Women's Studies Commons^™

Alba As Eternal Mother: Violent Spaces And The ‘Last Woman’ In Manuel De Pedrolo’S "Mecanoscrit Del Segon Origen", Pedro Nilsson-Fernàndez

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

The ambitious literary project of Catalan author Manuel de Pedrolo i Molina (1918-1990) has generally been perceived as belonging to the tradition of popular literature, a label often reinforced by the unprecedented success of his minor work Mecanoscrit del segon origen. This has clearly damaged Pedrolo’s status in the Catalan literary; as Kathryn Crameri highlights, “(w)hen authors such as Manuel de Pedrolo championed more popular genres such as crime fiction” –or science fiction as far as this study is concerned– “they had to endure criticisms of the quality of their writing” (Crameri, 2008, p. 23). This article will challenge …

Tipping Point, Pang Z. Vang

Theses and Dissertations

What happens to a woman at the tipping point under oppression in a patriarchal society? How does she behave? Pulling from the vagina dentata mythologies, and personal and collective experiences of rape culture, I formed a body of work which problematize the stereotypical narrative of victim/perpetrator. As a visual and conceptual exploration, my work explores the themes of desire, agency/non-agency, and violence [as it manifests within and outside of the body]. Utilizing visual and conceptual quotations from film, pornography and sex toys, these works subvert the exoticized stereotype of the Asian woman as sexual plaything.

Not So Revisionary: The Regressive Treatment Of Gender In Alan Moore's Watchmen, Anna C. Marshall

The Downtown Review: An Interdisciplinary Journal Written and Peer-Reviewed by Mandel Honors College Students at Cleveland State University

While Alan Moore’s comic book Watchmen is often hailed as a revisionary text for introducing flawed superheroes and political anxiety to the genre, it is also remarkably regressive in its treatment of gender. Some critics do argue that women are given a newfound voice in Watchmen, but this interpretation neglects to examine character Laurie Jupiter adequately, or the ways in which other female characters' appearance and dialogue are limited and/or based on their sexuality and relationships with male characters. Watchmen's main female characters, mother and daughter Sally and Laurie Jupiter, lack autonomy and their identities are completely intertwined …

What Street Harassment Means, Madison Davis

Senior Honors Projects, 2010-2019

This paper is exploratory research into how college-age women understand their experiences of street harassment. Street harassment is a normative experience for women living in patriarchal cultures, and is an intrusive experience faced regularly in public life. Women told their experiences as part of a narrative that changed over time as they aged from teens into college. Their experiences were not confined to the street, but experienced across public life, and women often carry the weight of harassment in silence. Women resign to the ongoing reality of harassment, and their experiences did not exist in a vacuum but a larger …

Three Women, Two Spheres, And A Contract: A Comparative Study Of Mary Astell And Mary Wollstonecraft Through The Lens Of Carole Pateman's "The Sexual Contract", Robyn Burke Dabora

Dissertations, Masters Theses, Capstones, and Culminating Projects

This project examines the writings of Mary Astell (1666-1731) and Mary Wollstonecraft (1759-1797) regarding women in light of ideas articulated by Carole Pateman (1940- ) in her book, The Sexual Contract (1988). In her work, Pateman critiques the prescriptions for the management of society suggested by classic contract theorists such as Thomas Hobbes (1588-1679) and John Locke (1632-1704) and cites that their solutions focus solely on men in the public sphere of society. Pateman illuminates the condition of women in the private sphere of the home, and asserts that this realm operates by mechanisms radically different from those of the …

Winged Women: Stewardesses, Sexism, And American Society, Michele Martin

Dissertations, Masters Theses, Capstones, and Culminating Projects

Airline stewardesses in the decades between 1950 and 1980 reflected a microcosm of the American feminist movement. Subjected to what feminist theorist Laura Mulvey called “the male gaze,” in which women are viewed as objects who exist for the viewer’s pleasure, they were selected for their youth and beauty and trained to serve. Regulations about height, weight, age, and marital status, ensured that stewardesses were young, thin, and single, and women in this job were fetishized as everything from girl next door to sex kitten. Stewardesses were expected to fulfill archetypal and stereotypical female roles, including mother, nurse, comforter, and …

Women’S Liberation, Family, And The Fight For Daycare At The University At Albany, Sheri Sarnoff

History Honors Program

On October 9 1970, the Albany Student Press, the University at Albany’s student newspaper, featured an article entitled, “Day Care A Basic Issue,” which discussed the Pierce Hall Day Care Center. The students using the center claimed that the University’s Administration contradicted their original support for the on-campus daycare center. The students exclaimed, “issue after issue has been fabricated (Space, money etc) to stall the progress on the Center.”¹ The article also featured a quote from a spokeswoman from the Women’s Liberation Front arguing that, “the Administration has continually enjoyed putting forth the facade of working with women, when …

Flesh In Line With The Mind : Gender In Caitlin Kiernan’S The Drowning Girl., Sarah Buckley

