Film and Media Studies Commons^™

Pretty And Problematic: The Use Of Music In Guadagnino's 'Call Me By Your Name', Brandon L. Foskett

Deliberately Queer Journal

Tension in the reception of the American-Italian film Call Me by Your Name (dir. Guadagnino, 2017)—as a beautiful film that implicitly condones a problematic narrative—is shaped in part by its compilation soundtrack. Already lauded as a timeless masterpiece in cinematography, sensuality, and music, the film also receives steadfast criticism regarding its portrayal of homosexuality and alleged condoning of interage desire between Elio, a 17-year-old Italian-French boy, and Oliver, a 24-year-old American man. In this paper, I analyze five musical episodes from the film, including The Psychedelic Furs’ “Love My Way,” Ravel’s Une barque sur l’océan, and Sufjan Stevens’s “Mystery …

Cinematic Abuse: A Critical Analysis Of Disney’S “Happily Ever After” In The Little Mermaid, Aladdin, And The Princess And The Frog, Erin Michelle Gough

USF Tampa Graduate Theses and Dissertations

This dissertation examines the manner in which three animated Disney princess films cultivate stereotypes and gendered behaviors consistent with domestic violence and thereby encourages viewers to accept and tolerate abuse against women. I argue that due to the dangerous, constricting, and sexist gender roles encouraged by the Walt Disney Corporation, films prime young girls and boys to react to social situations and encounters in a way that mirror the characters’ reactions. Because of the films’ entertainment value, most of the characters’ inappropriate, stereotypical, and often violent behaviors either go unnoticed or are passively accepted. The violence does not have to …

Kamp Krystal Killjoy: Doing Feminism/Making Media, Kristin Comeforo

Feminist Pedagogy

In the current (2025) political climate, just as the United States and the world needs feminism, fewer and fewer people identify as feminists. This article suggests "feminist making," as a means for revitalizing feminism for the 21st century. It presents the narrative fiction podcast Kamp Krystal Killjoy as a social justice strategy to meet the challenges of today.

Intersectional Realities, Multi-Dimensional Films: Reading Julie Dash's Illusions As An Activist Text, Amelia Morrison

University Honors Theses

This paper reads Julie Dash's 1982 film Illusions as an activist text, which challenges dominant cinematic and historical narratives through its Black feminist perspective. It explores the cinematic and narrative devices that Dash uses--including the weaving of fantasy and history, the strategic use of period aesthetics, and masking--to expose and subvert the mechanisms of white supremacist and patriarchal hegemony within Hollywood. Drawing on intersectional feminist theory from scholars like Kimberlé Crenshaw, Patricia Hill Collins, and bell hooks, alongside cinematic theory, this analysis demonstrates how Illusions critiques the historical erasure of people of color from United States cinema and history. By …

Cultural Shadows: Vampires And The Shifting Fears Of The West, A Creative Exploration Of Vampire Media And Its Reflection Of Evolving Social Anxieties, Tasha Sayre

University Honors Theses

Cultural Shadows: Vampires and the Shifting Fears of the West is a creative-critical thesis that explores vampire media as a reflection of evolving social anxieties in Western culture. Focusing primarily on film and television, with reference to key literary texts, this study examines how the vampire figure is used to articulate and dramatize recurring societal fears—particularly those surrounding women's sexuality and autonomy, queer identity, and class-based inequality. Through close readings of influential vampire narratives, the thesis demonstrates how these stories mirror cultural tensions and moral panics, transforming the vampire into a symbol of both fear and fascination. Drawing on gender …

The Stream Of Life, Yitao Yuan

Masters Theses

The repetitive engagement with technological objects erases the depth of emotion by creating habits that bypass embodied and erotic pleasures and lead to a de-sexualized form of technology fetishism. The stimuli produced by machines that humans engage with are not able to convey the strength of intimacy between humans. Such virtual stimuli as the words and images produced and mediated through modern machines continuously shape conscious perception. This thesis book is split into two sections: a theoretical text and a series of images and explanations about my installation practice and process. They both seek to investigate the intersection of human …

Covered In Snow, Katelynn M. Rogers

Masters Theses

Covered in Snow is a photographic exploration into the ripple effect of maternal loss and environmental decay in my hometown of Canton, Ohio. In the wake of a miscarriage, the woods I had grown up within began calling to me, urging me to return. Unbeknownst to me, a series of accidental deaths of women had been happening throughout these trees my entire life, their stories only coming to the surface as I looked to the trees for solace. This series of inexplicable deaths in the woods I so desperately loved began to alter my relationship to the trees, a distrust …

