying campaigns, and the emerging post-gay genre, born after the …

Divine Love, John C. Lyden

Journal of Religion & Film

This is a film review of Divine Love (2019) directed by Gabriel Mascaro.

Sister Aimee, John C. Lyden

Journal of Religion & Film

This is a film review of Sister Aimee (2019), directed by Samantha Buck and Marie Schlingmann.

Hala, John C. Lyden

Journal of Religion & Film

This is a film review of Hala (2019), directed by Minhal Baig.

Vampires: What Music They Make!, James Wierzbicki

Journal of Dracula Studies

No abstract provided.

Cartography Of The Imperial Mind: The Dangerous Forms And Reforms Of Dracula, Caitlin Duffy

Journal of Dracula Studies

No abstract provided.

“That Smileless Mouth Of Him”: Humor And The Malice Of Delay In Dracula, Matthew Vanwinkle

Journal of Dracula Studies

No abstract provided.

The Sky Is Clear And The Moon Is Full: Images Of Female Vampires In Music Video, Kathleen W. Taylor Kollman

Journal of Dracula Studies

Vampire imagery in art and entertainment

media can be used as metaphors for cultural issues

that shift over time. Many popular music genres have

used vampire imagery in much more allegorical

ways, particularly when discussing gender and

sexuality.

Jonathan Harker, Spicy Chicken, Communal Meals: Dishing Out A New Masculinity In Bram Stoker's Dracula, Rhiannon Scharnhorst

Journal of Dracula Studies

No abstract provided.

Table Of Contents

Journal of Dracula Studies

No abstract provided.

The Coexistence Of Faith And Rationality: An Examination Of Agnostic Rhetorics In Bram Stoker’S Dracula, Kristeen E. Cherney

Journal of Dracula Studies

No abstract provided.

Title Pages

Journal of Dracula Studies

No abstract provided.

"We Only Consume What We Love": American Radio Adaptation Of The Female Vampire In Bram Stoker's Dracula And Sheridan Lefanu's Carmilla, Katherine Echols

Journal of Dracula Studies

No abstract provided.

"Desire Of Many Things": The Augustinian Matrix Of Bram Stoker's "The Censorship Of Fiction", Geoffrey Reiter

Journal of Dracula Studies

No abstract provided.

The [Black] Doctor Is In: Reassessing Blacula's Vampire Killer, David J. Galloway

Journal of Dracula Studies

No abstract provided.

Ev-Ent-Anglement: A Script To Reflexivey Extend Engagement By Way If Technologies, Alexandra Juhasz

Publications and Research

We discuss an art project that links entaglements and events and thinks about cutting pasting and bleeding.

Teaching Visual Literacies: The Case Of The Great American Dust Bowl, Mary F. Rice, Ashley K. Dallacqua

SANE journal: Sequential Art Narrative in Education

Teachers and students require a range of tools to engage with visual texts. Using The Great American Dust Bowlby Don Brown (2013) as an exemplar text, we outline four conceptions of visual literacy: rhetorical, instructional, industrial and visuo-spatial and discuss their use in our literacy education practice. In addition, we provide a brief model of a second text, The Arrival (Tan, 2013) and a list of suggested texts for students at different levels (elementary, middle, and high school). We argue that these tools have the potential to deepen conceptions of visual literacies and empower teachers and students to understand …

Clark University Lgbtq+ History, Robert D. Tobin, Toni Armstrong, Arai Long, Griffin Minigiello, Students Of "Sexuality And Textuality", Spring 2018, Students Of "Sexuality And Human Rights", Fall 2018, Students Of "Sexuality And Textuality", Spring 2019

Publications

Robert Deam Tobin, editor in chief
Toni Armstrong and Arai Long, co-editors
Additional research provided by Griffin Minigello

and the students of:
"Sexuality and Textuality", Spring 2018
"Sexuality and Human Rights", Fall 2018
"Sexuality and Textuality", Spring 2019

A collaborative research-based catalog by Robert Tobin and his students. This work reports on and narrativizes Clark University's LGBTQ+ history beginning with the Clark Gay Alliance in the mid 1970s, one of the earliest gay student organizations in the country. The vast majority of research for this work comes from materials in Goddard Library's Archives and Special Collections.

