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The George Eliot Fellowship Review, Kathleen Adams, Graham Handley

The George Eliot Review Online, ISSN: 2831-5375

Cover Design By William Adams M.A.

The Editors do not necessarily agree with the views expressed by contributors, nor does the George Eliot Fellowship accept responsibility for such views.

THE REVIEW is produced photographically by TOPSHOP, a training organization for the young unemployed in Coventry.

No part of the REVIEW may be reproduced without the permission of the Editors.

Contributions are invited for the 1986 issue. They may be on any subject relating to George Eliot’s work, life, family or friends. They should be of up to 1,500 words in length, and it is preferred that footnotes are used only …

Book Review: The Clarendon Edition Of The Novels Of George Eliot (Clarendon Press, Oxford, 1984), Richard Freadman

The George Eliot Review Online, ISSN: 2831-5375

In writing Daniel Deronda George Eliot hoped 'to rouse the imagination of men and women to a vision of human claims in those races of their fellow-men who most differ from them in customs and beliefs' . Typically, her aspiration was suffused with doubt. She wished the novel to be seen as an integrated work of art but worried about its aesthetic reception; and she feared that the' Jewish element' would elicit an unenthusiastic response. On both counts her apprehensiveness has been proven prophetic. Daniel Deronda remains one of the most controversial of the great English novels, its extraordinary fusion …

George Eliot Country, Amy Clampitt

The George Eliot Review Online, ISSN: 2831-5375

From this Midland scene - glum slag heaps, barge canals, gray sheep, the vivid overlap of wheat field and mustard hillside like out-of-season sunshine, the crabbed silhouette of oak trees (each joint a knot, each knot a principled demurral: tough, arthritic, stubborn as the character of her own father) - fame, the accretion of a Pyrrhic happiness, had exiled her to London, with its carriages and calling cards, its screaming headaches.

Griff House- dear old Griff, she wistfully apostrophized it - in those days still intact, its secrets kept, has now been grafted to a motel-cum-parking-lot beside the trunk road, …

John Letts, The Gifted Warwickshire Re Sculptor., John Letts

The George Eliot Review Online, ISSN: 2831-5375

Some four years have elapsed since my first brief encounter with Mary Ann Evans - or 'Ann' as I had called her at that time. I t had been a strange, emotional experience with moments of deep passion and quiet companionship. But, it was not to last. The affair ended as it began, with a suddenness that was, in itself, an awakening. One does not easily get over such an experience except, perhaps, by the passing of time. And time had passed.

It was a surprise, therefore. when I discovered that a few of her close 'friends', knowing of our …

Annual Report - 1984

The George Eliot Review Online, ISSN: 2831-5375

1984 was an exciting year because of the challenge of the George Eliot Statue. Since 1980 the Fellowship Council had felt we were a little in the doldrums. After the interesting years leading up to the centenary of George Eliot's death, and the thrill of finally unveiling the Westminster Abbey Memorial Stone, everything seemed very flat. With no more big anniversaries until 2019, we might be forgiven for feeling that there was nothing much to do. But then, when the centre of Nuneaton was being pedestrianised with its attractive Victorian theme, and the Borough Council suggested making a site available …

Middlemarch : Three Italian Journeys, Henry M. Alley

The George Eliot Review Online, ISSN: 2831-5375

In Middlemarch, Dorothea’s intense moment of disillusionment in Rome has been generally traced to Eliot’s own Italian journey of 1860, when, as Gordon S. Haight notes (324),¹ the disappointment in many sights of the Eternal City paralleled her heroine’s. The comparisons are very compelling, especially those involving the joined responses of author and heroine to the interior landscape of St. Paul’s (“the lovely marble… was half-covered with hideous red drapery (Life 132: vol. 2, ch. 10);² "the red drapery which was being hung for Christmas spreading itself everywhere (was) like a disease of the retina" (226; ch. 20)). …

The Evolution Of Doris Lessing's Art From A Mystical Moment To Space Fiction, Nancy Topping Bazin

English Faculty Publications

After publishing ten major novels, Doris Lessing has begun writing what she calls '·space fiction'· for her new series entitled Canopus in Argos: Archives. In a review of the first two novels published in this series, namely, Shikasta ( 1979) and the Marriages Between Zones Three. Four, and Five (1980)¹. Jean Pickering stresses that many of Doris Lessing's most avid readers were initially attracted to her because of her insights about the female experience and because of her allegiance to nineteenth-century realism." Pickering suggests that Lessing's growing interest in space fiction and Sufism (Islamic mysticism) has …

