Women's Studies Commons^™

For The Birds, Charlotte L. Middleton

School of Art, Art History, and Design: Theses and Student Creative Work

For the Birds is a homogenous material exhibition of porcelain pottery that explores the relationships between, expectations of, and roles placed upon women and pottery. Using traditional craft processes, still life imagery, and the language and limits of porcelain, I create arrangements that expose the viewers assumptions of both subjects. Pottery- pitchers, cups, and vases—is a product of anthropocentrism and anthropomorphism and can be entirely taken for granted- their role is assumed and unquestionable—to serve. The language and expectations of these objects are the medium I build with.

The title of the show, For the Birds, is both a …

“By The Sound Of Sparrows, I Knew It Was Dawn”: The Impact Of Women’S Latest Protests In Iran, Antonia Felix

Educational Leadership Department Publications

In Iran, men and women have protested against human rights abuses and other damaging actions and policies by the clerical leadership since the Islamic Revolution in 1979. Major uprisings in the past 25 years include the Green Movement and widespread protests against economic crises. I’d like to share some facts about the two most recent movements, powerful campaigns built on decades of Iranian women’s fight for justice.

Syncretic Spirits / Espíritus Sincréticos, Angelica Tapia - Estrada

School of Art, Art History, and Design: Theses and Student Creative Work

Syncretic Spirits / Espíritus Sincréticos is a multimedia exhibition that invites viewers into a fantastical space where cultural identity and perception intertwine. Colorful shaped panels, sculptural installations, prints, and drawings bridge physical and metaphysical realms. Personal archetypes intuitively inspired by natural forms drive the work.

Influenced by the dualities of my upbringing as a first-generation Mexican American, I was immersed in Mexican culture through my family traditions while finding a home in the nurturing embrace of the heartland. The work has become a means of reclaiming a new layered sense of self, disentangling from my Catholic upbringing, embracing indigenous healing …

Under The Veil: Women's Head Coverings In Tudor England, Savannah Toth

Honors Program: Senior Projects (Public)

This thesis seeks to discover and analyze the agency and meaning of the role of women’s head coverings and veils within the context of Tudor Christianity, society, and the fashion world of English culture. By observing the usage of the veil through various lenses, this thesis examines the nuance of the veil as an object and actor in Tudor society that enables yet prohibits personal choice for women. This research uses various sources such as Tudor paintings and portraits, surviving pieces of garments, and written accounts to paint a picture of the impact and significance the veil had in every …

Of Cordial Ladies And Independent Women: An Analysis Of The Ceramic Assemblage Of The 19th Century Cooper-Frost-Austin House, Mikayla Roderick

Graduate Masters Theses

This thesis explores the transformation of Susan Austin’s (1807-1885) household in Cambridge, Massachusetts, from a private family home into a boardinghouse, challenging traditional distinctions between domestic and economic spaces. Using feminist and queer theoretical frameworks, it examines how Austin’s decisions blurred public and private boundaries, creating an intimate boardinghouse. Through ceramic analysis of two occupational phases and a documentary examination of the household members over time, this study identifies shifts in material culture that reflect changing household practices, social relationships, and status negotiation. Austin intentionally created an environment where commercial spaces took on a domestic appearance, integrating elements of familiarity …

Mad At The System: The Mental Health Act Uk: Power And Control Of Racialized Women, Maithreyi Rajeshkumar

Dissertations, Theses, and Capstone Projects

Whilst experiences of madness are multiple, fluid and multi-dimensional across spiritual and collective dimensions globally, the categorization and regulation of ‘madness’ have direct foundations in European colonial-capitalist-patriarchal frameworks, policies and systems. This work focuses on the institutions and structures of power, turning UK legislation and those who are trying to reform or change it, into objects of study. A particular piece of United Kingdom legislation is the primary case study for this work – the Mental Health Act 1983 which covers the rights, assessment and treatment of people diagnosed with a ‘mental disorder’. Women, who are detained under this Act …

