Women's Studies Commons^™

Ivy Leaves, 2001-2002, Ivy Leaves Editorial Staff

Ivy Leaves

The 2002 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Ada Ezeokoli, Aliya George, LaTonya Scott, Joyce Stein, John Lyons, Keith Babinchak, Matt Baston, Chastity Baxley, Carla Carter, Stacy Coleman, Lashanda Salters, Laura Wolfe, Wayne Cox, and Jane Dorn. The cover art for this edition included several different designs by Matthew Baston, Stacy Coleman, Lashonda Salters, Laura Wolfe, Keith Babinchak, and Chastity Baxley.

Only Friendship, Farideh Dayanim Goldin

English Faculty Publications

(First paragraph) My Jewish daughter befriended a Muslim woman in her Islam class last Fall. She asked me where she could buy rosewater, saffron, and cardamom to make halwa. My kosher daughter was celebrating the end of Ramadan, Eide-fetr, with her first Iranian, her first Muslim friend.

Linda Grace Hoyer Updike: Woman, Author, And Mother, Leslie Hoffman

Library Summer Fellows

Linda Grace Hoyer was a brilliant individual. She graduated from Ursinus College at the age of nineteen, received a master's from Cornell University, and after many years of diligent work, published two novels and a myriad of short stories. She lived an unusual life: reflective, feminine in her thought processes, but nevertheless somewhat stubborn in a time when women were meant to fill a subordinate role. I have found through my research that Hoyer's brilliance did not lie in her intellect and writing alone. In fact, as demonstrated by her literature's autobiographical nature, her brilliance as a writer seemed to …

Ivy Leaves, 2000-2001, Ivy Leaves Editorial Staff

Ivy Leaves

The 2001 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Torrie Clark, Aliya George, Jane Hawley, Latonya Scott, Ryan Wehmeyer, Matt Baston, Adrienne Hamon, Jessica Hathcock, Wayne Cox, and Susan Wooten. Cover art by Alicia Fincher.

Living Whole Without A Better Half, Wendy Widder

Alumni Book Gallery

An unabashed celebration of the wholeness of single life lived within the will of God. Using the lessons of Bible characters, the author shows singles how to find abundance in life instead of letting it slip away while waiting for marriage.

Ivy Leaves, 1999-2000, Ivy Leaves Editorial Staff

Ivy Leaves

The 2000 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Chris Fyock, Aliya George, Kisha Thompson, Jason long, Nichole Chestnut, Matt Clark, Manny Diaz, B.J. Prince, Katie Blake, Heather Burges, Beth Dotson, Demarcus Kilgore, Kim Langston, Heather Vaughn, Susan Wooten, and Wayne Cox. Cover art by Nichole Chestnut.

Smoke, Rénee Olander

English Faculty Publications

No abstract provided.

Excerpts From "Death Journal", Nancy Olthoff

English Faculty Publications

No abstract provided.

Decision, Edith White

English Faculty Publications

No abstract provided.

Songs Of A Turning Body, Luisa A. Igloria

English Faculty Publications

No abstract provided.

What Does That Mean?, Carolyn Rhodes

English Faculty Publications

No abstract provided.

Pai Dos Burros, Luisa A. Igloria

English Faculty Publications

No abstract provided.

Two Birds On A Postcard, Farideh Goldin

English Faculty Publications

(First paragraph)My sister, Nahid, is four years younger than me. She suffers from osteomyelitis, which began from an infected umbilicus at birth, the result of unsanitary conditions at Morsalin hospital in Iran. She was given massive doses of antibiotics to help fight the infection, followed by surgery at the age of one to drain the affected area. Despite these efforts, the top of Nahid 's right femur was eroded by the infection. It left her with a hanging hip and a severe limp.

Cover Girl Run For Cover, Rénee Olander

English Faculty Publications

No abstract provided.

