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Articles 31 - 60 of 186
Full-Text Articles in Women's Studies
Writing As Liberation: Challenging Yemeni Patriarchal Practices, Sheema Alamari
Writing As Liberation: Challenging Yemeni Patriarchal Practices, Sheema Alamari
Dissertations, Theses, and Capstone Projects
Patriarchal societies create an environment where men hold power and women are often treated as second-class citizens or are often held as having an inferior status. Throughout history and across cultures, literature has provided a platform for writers to share their stories and express themselves. However, Yemeni women have often been silenced and marginalized due to limited education and censorship. In recent times, Yemeni and Yemeni-American women have turned to storytelling as a means of creative expression and emotional release. This thesis analyzes Zubaida “Jasmine” Sharif’s memoir, Caged in America: One Woman’s Journey Through the Veil, and Nadia Al-Kowkabani's …
“Girl Power, Selfies, And Sexiness”: An Investigation Into The Neoliberal And Postfeminist Era Of Influencer Marketing, Amalie A. Werenskiold
“Girl Power, Selfies, And Sexiness”: An Investigation Into The Neoliberal And Postfeminist Era Of Influencer Marketing, Amalie A. Werenskiold
Dissertations, Theses, and Capstone Projects
In today’s social media-centered popular culture, fashion, and lifestyle influencers maintain rigid and sexist forms of femininity which are spread to a large consumer base through influencer marketing. Research on postmodern feminism has revealed that the standardized modern woman is supplied with freedom, fun, and sexiness, allowing women to live their lives as they best see fit. Yet not all women are able to experience similar feelings of liberation and gender inequality is still a regular feature of society. This study observes Instagram images, captions, and comment sections of 61 distinct female influencers from the Instagram explore page. The evidence …
How The U.S. Mainstream Media Perpetuates Cis White Masculine Hegemony, Yelena Dzhanova
How The U.S. Mainstream Media Perpetuates Cis White Masculine Hegemony, Yelena Dzhanova
Dissertations, Theses, and Capstone Projects
The news is important because it helps individuals understand their place in the world and make the best decisions for themselves. Throughout its strong history and presence in the United States, the journalism industry has prided itself on delivering fact-based news using an objective framework, meaning that there is an expectation that journalists communicate the news impartially and without bias. Through an examination of gendered language and visual representations published in and by recent mainstream U.S. digital and print media outlets, this paper explains how the media plays a major role in the perpetuation of cis white masculinity. This paper …
Ornamentalism: Costuming And The Portrayal Of The Chinese Woman In Film, 20th-21st Century, Andrea Yepez
Ornamentalism: Costuming And The Portrayal Of The Chinese Woman In Film, 20th-21st Century, Andrea Yepez
Dissertations, Theses, and Capstone Projects
This thesis aims to analyze the concept of “Ornamentalism,” a term created by Anne Anlin Cheng. In Ornamentalism (2019), Cheng proposes the term—a combination of Orientalism and ornament—as a new way to study Asiatic femininity. Cheng applies the term to a case study of the career of Anna May Wong, the first Asian-American actress to feature in Hollywood films. Throughout her career, which began in the 1920s, Anna May Wong held the status of it-girl and muse to designers such as John Galliano. However, Wong was also subjected to playing stereotypical Asian roles in films and was consistently the victim …
The Important Role And Contradictions Of Italian Women Image In Fashion, Magazines And Cinema During The Fascist Period, Lu M. Gomezdelatorre
The Important Role And Contradictions Of Italian Women Image In Fashion, Magazines And Cinema During The Fascist Period, Lu M. Gomezdelatorre
Dissertations, Theses, and Capstone Projects
