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Articles 1111 - 1140 of 1862
Full-Text Articles in Film and Media Studies
Selected Bibliography For The Study Of The Beat Generation, Oliver Harris, Polina Mackay
Selected Bibliography For The Study Of The Beat Generation, Oliver Harris, Polina Mackay
CLCWeb: Comparative Literature and Culture
No abstract provided.
Beat Contenders (Micheline, Sanders, Kupferberg), A. Robert Lee
Beat Contenders (Micheline, Sanders, Kupferberg), A. Robert Lee
CLCWeb: Comparative Literature and Culture
In his article "Beat Contenders (Micheline, Sanders, Kupferberg)" A. Robert Lee asks if we are in danger of too fixed a Beat canonization. That is, do the Usual Suspects—Ginsberg, Kerouac, and Burroughs, with Corso, Ferlinghetti, Cassady, and Snyder in the frame—assume too presiding a role? There is, for sure, rightly, increased recognition of Beat women writers and attention has been given to the Afro-Beat circuit and, indeed, to a wider multicultural roster to include Latino/a and Asian American authorship. Beat's international reach has won its place, from the United Kingdom and Continental Europe to Japan and Australia. Even so, other …
Theories Of Opiate Addiction In The Early Works Of Burroughs And Trocchi, Richard English
Theories Of Opiate Addiction In The Early Works Of Burroughs And Trocchi, Richard English
CLCWeb: Comparative Literature and Culture
In his article "Theories of Opiate Addiction in the Early Works of Burroughs and Trocchi" Richard English discusses William S. Burroughs's and Alexander Trocchi's representations of opiate addiction with special reference to their early writings. English examines the concept of homo heroin that can be attributed to Burroughs and lists and expounds its qualities. Among these are: immorality, criminality, mono-objectuality, self- and other-indifference, and, most importantly, the radical physical transformation into a new species, which Burroughs extends in Naked Lunch. English shows how homo heroin relates to Trocchi's conception of a heroin addict, which serves to illustrate that homo …
The Cultural Translation Of Ginsberg's Howl In Turkey, Erik Mortenson
The Cultural Translation Of Ginsberg's Howl In Turkey, Erik Mortenson
CLCWeb: Comparative Literature and Culture
In his article "The Cultural Translation of Ginsberg's Howl in Turkey" Erik Mortenson examines three Turkish translations of Allen Ginsberg's poem Howl in order to explore the ways in which Ginsberg's poem becomes redeployed in new cultural contexts. Orhan Duru and Ferit Edgü's 1976 translation presents a more politicized Ginsberg that draws on his anti-establishment credentials as a social activist. This comes as little surprise, since in pre-1980 coup Turkey rebellion was thought in purely political terms of right verses left. Hakan Arslan's 1991 update provides a less political and more familiar Ginsberg, in keeping with a society that left …
Introduction To Global Beat Studies, Oliver Harris, Polina Mackay
Introduction To Global Beat Studies, Oliver Harris, Polina Mackay
CLCWeb: Comparative Literature and Culture
No abstract provided.
Race, Gender, And The Beats In Tan Magazine's "I Was A Victim Of The Beat Generation", Chelsea M. Stripe
Race, Gender, And The Beats In Tan Magazine's "I Was A Victim Of The Beat Generation", Chelsea M. Stripe
CLCWeb: Comparative Literature and Culture
In her article "Race, Gender, and the Beats in Tan Magazine's 'I Was a Victim of the Beat Generation'" Chelsea Stripe discusses the "true to life" story of Sara Howard, a single African American mother who becomes pregnant by a white Beat and struggles to raise their child alone. On the one hand, "I Was a Victim of the Beat Generation" emphasizes the exploitative character of Beats' affinity for African American culture and of their attitudes toward women. Further, Howard's story critiques the social fluidity that Beat privilege allows. On the other hand, the story articulates conservative US-American middle class …
Kerouac And Burroughs In Tangier, Regina Weinreich
Kerouac And Burroughs In Tangier, Regina Weinreich
CLCWeb: Comparative Literature and Culture
In her article "Kerouac and Burroughs in Tangier" Regina Weinreich discusses the two authors' and their friends' lives in Tangier. Given Burroughs's need for collaboration as a significant part of his method of weriting, Kerouac's more solitary approach to writing, and taking into account unpublished journals and new scholarship on this subject, Weinreich explores their time together in Tangier in order to shed some light on the two writers in an "interzone" of their processes of creation.