College of Arts & Sciences Senior Theses

This paper analyzes how Caitlyn R. Kiernan in her novel The Drowning Girl characterizes gender identity, particularly in regards to women, both transgender and cisgender. The book's characterization of gender roles for cisgender men, cisgender women, and transgender women, while seeming on the surface to subvert sexist stereotypes, reproduces the pitfalls of feminist literary criticism popularized in the 1970s and 1980s. Notably, such themes include viewing women's madness as a method of transcending masculine rationality, a dichotomized essentialism of masculinity and femininity, and universalizing women's experience without regards to race, class, and nationality. Transgender autobiographical and literary archetypes employed in …

Ethics Of Care On The Narrative Margins Of Willa Cather’S The Professor’S House And Death Comes For The Archbishop, Jeannette E. Schollaert

Department of English: Dissertations, Theses, and Student Research

Willa Cather’s Southwestern novels feature cultured male protagonists as the driving sources of action. The male characters explore the natural world and advance the plot, but Cather positions female figures, particularly spinster figures, on the sidelines of the protagonists’ plots to offer support and connection with the natural world. Using an ethic of care framework and ecofeminist Val Plumwood’s master model, this thesis examines the ways in which Cather marginalizes female figures even as they serve crucial roles in the male protagonists’ development. While the male protagonists link spinster figures and sexualized feminine bodies with the natural world, they imbue …

The F Word: A Compilation Of Feminist Poetry, Chelsea Adams

Honors Projects

This is an interdisciplinary project between creative writing and women’s studies that attempts to showcase different aspects of feminism from the female perspective through poetry. Throughout my poems, there are multiple different voices raising concern and awareness about a variety of subject matters within feminism, such as basic human rights, violence against women, sexuality, current (and possibly future) political moves and motives for feminism, how feminism is perceived by the public, how women are often times viewed by men and this society, and how feminism and feminists are perceived by anti-feminists. Some of these poems come from my own personal …

The Formation Of The Autonomous Woman Through A Hegelian Lens: A Comparative Study Of The British Fin De Siecle "New Woman" And The Post-Mao "Amazing" Woman, Robyn L. Buro

English Department Theses

This thesis utilizes the Hegelian concept of self-consciousness development to explore the formation of the autonomous woman within the New Woman movement of the British fin de siècle and the literature of women writers in 1980s Post-Mao China. The sexual figuration of the New Woman via an unremitting male gaze as well as the absence of individual awareness due to limited reflective self-assessment lead to a misrepresentation of the female figurehead in fin de siècle Britain. Through an in-depth study of literature by Charlotte Mew, Victoria Cross, George Egerton, and Thomas Hardy, the reader can identify key points of failure …

Dear You, Fuck You, Emily Iverson, Maddie Moffett, Jacque Bronkhorst

Women’s Studies, Feminist Zine Archive

No abstract provided.

Manhatten, Ashley Mclaughlin, Jake Bishop, Maddy Buss, Mollie Biskar

Women’s Studies, Feminist Zine Archive

No abstract provided.

Fruit Of The Womb, Emma Ginson, Caroline Metz, Hannah Francis, Madi Lohmann

Women’s Studies, Feminist Zine Archive

No abstract provided.

A Feminist's Guide To Sex Education, Alana Freitas, Hanna Ohaus, Courtney Cummings

Women’s Studies, Feminist Zine Archive

No abstract provided.

It's Not A Myth, Annie Fisher, Kelly Gough, Sydney Paley, Sarah White

Women’s Studies, Feminist Zine Archive

No abstract provided.

Rape Culture, Jazzie Newton, Jessica Contreras, Stephanie Karbo, Bradley Crislip

Women’s Studies, Feminist Zine Archive

No abstract provided.

Women: In Power And Politics, Hali Prineas, Emily Rose, Christine Soulagnet, Mara Hughes

Women’s Studies, Feminist Zine Archive

No abstract provided.

Intersectional Feminism, Carolyn Mai, Safieh Moshir Fatemi, Arielle Valesio

Women’s Studies, Feminist Zine Archive

No abstract provided.

"Mothers Like Us Think Differently": Mothers' Negotiations Of Virginity In Contemporary Turkey, Asli Aygunes

USF Tampa Graduate Theses and Dissertations

Even though virginity in Turkey is commonly defined, thus gendered, as losing the hymen, in Turkish society, discourses of virginity connect to broader discussions, such as modernity, morality, social honor/shame, religion, family values, and even medicine (vaginismus and artificial hymen surgery). Previous scholarship on women’s rights in Turkey outlines how historical approaches by Kemalist secularism were not enough to diminish oppressive social norms such as virginity and how the current conservative government and elements of traditional Turkish society perpetuate virginity as an important virtue for unmarried women. This study adds seven Turkish mothers’ interpretations of what I am calling the …

Raeleen Kao Interview, Beena Patel

Asian American Art Oral History Project

BIO: Raeleen Kao is a drawer, printmaker, and amateur competitive eater aka glutton residing in Chicago with a Charles Brand etching press, a red tabby, and forty plants.