Suburbanization As A Post-Industrial Essentiality: Revisiting Sweden's Miljonprogrammet, Colin Wood

Swarthmore Undergraduate History Journal

Definitively speaking, suburbanization does not equate to post-industrialism in the same limelight as would urbanization and industrialism. However, anomalous cases, such as the one being discussed in this paper, tangentially interlink on a socioeconomic basis. In 1965, Sweden began construction of the Miljonprogrammet (Million Programme), where over the next ten years, over one million domiciles were built in a suburban setting leading to a mass diaspora of ‘slum living’ Swedish industrial workers. The nation’s renowned welfare state, built on a collaborative system between public and private sectors as well as federal and municipal actors, overlooked housing in its social …

Towards The Non-Spectacle: Responses To Necropolitics In The Artwork Of Teresa Margolles And Maya Watanabe, Leslie Anne Condon

Masters Theses

How do we engage with artwork that addresses complicated histories

of colonialism and political violence, specifically intangible and

incomprehensible violence? Mexican artist Teresa Margolles’ 2005 work, Lote

Bravo, is named after and composed of the soil from a mass grave site

discovered in 1995 in the southeastern corner of Ciudad Juárez, a city known

internationally for the femicide that has continued to haunt its streets and

peripheries since the 1990s. Peruvian filmmaker Maya Watanabe’s 2019 film

Liminal cinematically documents the official exhumation of two mass graves

in the Ayacucho and Huánuco regions of the Andes highlands, where

thousands of …

Uncovering Maria Edgeworth’S Strategic Political Influence Through Her Unpublished Letters, Autumn G. Hall

Pursuit - The Journal of Undergraduate Research at The University of Tennessee

Maria Edgeworth (1768-1849) was one of the most prolific Anglo-Irish novelists of the eighteenth and nineteenth centuries. While Edgeworth’s novels are regularly discussed among Regency-era scholars, researchers have rarely considered her letters and correspondence, especially in relation to her role in contemporary politics. During my time on the Maria Edgeworth Letters Project team, I researched Edgeworth’s previously unpublished letters, which provided a unique view of her strategic political correspondence network. Through her writing, Edgeworth was able to voice her thoughts while also remaining publicly complacent with restrictive societal norms imposed on women. In my article, I argue that through her …

Frances E. W. Harper, “We Are All Bound Up Together” (10 May 1866), Garth Pauley

University Faculty Publications and Creative Works

Frances Harper’s address at the 1866 National Woman’s Rights Convention was a visionary speech on civil rights, citizenship, and civic identity. In it, Harper skillfully negotiated the context of nineteenth-century reform politics while remaining true to her vision. The message of her speech was grounded in both her experience as a Black woman and her theological convictions. A close reading of the speech shows that key elements—including its signature line—have been misunderstood and unappreciated.

Sojourner Truth’S Vision: A Life Dedicated To Ending Injustice, Nyla R. Stokes

Emerging Writers

This essay explores the profound legacy of Sojourner Truth, a pivotal figure in the fight against injustice. Through a personal narrative interwoven with historical analysis, the author reflects on their initial ignorance of Truth's significance and how a school project transformed their understanding. The paper delves into Truth's life, including her experiences as a formerly enslaved woman, her impactful speeches and her collaboration with other notable activists. It examines the complexities of her identity as a Black woman in the 19th century, the societal perceptions of femininity, and the challenges she faced within the feminist movement. The author also draws …

Invisible No More: Looking And Listening Locally To Build Conflict-Related Sexual Violence Resilience, Anjali Thakore

CMC Senior Theses

The ubiquity of sexual violence, with its devastating physical and psychological consequences, has rendered conflict-related sexual violence (CRSV) one of the most effective and enduring “invisible crimes” of war. Despite receiving growing attention across academic, political, and activist circles, wartime sexual violence remains pervasive in contemporary conflict zones. Against the backdrop of these frequent and recurring violations, this thesis explores the dissonance between high-level rhetorical commitments to preventing and punishing CRSV and on-the-ground realities. What soon emerges is a troubling pattern in which gendered violence—and women’s lived experiences more generally—while increasingly visible in theory, remains marginalised in practice. By investigating …