1960s Teen Fan Magazines And The Beatles: An Exploration Of Community, Fandom, And The Beatles Narrative, Allison Bumsted

Journal of 20th Century Media History

In the 1960s, before the days of the internet, there were few places a young person could read about popular music – as a limited number of print media outlets took popular music, especially rock, seriously. In order to read about popular music (beyond the reprinting of lyrics, industry news, or promotions), one would turn to newly developed teen-type and teen fan magazines like DIG or 16 Magazine, where pages were full of artists such as Elvis, Annette, Leslie Gore, Connie Francis, and Paul Anka. In 1964, the teen fan magazine reached a new height with the arrival of …

The Rise Of The Final Girl, Emma C. Brown

Merge

No abstract provided.

The Performance Of Gender In Sound And Screen: Unpacking And Countering The Double Standards Of Women In Taylor Swift’S “The Man,” Brienne Of Tarth, And The Substance, Alexandra C. Ali

Masters Theses, 2020-current

This rhetorical analysis examines how femininity is constructed, policed, and resisted in popular culture through three case studies: Taylor Swift’s “The Man,” Brienne of Tarth from Game of Thrones, and The Substance, using the lens of Judith Butler’s theory of gender performativity. “The Man,” both the song and the music video, reveals the double standards working against women, incorporating an additional layer of analysis through Kenneth Burke’s perspective on incongruity. Brienne of Tarth from Game of Thrones defies gender expectations, blurring the line between the performance of masculinity and femininity. Additionally, this analysis embodies archetypes of women, such …

Folds, Bayan Abukiwan

Theses and Dissertations

This thesis uses the fold as an orienting metaphor and material gesture to linger on the minor details of intimacy that are severed by occupation and political violence. Through painting, drawing and ceramics, the work traces the more implicit modes of dehumanization—particularly in relation to Palestine—while engaging the domestic as a site of quiet and complexity. Influenced by artists like Jennifer Packer and Beatriz González, the practice embraces slowness, touch, and opacity to fold the viewer into a haptic encounter with the work.

The Imposition Of A Narrative Line: The Bildungsroman As Form In Contemporary Art, Brianne Chapelle

Theses and Dissertations

This thesis examines the work of contemporary American artists and writers Moyra Davey, Chris Kraus, Frances Stark, and Martine Syms within the context of feminist art history, theory, and practice in the post-1970s artworld. While often read as autobiographical or self-referential, their work across media uses personal narrative as a means of engaging broader theoretical and institutional concerns. Through the literary form of the bildungsroman, these artists employ narrative, fiction, and memoir—often through new and time-based media, but also through interdisciplinary modes rooted in writing—to reflect on their ongoing education as artists within an increasingly globalized Euro-American artworld. By …

All You Can Eat, Kelly Schiesswohl

Theses and Dissertations

All You Can Eat is a 2D-animated horror short following the patrons and inhabitants of a bakery as they prepare for its annual pie-eating contest. As the contest nears, tensions rise after the discovery of a dark secret amongst the staff inspires rebellion. Through the visual metaphor of pie and the pie-eating contest, this film explores how sexual violence functions on a systemic level. It explores our collective conditioning to a range of behaviors that contribute to patriarchal oppression and the social cycles that reinforce them across generations. Through design and surreal storytelling, this film captures the urgent threat of …

Body Of Light, Lucy C. Adams

Theses and Dissertations

Body of Light is a two channel video installation, incorporating a combination of archival material and present day footage to explore and speculate upon the traces of Audrey Munson’s life that remain, a ghostly presence creeping into our current world.

Cartoon Kinship, Kelsey Bell Quinn

Master's Theses

Most people view cartoons as mindless entertainment exclusively for children. They dismiss the genre as if it only contains zany and overzealous characters who deal with simple, predictable challenges, easily resolved by the end of the episode. The negative attitude towards cartoons—or seemingly anything animated—undermines the importance of the lessons and the themes many shows do impart on their viewers, regardless of their age. Shows like Nickelodeon's Avatar: The Last Airbender cover a plethora of complex themes, but due to its status as an animated work, it has been disregarded as a show for children rather than being appreciated as …

Fugitive Colors, Natalie Rose Eddings

Theses and Dissertations

My objects are meditations on intertwining themes of labor, rest, and interiority and their shadow sides—power, subjugation and the gaze. I couple materials that have millenia-long histories such as metals, glass, paper and clay with found objects and plat materials to illustrate narratives and exhume memories. Drawn from nature and technologies of land, plant stewardship and the domestic realm, I imagine my sculptures as life supporting vessels or magical enclosures.