Her prints and drawings have been exhibited in museums and galleries across the country most notably at the International Museum of Surgical Science, the Monmouth Museum of Art, Bert Green Fine Art, the Smith College Museum of Art, Tory Folliard Gallery, Firecat Projects, and Normal Editions Workshop. Her work has been represented at SELECT Fair New York, the Editions and Artist Books Fair in New York, the Cleveland Fine Print Fair, the …

"Speaking Back" To The Self: A Call For "Voice Notes" As Reflexive Practice For Feminist Ethnographers, Fawzia Haeri Mazanderani

Journal of International Women's Studies

While what comprises “feminist research methods” is subject to debate, research with a feminist orientation is often characterised by heightened reflexivity and a recognition of the subjective nature of knowledge claims (Ryan-Flood and Gill, 2010). By drawing upon ethnographic research conducted among young people in post-apartheid South Africa, this paper interrogates the potential value of audio recordings or “voice notes” during fieldwork, in conjunction with the more traditional form of the fieldwork diary. I argue that, by providing an additional means through which to articulate the inevitable messiness of fieldwork, the recording of “voice notes” enables the researcher to “speak …

By Beauty Damned: Millennial Feminism And The Exploitation Of Women's Empowerment In Pop Culture And Corporate Advertising, Maria L. Carreon

Dissertations, Theses, and Capstone Projects

Feminism has become a trendy cultural identity, leaving it open to exploitation by capitalists. Notions relating to “women’s empowerment” are used by capitalists to sell products to women, and yet many of those capitalists fund political campaigns that directly seek to quash or inhibit the advancement of women’s rights. With a little effort, any consumer can find out who their big purveyors are supporting politically. For example, Procter Gamble, who makes many products bought by women, gives the majority of its political contributions to republicans who oppose women’s reproductive rights. The same is true of McAndrews & Forbes, the parent …

Colossal, John C. Lyden

Journal of Religion & Film

This is a film review of Colossal (2017) directed by Nacho Vigalondo.

"From Local To Global: Exploring The Unique Identity Of Afro-Caribbean Women", Matthew A. Henry Sr.

Eddie Mabry Diversity Award

The Caribbean by far is probably one of the most diverse regions represented in the face of history. Geographically, each island is dynamic in the continuous change and flow of possession by Europeans and influences of the countless peoples of various extractions. This diversity is evident in the realization that there is a queer inability for scholars, and people alike to truly define what is the Caribbean and what it means to be a part of this region. Referencing the Caribbean is almost always focused on a specific island community/locality in that region, which gives the impression of the Caribbean …

Consciousness Engendered Throughout Lena Dunham's "Girls" : Female Subjectivity Vs The Problem Of Post-Feminism, Heeyeon Kim

Legacy Theses & Dissertations (2009 - 2024)

The inequality between genders is an idea still endorsed in everyday life throughout media, political discourse, and relationships. Gender discrimination spurs feminists to strive for equity and has become the motivation for the changing and progressive message in their writings and artworks. Lena Dunham’s HBO TV series Girls is such a work and is distinctly unique when compared to Hollywood’s presentation of the standard image of women, and thus, has been used as an initiation into the study of post-feminism and the contemporary media. Dunham’s attitudes and ideas shown in Girls has the same vigorous feminist movement resembling the rebelliousness …

The Whole World To Please, Elena Leith

Audre Lorde Prize

This is a fictional piece derived from stories of women who have experienced abortions for different reasons.

(Re)Writing Woman With "The Laugh Of The Medusa" And Antioedipus, Samantha Rodgers

Online Theses and Dissertations

The importance of tattooing as an area of feminist composition study lies in its challenge to male discourse concerning the subjectivity of sexed, particularly female sexed, bodies that feminism has long ignored due to fear of essentialization. Cixous argues: "…Censor the body and you censor breath and speech at the same time. Write yourself. Your body must be heard" (8). Tattooing has transitioned from writing masculine group identity (gangs, prisoners, sailors, etc.) into writing feminine embodied experience. It is a way for women to rewrite institutionalized norms of womanhood and humanity. Consequently, this paper argues that tattoos are a form …

The Parton Paradox: A History Of Race And Gender In The Career Of Dolly Parton, Lindsey L. Hammers

College of Graduate Studies: Theses & Dissertations

With a career that has spanned over five decades, country music artist Dolly Parton has continually redefined her image and her music to remain relevant. By incorporating the musical and lyrical stylings of disco and other popular music genres into her songs, Parton moved beyond music’s color line to increase her popularity as an artist. This thesis shows how Parton established a distinct career that catered to different audiences as she traversed the musical color line and repackaged what feminism looked like to country music fans during the Women’s Movement of the 1960s. Placing Parton’s actions in conversation with music’s …

Feminism And Economic Inequality, Katharine T. Bartlett

Faculty Scholarship

No abstract provided.