Virginia Woolf And The Lesbian Literary Tradition, Hunter Candrian-Velez

English and Creative Writing | Senior Theses

Modernist English authors, such as Virginia Woolf in her novel Orlando: A Biography, built upon a pre-existing and long tradition of underground lesbian literature dating back to Sappho in Ancient Greece. Before Woolf, female writers of the 19th century continued this tradition by establishing the literary trope of the “Victorian Romantic Female Friendship,” which would later take on different shapes and connotations with discoveries made in the early 1900s related to sexology and homosexual inversion. These discoveries would lead writers to code their work in the hopes of avoiding censorship and government punishment. Writers such as Virginia Woolf, Elizabeth Gaskell, …

Right-Wing Populist Mobilizations And Gender: France's Rassemblement National And Italy's Fratelli D'Italia, Meredith Mckinley

Scripps Senior Theses

European right-wing populist (RWP) parties are increasingly touting their attention to women’s issues and representation, and this has coincided with stronger electoral performances. Thus, the following puzzles emerge: how have RWP parties harnessed gender frames, issue salience, and women’s representation as part of a mainstreaming process, and through what mechanisms are these strategies resonating with voters? I address these questions by comparing France’s Rassemblement National (RN) and Italy’s Fratelli d’Italia (FdI), tracing their developments from the mid-twentieth century to the present day. I find that immigrants’ perceived relationship with the welfare state, feelings of insecurity due to terrorism, and RWP …

The “Problem Of Motherhood”: Early Soviet Maternity Policy And Reality, 1917 - 1936, Danielle M. Hegarty

All Master's Theses

After the October Revolution of 1917, the new Bolshevik regime sought to reshape the lives of women to fit the new socialist future. In line with Marxist thought, they attempted to draw mothers out of the home and into the public sphere. Through legal reforms and social services, the Communist Party worked to relieve mothers of the double burden which tied women between work and the home. This research focuses on the various methods used by the Bolsheviks in their attempt to reform motherhood in the decade after the revolution. Most importantly, it helps to uncover the impact it had …

Consumptive Femininity: (De)Constructions Of Gender And Colonization In Korean Diaspora Literature, Jack Kelly

Honors Program Theses

This paper explores how two authors with Korean heritage use similar metaphors to write about the same historical traumas. I engage close readings of two novels—Min Jin Lee’s Pachinko and Yu Miri’s The End of August—to interrogate how each author uses images of food/food preparation as well as images of sexual encounters to draw links between exploited bodies and exploited land. Ultimately, I find that the differences in these two authors’ approaches reflect their distance from modern centers of empire. This reminds us of the importance of having a diverse literary and historical canon that centers on authors who have …

Remedios Varo: Peregrinaciones, Julia Condes

Honors Undergraduate Theses

At the time of her death, the artist Remedios Varo (1908–1963) left behind over 500 works of art, the majority of which were created in her adopted country of Mexico. Known for her meticulously crafted fantastical paintings, Varo underwent exile and displacement due to first the Spanish Civil War, and later World War II, which led her to relocate to Mexico, where she would create prolifically for the remainder of her life. This paper will examine the effect of those experiences on the artist and the work she produced, attesting to Varo’s ability to translate complex emotions regarding the human …

Arsenal Of Femininity: Women, Relationships, And Gender Roles During World War Ii, Jesse B. Yaeger

Master's Theses and Doctoral Dissertations

Popular imagery of Rosie the Riveter has colored our collective consciousness to assume the women entering manufacturing jobs during World War Two permanently expanded the gender roles of women in American society. However, historians Leila J Rupp, Susan Hartmann, D’Ann Campbell, and Maureen Honey have shown that during the war, publicly espoused gender roles continued to restrict women to the point of “going back to the kitchen” once the war ended. Their research focuses on societal expectations of women but not how women responded to these questions in their personal lives. Reading correspondences between men and women after the attack …

