Film and Media Studies Commons^™

Instagram: The Real Stranger Danger, Sarina Kong

Pop Culture Intersections

A stranger, in simple terms, is best defined as a person with whom one has no personal acquaintance. Society constantly warns children from a young age to not accept candy from, get in a car with, and most importantly talk to strangers. Even after growing up, adults are still warned against going places alone, meeting people online, and putting their trust in people they have never met. The underlying message is this: strangers equal danger. Despite these frequent warnings, social media has found a way to glamorize strangers and make it socially acceptable to interact with them. Disguised under the …

Online Dating Technology Effects On Interpersonal Relationships, Anabel Homnack

Pop Culture Intersections

The trend of online dating has been around since the emergence of the Internet. In the generation before the online era, people would meet face-to-face in cafes, on streets or at bars or even on airplanes. People make initial contact based on a number of cues and preferences, getting to know one another in person. Today these coincidental or so to say "meant to be" moments seem to be non-existent. Why have they become such a rarity? Is it because we know that there is an easy way out? What will it take for people to be as straightforward and …

Morality Of Pirating Media, Matthew Holbrook

Pop Culture Intersections

This paper will explore the evolution and morality of pirating media not through accusation but by giving data and facts to decide not only the future of media but whether these pirates are actually moral versions of Robin Hood. I will explore this topic through the lens of the pirate starting with a background on the beginning of piracy; explain the illegality of copyright infringement, inform the reader about what happens to caught assailants, and the psychology of why more and more of the US population are illegally downloading media. I am investigating this topic not to point a finger …

The Impact Of Social Media On Society, Jacob Amedie

Pop Culture Intersections

It is the objective of this article to present evidence from several researches that were done by many scholars in different environment that distinctly demonstrates the negative impact of social media in three main categories. First, social media fosters a false sense of online "connections" and superficial friendships leading to emotional and psychological problems. The Second harm of social media is that it can become easily addictive taking away family and personal time as well as diminish interpersonal skills, leading to antisocial behavior. Lastly, social media has become a tool for criminals, predators and terrorists enabling them to commit illegal …

Mapping Memory In Tran’S Vietnamerica, Mary A. Goodwin

CLCWeb: Comparative Literature and Culture

In her article "Mapping Memory in Tran's Vietnamerica" Mary Goodwin explores the use of maps, landscape paintings, and other topographic images in Gia-Bao Tran's graphic memoir chronicling the "postmemory" of the US-American son of wartime refugees. Tran's family immigrated to the United States in 1975 following the fall of Saigon. Tran knew nothing of his parents' hardships and struggle to escape Vietnam until he returned for relatives' funerals in his 20s. Similar to Spiegelman's Maus, Vietnamerica is a mixed-media memoir containing photographs, maps, and comics in various styles. Following Hirsch's lead in demonstrating the special historical value of photographs …

Culture On The Move: Depression-Era Documentary And Migrant California, Joseph Entin

Criticism

California on the Breadlines: Dorothea Lange, Paul Taylor, and the Making of a New Deal Narrative by Jan Goggans. Berkeley: University of California Press, 2010. Pp. 368. $40.00 cloth.

Fame Gone Wild (2015: An Era Of Self-Invention), Stephanie E. Kang

Graduate School of Art Theses

Entertainment has become one of the fueling fires of society. In today’s world of nonstop broadcasting and streaming, many begrudgingly trudge through their 9 to 5’s only to live for their few post-work hours of leisure, which have been reserved for this week’s latest items on the viewing queue. Netflix and Hulu have become the opium of the masses. Consequently, this obsession with constant entertainment has now morphed into a shared yearning for the people that are watched and followed religiously through the screen – the celebrities. In this cultural moment, the concept of fame has become a vital element …

Occupy The Future: A Rhetorical Analysis Of Dystopian Film And The Occupy Movement, Justin J. Grandinetti