Nadine Gordimer's Fictional Selves: Can A White Woman Be At Home In Black South Africa?, Nancy Topping Bazin

Women's & Gender Studies Faculty Publications

(First paragraph) Growing up in South Africa where only 5.6 million people are white out of a population of 37.9 million, Nadine Gordimer became increasingly conscious of her whiteness¹. The colour of her skin instantly signaled 'oppressor' to black South Africans. Her whiteness imposed upon her a social and political identity that she rejected; yet, it was like a face she could not wash off, a mask she could not take off. As she said in a 1978 interview, 'In South Africa one wears one's skin like a uniform. White equals guilt' (Bazin & Seymour 1990:94). She often …

Revisiting Lydia Sigourney, Mike G. Smith

Seton Hall University Dissertations and Theses (ETDs)

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At Risk In The Writing Classroom: Negotiating A Lesbian Teacher Identity, Irene G. Meaker

Department of English: Dissertations, Theses, and Student Research

"Education is a fearful enterprise," says teacher and philosopher, Parker Palmer. Student-centered/ processoriented pedagogy asks teachers to step out from behind the relative safety of the teacher mask and to enter the risky arena of learning. For the writing teacher, a special challenge is to help students negotiate the risks inherent in the act of writing and in sharing writing with the "Other."

To prevent fears from dominating our students, teachers must model risk-taking and risk negotiation. In my own teaching, my fears around students' reactions to learning my sexual identity meant that I more often reinforced fears than dispelled …

Ivy Leaves, 1998-1999, Ivy Leaves Editorial Staff

Ivy Leaves

The 1999 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Asa Moran, Christopher Fyock, Jennifer Brown, Andy Burleson, Brian Gaines, David Parker, Emily Reese, Jill Roberts, Heather Rollins, Jeanna Simmons, Susan Wooten, and Wayne Cox. Cover art by Jill Roberts.

O Lenço Da Minha Mãe...A Reflection, Alicia Veiga

The Griot

A young Cape Verdean woman reflects on the head scarf worn by her mother. The head scarf serves as a symbol of her mother's strength, culture and constant presence in her life despite a move from Cape Verde to the United States.

Ivy Leaves, 1997-1998, Ivy Leaves Editorial Staff

Ivy Leaves

The 1998 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Jennifer Brown, Shane Bruce, Sharon Felder, Kellie Bates, Clay Bolt, Tiffany Clark, Jon Martin, Ben McDonald, Amber Schiltz, Jeremy Shirley, Chase Stone, Susan Wooten, and Wayne Cox. Cover photography by Ben McDonald and design by Clay Bolt and Jeremy Shirley.

Cinderella, Marie Antoinette, And Sara: Roles And Role Models In A Little Princess, Elisabeth Rose Gruner

English Faculty Publications

Role-model criticism, the easiest and often most logical form of criticism for children’s literature, has fallen out of favor in our more theoretically sophisticated times. Toril Moi, surveying the state of feminist criticism in 1985, devoted a chapter to “Images of Women” criticism, finding it overly prescriptive and frequently self-contradictory in its calls for a “realistic” or accurate depiction of women’s lives simultaneously with the desire for “strong, impressive female characters” (47). Since many real women (and men!) are neither strong nor impressive, the effort is doomed from the start. And the specific call for “role models” is problematic in …

Ivy Leaves, 1996-1997, Ivy Leaves Editorial Staff

Ivy Leaves

The 1997 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Shawn Elliott, Misti Fuller, Kelli Holzer, Stephanie Nichols, April Price, Darren Rambo, Sherrell Crawford, Sharon Felder, Jason Manuel, Daryl McCard, John Woodson, Wayne Cox, and Susan Wooten.

Crossing Boundaries: Land And Sea In Jane Austen's 'Persuasion', Laura Vorachek

English Faculty Publications

Jane Austen suggests in Persuasion the pressures that the increased mobility of the middle class placed on the established aristocratic society in her time. Anne Elliot especially brings to light the inherited assumptions of her society. She can marry within her social rank (Mr. Elliot or Charles Musgrove) or marry below her (Wentworth at age 23), but either is a choice within the limits established by her society. One owns land or one does not. But when Wentworth returns a man of name and wealth, he is not a member of the landed gentry nor is he below Anne in …