This paper discusses the tools of propaganda used by the fascist regime in fashion and cinema, and it focuses on the sets of opposing images used within these tools, and how they contributed to shaping the identities of Italian women during the time of the fascism in Italy. Moreover, this thesis attempts to demonstrate that fashion and films that aligned with the values of the regime and were seen as models of the fascist culture were also full of contradictions. Therefore, instead of unifying the nation, increasing national pride, and eliminating social gaps, they engulfed the regime in a series …
A Labor Of Livingness: Oral Histories Of Formerly Incarcerated Black Women, Robin Mcginty
A Labor Of Livingness: Oral Histories Of Formerly Incarcerated Black Women, Robin Mcginty
Dissertations, Theses, and Capstone Projects
Anchored in the political subjectivity of formerly incarcerated Black women, “A Labor of Livingness: Oral Histories of Formerly Incarcerated Black Women” is a project situated at the intersections of Black geographies and Black Feminist thought that considers a re/imagination of the ‘living prison’ experiences of formerly incarcerated Black women. I offer the term “a labor of livingness” as the liberatory articulation and everyday practices of resistance to the prison as a site of ‘living death’ that is reflective of the carceral experiences of currently and formerly incarcerated Black women. Attentive to the prison as a repository of epistemological knowledge production, …
Staging Retro-Perspectives: Performing Age, Memory/Loss, And Queer Desire In The Later Works Of Split Britches (2009–2020), Benjamin Gillespie
Staging Retro-Perspectives: Performing Age, Memory/Loss, And Queer Desire In The Later Works Of Split Britches (2009–2020), Benjamin Gillespie
Dissertations, Theses, and Capstone Projects
This project investigates the later works of the celebrated New York–based lesbian-feminist performance troupe Split Britches made up of founding members Peggy Shaw (b. 1944) and Lois Weaver (b. 1949). Revealing how the duo consciously interlaces aspects of aging and age-based identity into the very fabric of their later performances in both form and content, this project analyzes how Shaw and Weaver integrate an explicitly anti-ageist and overtly queer representation of aging on the experimental stage. Their later performances serve to challenge narratives of decline and debilitation that come with (hetero)normative representations of old age and the life course in …
Cultivation, Conflict, And Consumption: Food Systems In Syria, 1920–1946, Sara Pekow
Cultivation, Conflict, And Consumption: Food Systems In Syria, 1920–1946, Sara Pekow
Dissertations, Theses, and Capstone Projects
This dissertation examines Syria during the French Mandate using food as a primary unit of analysis. The exploration of food pushes this project beyond the boundaries of political and diplomatic histories of Syria during the French Mandate, bringing forward the hidden voices of the nonelite. Nonelites are often not visible in archives, but their absence in most written sources permits us to ascertain their experiences in studying the materials that comprised their everyday lives. The sources consulted for this work include memoirs, print media, and state archives, to name a few.
Each chapter of this dissertation follows a different link …
An Overview And Assessment Of The Editorial Assistant Position At Women’S Studies Quarterly, Amy M. Iafrate
An Overview And Assessment Of The Editorial Assistant Position At Women’S Studies Quarterly, Amy M. Iafrate
Dissertations, Theses, and Capstone Projects
This paper represents the culmination of my internship at Women’s Studies Quarterly, and documents my experience of working from September 2020, to June 2021. I will begin with a discussion of the journal’s historical importance; from its origin in 1972, to its more contemporary issues. This background will segue into a critical analysis of my role at the journal, supported by anecdotes and ideas of critical feminist theorists.