Masters Theses, 2010-2019

The anarchic Occupy Wall Street protests, which began in 2011, had an immediate impact on politics and the global lexicon. By introducing the terms “the one percent” and “the 99%” into the public sphere, Occupy was able to draw attention to growing global income inequality. This revolutionary spirit was not lost on popular culture, as a number of films that followed the protests were linked to Occupy. The Hunger Games (2012), The Dark Knight Rises (2012), and Elysium (2013) represent films that were not only extremely successful in the box office, but were also connected to the Occupy Movement because …

The Movie Mogul, Moses And Muslims: Islamic Elements In Cecil B. Demille’S The Ten Commandments (1956), Michael D. Calabria Ofm

Journal of Religion & Film

Cecil B. DeMille’s 1956 film, The Ten Commandments, has come to define the genre of the biblical epic. It has earned a permanent place in American culture due to its annual airing on television during the Easter and Passover holidays. Most viewers are unaware, however, that DeMille had sought to make a film that would appeal to Jews, Christians and Muslims at a time when their common Abrahamic ancestry had yet to be articulated, and interreligious dialogue was all but unheard of. To this end, Henry Noerdlinger, DeMille’s researcher for the film, consulted the Qur’an, and screenwriters incorporated Islamic …

The Binding Of Abraham: Inverting The Akedah In Fail-Safe And Wargames, Hunter B. Dukes

Journal of Religion & Film

This article draws upon Søren Kierkegaard's Fear and Trembling and Jacques Derrida's The Gift of Death to trace how two exemplars of atomic bomb cinema reinterpret the Binding of Isaac (Akedah). Released during the twin peaks of Cold War tension, Fail-Safe (1964) and WarGames (1983) invert the Akedah of Genesis 22. In both films, an act of sacrificial patricide accompanies or replaces the sacrifice of an Isaac-like son. When viewed in the context of Cold War cultural politics—events such as Norman Morrison’s Abrahamic self-immolation and Kent State’s rejection of George Segal’s sacrificial memorial— the inverted Akedah emerges as …

More Than Just An Image: Pop Culture Representations Of Latinxs And The Immigration Debate, Vanessa Reyes

Eddie Mabry Diversity Award

No abstract provided.

Emerging Feminist Voices On Media And Representation, Diana Depasquale, Cassie Tenorio, Alyssa Wells, Savannah Fulmer

Ray Browne Conference on Cultural and Critical Studies (2015-2021)

The work featured in this panel is from students in WS2000, Introduction to Women's Studies. I created an assignment called "Choose Your Own Adventure." These projects include: an examination gender in film, and a revised version of the Bechdel Test, sexism and misogyny in gaming culture expressed through a series of comics, a painting on canvas using a variety of materials and techniques representing the control of women's reproductive rights and the damage done to female bodies by patriarchal language and rhetoric, and an analysis of womanism, scripture and Alice Walker's The Color Purple.

Each student engaged with issues related …

Neglecting The Subjects Of The Drag Performance In White Chicks, Hannah Sylvester

The Downtown Review: An Interdisciplinary Journal Written and Peer-Reviewed by Mandel Honors College Students at Cleveland State University

As a temporary transvestite film, White Chicks tackles racial issues as well as gender issues and performance. While the statements made on behalf of racial issues are strong, the statements concerning gender are much weaker. The paper will give a summary of the film followed by a description of it as a temporary transvestite film alongside other films within the genre. Issues concerning gender roles--specifically the concept of femininity--are addressed within the film, but are never challenged or changed. Indeed, society's heterosexual hegemony are upheld within this film as they are in similar films in the genre. Homosexual instances in …

Rodcon, Program, 2015, University Of Northern Iowa

RodCon Documents

Saturday, March 28, 2015 - 11:00am to 4:00pm

Program distributed at the event.

