Women's Studies Commons^™

Lynching The White Imagination: Changing The Dynamics Of Lynching And Rewriting The Cult Of True Womanhood In Grimke, Johnson, And Terrell, Melissa L. Antonucci

English Theses & Dissertations

Despite critics'ack and forth argument over the merits, or lack thereof, of a uniquely black theatre experience, black women playwrights, much like their male counterparts, were once wholly invisible to the white community. But what makes their invisibility unique is their absence in the black world and in literary scholarship. Unfortunately, modern scholarship has oftentimes dismissed these exceptionally powerful plays, cataloging them as poorly written and lacking stylistic and formal elements. It was only recently that they were included in a highly male-dominated history of African American theatre and art. The question of their use of sentimentality, however, remains unanswered. …

Balancing Rosie And June: A Study Of Lynchburg College Postwar Alumnae And The Impact Of The Feminine Mystique, Dinah Watson

Undergraduate Theses and Capstone Projects

In 2003, the movie Mona Lisa Smile debuted describing the frustrations that many college women may have faced in the years after World War II. Wellesley College was the elite all-female institution that openly and proudly prepared its young women with the proper rules of etiquette and correctness. Despite Wellesley’s own excellent academic reputation, its close proximity to the prestigious single-sex male college, Harvard, made it even more appealing and convenient for the Wellesley girls to find a “suitable” husband. The novice young art instructor, Katherine Watson, was unique in that she wanted to offer her students not only a …

Placards: Mkr Society, Edna Saffy And Grady Johnson

Saffy Collection - All Textual Materials

Name cards for Marjorie Kinnan Rawlings Society event designating the Marjorie Kinnan Rawlings Farm a National Historic Landmark, March 3, 2007.

Sex, Drugs, And Mingling Spirits: Teaching Nineteenth-Century Women Poets, Cheryl Walker

Scripps Faculty Publications and Research

Book abstract:

Twentieth-century modernism reduced the list of nineteenth-century American poets to Walt Whitman, Emily Dickinson, and (less often) Edgar Allan Poe. The rest were virtually forgotten. This volume in the MLA series Options for Teaching marks a milestone in the resurgence of the study of the rest. It features poets, like Henry Wadsworth Longfellow and Lydia Huntley Sigourney, who were famous in their day, as well as poets who were marginalized on the basis of their race (Paul Laurence Dunbar, Alexander Posey) or their sociopolitical agenda (Emma Lazarus, John Greenleaf Whittier). It also takes a fresh look at poets …

Review Of Reclaiming Authorship: Literary Women In America, 1850-1900, Melissa J. Homestead

Department of English: Faculty Publications

Like Naomi Z. Sofer's Making the America of Art (2005) and Anne E. Boyd's Writing for Immorality (2004), Susan Williams Reclaiming Authorship seeks to recreate and analyze how American women authors in the second half of the nineteenth century understood their own authorship. All three include Louisa May Alcott, Elizabeth Stuart Phelps, and Constance Fenimore Woolson as subjects, but Williams includes authors who did not conceive of their authorship in a high cultural mode (Maria Cummins, Elizabeth Keckley, Mary Abigail Dodge), and she traverses the careers of Alcott and Phelps so as to emphasize their movements in and out of …

Louisa May Alcott [From Oxford Encyclopedia Of Women In World History], Melissa J. Homestead

Department of English: Faculty Publications

American fiction writer best known as the author of the girls’ novel Little Women (1868-1869). Alcott was born in Germantown, Pennsylvania, to Abigail May Alcott and the progressive educator Bronson Alcott. The March family of Little Women was an idealized version of her own family, which was far less stable and more mobile. Alcott’s father’s idealistic education, and reform ventures regularly failed, necessitating the family’s frequent moves, and she and her mother increasingly provided the family’s economic support. Her childhood and adolescence were split primarily between Concord and Boston, Massachusetts, where she was deeply influenced by members of her father’s …

Willa Cather [From The Oxford Encyclopedia Of Women In World History], Melissa J. Homestead

Department of English: Faculty Publications

American novelist, Born in Virginia, Cather moved with her family to Nebraska in 1883 and is best known as a novelist of the American prairie. However, her life history and literary output belie this characterization. As a student at the University of Nebraska she published short stories and poems and worked as a journalist. This experience earned her a position at the Home Monthly magazine in Pittsburgh, Pennsylvania. When the magazine failed, she stayed in Pittsburgh, first returning to newspaper journalism and then teaching high school. For several years she lived in the family home of Isabelle McClung, a young …