Brujas Of Yesterday, Their Legacy Today, Maggi Delgado
Brujas Of Yesterday, Their Legacy Today, Maggi Delgado
Dissertations, Theses, and Capstone Projects
Brujas of Yesterday, their Legacy Today explores the impact of witch narratives on the lives of Latin American women. This bilingual interactive space collects both myths passed down through generations, ones still taught today, and stories of real women who bear the consequences of the legendary bruja character. Like witch hunts of women who did not fit the model of a “good woman,” the now correctly named femicides are examples of the prevailing misogynistic and anti-feminist rhetoric plaguing Latin American cultures diasporas. With a digital interactive map and timeline, the project aims to breathe new life into these old tales, …
How Marlon T. Riggs Queered The Documentary Form, Anthony M. Sweeney
How Marlon T. Riggs Queered The Documentary Form, Anthony M. Sweeney
Dissertations, Theses, and Capstone Projects
Marlon T. Riggs’s documentary films and their paratextual elements are rooted in his intersectional identities as a Black and gay man. His activist goal of Black gay liberation was based on what he saw as deeply engrained internal and external racist and homophobic societal structures that subjugated Black queers. In this thesis, I place research from Black cultural studies, gender and sexuality studies, and film studies in conversation with one another to show how Riggs’s filmography is an example of queer form. In doing so, I attempt to redefine the focus of the scholarship on Riggs from an avant-garde filmmaker …
Homage To Eleanora: A Musical Journey Through The Billie Holiday Songbook, Keith A. Dames
Homage To Eleanora: A Musical Journey Through The Billie Holiday Songbook, Keith A. Dames
Dissertations, Theses, and Capstone Projects
Billie Holiday was a singer, songwriter, vocalist, bandleader and composer in the fields of music, black culture and more specifically the genre of jazz. The primary focus of this study is Billie Holiday’s discography, music, and compositions as treated in relation to the black culture of production. This study will explore a secondary content analysis of Billie Holiday’s music, musicianship, musicality and compositional skills within the American jazz mainstream, broader jazz audience and world at large. This project will take an analytical look at the structure and form of the compositions of Billie Holiday. Billie Holiday is credited with composing …
The Feminine Harp As Feminist Tool: Early Professional Footing For Women In Mid-Twentieth-Century America, Chelsea Lane
The Feminine Harp As Feminist Tool: Early Professional Footing For Women In Mid-Twentieth-Century America, Chelsea Lane
Dissertations, Theses, and Capstone Projects
In 1930s North America, women—for the first time—were accorded permanent principal positions in significant American orchestras. Edna Phillips, Alice Chalifoux, and Sylvia Meyer, all students of the legendary harp pedagogue Carlos Salzedo, have been celebrated as pioneers for the prestigious employment they obtained in the Philadelphia Orchestra, Cleveland Orchestra, and National Symphony Orchestra, respectively, between 1930 and 1933. Despite the impressiveness of these accomplishments, however, the narrative of their “firstness” is not wholly accurate. In actuality, female harpists have occupied orchestral posts as acting principals, substitutes, and second harpists since the very inception of orchestras. The cause for their early …
Neither Invisible, Nor Silenced: The India-Maghreb Connections In Female-Authored Cinema, Chandra Balkaran
Neither Invisible, Nor Silenced: The India-Maghreb Connections In Female-Authored Cinema, Chandra Balkaran
Dissertations, Theses, and Capstone Projects
“Third-World” women have long been excluded from center screen space, and positioned as stereotypical characters in liminal, coded spaces—such as harems, brothels, convents, ashrams, zawiyas or in domestic space. Yet, spatial organization is integral to the production of the social, not merely its result, and is fully implicated in both history and politics. Space is thus a crucial category of analysis in any cinema. My thesis examines how spaces, from the domestic to the virtual, socio-religio-cultural are reclaimed, redefined, and reformulated by women in politically engaged films made by Third-World women directors focused on women. Their struggles for space are …
A History Of The Center For The Study Of Women And Society, 1975–2015, Clarisa Gonzalez
A History Of The Center For The Study Of Women And Society, 1975–2015, Clarisa Gonzalez
Dissertations, Theses, and Capstone Projects
In the early 1970s, New York City was experiencing an extreme fiscal crisis, with a reported debt of at least $600 million. In CUNY, students were protesting admissions policies that favored the white middle class and hikes in tuition. At the same time, the women’s movement was in the midst of the “second wave,” focusing on women in the workplace and in education. It’s in the midst of these tumultuous times that the first motions to create what was then called the Center for the Study of Women and Sex Roles began in 1975 by Graduate Center faculty Joan Kelly, …
Surveilling The Fat Disidencia: Policing The Bodies Of Plus-Size Black Women On Instagram, Daniela V. Verdejo Salazar
Surveilling The Fat Disidencia: Policing The Bodies Of Plus-Size Black Women On Instagram, Daniela V. Verdejo Salazar
Dissertations, Theses, and Capstone Projects
Instagram has shaped how we network and share content with others, making interactions far more accessible for everyone who uses this platform daily. Unfortunately, it has also given space to some surveilling mechanisms that tend to police and norm how users and their bodies should present themselves to the rest of the world.