The Immortal Memory Of George Eliot, Jonathan Ouvry

The George Eliot Review Online, ISSN: 2831-5375

Having been aware, for some time, that I was about to undergo what I thought would be an ordeal, but which I realise may even turn out to be an enjoyable experience, I have been looking out for ways and means of getting through my allotted time without too much difficulty. I was delighted, therefore, to observe a distinguished visitor to the Huguenot Society at a recent meeting. Evidently an experienced academic, he knew just what to do. I n the first place his lecture was written out on a great many small sheets of paper. At the end of …

Westminster Abbey Wreath-Laying, Steve Race

The George Eliot Review Online, ISSN: 2831-5375

It was George Eliot's Parson Gilfil who "smoked very long pipes, and preached very short sermons". Anyone speaking on this occasion (whether clergyman or layman) should remember Parson Gilfil, and preach a very short sermon!

But standing here, and looking around this little group of memorials. George Eliot, Lewis Carroll, Tennyson, Browning, Gerard Manley Hopkins, T. S. Eliot, Dylan Thomas, John Masefield ... one can't help thinking how happily they must have greeted one another's arrival in this poetic Pantheon. ("Have you heard, Tom? George Eliot's joining us! "). One also reflects on how long all these now-silent literary lions …

Ivy Leaves, 1983-1984, Ivy Leaves Editorial Staff

Ivy Leaves

The 1984 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Karen Buchanan, Leslie Allen, John Gettys, Cathy Grant, Marty Isom, Wendy Jones, Julie Poole, Charlene Powell, Gayle Pruitt, Robin Raymond, Jeff Sams, April Willoughby, Doug Davison, Susan Wooten. Cover art by Vicki Roberts.

The George Eliot Fellowship- 19, D.E. Beamish, A. Reader, Graham Handley, Edith Lenton, Margaret Wolfit, Gabreil Woolf

The George Eliot Review Online, ISSN: 2831-5375

When I wrote the last newsletter we had not then had Gabriel Woolf’s prgramme of readings entitled “The Warwichshire Pen”. It was, as always, immensely successful- in its ccontent, its performance (see the Review, p. 50) and also financially. That we make a profit at all is entirely due to the great generosity of those members who sponsor the two performance each year. Without these good friends we would certainly not be able to play at the University of Warwick Arts Centre and we are so grateful for their help and support. “The Warwichshire Pen” is to be repeated in …

Ivy Leaves, 1982-1983, Ivy Leaves Editorial Staff

Ivy Leaves

The 1983 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Elizabeth Wyatt, Karen Buchanan, Marilyn Burdette, Aprile Heaton, Dan Heaton, Todd Robertson, Susan Wooten, and Doug Davison. Cover art by Fran Poole.

Zora Neale Hurston, Daryl Cumber Dance

English Faculty Publications

Some new information is occasionally being ferreted out that may help to cast additional light on some of these issues, but quite clearly Zora Neale Hurston will remain something of an enigma - too complex a figure to reach any easy conclusions about, except perhaps that she defies simple characterization. People responded to her (and still do) very emotionally: her detractors despise her bitterly; her defenders love her passionately. All agree that she was eccentric, colorful, entertaining, humorous, and unforgettable.

Perhaps the most crucial question to pose about her is why one of the most important figures in the Harlem …

Ivy Leaves, 1981-1982, Ivy Leaves Editorial Staff

Ivy Leaves

The 1982 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Cheryl Thompson, Elizabeth Wyatt, and Doug Davison. Cover art by Monica Allen.

