Film and Media Studies Commons^™

Run Sweetheart Run, Jodi Mcdavid

Journal of Religion & Film

This is a film review of Run Sweetheart Run (2020) directed by Shana Feste.

The Assistant, John C. Lyden

Journal of Religion & Film

This is a film review of The Assistant (2020), directed by Kitty Green.

Uncle Frank, John C. Lyden

Journal of Religion & Film

This is a film review of Uncle Frank (2020), directed by Alan Ball.

Scare Me, Jodi Mcdavid

Journal of Religion & Film

This is a film review of Scare Me (2020), directed by Josh Ruben.

Mucho Mucho Amor, Jodi Mcdavid

Journal of Religion & Film

This is a film review of Mucho Mucho Amor (2020), directed by Cristina Costantini and Kareem Tabsch.

"Torture The Women": A Gaze At The Misogynistic Machinery Of Scary Cinema, Sarah Hankins

Copley Library Undergraduate Research Awards

A frightening truth remains that within horror-thriller films the experience of women is at the heart of the horrifying. This project analyses the effects of film media on the construction, fetishization, and destruction of female figures and engages with feminist critical concepts, such as Laura Mulvey’s “male gaze” and Linda Williams’ “body horror,” to evaluate Alfred Hitchcock’s film Vertigo (1958) and Satoshi Kon’s anime Perfect Blue (1997). Importantly, this essay critiques the misogynistic inner-workings of the horror-thriller genre typified in Vertigo—that evokes visual pleasure from objectification, victimization, and physical, often sexual, violence—and contrasts it with Kon’s anime. This paper finds …

Table Of Contents Vol. 22, 2020

Journal of Dracula Studies

No abstract provided.

Permeable Viewpoints And Parasitic Influence In Bbc And Netflix's Dracula, Laure Blanchemain Faucon

Journal of Dracula Studies

No abstract provided.

Title Pages, Vol. 22, 2020

Journal of Dracula Studies

No abstract provided.

Vampires In Japan: From Yokai To Anime, Adam L. Miller

Journal of Dracula Studies

No abstract provided.

A Monstrous Outbreak: Epidemics And Biology In The Creative Porcess Of Fuillermo Del Toro's Symbolic Vampires, Maria Teresa Depaoli

Journal of Dracula Studies

No abstract provided.

Simply The Best: Louis Jourdon As Count Dracula, Victoria Amador

Journal of Dracula Studies

No abstract provided.

Unlearning Disney: Developing A Feminist Identity While Critiquing Disney Channel Original Movies, Maura Leaden

Honors Program Theses

In this paper, I apply feminist and critical theories through the use of autoethnography and textual analysis to explore how my past consumption of Disney Channel Original Movies (DCOM) has worked to influence my gender identity, reinforce my white, middle-class, and heterosexual privilege, and undermine my agency as a woman. I situate myself as a feminist critical media scholar who is eager to understand my gender identity and move forward with more agency towards my gender expression and consciousness in my media consumption. I am building on the work of other Disney researchers and critical cultural scholars to argue that …

El Manso Y El Guapo De Cara: Masculinidades Alternativas Y Marginalizadas Y Sexualidades Masculinas En La Buena Estrella, De Ricardo Franco, Iker Gonzalez-Allende

Spanish Language and Literature Papers

Este artículo analiza la representación de las masculinidades en la película española La buena estrella (1997), dirigida por Ricardo Franco, para proponer que aboga por una masculinidad alternativa a la hegemónica, no centrada en la penetración sexual y basada en el cuidado y la paternidad activa. Asimismo, la obra muestra las consecuencias dañinas para los hombres y su entorno de la masculinidad marginalizada que sigue los parámetros de la hegemónica, rechazando la vulnerabilidad y realizando actos violentos para probar su virilidad. Por medio del entendimiento y acercamiento entre los dos personajes masculinos, la película también ofrece una homosocialidad positiva y …