Welcome to the 2nd Annual Rod Library Mini Comic Con. The event is free and open to the public. Our goal is to provide an open forum for discussion about the theme of a networked society focused on popular culture, comics, and gaming. Our panel presentations are also focused on providing a forum for discussion about the complex issues of race, gender, class and social justice in popular entertainment. To see your entry, use the hashtag #RodCon15

Rodcon, Flier, 2015, University Of Northern Iowa

RodCon Documents

Saturday, March 28, 2015 - 11:00am to 4:00pm

Flier used in promotion of the event.

Scribblescholar Was Here: Confessional Notes Of A Vandal Academic, Clay Shields

Theses and Dissertations--English

As a (former) vandal-punk in the academy, I often fear succumbing to Ivory Tower Stockholm syndrome. The identities I perform, vandal-punk and scholar, ideologically clash to the point that they often feel irreconcilable. By codemeshing the high-low discourses associated with these adopted cultures, I attempt to disrupt any hierarchal privileging of either, instead searching for a way to live with and harness both.

Moving Foward?: Problematic Ideologies In Twenty-First Century Fairy Tale Films, Alyson Kilmer

All Master's Theses

Fairy tales, as a reflection of our values and belief systems, are crucial in shaping and maintaining cultural ideologies. In the twenty-first century, cinematic fairy tales have the unique position of representing such values in an expansive and expeditious manner. Audiences must therefore be critically conscious of the messages promoted by these tales. An analysis of the five most popular contemporary fairy tale films, Disney’s Princess and the Frog (2009), Tangled (2010), Universal’s Snow White and the Huntsman (2012), and Disney’s Frozen (2013) and Maleficent (2014), revealed minimal attempts to propitiate critical audiences in regard to changing cultural values, but …

Long Live The Evil Queen: Once Upon A Time's Evolved Villain, Frank S. Lombari

Pell Scholars and Senior Theses

Mirror on the wall, who's the fairest Queen of all? In today's pop culture, many traditional villains are beginning to be turned into antiheroes. ABC's television show Once Upon a Time has taken a number of fairy tale villains and provided them both a background and character growth. Specifically, the adaptation of the Evil Queen has shifted from primary antagonist to redeemed hero over the first three seasons. The show also displays her in the real-world rather than just a fairy tale universe. The author claims that this radical development occurs due three essential aspects: the Evil Queen and Snow …

Queer Content In Science Fiction Allegory And Analogue: Is It In Disguise?, Anna C. Marburger

Scripps Senior Theses

This thesis performs a textual analysis of two for-profit science fiction texts in which the authors implanted queer content: Bryan Singer's X-Men films and James Robert's Transformers comic series, "More Than Meets the Eye". The argument incorporates queer (referring to attraction and gender variance) media representation and western identity politics lenses into its critique.

By interrogating reality through the masquerade of an impossible universe, science fiction affects how subversive a text can be. When authors designate the natural and the unnatural in a strange universe, they designate what and who belongs in our society. Whatever they imagine has an effect …

New Challenges For The Archiving Of Digital Writing, Heiko Zimmermann

CLCWeb: Comparative Literature and Culture

In his article "New Challenges for the Archiving of Digital Writing" Heiko Zimmermann discusses the challenges of the preservation of digital texts. In addition to the problems already at the focus of attention of digital archivists, there are elements in digital literature which need to be taken into consideration when trying to archive them. Zimmermann analyses two works of digital literature, the collaborative writing project A Million Penguins (2006-2007) and Renée Tuner's She… (2008) and shows how the ontology of these texts is bound to elements of performance, to direct social interaction of writers and readers to the uniquely subjective …

"The Falling Man" As Viewed In The Lens Of The "Public Sphere", Laura Reinacher

Communication Studies

No abstract provided.