The body can be understood as a manifestation, a presence, and a performance. As Judith Butler argues, the body is also a political space where ideas of resistance and vulnerability take place, and I will understand the body as a combination of the physical manifestation of it …
Historical Sisters: Black Feminist Actions Across History And Literary Studies, Jazz A. Milligan
Historical Sisters: Black Feminist Actions Across History And Literary Studies, Jazz A. Milligan
Dissertations, Theses, and Capstone Projects
This thesis seeks to understand how the actions of Black women from the past have inspired the modern Black female literary movement. This thesis focuses on three historical women: Phillis Wheatley, Elizabeth Freeman, and Cathay Williams, and their literary sisters: bell hooks, Barbara Smith, and Patricia Hill Collins. By viewing the lives of these historical women through a modern-day lens, we can understand how their actions created a ripple effect that Black women are still discussing today. Black feminism did not start in a vacuum, and the actions of everyday Black women have pushed us forward to being more accepting …
Girl Friends, Camila Santander
Girl Friends, Camila Santander
Dissertations, Theses, and Capstone Projects
Friendships between women are common and essential parts of women's lives; however, they are often overlooked. This capstone project titled Girl Friends is a film on which eight women are interviewed and asked about their friendships with other women. They discuss the importance of having female friends and how they create love, support, and companionship. The interviewees also talk about female friendships and romantic partners coexisting, the pressures to find a romantic partner to find fulfillment, as opposed to good friends. Additionally, they describe how friendships between women can be competitive and catty, and how female relationships can change as …
“She Too ‘Omanish’”: Young Black Women’S Sexuality And Reproductive Justice In Bluefields, Nicaragua, Ishan Elizabeth Gordon-Ugarte
“She Too ‘Omanish’”: Young Black Women’S Sexuality And Reproductive Justice In Bluefields, Nicaragua, Ishan Elizabeth Gordon-Ugarte
Dissertations, Theses, and Capstone Projects
Most never-married young “Creole” (Afro-Caribbean) women in Bluefields, Nicaragua are raised in fundamentalist Protestant families and institutions that emphasize sexual abstinence before marriage. In this context, abstinence is required to maintain social standing and “respectability.” Nevertheless, women in Bluefields, the administrative center of Caribbean Nicaragua, exhibit what Creoles themselves understand to be high rates of sexuality and pregnancy among post-menarche unmarried teenaged women (USAID, 2012; Mitchell et al. 2015). Such young women’s pregnancies occur at an important developmental stage of their lives and have long been associated by social scientists with adverse social, emotional, and health situations. These scholars have …
Inheritance: A Memoir, Jennifer Skoog
Inheritance: A Memoir, Jennifer Skoog
Dissertations, Theses, and Capstone Projects
I was born and raised on a small farm in central Minnesota, the youngest of nine. Our lives centered around a dogmatic faith that banned sex education and birth control in any form. The consequences of these teachings put my life on a tragic course, and I paid dearly for my ignorance. With the help of a therapist and a deep commitment to myself, I left the faith. After I earned a college degree in my early 40s, I began to critically examine my upbringing. Through my educational journey in Black studies, I saw deeply troubling ways in which my …
A House Of One’S Own: Challenges And Re-Definitions Of Female Subjectivity And Domestic Space In Italian Women Writers From The 1950s To The Early 2000s, Nicole Paronzini
A House Of One’S Own: Challenges And Re-Definitions Of Female Subjectivity And Domestic Space In Italian Women Writers From The 1950s To The Early 2000s, Nicole Paronzini
Dissertations, Theses, and Capstone Projects
With an in-depth analysis of selected Italian novels written by female writers from the 1950s to the early 2000s, this dissertation addresses and discusses the challenging relationship between female identity and the home, perceived both as constraining space and metaphor of human interiority. The projects aim to show that these characters, as representative of the female individual, are capable to use the domestic space as a privilege universe in which re-defining themselves, modifying their own and other perception as passive objects of patriarchal society to the one of subjects in fieri.