(And I Can't Stress This Enough) In My Mouth: Extradiegetic Affect As Material, C. Klockner

Theses and Dissertations

(and i can’t stress this enough) in my mouth: Extradiegetic Affect as Material is a non-linear exploration into the structures of feeling that exist in relation to cinema in its role as a technology for generating subjectivity. In the development of this research, a proposal of cinema’s likeness to the ecological circulation of microplastics is drawn in order to illustrate cinema’s materiality and nearly invisible ubiquity. The notion of extradiegetic affect is outlined as a post-cinematic condition in which lived experience becomes secondary to cinematic representation and which, simultaneously, becomes directly shaped by engaging with these representations.

Queer Eye For The Hero Guy: Exploring Dick Grayson’S Sexuality, Thea Cheuk

AUCTUS: The Journal of Undergraduate Research and Creative Scholarship

The DC Comics character of Dick Grayson (Robin and later Nightwing) has been subtextally coded queer since his first appearance over seventy-five years ago, unintentionally creating an ambiguous sexuality up to today. The initial backlash against reading Robin as queer occurred in the ‘50s, but attempts to assert his heterosexuality have had mixed success, leading to contemporary comics writers acknowledging this established – though officially unstated – queerness by pushing how far they can suggest him to be LGBTQ+. This historical foundation establishes the precedent of queer coding Dick Grayson, and provides context when analyzing the subtext of him as …

Ouvrir La Voix (Speak Up/Make Your Way): A Conversation With Amandine Gay, Anupama Arora, Sandrine Sanos

Journal of Feminist Scholarship

No abstract provided.

Gender, Politics, Market Segmentation, And Taste: Adult Contemporary Radio At The End Of The Twentieth Century, Saesha Senger

Theses and Dissertations--Music

This dissertation explores issues of gender politics, market segmentation, and taste through an examination of the contributions of several artists who have achieved Adult Contemporary (AC) chart success. The scope of the project is limited to a period when many artists who figured prominently in both the broader mainstream of American popular music and the more specific Adult Contemporary category were most commercially viable: from the mid-1980s through the 1990s. My contention is that, as gender politics and gendered social norms continued to change in the United States at this time, Adult Contemporary – the chart, the format, and the …

Uncovering Alice Bag: An Alternative Punk History, Emily Macune

Scripps Senior Theses

The intention of this thesis is to provide an alternative counter-narrative to the mainstream histories of punk that center white men. By focusing on the contributions of fem queer and POC punks, I aim to legitimize punk music as a form of resistance against systems of oppression that are oppositional to the commodified forms of mainstream punk. Using Alice Bag, as my central case study as a fem queer punk that is often left out of punk historical narratives, I contextualize her work through feminist, queer, and media studies lenses to bridge the gap between academia and forgotten personal experience.

Globalized Interfaces And Anticolonial Engagements With Material Technologies Of Empire: Tabita Rezaire And Morehshin Allahyari’S Works, Neelufar Franklin

Scripps Senior Theses

The virtual is far from immaterial and its expressions are multifarious. The infrastructure of a technologic-globalism has opened new pathways of desecration, created new networks of exploitation, and reinforced fraught foundations. Tabita Rezaire and Morehshin Allahyari are two artists whose radical technofeminist and new materialist practices engage with counterdiscourses in the face of the globalized interfaces of technology; from mappings of submarine fiber optic network cables or understanding water as a knowledge repository, to 3D printed queered figures of Islamic mysticism and hypertext narratives. In these anachronistic approaches to technological use and analyses, archives become possibilities for renderings of futurity …