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Articles 211 - 240 of 651

Full-Text Articles in Film and Media Studies

Monstrous Accumulation: Topographies Of Fear In An Era Of Globalization, Robert T. Tally Jr. Feb 2020

Monstrous Accumulation: Topographies Of Fear In An Era Of Globalization, Robert T. Tally Jr.

CLCWeb: Comparative Literature and Culture

The predominance of the horror genre, broadly conceived, in recent years attests to the profound sense of anxiety and dread permeating late capitalist societies. As the processes and effects of globalization become more viscerally experienced, they are also often rendered invisible or unknowable, and individuals and groups find themselves subject to an immense array of forces beyond their control. The contemporary scene is crowded with monsters, from alien invaders to the zombie apocalypse, set against the backdrop of darkly fantastic landscapes and dystopian visions. Drawing upon a variety of Marxist cultural theory, Robert T. Tally Jr. explores the topographies of …

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Introduction To The Monstrous Global: The Effects Of Globalization On Cultures, Ju Young Jin, Jae Roe Feb 2020

Introduction To The Monstrous Global: The Effects Of Globalization On Cultures, Ju Young Jin, Jae Roe

CLCWeb: Comparative Literature and Culture

This special issue on “The Monstrous Global: The Effects of Globalization on Cultures” explores representations of the monstrous effects and products of globalization. The monstrous (as in The Monstrous Feminine by Barbara Creed) in this sense alludes to the ways in which local or national displays of fear and anxiety about the Other are embedded in struggles and tensions of global scale; the inability to cognitively map the effect of such global forces on local/national problems produces monstrous representations of the global. Global forces such as neoliberalism and reactionary nationalism, technology, climate change, migration and displacement lead to accelerating instability …

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A Deconstructive Reading Of Taoist Influenced Chinese And American Poetry, Hong Zeng Feb 2020

A Deconstructive Reading Of Taoist Influenced Chinese And American Poetry, Hong Zeng

CLCWeb: Comparative Literature and Culture

In her article “A Deconstructive Reading of Taoist Influenced Chinese and American Poetry” Hong Zeng attempts to deconstruct the logos status of "Nature" in Chinese natural philosophy and explore the tragic potentiality of such philosophy and poetry under its influence. It also analyzes its aesthetic strategies used to overcome historical tragedy, and how such tragic potentiality in classical Chinese philosophy and poetry break out into the imagery of death and fragmentation in modern Chinese and American poetry under its influence, including poetry by such poets as Hai Zi, Gu Cheng, Robert Bly and Wallace Stevens, and how it sometimes leads …

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The Goddess Of Love In Sadomasochistic Costume: Roman Polanski's Venus In Fur, Alan P. Barr Feb 2020

The Goddess Of Love In Sadomasochistic Costume: Roman Polanski's Venus In Fur, Alan P. Barr

CLCWeb: Comparative Literature and Culture

Throughout his career as a filmmaker, Roman Polanski has circled the subject of sex, its aberrations, its delights, and its risks. His twenty feature films are remarkably varied, yet characteristically probe the compelling, contradictory, and enchanting nature of human sexual behavior. He develops a cluster of images or tropes that appear across his films—from knives to claustrophobic settings—that advance his enquiry. Venus in Fur is Polanski’s most comprehensive portrayal of the intricacies of sexual conduct, employing a theatrical setting (rehearsing an adaptation of a notorious classic novel), amplified with cultural allusions and exploring the limits of role-playing. Normality and contentment, …

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Exil, Jodi Mcdavid Jan 2020

Exil, Jodi Mcdavid

Journal of Religion & Film

This is a film review of Exil (2020), directed by Visar Morina.