Politics Of Feminist Revision In Di Prima's Loba, Polina Mackay
Politics Of Feminist Revision In Di Prima's Loba, Polina Mackay
CLCWeb: Comparative Literature and Culture
In her article "Politics of Feminist Revision in di Prima's Loba" Polina Mackay explores Diane di Prima's two-volume epic Loba (1998) and, through a comparison of di Prima to the work of Adrienne Rich, argues that Loba practices a politics of feminist revision. Further, Mackay examines the ways in which di Prima starts to move away from the recovery project of female voices in patriarchal culture, associated with late twentieth-century Feminism, towards a women's literature which need not be defined entirely through its resistance to patriarchal narratives of gender in men's literature. Here it focuses on di Prima's revisionist …
How Burroughs Plays With The Brain, Or Ritornellos As A Means To Produce Déjà-Vu, Antonio José Bonome
How Burroughs Plays With The Brain, Or Ritornellos As A Means To Produce Déjà-Vu, Antonio José Bonome
CLCWeb: Comparative Literature and Culture
In his article "How Burroughs Plays with the Brain, or Ritornellos as a Means to Produce Déjà-Vu" Antonio José Bonome discusses how the recurrence and significance of one of William S. Burroughs's most potent refrains, "dim jerky faraway," was inspired by its source text, Paul Bowles's second novel Let It Come Down (1952), where Tangiers-Interzone fuels the unwholesome descent of a US-American expatriate not unlike Bowles or Burroughs himself. "Dim jerky faraway" was used by Burroughs during more than two decades in different contexts, and its textual variations have sparked a mélange of colors, sounds, smells, and feelings oscillating in …
Images Of Sexually Deviant Women In French Film, Lara Fox
Images Of Sexually Deviant Women In French Film, Lara Fox
Student Scholar Symposium Abstracts and Posters
This research explores representations of sexually deviant women in French film beginning with the New Wave film movement of the1960s and continuing to present day. This work examines the extent to which the gender of a film’s director affects the presentation of female nudity, infidelity, homosexuality, BDSM, and pornography onscreen. Through the lens of scholarly articles of film theorists and feminists such as Laura Mulvey, Simone de Beauvoir, and Hélène Cixous; and of both feministic and anti-feministic works of famous French directors such as Jean-Luc Godard, Catherine Breillat, and Emmanuelle Bercot, this capstone work identifies filmic triumphs and failures of …
Lin-Manuel Meets Moana, Daniel Pollack-Pelzner
Lin-Manuel Meets Moana, Daniel Pollack-Pelzner
Faculty Publications
In this article originally published in Public Books, Daniel Pollack-Pelzner wonders whether a Disney musical and a Lin-Manuel Miranda musical want the same thing.
Part Of This World: A Personal Exploration Of Media And Queer Identity, Emilee Harrison
Part Of This World: A Personal Exploration Of Media And Queer Identity, Emilee Harrison
Dissertations, Masters Theses, Capstones, and Culminating Projects
This paper is a mix of research and personal narrative exploring the impact of television, film, and online media on identity formation. I look specifically at my own identity as a queer person and how it has been shaped by what I have seen and experienced as a young queer and as an educator. Topics discussed include homophobia in the classroom and workplace, the impact of social media on youth development and identity formation, and our changing culture as queer visibility increases. This piece is primarily a personal reflection that runs from early childhood to adulthood. It addresses social interactions …
Staging Famine Irish Memories Of Migration And National Performance In Ireland And Québec, Jason King
Staging Famine Irish Memories Of Migration And National Performance In Ireland And Québec, Jason King
CLCWeb: Comparative Literature and Culture
In "Staging Famine Irish Memories of Migration and National Performance in Ireland and Québec" Jason King examines recent community theater productions about the Irish Famine migration to Québec in 1847. King explores community-based and national ideas of performance and the role of remembrance in shaping and transmitting the diasporic identities of Québec's Irish cultural minority. While most of the plays re-enact French-Canadian adoptions of Famine orphans as spectacles of Irish integration in Québec, David Fennario's Joe Beef: (A History of Pointe Saint Charles) (1984, published 1991) rehearses the history of the Canadian/Québec nation in terms of recurrent labor exploitation epitomized …
Young People's Literature Of Algerian Immigration In France, Anne Schneider
Young People's Literature Of Algerian Immigration In France, Anne Schneider
CLCWeb: Comparative Literature and Culture
In her article "Young People's Literature of Algerian Immigration in France" Anne Schneider discusses questions of language, hybridity, and heritage in some works for young people published in France about Algeria and/or Algerian-French identity, by Leïla Sebbar, Jean-Paul Nozière, Azouz Begag, and Michel Piquemal. She argues for the need for an intercultural education at primary school that uses literature about immigration to highlight questions of place, belonging, exile and language. Schneider's focus is on Begag's Un train pour chez nous (2001) and Piquemal's Mon miel, ma douceur (2004). These texts use linguistic hybridity and an emphasis on common human experiences …
Introduction To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke
Introduction To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke
CLCWeb: Comparative Literature and Culture
No abstract provided for the introduction.