“Finding” Guam: Distant Epistemologies And Cartographic Pedagogies, Cathy J. Schlund-Vials

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Got Lost Behind The Scenes: Underexposed Television Producers In Magazines, Jordan King

Pell Scholars and Senior Theses

Award-winning television shows are popularly depicted through digital media and magazine coverage. However, the strenuous efforts of TV producers are hidden behind the publicity of celebrities and plotlines of the show. Using Eugene Shaw's agenda-setting theory and Robert Entman's framing theory as a basis, the author created a case study analyzing how the producers of Lost and Game of Thrones are portrayed in magazines. The research shows that reporters tend to perpetuate the anonymity of these producers, which in effect, leads an audience to deem them as unimportant.

Where Have All The Good Men Gone? A Psychoanalytic Reading Of The Absent Fathers & Bad Dads On Abc's Lost, Melissa R. Ames

Faculty Research & Creative Activity

Fictional fathers in narratives are often allegorical in nature and contemporary television is not immune from this. ABC’s groundbreaking television drama, Lost, offers a multitude of father figures that suggests not only a crisis concerning the role of the father in the 21st century but also the crisis of national security experienced by Americans after the attacks. In particular, the program showcases three specific types of troubled father/child relationships: those in which the father is absent and/or dead, those where the father is portrayed as abusive and/or evil, and those where the father and child are estranged and/or their relationship …

Where Have All The Good Men Gone? A Psychoanalytic Reading Of The Absent Fathers & Bad Dads On Abc's Lost, Melissa R. Ames

Faculty Research & Creative Activity

Fictional fathers in narratives are often allegorical in nature and contemporary television is not immune from this. ABC’s groundbreaking television drama, Lost, offers a multitude of father figures that suggests not only a crisis concerning the role of the father in the 21st century but also the crisis of national security experienced by Americans after the attacks. In particular, the program showcases three specific types of troubled father/child relationships: those in which the father is absent and/or dead, those where the father is portrayed as abusive and/or evil, and those where the father and child are estranged and/or their relationship …

Rod Library Mini Comic-Con, Flier, 2014, University Of Northern Iowa

RodCon Documents

Saturday, March 29, 2014 - 12:00pm to 4:00pm

Flier used in promotion of the event.

Rod Library Mini Comic-Con, Program, 2014, University Of Northern Iowa

RodCon Documents

Saturday, March 29, 2014 - 12:00pm to 4:00pm

Program distributed at the event.

Magical Me: Self-Insertion Fanfiction As Literary Critique, Melody Strmel

Scripps Senior Theses

This thesis examines the traditions of textual interaction that impact the forms of reading engaged in with fanfiction. This thesis continues by exploring how self-insertion fanfiction functions as a medium through which authors express their reading of the text primary through the emotional impact of the text through wish fulfillment, and the interaction of their cultural moment and the text. Furthermore, it argues that self-insertion fanfiction is a mode of literary critique in which the author acknowledges the effect of a mediated world on their perception of self and reality. Through this recognition of a constructed self, the author rejects …

#Prettylittleliars: How Hashtags Drive The Social Tv Phenomenon, Melanie Brozek

Pell Scholars and Senior Theses

Twitter is used by many TV shows to promote discussion and encourage viewer loyalty. Most successfully, ABC Family uses Twitter to promote the teen drama Pretty Little Liars through the use of hashtags and celebrity interactions. This study analyzes Pretty Little Liars use of hashtags created by the network and by actors from the show. It examines how the Pretty Little Liars official accounts engage fans about their opinions on the show and encourage further discussion. Fans use the network-generated hashtags within their tweets to react to particular scenes and to hopefully be noticed by managers of official show accounts. …

Damsels And Heroines: The Conundrum Of The Post-Feminist Disney Princess, Cassandra Stover

LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University

This research explores cultural shifts in the popularity of the Disney princess in American culture, especially its postmodern resurgence, as well as the complex relationship between Disney’s recent representations of women in the 1990’s and post-feminist ideology. My project begins by analyzing the historic appearance of the Disney female in relation to the women’s movements. I also examine lingering anti-feminist backlash in representations of what I call “New Wave” Disney heroines. Finally, I examine the implications of post-feminist discourse and advertising for young female viewers.