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A Story To Tell… How To Integrate The Three Modes Of Communication Through A Story Time Program In French, Frederique Grim Jan 2020

A Story To Tell… How To Integrate The Three Modes Of Communication Through A Story Time Program In French, Frederique Grim

The Coastal Review

Bilingual story time programs found in local community libraries not only benefit children, they can also serve a need for L2 college students: the development of their communicative skills in an authentic environment. In addition to linguistic benefits, experiential learning has proven to prepare students for real-world skills, such as networking, mock professional experience and a sense of community engagement. This paper recounts how a world language story time program supports L2 learners’ three modes of communication, as articulated by ACTFL, and necessary for language development. Based on students’ perceptions, this study highlights their increase in motivation and confidence in …

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Undiagnosing Iphis: How The Lack Of Trauma In John Gower’S “Iphis And Iante” Reinforces A Subversive Trans Narrative, C Janecek Oct 2019

Undiagnosing Iphis: How The Lack Of Trauma In John Gower’S “Iphis And Iante” Reinforces A Subversive Trans Narrative, C Janecek

Accessus

Trauma has long played a role in queer narratives, including Ovid’s “Iphis and Ianthe”, which many scholars have interpreted as reinforcing heteronormativity through Iphis’s transformation into a man in order to marry Ianthe. However, I argue that John Gower’s rendition of this tale reframes Iphis as a trans man and allows us to understand the poem as a subversive trans narrative that revolts against cisnormative conceptions of gender. Utilizing Judith Butler’s writing on the medicalization of gender, I explore the relationship between trauma, performance, and gender within the Ovidian and Gowerian versions of Iphis.

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Foreword, Georgiana Donavin, Eve Salisbury Oct 2019

Foreword, Georgiana Donavin, Eve Salisbury

Accessus

This is the Foreword to Accessus 5.1

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Fatih Akin's Cinema And The New Sound Of Europe, Seda Öz Oct 2019

Fatih Akin's Cinema And The New Sound Of Europe, Seda Öz

Journal of Religion & Film

This is a book review of Berna Gueneli's Fatih Akin's Cinema and the New Sound of Europe (Bloomington: Indiana University Press, 2019).

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Introduction: Mediating Catholicisms: Studies In Aesthetics, Authority, And Identity, Eric Hoenes Del Pinal, Marc Roscoe Loustau, Kristin Norget Sep 2019

Introduction: Mediating Catholicisms: Studies In Aesthetics, Authority, And Identity, Eric Hoenes Del Pinal, Marc Roscoe Loustau, Kristin Norget

Journal of Global Catholicism

No abstract provided.

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Bibliography On Suffering, Simon C. Estok Sep 2019

Bibliography On Suffering, Simon C. Estok

CLCWeb: Comparative Literature and Culture

No abstract provided.

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Domestic Trauma And Imperial Pessimism: The Crisis At Home In Charles Dickens’S Dombey And Son, Katherine E. Ostdiek Sep 2019

Domestic Trauma And Imperial Pessimism: The Crisis At Home In Charles Dickens’S Dombey And Son, Katherine E. Ostdiek

CLCWeb: Comparative Literature and Culture

In “Domestic Trauma and Imperial Pessimism: The Crisis At Home in Charles Dickens’s Dombey and Son,” Katherine Ostdiek discusses Dickens’s representation of violence, grief, and recovery within the Victorian home as a pre-Freudian example of trauma. This comparison not only demonstrates the importance of trauma studies in the nineteenth-century, but more importantly, it thematically focuses empathy for the traumatized on the home. In this novel, Dickens dismisses topics related to the financial and social crises of mid-century Britain in favor of domestic themes that emphasize an idealized structure of the Victorian family. Through her use of trauma theory and …

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Suffering And Climate Change Narratives, Simon C. Estok Sep 2019

Suffering And Climate Change Narratives, Simon C. Estok

CLCWeb: Comparative Literature and Culture

In his article "Suffering and Climate Change Narratives" Simon C. Estok begins with a brief survey of definitional issues involved with the term “suffering” and argues that there has been a relative lack of theoretical attention to suffering in climate change narratives, whether literary or within mainstream media. Estok shows that suffering, far from being singular, is a multivalent concept that is gendered, classed, raced, and, perhaps above all, pliable. It has social functions. One of the primary reasons for the failure of climate change narratives to effect real changes, Estok argues, is that they often carry the functions of …

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The Punctum In History: Representing The M(Other)’S Death In Peter Handke’S A Sorrow Beyond Dreams, Hivren Demir Atay Sep 2019

The Punctum In History: Representing The M(Other)’S Death In Peter Handke’S A Sorrow Beyond Dreams, Hivren Demir Atay