If, on one hand, the house has been …
Autobiographical Narratives Of Sexual Violation: Trauma, Genre, And The Politics Of Telling, Sarah M. Hildebrand
Autobiographical Narratives Of Sexual Violation: Trauma, Genre, And The Politics Of Telling, Sarah M. Hildebrand
Dissertations, Theses, and Capstone Projects
This dissertation engages with literary trauma theory and rape studies by investigating how scholars through the 1990s theorized the relationship among trauma, narration, and silence, and how the #MeToo movement causes us to rethink these views. Attending to the specific silence generated in the wake of sexual violation reveals how power structures influence the act of telling, challenging the idea that trauma is untellable. I argue that literary trauma theory needs to push beyond its foundation in biomedical models of trauma—in which the (in)ability to recall or articulate traumatic events is rooted in neurology—to examine the ways traumatic narratives are …
Gendering The Virtual Space: Sonic Femininities And Masculinities In Contemporary Top 40 Music, Michèle Duguay
Gendering The Virtual Space: Sonic Femininities And Masculinities In Contemporary Top 40 Music, Michèle Duguay
Dissertations, Theses, and Capstone Projects
This dissertation analyzes vocal placement—the apparent location of a voice in the virtual space created by a recording—and its relationship to gender. When listening to a piece of recorded music through headphones or stereo speakers, one hears various sound sources as though they were located in a virtual space (Clarke 2013). For instance, a specific vocal performance—once manipulated by various technologies in a recording studio—might evoke a concert hall, an intimate setting, or an otherworldly space. The placement of the voice within this space is one of the central musical parameters through which listeners ascribe cultural meanings to popular music. …
Desde El Fuego Que En Mí Arde: Performance, Literatura Y Cine Afro-Latinoamericano Producidos Por Mujeres Afrodescendientes En Perú, Cuba Y Brasil (1960–2000), Elena Ekatherina Chavez Goycochea
Desde El Fuego Que En Mí Arde: Performance, Literatura Y Cine Afro-Latinoamericano Producidos Por Mujeres Afrodescendientes En Perú, Cuba Y Brasil (1960–2000), Elena Ekatherina Chavez Goycochea
Dissertations, Theses, and Capstone Projects
This dissertation examines different films, literary, and performance art pieces created by contemporary afro-descendant women from Peru, Cuba, and Brazil after the sixties with emphasis on the most relevant works of Conceição Evaristo, Sara Gómez, Victoria Santa Cruz, and Lucía Charún-Illescas. I focus my research on the crucial role these artists played in the cultural identity formation of Latin America when inserting ‘race’ as a category of socio-political analysis and cultural production. How did their films, performances, and texts challenge national narratives and imaginaries after 1960? Although in the sixties, women improved their civil rights in different countries, the ‘mujer …
Put Yourself First (In A Sexy Way): Postfeminist Beauty Messaging And Resistant Media Texts, Margarita Artoglou
Put Yourself First (In A Sexy Way): Postfeminist Beauty Messaging And Resistant Media Texts, Margarita Artoglou
Dissertations, Theses, and Capstone Projects
The makeover montage trope is one of the most recognizable in media content aimed at young women, sending the message that social status and acceptance are only a new outfit and face of makeup away. While this trope and its message have been heavily critiqued by scholars, the message that beauty—and all its social benefits—can be achieved through consumerism has not disappeared, though the means by which this message is conveyed has changed. As a result of companies co-opting feminist rhetoric, conforming to standards of beauty has been recast as a “choice” one makes for herself, often wrapped in the …
What We Owe To Our Audience: The Hermeneutical Responsibility Of Fiction Creators, Kathryn Wojtkiewicz
What We Owe To Our Audience: The Hermeneutical Responsibility Of Fiction Creators, Kathryn Wojtkiewicz
Dissertations, Theses, and Capstone Projects