Thematic Bibliography To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke
Thematic Bibliography To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke
CLCWeb: Comparative Literature and Culture
No abstract provided.
French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat
French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat
Student Scholar Symposium Abstracts and Posters
The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20th century. I discuss pre-historical …
The Nature Of God: Perceptions Of God With Exposure To Nature And Natural Events, Holly Ann Kolberg
The Nature Of God: Perceptions Of God With Exposure To Nature And Natural Events, Holly Ann Kolberg
All-Inclusive List of Electronic Theses and Dissertations
Research studies have shown that the sense of awe evoked by natural settings may be associated with transcendental thinking about God. Similarly, other researchers have suggested that people attribute events to God when they cannot develop a sufficient naturalistic explanation for a phenomenon. People appear to prefer attributing events to a benevolent God but will modify their beliefs to assume that God is punitive if event outcomes do not appear to favor their well-being or religious attributions do not accommodate a situation. In the current study, the goal was to evaluate how exposure to photographs of different environments influenced beliefs …
Research And Study Of Fashion And Costume History Spanning From Ancient Egypt To Modern Day, Kaitlyn E. Dennis Miss
Research And Study Of Fashion And Costume History Spanning From Ancient Egypt To Modern Day, Kaitlyn E. Dennis Miss
Posters-at-the-Capitol
Through a generous donation to Morehead State University, research has been conducted on thousands of slides containing images of artwork and artifacts of historical significance. These images span from Egyptian hieroglyphs to the inaugural dress of every first lady of the United States. The slides are in the process of being recorded and catalogued for future use by students in hopes of furthering academic comprehension and awareness of the influence of fashion and costume history through the ages. Special thanks to the family of Gretel Geist Rutledge, faculty mentor Denise Watkins, as well as the Department of Music, Theatre, and …
Bearing Witness: The Sight Of A Sacrifice In Cristian Mungiu's Beyond The Hills, Megan Girdwood
Bearing Witness: The Sight Of A Sacrifice In Cristian Mungiu's Beyond The Hills, Megan Girdwood
Journal of Religion & Film
Drawing on the theories of sacrifice advanced by Sigmund Freud (1913) and René Girard (1972; 1982), this article interprets the exorcism depicted by Romanian director Cristian Mungiu in Beyond the Hills (2012) as a sacrifice. Explicating Girard’s defence of Freud, I use his framing of sacrifice as a function of religion to reassess scholarship addressing the parallels between liturgical and cinematic forms of representation. If, as some scholars propose, the practices of the cinema-goer and the worshipper mirror each other, then the sacrificial witness portrayed by Mungiu constitutes a third pillar in this discourse. I argue that Mungiu dramatizes the …
Masculinidades En Crisis Y Prácticas De Resistencia Feminista En La Literatura Y El Cine Españoles De Autoría Femenina, Carmen Sanchis-Sinisterra
Masculinidades En Crisis Y Prácticas De Resistencia Feminista En La Literatura Y El Cine Españoles De Autoría Femenina, Carmen Sanchis-Sinisterra
Dissertations, Theses, and Capstone Projects
This dissertation examines the representation of masculinity in crisis in films and novels by contemporary female authors of Spain. The films are El último viaje de Robert Rylands by Gracia Querejeta, Te doy mis ojos by Iciar Bollaín and La vida sin mí by Isabel Coixet. The novels are Amado amo by Rosa Montero, Los aires difíciles by Almudena Grandes and La conquista del aire by Belén Gopegui. The question this dissertation asks is if by introducing male characters that lack power, control and success the works promote practices of feminist resistance. The answer is that they do but, as …
“Straight” Acting: Changing Image Of Queer-Masculinity In Media Representation, Zheng Zhu
“Straight” Acting: Changing Image Of Queer-Masculinity In Media Representation, Zheng Zhu
Publications and Research
In this essay, I critically examine media representation of Welsh rugby legend Gareth Thomas, with a specific focus on the construction of his masculinity as an outing gay celebrity. The existing critical scholarship has studied various forms of media representation of queer images. But they did not examine how unconventional queer representation interacts with the normative gender performance. This paper investigates mainstream media’s discursive construction of masculine gay male. The findings call our attention to the emergence of macho gay characterization, which supports the hegemonic domination of heterosexual normativity. The stigmatization of gay-ness as the deviated other is rationalized through …
Circus As Idée Fixe And Hunger, Anna-Sophie Jürgens
Circus As Idée Fixe And Hunger, Anna-Sophie Jürgens
CLCWeb: Comparative Literature and Culture
In her article "Circus as idée fixe and Hunger" Anna-Sophie Jürgens discusses circus fiction in which characters often display extreme, intense psychological traits. They are for example irascible, pyromaniac, sadistic, or megalomaniac. Particularly striking are protagonists with alternative psychological attitudes in fictional circus texts of the twentieth century such as Franz Kafka's hunger artist, Michael Raleigh's ringmaster Lewis Tully or Richard Schmitt's aerialist Garry, who can be seen as incubators of circus-related idées fixes. These literary circus characters develop fixations on circus that manifest themselves as a physical sensation of desiring circus like food, in other words: in circus …
Animals In Irish Literature And Culture Edited By Kathryn Kirkpatrick And Borbála Faragó, Geneviève Pigeon
Animals In Irish Literature And Culture Edited By Kathryn Kirkpatrick And Borbála Faragó, Geneviève Pigeon
The Goose
Review of Kathryn Kirkpatrick and Borbála Faragó's Animals in Irish Literature and Culture.