Review Of Early Women Filmmakers 1911–1940, Wheeler Winston Dixon

Department of English: Faculty Publications

After more than a half century of neglect, pioneering women filmmakers are finally getting some of the attention they deserve. Foremost among these women is the figure of Alice Guy Blaché—also known simply as Alice Guy, before she married Herbert Blaché in 1907—who was responsible for numerous “firsts” in cinema history: the first film with narrative La Fée aux Choux (The Cabbage Patch Fairy; 1896), as well as early experiments with color dye processes, synchronized sound recording, multi-reel films, and other cinematic advances. Gaumont put out a set of her French films for that company—she was the …

Setting The Terms Of Our Own Visibility A Conversation Between Sam Feder And Alexandra Juhasz On Trans Activist Media In The United States, Alexandra Juhasz

Publications and Research

In the summer of 2016, I sat down at my computer and Skyped with my friend and fellow queer media activist Sam Feder about their film, Disclosure: Trans Lives on Screen. What follows is a highly edited transcript of our conversation, paying particular attention to Sam’s core research findings about trans representational history and how their findings might align with their processes and goals as a trans activist media maker committed to telling this complex story.

Tracing Biometric Assemblages In India’S Surveillance State: Reproducing Colonial Logics, Reifying Caste Purity, And Quelling Dissent Through Aadhaar, Priya Prabhakar

Scripps Senior Theses

Tracing Biometric Assemblages in India’s Surveillance State seeks to understand the historical conditions that rendered the nation-state of India as having the world’s largest biometric surveillance system: Aadhaar. Surveillance practices used by the British Raj mirrors the current social order of the ruling Bharatiya Janata Party (BJP), as they use surveillance to similar ends in today’s political economy, through the intersecting forces of neoliberalism and ethnonationalism. This thesis is an exploration into how India’s current surveillance regimes cultivate biometric surveillant assemblages through Aadhaar. Contrary to claims that Aadhaar was created to empower the poor, I argue that these surveillance regimes …

“What Doesn’T Kill You Makes You Stronger:” The Fallacy Of Rape Narratives As Paths To Women’S Empowerment In Contemporary Television, Alessia S. Guise

Film Studies Honors Papers

No abstract provided.

"May We Be Buried Alive Together": Towards An Intersectional Feminist True Crime Praxis, Alexandra White

Pomona Senior Theses

Most mainstream true crime narratives revolve around a corpse. It is usually the body of a woman. The body is most often white. Not always, but in the cultural imaginary, she is blonde. She comes from a good family. She was a sweet girl. What happened to her? While this question haunts the general public, it also animates true crime communities as the victim becomes a symbol of innocence, a site of spectacular violence, and evidence of the incomprehensible extreme of human behavior. The question brings (primarily) white, cis women true crime fans together in the name of fascination, fear, …

The House And The Infected Body: The Metonomy Of Resident Evil 7, Alan Mcgreevy, Christina Fawcett, Marc A. Ouellette

English Faculty Publications

Resident Evil 7, in articulating the threat of infectious mold, situates the illness with the feminine: Historical, cultural, and physiological connections between mold and women gives the game license to limit, objectify, and render the female characters monstrous. First-person immersion brings us into contact with the infection, as mold and Molded threaten the buildings of the Bakers, while mold growing in their brains threatens the Bakers themselves. Through the form of infection, the disease is invasively feminine, reflected in the Bakers and their homes.

Gendered Discourses In The American Tv Sitcom F.R.I.E.N.D.S, Ee Wern Chin

Student Works (2020-2029)

The current research concentrates on analysing the gendered discourse in the television (TV) series of F.R.I.E.N.D.S, investigating how gender is portrayed as it depicts a representable degree of society today. The proposed findings are information as to how this sitcom reflects the gendered discourses that were common in that time and are still relevant today. This paper considers how sitcom creators want their audiences to be able to relate to what is shown on their programme, making it relatable to the audience, creating the problem of possible bias from the creators supporting stereotypes that only encourages the same mindset amongst …

A Century In Uniform: Military Women In American Films, Introduction, Stacy Fowler, Deborah A. Deacon

Faculty Articles

From silents of the early American motion picture era through 21st century films, this book offers a decade-by-decade examination of portrayals of women in the military. The full range of genres is explored, along with films created by today's military women about their experiences.

Laws regarding women in the service are analyzed, along with discussion of the challenges they have faced in the push for full participation and of the changing societal attitudes through the years.