The goal of this project is to provide a theoretical underpinning for the belief that creators of fiction should dedicate time to diversifying the cast of characters in their fictions, and to avoiding harmful stereotypes when doing so. I establish this as a hermeneutical responsibility: because of the epistemic influence fictions can wield over their audiences, trafficking in harmful stereotypes of marginalized identities (instances of which I call Bad Representation Problems) or excluding marginalized identities entirely (which I call No Representation Problems) from one’s fictions can reinforce harmful beliefs about real people with those identities. The more popular the fiction, …
Sartorial Semiotics: Constructs Of Gender And Female Sexuality In Post Wwii American And European Cinema, Patricia Cabral
Sartorial Semiotics: Constructs Of Gender And Female Sexuality In Post Wwii American And European Cinema, Patricia Cabral
Dissertations, Theses, and Capstone Projects
Cinematic costume design functions as a system of visually-perceived, material and indexical signifiers, an effective and compelling language further informed by styling and embodiment. Sartorial semiotics support and inflect role characterization, while equally underpinning or subverting tropes generated by ideological paradigms. The following methodological approaches were adopted in scrutinizing this topic: Roland Barthes’ application of semiotic theories to the domain of fashion in The Language of Fashion, and Laura Marks’ discussion of the dialectics of optical and haptic visualities in apprehending film images in The Skin of Film: Intercultural Cinema, Embodiment, and the Senses.
By examining the costume …
No Hair! Don't Care! Resistance And Empowerment Of Bald And Low Shaved Black Women, Monica Rivers
No Hair! Don't Care! Resistance And Empowerment Of Bald And Low Shaved Black Women, Monica Rivers
Dissertations, Theses, and Capstone Projects
No Hair! Don’t Care! Resistance and Empowerment of Bald and Low Shaved Black Women is an invitation to discuss the experiences of Black women who choose to wear bald and low shaved haircuts. The project examines standards of beauty, femininity, sexuality, sexual harassment, self- acceptance, and self-expression through the voices of Black women: Because sometimes the biggest statement you can make with your hair is by having none.
On The Woman Question: A Defense Of Alexandra Kollontai Against Liberal Critics, Nicole Baltzer
On The Woman Question: A Defense Of Alexandra Kollontai Against Liberal Critics, Nicole Baltzer
Dissertations, Theses, and Capstone Projects
Alexandra Kollontai envisioned a world in which all women and their proletarian comrades were liberated from subordination under capitalism. She served as People’s Commissar in the Bolshevik government and established the Zhenotdel, the government’s department for women. Under the Bolsheviks, women were granted equal legal status to men, divorce rights, access to birth control, and were the primary benefiters of the nationalization of domestic work (i.e., communal childcare, dining, and laundry halls). Kollontai and the Soviet Union provide us with one of the few examples of Marxist feminism in action. Liberal critics of Kollontai and her Marxist comrades and contemporaries …
(In)Hospitable Modernity: Hospitality And Its Discontents (1920–1953), Daniel A. Hengel
(In)Hospitable Modernity: Hospitality And Its Discontents (1920–1953), Daniel A. Hengel
Dissertations, Theses, and Capstone Projects
This dissertation discusses the tacit forms of political activity operating through the performance and space of hospitality in modern fiction. I read the habitus, praxis, and dissemblages of hospitality in modern fiction as conduits that reveal dialectics of submission and resistance to Victorian and Edwardian markers of normativity. This is ultimately an infrapolitical work. I locate fulcrums of dissent, cloaked in a guise of hospitality, in the domestic sphere and the politicization of formerly private spaces into sites with the potential to reorder legitimated forms of agency. This project attempts to uncover veiled forms of sociopolitical resistance in and through …