Feminine Felons: Violent Offenders' Intersectional Experiences In Twentieth-Century Montana, Cassidy Ann Vander Voort

Graduate Student Theses, Dissertations, & Professional Papers

This paper explores the treatment of violent female offenders in Montana in both the media and prison system from 1900-1960. Women of all races faced gender discrimination from both the carceral system and popular media. Local newspapers sensationalized crimes committed by female offenders, portraying them as women who lived outside of the expectations of womanhood in the twentieth century. Newspapers and courts placed women into two categories: “mad/sad” female offenders, who received forgiveness for their crimes; or unforgivable, “bad” offenders. Crime did not determine these categorizations; instead, gender expectations of the white middle class shaped female criminals’ treatment. If these …

Jumping Pens And Historical Vertigo: Teaching Cavendish In The Twenty-First Century, Anne M. Thell

ABO: Interactive Journal for Women in the Arts, 1640–1830

"Jumping Pens" considers "historical and epistemological vertigo" as a useful pedagogical rubric for teaching the works of Margaret Cavendish (1623-73) in contemporary university classrooms. Specifically, it looks back across more than a decade of teaching Cavendish in diverse settings in order to show how exciting this author can be for students who are just starting out in the discipline of literary studies. As this essay argues, Cavendish can make us all better, more self-aware instructors, while also developing critical and historical acumen in our students.

Toxic Varnishes: Perfumes, Stench, And Glow In Eighteenth-Century French Salons, Érika Wicky

ABO: Interactive Journal for Women in the Arts, 1640–1830

As several historians, including Alain Corbin, have noted, a new sensitivity to odors emerged in the 18^th century that increased people’s negative responses to strong smells and heightened the demand for fragrances that were not only pleasant but also light and subtle. Some scholars see this period as a true “olfactory revolution.” How was this expressed in the salon, perceived both as a luxurious space and a site of elite sociability? This focus on the smell of varnish aims to illustrate how the scent of materials intertwined with the pleasures of decorative arts, both in the entire space of …

Introduction: The Salon And The Senses In Eighteenth-Century France, Jennifer M. Jones, Rebecca Cypess

ABO: Interactive Journal for Women in the Arts, 1640–1830

An introduction to a special collection of essays exploring the salon and the senses in eighteenth-century France. Provides an overview of the critical historiography on the salon and the role of salon hostesses. Explores new approaches to salon within the context of the history of the senses, with attention to the role of art, music, and sociability in salon culture. Provides an overview of the essays in the collection.

Is Sexyy Red Minstrelsy, Or Are We Overreacting?, Malik Brizan-Reed

Capstones

This criticism piece explores the controversial female rapper Sexyy Red. It challenges negative perspectives about her persona, primarily based on respectability politics. It highlights Sexyy Red's ability to capitalize on a moment and business savviness. The article has themes of racial double standards and classism. Sexyy Red is more than the "ghetto Black girl," aesthetic. She's a mother and entrepreneur who is authentic to herself.

African Women Custodians: Teaching, Toponymy And Tacit Reverie In Heritage Education, Tokie Laotan-Brown

Wagadu: A Journal of Transnational Women's & Gender Studies

This paper investigates the critical role of women in African cultures as guardians of cultural heritage. It explores their central function in transmitting traditional ecological knowledge and practices across generations through established pedagogical methods, toponymic knowledge systems (place-names within cultural landscapes), and the cultivation of tacit knowledge. The paper emphasizes the significance of women's contributions to environmental education, often overlooked or undervalued within Western scientific paradigms. This marginalization restricts access to resources and participation in decision-making processes. It argues for the integration of traditional knowledge systems, informed by women's expertise, into formal education and pedagogy. This inclusion serves to validate …

Editorial: Defying Heteropatriarchal Currents, Bekeh Utietiang Ukelina

Wagadu: A Journal of Transnational Women's & Gender Studies

The strong cultural and political systems that constrain women's autonomy and progress, often rooted in colonial and imperial histories, have shown troubling resilience despite over a century of diverse women's global activism to dismantle them. In the face of these multifaceted attacks on the rights and self-determination of women and LGBTQIA individuals, particularly in the Global South and within marginalized communities globally, it is not the time to retreat into familiar frameworks. Instead, we must resist by taking strong intellectual positions that center postcolonial feminist frameworks, recognizing the diverse and often interconnected forms of oppression women face.