A Room Of One's Own: The Women's Room, Lou Ellen Crawford

Masters Theses

The recent resurgence of feminism has been accompanied by the development of feminist fiction. Identifying those characteristics by which feminist fiction adds to the American novel a new and valid perspective, feminist criticism has also flourished. Feminist critics agree that fiction with a new perspective demands critical evaluation from that same perspective; and Cheri Register provides a concise, thorough list of five elements which comprise effective feminist fiction. Of Register's five criteria, Carol Heilbrun stresses the equalizing, conciliatory influence of androgyny. Recent feminist authors have written many novels which perform one or more of the functions prescribed by Register. Three …

The Treatment Of Women In The History Of Rasselas, Prince Of Abyssinia, Cindy Fritz

Masters Theses

Dr. Samuel Johnson, one of the most prolific and profound contributers to the English language, is, unfortunately, better known for his life and his anti-feminist point of view. James Boswell, in his book The Life of Samuel Johnson, LL.D., provides many pieces of Johnson's conversations which attempt to illustrate the doctor's belief that women were unable to understand the complexities of anything beyond their domestic duties, a belief widely supported among the classes throughout the seventeenth century until the middle eighteenth century. However, this paper, using historical and biographical evidence, demonstrates that Johnson's attitude towards women, specifically in his …

Ivy Leaves, 1980-1981, Ivy Leaves Editorial Staff

Ivy Leaves

The 1981 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Andy Philhower, Mary Bruck, Joyce Carwile, Yvonne Felder, Dorothy Hagood, Jennifer Hayes, Marsha Keaton, Helen McGee, Jane McIntosh, and Doug Davison. Cover art by Susan A. Ware, drawings by Anne Manning Campbell.

Ivy Leaves, 1979-1980, Ivy Leaves Editorial Staff

Ivy Leaves

The 1980 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Beth Byers, John Lee Owen, Cindy Benton, Joyce Carwile, Dorothy Hagood, Karen Henderson, Dawn McKenzie, Doug Davidson, Mary Martin, and Dr. S.C. McCarter. Cover art by Meg Crump and John Lee Owen.

Ivy Leaves, 1978-1979, Ivy Leaves Editorial Staff

Ivy Leaves

The 1979 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Karen Henderson, Jeff Brown, Harold Rice, Dana Shaw, Kevin Sighter, Roger Turner, Dennis James, Dr. Ray P. Rust, Dave Everett, and Dr. A. Frank Bonner. Cover art was by Sandra Weathers and Mary Shooter.

Black Eve Or Madonna? A Study Of The Antithetical Views Of The Mother In Black American Literature, Daryl Cumber Dance

English Faculty Publications

Within these two extreme views of woman - the mother who brings death and destruction versus the mother who brings life and salvation - where does the Black American mother stand? It seems to me that it would not be inappropriate to look at the literature, not as mere fiction, but rather as an interpretation and compilation of history, anthropology, sociology, psychology, and a host of other areas. Thus the true literary artist reveals life more accurately and with more insight than any historical facts and statistical details, because he deals with the truth of the human heart, with the …

George Eliot And The Victorian Woman, Vicki Kirkland

Masters Theses & Specialist Projects

After an examination of the typical Victorian woman was made from available authoritative sources it was found that George Eliot deviated from this standard and presented several views of the anti-Victorian woman in her novels. While the Victorian woman was pious, content with her role in life, poorly educated, dependent on the man in her life for answers to all problems, frail, feminine, attractive and frivolous, Eliot, on the other hand, contradicted these characteristics at almost every point. She refused to write the sort of entertaining stories the Victorian reader demanded, and furthermore, she viewed the Victorian home realistically.

Eliot …

Ivy Leaves, 1977-1978, Ivy Leaves Editorial Staff

Ivy Leaves

The 1978 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Cindy Beasley, Karen Reynolds, Sharon Gilbert, Kaye Boyd, Julie Brashier, Wayne Hutchinson, Dennis Matthews, Lea Mullinax, and A. Frank Bonner. Cover art by Wayne Hutchinson.

Ivy Leaves, 1975-1976, Ivy Leaves Editorial Staff

Ivy Leaves

The 1976 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Carol Werner, Janice Shirley, W.F. West, Jr., Mary Lou Junkins, Elaine Ellison, Kathy Killian, Katherine Byrd, Rosemary Welborn, June Boiter, Janet Swartz, Erwin Elrod, Mary Ann Browne, Connie Frierson, Sly Rutledge, Randy Thomas, Eugene Watkins, Belinda Coyle, Michael Rodgers, Sherry Murphy, and Jim Mosley. Cover art by Michael Rodgers and Sherry Murphy.