CLCWeb: Comparative Literature and Culture

This article aims to discuss how Handke’s autobiographical narrative, A Sorrow Beyond Dreams (1972), stages the writer’s literary project through a neutral account of his mother’s suicide. Telling the story of his mother, who witnessed the Second World War and the nazi regime, Handke narrates the traumatic history of an Austrian town along with his own suffering. Concentrating on his attempt at a distanced language and his questioning of history as an objective fact, the article suggests that Handke’s perception of death and mourning parallels his understanding of the acts of writing and reading. Drawing particularly on Barthes’s concept …

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The Different Representation Of Suffering In The Two Versions Of The Vegetarian, Young-Hyun Lee Sep 2019

The Different Representation Of Suffering In The Two Versions Of The Vegetarian, Young-Hyun Lee

CLCWeb: Comparative Literature and Culture

In her article “The Different Representation of Suffering in the two versions of The Vegetarian” the author examines how different the representation of suffering in the original and translated versions of The Vegetarian and explores the reasons for this difference. The author in particular refers to representative episodes which the translator’s strategy distorts even the central concepts of suffering in the original work. Her translated version results in critical misrepresentation of suffering and violence in the original version.

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Enduring The Long Take: Tsai Ming-Liang’S Stray Dogs And The Dialectical Image, Louis Lo Sep 2019

Enduring The Long Take: Tsai Ming-Liang’S Stray Dogs And The Dialectical Image, Louis Lo

CLCWeb: Comparative Literature and Culture

This essay attempts to show that Tsai’s Stray Dogs (2013) offers a social critique of Taipei as a neoliberal, global, consumer city, and by so doing establishes a cinema of contemplation through such cinematic devices as the sustained long-take and slow, virtually still cinematic images. By developing Walter Benjamin’s formulation of the dialectical image, this essay explores the extent to which Tsai’s cinematic aesthetics reveals an aspect of the city which cannot be shown otherwise. It argues that his slow cinema creates a potentially revolutionary awakening in an audience accustomed to an immersive mode of cinematic experience which turns the …

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Salam Neighbor: Syrian Refugees Through The Camera Lens, Lava Asaad Sep 2019

Salam Neighbor: Syrian Refugees Through The Camera Lens, Lava Asaad

CLCWeb: Comparative Literature and Culture

This paper examines the documentary Salam Neighbor (2015), which celebrates the will of Syrian refugee women who are displaced in Jordan. The collective experience of the refugees portrayed in the documentary solicits a reaction from the Western viewer. To counteract the images of refugees in the media, documentaries can be a good alternative for mass media, which has been perpetuating a binary of the West and the Rest. The argument tackles the issue of this new representation of refugees in documentaries within a postcolonial paradigm of how we represent or speak to/with the Other in our technological age, as well …

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Introduction To Suffering, Endurance, Understanding: New Discourses Within Philosophy And Literature, Douglas S. Berman Sep 2019

Introduction To Suffering, Endurance, Understanding: New Discourses Within Philosophy And Literature, Douglas S. Berman

CLCWeb: Comparative Literature and Culture

Literature is generally seen as depicting the lives of human subjects through their unique narratives. And that, while its endpoint may be universal, it is typically grounded in the specificity of a human being (or, occasionally, an animal). Philosophy is tasked with providing the foundational cognitive tools to grasp the meaning of experience for the whole. In Hegelian terms, it unfolds the history of the concept. Yet, as George Steiner, Jacques Derrida, and other recent authors have shown, both philosophy – along with its agonistic cousin, religion -- evoke literary themes, rhetorics, and struggles. Over the past fifty years, Continental …

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Infidelity As Reality: Re-Staging The Global South With Abbas Kiarostami’S Close-Up, Sinan Richards Sep 2019

Infidelity As Reality: Re-Staging The Global South With Abbas Kiarostami’S Close-Up, Sinan Richards

Artl@s Bulletin

In this article, we contend that, in the fields of art and visual culture, the Global South is both an elaborate lie and a radical opportunity for transformation. We investigate Kiarostami’s Close-up alongside Lacan’s psychoanalysis to show how Close-up’s filmic narrative evokes the same ‘polyvalence’ and ‘slipperiness’ as the notion of the Global South. We argue that Kiarostami’s Close-up retroactively changed Sabzian’s fate, and in so doing, Kiarostami’s re-staging actively overwrites History itself. We read the same narrative move in the concept of the Global South to suggest that the Global South adopts the Kiarostamian strategy of infidelity as reality …

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Never Look Away (Werk Ohne Autor), Frederick Ruf Aug 2019

Never Look Away (Werk Ohne Autor), Frederick Ruf

Journal of Religion & Film

This is a film review of Never Look Away (Werk ohne Autor) (2018) directed by Florian Henckel von Donnersmarck.