Through sculpture, photography and printmaking, I build structures that are space of quiet to be filled with thought, healing and development. Like incubators and seed pods, my work is protective …

Feral And Free: The Queering Of Motherhood In Rachel Yoder’S Nightbitch, Cassandra Haskell

Master's Theses

This thesis explores motherhood from a perspective that seeks to inform and challenge the patriarchal definitions of motherhood in order to simultaneously confront its restrictions and create new meanings from its institutionalized definition. The main text that this thesis analyzes is the 2021 novel Nightbitch by Rachel Yoder, as well as the 2024 film of the same name, critiquing how it successfully queers motherhood by questioning, challenging, and defying the impractical expectations placed upon mothers by society. Some secondary scholars whose works that I utilize to support my argument are authors such as Audre Lorde, Jessica Calarco, Adrienne Rich and …

The Marginality Of Women In Narratives: Reflections On Iranian Women's Struggles Through Saeed Roustayi's Films, Narges Azami

Theses, Dissertations and Culminating Projects

Using the concept of intersectionality, this thesis explores how women are marginalized in three post-revolutionary Iranian films (made after 1979), directed by Saeed Roustayi. In these three films, Life and a Day (2016), Just 6.5 (2019), and Leila’s Brothers (2022), the intersectional lens helps investigate how different types of oppression, such as gender and class, often come together to affect women’s lives. In the analysis, four main themes emerge, including emotional labor, symbolic erasure, limited visibility, and intersectional oppression. Roustayi’s films point out how systems like patriarchy, poverty, and tradition hold women back. The study also explains how multiple social …

“More Than What [They] Made Us To Be”: From Passing To Perception In Victorian And Modern Vampire Media, Lauren Sieberg

English (MA) Theses

Throughout Victorian Gothic horror fiction, vampires function as deviant figures, maneuvering within social confines of passing until their status quo-threatening identity is exposed. Of the popular vampires from this period, most gradually fail to maintain status as social insiders—as demonstrated with Bram Stoker’s Count Dracula or Sheridan Le Fanu’s Carmilla, who possess the temporary capacity to pass until their hidden monstrosity is revealed over time. Even if Gothic monsters are confined to a limited space and time far from society, this is still not enough; in accordance with the Victorian culture of morality policing by dominant groups, the vampiric Other …

Gendered Film Criticism And “Intolerable Images”: Representation Of Female Trauma In Brady Corbet’S Vox Lux (2018), Alison Kreul

Film and Media Studies (MA) Theses

This thesis explores Brady Corbet's 2018 film Vox Lux, focusing on its portrayal of female trauma and the subsequent gendered division in its critical reception. The film centers on Celeste, a survivor of a school shooting who rises to pop stardom, depicting an eighteen-year narrative that transforms her personal trauma into a public spectacle and a critique of American culture. Through theoretical frameworks from Judith Lewis Herman, E. Ann Kaplan, Jacques Rancière and Susan Sontag, this thesis examines how the film's fragmented narrative and stylistic shifts represent the long-term psychological aftermath of trauma, manifesting as emotional dysregulation, substance abuse, …

Her Hideous Progeny: Frankenstein'S Legacy, Adaptability, And Contemporary Prominence To Critical Story Telling, Ryan Penske

English (MA) Theses

This thesis situates the narrative of Frankenstein by Mary Shelley with two contemporary adaptations Get Out (2017) by Jordan Peele and Poor Things (2023) by Yorgos Lanthimos. The original 1818 Frankenstein text is composed of different discourses about race, gender, monstrosity, and what it means to be an abject other. As a text full of critical discourse, it has reached great popular culture legacy and has become adapted numerous times over the past two centuries. This thesis explores and acknowledges instances where the text has been adapted and applied to harmful discourses, such as British Prime Minister George Canning’s use …

Dekonstruktion Der Afd: Eine Analyse Der Rechtspopulistischen Deutschen Partei Der„Alternative Für Deutschland”, Elizabeth A. Breckenridge, Elizabeth Breckenridge

Departmental Honors & Graduate Capstone Projects

Die Alternative für Deutschland (AfD) ist eine rechtsextreme populistische Partei, die innerhalb eines Jahrzehnts rasch an Macht gewonnen hat, insbesondere in den ostdeutschen Bundesländern, aufgrund ihrer Betonung der Nationalisierung, ihrer populistischen Rhetorik und ihrer Anziehungskraft auf Wähler, die Ängste vor Einwanderung und kulturellem Wandel hegen. Die AfD hat es innerhalb von fünf Jahren geschafft, eine starke Wählerschaft zu mobilisieren, 2017 Sitze im Bundestag zu erringen und gilt nun als wichtigste Oppositionspartei zu den etablierten Parteien. Die AfD ist die erste rechte Partei seit 1945, die aufgrund des Aufstiegs rechtspolitischer Ideologien bedeutende Wahlerfolge erzielen konnte. Aufgrund des reaktionären Pendelschwungs nach dem …