Introduction To Signet Classic's The Song Of The Lark By Willa Cather (2007), Melissa J. Homestead

Department of English: Faculty Publications

In May of 1912, Willa Cather traveled to Winslow, Arizona, to visit her brother, Douglass, who worked for the railroad. The year before, she had begun a leave of absence from McClure's Magazine, where she had been an editor since 1906, so that she could focus her energies on writing fiction. Although she had been publishing short fiction regularly since 1892, her first novel-the cosmopolitan, somewhat derivative Alexander's Bridge ‒ did not appear until 1912. Feeling tired and unwell, she, like many other Americans, sought renewal in the dry air and open spaces of the desert. After six years in …

Uncoverings: The Research Papers Of The American Quilt Study Group, Volume 28 (2007), Joanna E. Evans, Virginia Gunn, Eleanor Knowles Dugan, Jonathan Gregory, Lynne Shultis, Carol Williams Gebel, Mary Horton Robare, Laurel Horton

Uncoverings Journal

Preface by Joanna E. Evans

The Gingham Dog or the Calico Cat: Grassroots Quilts of the Early Twentieth Century by Virginia Gunn

Rachel's Tat by Eleanor Knowles Dugan

The Joy of Beauty: The Creative Life and Quilts of Rose Kretsinger by Jonathan Gregory

Analysis of a Late Nineteenth-Century Redwork Quilt Top by Lynne Shultis

The Princess Feather: Exploring a Quilt Design by Carol Williams Gebel

Cheerful and Loving Persistence: Two Historical Quaker Quilts by Mary Horton Robare

The Underground Railroad Quilt Code: The Experience of Belief by Laurel Horton

Authors and editor

Index

"Unrighteous Compact": Louisa May Alcott's Resistance To Contracts And Promises In Moods, Nina Bannett

Publications and Research

Alcott’s first adult novel, Moods, initially published in 1864, presents oral promises between women as extralegal alternatives to standard legal contracts between men and women. In the 1864 edition of Moods, Alcott's protagonist, Sylvia Yule, fails to understand the constraints of marriage as a type of contract, and the results are dramatic. In fact, Alcott undermines the idealized marriage plot so crucial to her later, wildly popular works like Little Women (1868-69). In the 1864 Moods, Alcott boldly questions both legal contracts and oral promises characteristic of nineteenth-century conceptions of romantic love and heterosexual friendship.

Cultural Analysis Of The Indian Women's Festival Of Karvachauth, Puja Sahney

All Graduate Theses and Dissertations, Spring 1920 to Summer 2023

The festival of Karvachauth is celebrated by upper class married women of North India and occurs in the month of October or early November. On this day married women fast to ensure the long lives of their husbands. They wake up before dawn and eat a meal. After sunrise they do not drink water or eat any food until they see the moon at night. The moon is watched through a sieve and prayed to before breaking the fast. An important part of Karvachauth is a ritual that is performed by women in the afternoon. This ritual is hosted by …

A Feminist Perspective On The Precautionary Principle And The Problem Of Endocrine Disruptors Under Neoliberal Globalization Policies, Erica Hesch Anstey

USF Tampa Graduate Theses and Dissertations

Industrialization and "development" during the last 200 years have led to an increase of pesticides, an intensified use of synthetic chemicals, higher levels of environmental pollution, and more exposure to hazardous working conditions. Environmental toxins, many of which are endocrine disruptors, are stored in fat tissue, increasing reproductive health risks for both women and men. Women’s bodies are particularly vulnerable as sites for creating, growing, feeding, and nurturing the next generation. And yet, women’s lives are consistently devalued, especially in a capitalist economy, so that a woman’s rights to her own reproductive health are no longer guaranteed.