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Final Words, Final Shots: Kurosawa, Bortko And The Conclusion Of Dostoevsky’S Idiot, Saera Yoon, Robert O. Efird Jul 2019

Final Words, Final Shots: Kurosawa, Bortko And The Conclusion Of Dostoevsky’S Idiot, Saera Yoon, Robert O. Efird

CLCWeb: Comparative Literature and Culture

In their article "Final Words, Final Shots: Kurosawa, Bortko, and the Conclusion of Dostoevsky’s Idiot" Robert O. Efird and Saera Yoon discuss film adaptations of Dostoevsky’s novel. Both in his homeland and abroad, the major works of Fyodor Dostoevsky have largely made for disappointing film adaptations. This article examines the cultural diversity and aesthetic motivations underlying two very different adaptations of his novel Idiot, with particular attention to the concluding scenes. Both Akira Kurosawa and Vladimir Bortko follow the novelist's lead by hinting at some form of hope and future redemption amidst the tragedy but, for different reasons, …

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Urban Landscape In Mcewan's Narrative Representation Of Berlin, Barbara J. Puschmann-Nalenz Jul 2019

Urban Landscape In Mcewan's Narrative Representation Of Berlin, Barbara J. Puschmann-Nalenz

CLCWeb: Comparative Literature and Culture

In her article "Urban Landscape in McEwan's Narrative Representation of Berlin," Barbara J. Puschmann-Nalenz discusses the image of Berlin created in Ian McEwanﹸs novel The Innocent (1990) and the chapter titled "Berlin" in Black Dogs (1992). It starts from the hypothetical statement that while British literary fiction set in Berlin is rare after 1970 the genres of spy and detective novel, where crime and violence take center stage, shape the image of the city in highbrow narratives as well. The perspectivization of the cityscape, including its monuments, through the protagonists fundamentally influences its image. In The Innocent the limited view …

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Retro-Future In Post-Soviet Dystopia, Sergey Toymentsev Jul 2019

Retro-Future In Post-Soviet Dystopia, Sergey Toymentsev

CLCWeb: Comparative Literature and Culture

In his article “Retro-Future in Post-Soviet Dystopia” Sergey Toymentsev explores the vision of retrospective future in such Russian novels as Tatiana Tolstaya’s The Slynx, Vladimir Sorokin’s Day of the Oprichnik, Olga Slavnikova’s 2017, and Dmitry Bykov’s Zhd. Unlike Zamyatin’s and Platonov’s anti-Soviet satires, post-Soviet dystopias do not respond to any utopian narrative, but project the historical and ideological reality of Russia’s violent (predominantly Soviet) past into the future. Such a traumatic reenactment of the Soviet past in the dystopian future testifies to the rise of authoritarianism in contemporary Russia as well as its incomplete collective memory …

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Okonkwo’S Reincarnation: A Comparison Of Achebe’S Things Fall Apart And No Longer At Ease, Mary J. N. Okolie, Ginikachi C. Uzoma Jul 2019

Okonkwo’S Reincarnation: A Comparison Of Achebe’S Things Fall Apart And No Longer At Ease, Mary J. N. Okolie, Ginikachi C. Uzoma

CLCWeb: Comparative Literature and Culture

Abstract: The reincarnation myth is a global concept, founded basically in religion and tradition. It was especially vibrant in the ancient times in places like Egypt, Greece, and in continents like Asia and Africa, which possess varying understandings of the myth. In Igbo tradition, for example, it is believed that reincarnation occurs within a family. And that some of the marks of reincarnation are usually the possession of the birthmark or certain other physical features and the exhibition of character and behavioral traits of a deceased person by a living member of his/her immediate or extended family. Thus, reincarnation entails …

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Vladimir Mayakovsky’S Agit-Semitism, Ludmila Lavine Jul 2019