Cultural Of Authenticity And Commodification: Analyzing The Aesthetic Waves And Collective Culture In The 2010s And 2020s, Stefanny Leung Yu

Student Theses

The “authentic self” is curated, aestheticized, and most notably, commodified. Digital algorithms, likes, views, and engagement are more than just digital metrics, they are the management of performance. For millions of other users — including the author herself — social media is the locus of personal expression. Most notably, sites like Tumblr, where users in the 2010s posted hazy images or overly filtered graphics along with melancholic song lyrics that match the vibe of the moment, expression was earnest and idealized. Today, social media in the 2020s, new creators like Hannah Neelaman, better known as Ballerina Farm, dress in pastoral …

Pedro Aceves Mfa Thesis, Pedro M. Aceves

Electronic Theses, Projects, and Dissertations

My Work is about looking at Cruising through a queer decolonial lens. Using multiple mediums such as photo, glass, Augmented reality, and film, I explore these queer histories and aesthetics through not just an anthropological approach but also an artistic epistemological approach weaving together narratives of prehispanic and modern queer Latinidad.

La Narcocultura In Mexico: Analyzing Representations Of Gender, Religion, And Law Enforcement Through The Silver Screen, Emma M. Plutnicki

Electronic Theses and Dissertations

This work analyzes the ways in which la narcocultura is represented in films about Mexican drug trafficking through the lens of gender, religion, and law enforcement. The four selected films Savages (2012), Heli (2013), Sicario (2015), and Emilia Pérez (2024) are used to assess how stereotypical images of the Mexican narco world are consumed by the public. The aim of this work is to bring attention to potential misrepresentations within the Mexican drug trafficking world. By exploring the portrayal of gender, religion, and law enforcement, this work highlights the ways in which filmmakers perpetuate and reinforce damaging stereotypes. The consumption …

“They Wear This Hideous Makeup All Over Their Face”: Dirty Girls And The Grrrl-Hag, Autumn Jacobs

Binghamton University Undergraduate Journal

Filmed at the height of riot grrrl, the documentary Dirty Girls presents a microcosm of the scene at a Santa Monica high school as it follows a group of girls ostracized by the student body due to their opposition to and negation of standard models of early 1990s beauty. This paper aims to situate riot grrrl and the “dirty girls” into larger contexts of the historical oppression of women, that, when viewed beyond the specificities of their given period, illustrate recurring patterns that involve the negative depiction of older women, denoted as “old hags” in the Middle Ages and Early …

A Legal Analysis On The Link Between Pornography Consumption And The Perpetuation Of Abuse, Madelyn Garrett

Advanced Issues in Criminal Law: Sex Offenses

This essay examines the connection between the overconsumption of pornography and the growing demand for violent and extreme types of pornography. This essay also looks at the abuse this demand perpetrates.

A Pedagogy Of Peace & Prose: Helping Students Engage With And Articulate Perspectives On The Plight Of Palestine Through A Tripartite Textual Analysis, Sydney E. Brammer

Feminist Pedagogy

No abstract provided.

El Sonido Del Exotismo: Retratos De España En Carmen, Grace Quasebarth

Vernacular: New Connections in Language, Literature, & Culture

Este artículo examinará la “orientalización” de la identidad nacional de España, que resulta de la creación de estereotipos tanto creados en el extranjero como apropiados por la misma España durante el siglo XIX. Específicamente, voy a examinar la influencia de la ópera francesa Carmen de Georges Bizet (1875) en la creación de la imagen nacional española actual en la “Canción del torero” de dicha la producción de Ana Zamora para el Teatro de la Zarzuela de la zarzuela por el mismo nombre (1887) en 2014. Como obra plenamente romántica, hace hincapié en las características de ese movimiento cultura; por ejemplo, …

Promising Young Woman And The Structural Failure To Protect Women, Josephine Ebersole

KUCC -- Kutztown University Composition Conference

This paper explores Emerald Fennel's film Promising Young Woman and the relationship between women and male violence and how male violence is protected by misogynistic structures, specifically in the case of sexual assault. The paper argues that institutions and structures that are rooted in patriarchy and misogyny are fundamentally unable to protect women from the actions of violent men, both in the film and in reality.