Women's Studies Commons^™

Canterbury Cathedral, Madeline Rupard

AWE (A Woman’s Experience)

artwork

The Children Of Reverend William Anderson Scott: A Portrait Legacy, Madeline Duffy

AWE (A Woman’s Experience)

The painting of Robert, Calvin, Martha, and William Scott, and Mila (known as The Children of Reverend William Anderson Scott) is not just a family heirloom or a portrayal of Reverend William Scott’s four children and their caretaker, Mila. On the contrary, nearly two hundred years after it was painted, The Children of Reverend Scott functions today as a historical document in that analysis of it records the contemporary roles and status of children, parents, and slaves in nineteenth-century Southern life. This paper explores the personal convictions of Reverend Scott as recorded in the portrait—namely his roles as a father, …

Glam, Tara Neuffer

AWE (A Woman’s Experience)

No abstract provided.

Ana The Prophetess In The Temple, Adelia Prado

AWE (A Woman’s Experience)

poetry

Looking Toward The Light, Abigail Remington

AWE (A Woman’s Experience)

No abstract provided.

Reclaiming Female And Racial Agency: The Story Of Dido Elizabeth Belle Via Portrait And Film, Madison Blonquist

AWE (A Woman’s Experience)

This paper explores the complex relationship between artists and their subjects, particularly with regard to race and gender. Using Niki Saint-Phalle’s definition of “truthful representation,” I consider the issues that race and gender pose to this ideal using the story of Dido Elizabeth Belle, an eighteenth-century aristocratic woman of mixed race. The intriguing life of Dido Elizabeth Belle is especially relevant to today’s evolving definition of intersectional feminism. Her portrait Painting of Dido Elizabeth Belle and her Cousin Lady Elizabeth Murray (1779, formerly attributed to Johann Zoffany) challenges the idea of “truthful representation” because it was presumably painted by a …

Magyar Woman, Madeline Rupard

AWE (A Woman’s Experience)

artwork

End Matter

AWE (A Woman’s Experience)

No abstract provided.

Awe Volume 4

AWE (A Woman’s Experience)

No abstract provided.

Mother Of Mankind & Of The World, Kardo Bestilo

AWE (A Woman’s Experience)

poetry

Silver Lining, Abigail Remington

AWE (A Woman’s Experience)

artwork

Golden Contemplation, Abigail Remington

AWE (A Woman’s Experience)

painting

“Woman, Awake!”: How Lds Doctrine On The Fall And The Practice Of Polygamy Created A Suffragist Culture In Nineteenth-Century Mormonism, Sarah Dunn

AWE (A Woman’s Experience)

This paper addresses the question of why Mormon (LDS) women in Utah were so involved in the women’s suffrage movement of the late nineteenth century. This paper explores how two factors in particular—the LDS doctrine concerning Eve and the practice of polygamy—gave those of the LDS community a perspective on women’s role in society that empowered women rather than suppressed them. This empowering perspective on the role of women in society both diverted from the widely-followed protestant traditions of the time and closely paralleled the beliefs and ideologies of the women’s suffragists. With a perspective on women’s role in society …

La Llorona, Kristen Evans

AWE (A Woman’s Experience)

Fiction work

Shoes, Tara Neuffer

AWE (A Woman’s Experience)

No abstract provided.

“The Scourge Of The Bourgeois Feminist”: Alexandra Kollontai’S Strategic Repudiation And Espousing Of Female Essentialism In The Social Basis Of The Woman Question, Hannah Pugh

AWE (A Woman’s Experience)

In The Social Basis of the Woman Question, Bolshevik feminist Alexandra Kollontai responds to bourgeois feminists’ essentialist calls for female solidarity to resolve the “woman’s question”—the question of women’s status in society— by presenting the woman question as a struggle defined not by gender but by the intersection of class and gender. Kollontai appropriates and extends their essentialist rhetoric, engaging in the classed and gendered essentialism of the particular socioeconomic position of the female worker. I argue that, by placing the essentialized woman worker at the heart of the woman question, Kollontai suggests that the woman question is an economic …

Silent Emergency To The Children Of Africa, Vera Duarte

AWE (A Woman’s Experience)

poetry

Old World, Madeline Rupard

AWE (A Woman’s Experience)

No abstract provided.

Baby Guru, Tara Neuffer

AWE (A Woman’s Experience)

artwork

Developing A Feminist Pedagogy: A Look At Intersectionality And Poe's Women, Riley Haacke

Criterion: A Journal of Literary Criticism

Abstract

Edgar Allan Poe is one of the world’s most prolific writers and therefore has an immense capacity to influence and change how we, as a society, engage with literature. By developing a feminist pedagogy centered on the intersectionality of Poe’s diverse female characters we can begin to develop a value based education model that influences the critical conversations we have about women’s issues.

Una Guerra Contra La Mujer: Chicana Feminism And Vietnam War Protest, Arica Roberts

AWE (A Woman’s Experience)

Chicana women, especially those in the East Los Angeles chapter, began this autonomous feminist consciousness to challenge sexual oppression within cultural nationalism as they resigned from the Brown Berets, created their own organization, Las Adelitas, continued antiwar efforts with the National Chicano Moratorium Committee and fought for the social, economic, and political liberation and equality of the whole Raza.

Woman With Birds, Vanessa Palmer

AWE (A Woman’s Experience)

artwork

Good Girl, Erin Kaseda

AWE (A Woman’s Experience)

poetry

Yale Joel, Tina Leser, And Factory Fashions: Rethinking Women’S Roles In The 1950s, Emaline Maxfield

AWE (A Woman’s Experience)

In postwar America, women challenged tradition by continuing a trend started in the Second World War, asserting their presence in the workforce both physically and visually with the advent of Tina Leser’s designs. Leser’s designs reached the everyday woman, and Joel’s photographs reached the average American, bringing greater awareness to the ongoing question as to women’s role in society. Both Yale Joel’s photographs and Tina Leser’s designs take part in the changing definition of femininity. Yale Joel’s photographs for LIFE Magazine illustrate how women were encouraged to negotiate a more modern yet also traditional identity, demonstrating the nuances of this …

(W)Hole

AWE (A Woman’s Experience)

Memoir experience of an abuse survivor.

Language Lessons: Gender-Based Material Signifiers Of Social Intent In Better Off Dead, Elizabeth Brady

AWE (A Woman’s Experience)

While there is significant evidence of Lévi-Strauss’s model of women as material signifiers of male intent present in Better Off Dead, two characters undercut the absoluteness of this theory. Monique freely dwelled outside of the realm of the system, indicating that there are alternate models. Lane’s willingness to and success in denying the system and departing from it indicates that even those within the system are not inevitably bound to the tenets of the theory.

Awe Volume 3 Front Matter

AWE (A Woman’s Experience)

No abstract provided.

German Women In The Wild West: Contradiction In Post-Wwii Gender Roles, Romy Franks

AWE (A Woman’s Experience)

While postwar German women were portrayed as gritty and strong from their lived experiences, West German newspapers articles reiterated the contradictory roles proffered to women in German society. Rather than speaking up against the genre’s masculine dominance, popular western novels, films, and the press continued to reinforce widely held opinions and norms by encouraging women to be content with the ideal female character offered them.

Awe Volume 3 (2016)

AWE (A Woman’s Experience)

No abstract provided.

Real, Vanessa Palmer

AWE (A Woman’s Experience)

artwork