Negotiating The Politics Of Representation In Iranian Women’S Cinema Before And After The Islamic Revolution, Alshaatha Sultan Al Sharji
Negotiating The Politics Of Representation In Iranian Women’S Cinema Before And After The Islamic Revolution, Alshaatha Sultan Al Sharji
Graduate Theses and Dissertations
From Mahvash, the Iranian entertainer who sang and danced coquettishly in numerous Iranian films that were produced before the Islamic revolution of 1979, to the skateboarding vampire girl who makes a feast out of abusive men in Ana Lily Amirpour’s A Girl Walks Home Alone at Night, the representation of Iranian women on screen has changed drastically. This comparative study focuses on the politics of representation of Iranian women in the cinema before and after the Islamic revolution, with the aim of deconstructing the readily-available notions of women’s oppression in Iran. It analyzes the works of female Iranian directors Forough …
Shaken, Not Stirred: Espionage, Fantasy, And British Masculinity During The Cold War, Anna Rikki Nelson
Shaken, Not Stirred: Espionage, Fantasy, And British Masculinity During The Cold War, Anna Rikki Nelson
Master's Theses
This project seeks to define and explore the development of Cold War British masculinity and national identity in response to decolonization. Following World War II, Great Britain experienced a time of political and cultural rebuilding. This project argues that following World War II, Britain had to renegotiate gender and national identity within the context of decolonization, the rise of the welfare state, and Britain’s diminished role in global politics, and the tensions within gender and national identity were expressed in Britain’s interest in espionage narratives both real and fictionalized. British spy novels by Ian Fleming, Desmond Cory, and John Le …
Statistical Plight Of Black Women, Kimberly-Joy M. Walters
Statistical Plight Of Black Women, Kimberly-Joy M. Walters
Sociology Summer Fellows
The purpose of this research is to examine how television shows and their portrayals of professional Black women impact the interpretation of marriage rates by race and perpetuate ideologies about the angry, unlovable Black woman. Using a content analysis of cable and network television shows with Black professional women as lead characters, this study connects an analysis of the characters’ lived experiences to normative expectations of Black women in relationships to call into question the prevailing narrative that Black women are in part personally responsible for their statistical plight. I will closely study how the two stereotypes, the Jezebel and …
Female Moments / Male Structures: The Representation Of Women In Romantic Comedies, Jordan A. Scharaga
Female Moments / Male Structures: The Representation Of Women In Romantic Comedies, Jordan A. Scharaga
Media and Communication Studies Summer Fellows
Boy meets girl, boy loses girl, boy gets girl again. With this formula it seems that romantic comedies are actually meant for men instead of women. If this is the case, then why do women watch these films? The repetition of female stars like Katharine Hepburn, Doris Day and Meg Ryan in romantic comedies allows audiences to find elements of truth in their characters as they grapple with the input of others in their life choices, combat the anxiety of being single, and prove they are less sexually naïve than society would like to admit. In 1999, a character struggles …
Queer History Of The United States: A Syllabus, Jordan Ostrum
Queer History Of The United States: A Syllabus, Jordan Ostrum
History Summer Fellows
This project is a proposed syllabus of a college level history course dealing with queer and trans experiences in the 20th century. The course utilizes the Ursinus inquiry based approach to learning, focusing on the core questions “How can we understand the world?” and “How should we live together?” Supplementary materials, such as the course proposal, are meant to encourage the Ursinus College History Department to offer the course in the future.
"A Girl And Her Room", Rania Matar
"A Girl And Her Room", Rania Matar
Occasional Paper Series
A photographic essay of girls' bedroom culture.