Hawthorne's Hester & Zenobia: Possible Reflections Of Nineteenth Century Feminism & The Writings Of Margaret Fuller, Carolyn Raiser

Masters Theses & Specialist Projects

The thesis focuses upon the possible influences of Margaret Fuller upon Nathaniel Hawthorne's creation of Hester in The Scarlet Letter and Zenobia in The Blithedale Romance. It suggests that Hester and Zenobia are feminists who may owe much of their characterization as developed through their feminist arguments to Margaret Fuller, a nineteenth century feminist and acquaintance of Hawthorne's. Hawthorne and Fuller are placed in historical context within the feminist movement of the nineteenth century by examining some of the leading feminists and their concerns regarding women's rights. Margaret Fuller's writings and ideas are examined, along with her relationship to Hawthorne. …

Sun And Shadow, 1974-1975, Ivy Leaves Editorial Staff

Ivy Leaves

The 1975 edition of the Anderson College journal of art and literature, briefly named Sun and Shadow. However, this edition is a continuation of the Ivy Leaves journal.

The names of the known editors for this issue of Ivy Leaves were Carol Sigman, W.F. West, Jr., Anne Bishop, Susan Brooks, Phyllis Chafin, Melanie Edmunds, Mary Lou Junkins, Sharon Kemp, Susan Kiger, Beverly Knott, Steve Lewis, Pam Matthews, Pat Raper, James Tallent, and Jean Wellborn. Cover art by Mickey Saunders, submitted by Steve Lewis.

The Female Image In The Caldecott Medal Award Books, Patricia Lee Brighton Roberts

University of the Pacific Theses and Dissertations

PROBLEM: Millions of children read and view the Caldecott Winners each year There are no published studies regarding the possible stereo-typing of the role of the human, animal and inanimate female image in the texts and illustrations of these 37 books.

Purpose: The. investigation ·was conducted to determine the extent the total population of the Caldecott books did stereo-type the role of the human, animal and inanimate female image.

Procedures: The investigation was completed in four steps: (1) First, a panel of sociologists determined the content validity of the definitions used in the hypothesis; (2) Second, a Content Analysis Form …

Nuneaton Wreath-Laying, F.H.M. Fitzory Newdegate

The George Eliot Review Online, ISSN: 2831-5375

I am delighted to be here this afternoon to lay the annual wreath at this ceremony, which was for so long and so happily associated with my mother. As a child I was not over-encouraged to reason the works of George Eliot, but I did, so to speak, grow up with her as part of the story of Arbury and the surrounding countryside, which she loved so much and which so greatly influenced her earlier works. It is not always easy to see someone who is part of one’s own background as a world figure, a universal spirit whose works …

Jane Austens' Attitude Toward The Position Of Women, Carol Burford

Masters Theses & Specialist Projects

Jane Austen's attitude toward the position of middle-class women at the end of the eighteenth century is examined in the context of her life and thought and the women characters in her six novels. Comparisons are made with the position of women today regarding marriage, work, and the goals of the women's liberation movement. Jane Austen shared with feminists a recognition of the need for self-fulfillment. Because she was a realist, she provided fulfillment for her heroines through the only vehicle that was available to most women of her time--marriage. The solution she worked out for satisfying this need in …

Ivy Leaves, 1973-1974, Ivy Leaves Editorial Staff

Ivy Leaves

The 1974 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Jacque White, Terry Campbell, Sandra Fowler, Susan Kiger, Sara Martin, Pam Matthews, Peggy McNab, Randy Mills, Pat Raper, David Ross, Carol Schwarting, Carol Sigman, Mike Trainor, Hugh Welborn, Janice Woodson, Charles Horner, Faye Cowan, Sarah Greer, Dennis James, Judy Neuwirth, Jane Tombes, Brena Walker, W.F. West, Jr., and Margaret Wooten. Cover art by Carol Schwarting.

Ivy Leaves, 1972-1973, Ivy Leaves Editorial Staff

Ivy Leaves

The 1973 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Doug Davison, Glenda Alexander, Linda Buchmiller, Linda Davis, Walter Durst, Linda Edwards, Phil Franks, Sarah Martin, Joy Rish, Rebecca Sewell, Debbie Sheriff, Jaque White, Faye Cowan, Sarah Greer, Charles Horner, Dennis James, Judy Neuwirth, Jane Tombes, W.F. West, Jr., Margaret Wooten, Janice Woodson, and Shirley Hamby. Cover art by Janice Woodson.