A Story To Tell… How To Integrate The Three Modes Of Communication Through A Story Time Program In French, Frederique Grim

The Coastal Review

Bilingual story time programs found in local community libraries not only benefit children, they can also serve a need for L2 college students: the development of their communicative skills in an authentic environment. In addition to linguistic benefits, experiential learning has proven to prepare students for real-world skills, such as networking, mock professional experience and a sense of community engagement. This paper recounts how a world language story time program supports L2 learners’ three modes of communication, as articulated by ACTFL, and necessary for language development. Based on students’ perceptions, this study highlights their increase in motivation and confidence in …

Through Her Eyes: The Gendering Of Female First-Person Shooters, Elizabeth Renshaw

Dissertations, Master's Theses and Master's Reports

While the video game industry has attempted to address their years of mistreatment towards women, within games and how they are produced, by hiring more women and including more female characters as playable options, these fixes have been superficial at best. Not only are there still few females as main characters in video games, but that there are so few female video games. By this I refer to the fact that video games told through the eyes of female characters often do not feature a gendered narrative, unlike multiple games with male POVs in which the storyline directly reflects their …

The People’S Princesses: Feminist Theory And Uk Media Representations Of Lady Diana Spencer And Meghan Markle, Mackenzie Myer

Capstone Showcase

This paper analyzes how Lady Diana Spencer and Meghan Markle were and are treated by members of the UK media force through the lens of feminist theory.

The Evolution Of Revenge: Genre, Feminist Theory And Jennifer’S Body, Sophia Birks

Capstone Showcase

The representation and proliferation of violence against women in media, when applying genre theory, reflects the social climate of rape culture and the social response to sexual violence. Looking at the Rape-Revenge genre through the scope of Feminist Theory, the only way to reintroduce female agency into a trauma led narrative is to reclaim the tropes used to perpetuation female exploitation and a popular culture ambivalent to male on female violence. Within this subversion and deconstruction, a genre benefiting from female trauma finally includes an honest artistic retelling of that female experience. With the intention of the creator in line …

Luce Irigaray, Radical Feminism, & The Me Too Movement, Allie Nye

Capstone Showcase

Luce Irigaray, a French feminist theorist, used her writing as a tool to further the postmodern feminist movement and her theory of sexual difference. Her work highlights the divergence from traditional, modernist thought and the dream of a well rounded western society that is grounded in the recognition of sexual difference. The #MeToo Movement, the defining feminist movement of present day, proves Irigaray’s point of a need for the recognition of sexual difference. The importance of women being able to speak their mind is one the foundations of Irigaray’s work and a pillar of the #MeToo Movement. Moving beyond the …

Hear For You: Engaging With Vocal Authority And Vulnerability Through Podcasting, Rowen Light-Wills

Scripps Senior Theses

Through applications of literary and film theory, cultural analysis, and historical context this thesis project will deconstruct the text of the physical and metaphorical gendered voice. The podcast medium allows for exploration of the physical voice in a spontaneous format, which makes it the ideal platform for hosting conversations between college-aged students that examine cultural conceptions of the voice. Focusing primarily on the feminized[1] voice as a site of cultural tension, participants can tell the story of their voices, talking about experiences that have shaped their auditory self-perception. The work of this project is to demonstrate that the medium …

Hear Me Roar, Abigail R. Seethoff

Graduate Student Theses, Dissertations, & Professional Papers

Hear Me Roar, a compilation of personal essays interspersed with short forms, grapples with the nuances of compliance versus autonomy in the context of the male gaze, beauty standards, and pop culture. The collection also explores what it means to treasure something—another person, an object—and how to express and deepen that affection.

Barrier-Breaking Women In Indian Cinema, Paulina Sobczak

Communication Student Works

During the last 100 years, Indian Cinema has played a major role in the influence of certain attitudes toward women in Indian society. Early on, women were portrayed as evil temptresses, sex symbols, and/or damsels in distress. These roles went against equality and were far more challenging for the women in Indian films. In 1954, a group of about 13,000 women petitioned the prime minister that these character types were unacceptable. They believed these films were having a negative effect on society, especially for the generations to come. This short documentary showcases the journey of the women who began this …