Vladimir Mayakovsky’S Agit-Semitism, Ludmila Lavine

Faculty Journal Articles

Images of Jewishness as ethnic, cultural, and biblical categories in Vladimir Mayakovsky’s works are both plentiful and understudied. The present article attempts to bridge this gap while exploring the mechanisms that guide the poet’s responses to anti-Semitism. I begin by focusing on the function of the Exodus story in Stikhi ob Amerike(Verses about America), and then move to Mayakovsky’s “agitational” works: his collaboration on the film Evrei na zemle(Jews on the Land, 1927), and his poems ““Evrei (Tovarishcham iz OZETa)” (“Jew [To Comrades from OZET],” 1926) and “‘Zhid’” (“‘Yid’,” 1928). I argue that, while Mayakovsky continues the established …

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"Il Y A De La Plèbe": Figurations Of The Minor Between Complicity And Dissent, Maria Muhle Jun 2019

"Il Y A De La Plèbe": Figurations Of The Minor Between Complicity And Dissent, Maria Muhle

CLCWeb: Comparative Literature and Culture

In this article I discuss the logic of “complicity” and “dissent” that, under current forms of ultra-neoliberal capitalism, is no longer (if it has ever been) one of opposition but rather corresponds to a logic of unrealized potentials, or “as ifs” that “manage” dissent and complicity in conjunction, and erase the dividing line between them, or their value as separate concepts. I examine the genealogy of this opposition and its dilution as a symptom of our contemporary political reality. Michel Foucault presented a paradigmatic view of this genealogy in his analysis of power and the taxonomic separation of three regimes …

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Political Violence And Race: A Critique Of Hannah Arendt, Chad Kautzer Jun 2019

Political Violence And Race: A Critique Of Hannah Arendt, Chad Kautzer

CLCWeb: Comparative Literature and Culture

Hannah Arendt’s On Violence (1970) is a seminal work in the study of political violence. It famously draws a distinction between power and violence and argues that the latter must be excluded from the political sphere. Although this may make Arendt’s text an appealing resource for critiques of rising political violence today, I argue that we should resist this temptation. In this article, I identify how the divisions and exclusions within her theory enable her to explicitly disavow violence on one level, while implicitly relying on a constitutive and racialized form of violence on another. In particular, Arendt leaves legal …

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The Ambivalence Of Black Rage, Vincent Lloyd Jun 2019

The Ambivalence Of Black Rage, Vincent Lloyd

CLCWeb: Comparative Literature and Culture

Activists associated with the Black Lives Matter movement embrace anger. Owning their rage sets these activists in opposition to an older generation of black leaders, invested in respectability, who narrate anger as an emotion to be overcome. Younger activists worry about complicity with the status quo – with white supremacy – of these older activists, yet embracing anger is no surefire way of avoiding complicity with the status quo. This essay investigates the ambivalence of black anger, drawing on philosophy and feminist theory while also locating the current eruption of black anger in an ambivalent history of black political affect. …

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Complicity, Dissent, And The Palestinian Intellectual, Sa'ed Atshan Jun 2019

Complicity, Dissent, And The Palestinian Intellectual, Sa'ed Atshan

CLCWeb: Comparative Literature and Culture

In this article, I draw on the major works of two Palestinian intellectuals—Edward Said and Hanan Ashrawi—and I compare the experiences of Palestinian intellectuals living in the United States with those living under Israeli military occupation in the West Bank. The writings of these two exemplary figures shape the conceptual underpinnings of my exploration of the way Palestinian academics navigate questions of complicity with the different hegemonic political systems that govern their lives. I argue that Said and Ashrawi model a steadfast refusal to be complicit in the state-led repression around them at the same time as they engage in …

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Subject, Subjugation, And Subjectivity, Raef Zreik Jun 2019

Subject, Subjugation, And Subjectivity, Raef Zreik

CLCWeb: Comparative Literature and Culture

This paper analyzes the ways in which complicity and dissent feed and subvert one another, or the ways in which the subjugated self becomes a political subject. The formative event of Palestinian collective identity is the loss of home and homeland in the aftermath of the Nakba of 1948. “The Catastrophe” divided the Palestinian community to two: Those who remained within the borders of the Israeli state and became Israeli citizens, and the Palestinian refugees, who came to establish the Palestinian Liberation Organization (PLO) and led an armed struggle. While examining the two narratives, I also explore two communal modes …

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