Ua12/2/2 Xposure - Summer 1996, Wku Student Affairs

WKU Administration Documents

1996 Xposure yearbook.

• Thomas, Kim. Banshee: The Grandmother of All Parties
• Quarles, Mitchell. Talk About a Revolution – Recycle Revolution
• Guenther, Kelly. Dancing for Money: One Student’s Story of Stripping, Spending & Surviving
• Hall, Jason. Home Away from Home: Student Helps International Refugees Adjust – Dat Ly
• Witty, Patrick. Rappel
• Wade, Molly. War & Peace: Western’s Gay Community Faces Alienation, Alliances
• Hutchins, Chris. Doing It Her Way – Anna Wilson, Artists
• Root, Tonya. Serving Time – Ed Bohlander, Prisons
• Noel, Anthony. Facing Their Futures – Todd McCutcheon, Claire Davies, Charles Cecil, Carla Gantz, Paul DeHaven
• 24 Hours of Life at …

Ua12/2/2 Xposure - Spring 1996, Wku Student Affairs

WKU Administration Documents

1996 Xposure yearbook.

• Davis, Amanda. College Bands
• Witty, Patrick. Keeping His Composure: Award-Winning Conductor Visits – Karel Husa
• Noel, Anthony. Eyes in the Dark – Tara Higdon, Stalking
• Gamblin, Joe. The Thursday Night Ritual – Entertainment
• Portrait Gallery – Neal Thomas, Tamico Johnson, Elin Ramberg, Larry Danielson, John Hildreth
• Shain, Kimberly. Graves of Earthly Delights: Western Students Dig for Bones of Confederate Soldiers – Archaeology, Sons of Confederate Veterans
• Wade, Molly. College Habitats – Dormitories, Apartments
• Hieb, Dan. The Underground Club – Green River Grotto, Spelunking, Caves
• 35^th Annual Student Art Competition
• Gamblin, Joe. WWF . . . Or …

Ivy Leaves, 1995-1996, Ivy Leaves Editorial Staff

Ivy Leaves

The 1996 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Mary Nell Tysinger, Sharon Feldor, Daryl McCard, Julie Banker, Kim Elmore, Misty Taylor, Armeal Thompson, Wayne Cox, and Susan Wooten. Cover art by Misty Taylor.

The Inner Voice, Janis Ruth Bagnall Cochrane

Institute for the Humanities Theses

The scope of this project is two-fold. The key purpose is to demonstrate the relationship between the voice of Lee Smith, a Southern writer from Appalachia and the voice of the author, another Southern writer from the Outer Banks. The foremost conclusion that has been drawn is that a writer's voice comes from deep inside the writer's unconscious. It is a product of generations of experiences that have embedded themselves in the writer's psyche. Some of the assumptions and prejudices surrounding southern women are discussed to some degree.

The second purpose is for this writer to show her work. This …

Ivy Leaves, 1994-1995, Ivy Leaves Editorial Staff

Ivy Leaves

The 1995 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Andi Jacoby, Daryl McCord, Ricky Riendeau, Katherine Ross, Mary Nell Tysinger, Anna Whalen, Julie Banker, Kimberly Elmore, Angela Martin, Brent Smith, Misty Taylor, Armeal Thompson, Joel Wightman, Wayne Cox, and Susan Wooten. Cover art by Julie Banker.

Ivy Leaves, 1993-1994, Ivy Leaves Editorial Staff

Ivy Leaves

The 1994 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Jennifer Cox, Renate Gunnels, Alison Mode, Barry Watts, Shannon Betsinger, Lisa Edmonds, Andi Jacoby, Mary Nell Tysinger, Merry Lee Wentzky, Wayne Cox, and Susan Wooten.

The Female Language Barrier: A Close Reading Of The Poetry Of Emily Dickinson And Adrienne Rich, Annmarie Faiella

Honors Theses

Historically, the First Amendment right to free speech was limited to certain groups. Language, although constitutionally guaranteed since 1776, has not always been a freedom for everyone. Among those at language's mercy are immigrants, slaves, and women. Women's speech was limited not by a lack of knowledge, but by a societal acceptance of women as inferior.

What then do women do to overcome this ever-present chasm? What women did in the nineteenth century, the 1960s, and are still doing today is: write more creatively. The tighter the restraint of language, the more inventive the woman must be to use it …