Kamala Harris As Durga: United States Presidential Elections And The Goddess In The Imagination Of Hindu Diaspora, Anisha Saxena

Wagadu: A Journal of Transnational Women's & Gender Studies

The Hindu diaspora in the United States has been one of the most educated and highest earning immigrant groups. They exert considerable influence in the arenas of culture, economy and recently politics. They are attempting to institutionalize Hinduism and “educate” Americans about the religion through creation of lobby groups and the use of social media. Motivated by these recent developments, the article examines the processes of creation, reimagination, and consumption of images of the South Asian goddess in the public sphere, and how these images are perceived by the Hindu diaspora.

Challenging The Glass Ceiling: Gender And Identity In Kanan Devi’S My Homage To All (2013), Raju Rana, Lipika Kankaria, Sutanuka Banerjee

Wagadu: A Journal of Transnational Women's & Gender Studies

This paper deals with the Bengali stage and screen actor Kanan Devi’s autobiography titled Shobarey Aami Nomi (originally published in 1973) which was translated as My Homage to All (2013) and tries to analyse the concept of glass ceiling in terms of her myriad experiences over the course of her career. The paper situates the transitions taking place in the 1920s and 1930s in the cinematic space and the emergence of female actors in the public sphere. Against this background, the paper attempts to examine how Kanan Devi defied the prevalent patriarchal set up of the theatres and studios and …

Otra Historia Ignaciana: Incluyendo A Las Mujeres En La Historia De La Misión Jesuita, Julia A. Dowd

Jesuit Higher Education: A Journal

Los programas de orientación de las universidades jesuitas suelen incluir un repaso de la vida de Ignacio. Lo que falta en la historia oficial de Ignacio son las historias de las mujeres con las que vivió y trabajó y que contribuyeron económica, política y emocionalmente a su formación y a la de los primeros jesuitas. También falta un análisis desde la crítica feminista del contexto histórico en el que nacieron Ignacio, los Ejercicios Espirituales y la Compañía de Jesús. En este artículo sostengo que las mujeres proporcionaron un andamiaje esencial para afianzar la identidad y vocación de Ignacio, y para …

Bechen-Rivera, Liam, Devon Rosano

Querying the Past: LGBTQ Maine Oral History Project Collection

Liam Bechen-Munoz is a 38-year-old trans man living in Portland, Maine. He grew up in a conservative Catholic town in Massachusetts before attending the University of Maine in Farmington, where he performed and did activism as a member of the Queer Student Alliance. After coming out, Bechen-Munoz faced discrimination and experienced getting fetishized online. He is a queer musician who has dealt with substance abuse but became sober in November of 2023. In this interview, Bechen-Munoz discusses some of the challenges he has faced, especially around coming out.

Señoritas On And Off The Silver Screen: How Chicana Women Organized For Equality And Challenged The Cultural Prison Of Sexualized Media Representations In The First Half Of The Twentieth-Century, Rossandra Paloma Martinez

Electronic Theses, Projects, and Dissertations

This research is personal for me due to lived experience and day-to-day situations where I have felt the pressures of unattainable beauty standards and society’s fluid definition of beauty and femininity surrounding Chicana, Latinas, Mexican, and Mexican-American women. What inspired me to pursue these issues and topics was the work of Dr. Vicki Lynn Ruiz in her book From Out of the Shadows: Mexican Women in Twentieth-Century America. This research focuses on rival and contested images of Chicana, Mexican, Mexican-American and Latina labor advocates and activists from the early twentieth as opposed to sexualized and eroticized packaged caricatures that Hollywood …