In this thesis …

Uncoverings: The Research Papers Of The American Quilt Study Group, Volume 27 (2006), Joanna E. Evans, Loretta G. H. Woodward, Beverly Gordon, Teri Klassen, Marsha Macdowell, Charlotte Quinney, Mary Worrall, Nao Nomura, Janneken Smucker, Laurann Gilbertson, Ronda Mcallen

Uncoverings Journal

Preface by Joanna E. Evans

Communities of Quilters: Hawaiian Pattern Collecting, 1900-1959 by Loretta G. H. Woodard

Crazy Quilts as an Expression of "Fairyland" by Beverly Gordon

Polk's Fancy: Quiltmaking, Patriotism, and Gender in the Mexican War Era by Teri Klassen

The K.K.K. Fundraising Quilt of Chicora, Michigan by Marsha MacDowell, Charlotte Quinney, and Mary Worrall

From Fibers to Fieldwork: A Multifaceted Approach to Re-examining Amish Quilts by Nao Nomura and Janneken Smucker

Patterns of the New World: Quiltmaking Among Norwegian Americans by Laurann Gilbertson

Jewish Baltimore Album Quilts by Ronda McAllen

Authors and editor

Index

[Introduction To] Her Best Shot: Women And Guns In America, Laura Browder

Bookshelf

The gun-toting woman holds enormous symbolic significance in American culture. For over two centuries, women who pick up guns have disrupted the popular association of guns and masculinity, spurring debates about women's capabilities for violence as well as their capacity for full citizenship. In Her Best Shot, Laura Browder examines the relationship between women and guns and the ways in which the figure of the armed woman has served as a lightning rod for cultural issues.

Utilizing autobiographies, advertising, journalism, novels, and political tracts, among other sources, Browder traces appearances of the armed woman across a chronological spectrum from …

Oy Science Fiction: On Genre, Criticism, And Alien Love: An Interview With Marleen S. Barr, Marlene S. Barr, Ximena Gallardo C., C. Jason Smith

Reconstruction: Studies in Contemporary Culture

[First paragraph of Abstract]

Marleen S. Barr is a pioneer of feminist science fiction criticism and a leader in the fight against the ghettoizing influences of genre-labeling in literary criticism. While the noteworthy Feminist Fabulation: Space/Postmodern Fiction (University of Iowa Press, 1992) has been praised as Barr's seminal work in feminist science fiction criticism and theory, it is in Genre Fission: A New Discourse Practice for Cultural Studies (U of Iowa P, 2000) where she takes on literary critics' discriminatory practices against genre fiction in general and fantasy and science fiction in particular.

At Home In The City: Urban Domesticity In American Literature And Culture, 1850-1930, Elizabeth Klima

University of New Hampshire Press: Open Access Books

An interdisciplinary study of urban literature and domestic architecture in the United States from 1850-1930. With chapters on the hotel, Central Park, tenement houses, and apartment buildings, At Home in the City juxtaposes literary criticism with a history of the built environment to show the inception of American modernity. Works treated include: The Blithedale Romance by Nathaniel Hawthorne, Ruth Hall by Fanny Fern, The Bostonians by Henry James, How the Other Half Lives by Jacob Riis, Sister Carrie by Theodore Dreiser, The Custom of the Country by Edith Wharton, Charlotte Perkins Gilman's feminist urban utopias, and Nella Larsen's Quicksand.

Uncoverings: The Research Papers Of The American Quilt Study Group, Volume 26 (2005), Kathlyn Sullivan, Susan Price Miller, Mary Ann J. Montgomery, A. Charlene Orr, Colleen Hall-Patton, Claire Somersille Nolan, Heather Cadogan, Melanie Mckay, Maaja Stewart, Anita B. Loscalzo

Uncoverings Journal

Preface by Kathlyn Sullivan

The Threads of a Friendship: Lillian Walker, Maxine Teele and Lucile Taylor by Susan Price Miller

Quilted Gems by the Jewels of the Lawrence Family by Marian Ann J. Montgomery and A. Charlene Orr

Jean Ray Laury in the 1960s: Foremother of a Quilt Revival by Colleen Hall-Patton

The Star of Bethlehem Variation Quilt at 1he Metropolitan Museum of Art by Claire Somersille Nolan

Artistic Creation: Amish Quilts and Abstract Art by Heather Cadogan

"The Tradition of Old People's Ways": Gee's Bend Quilts and Slave Quilts of the Deep South by Melanie McKay and Maaja Stewart …

History Of Clcweb: Comparative Literature And Culture, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Mother Jones: A Dichotomy Of Feminity, Amanda Viana

Undergraduate Review

No abstract provided.

Uncoverings: The Research Papers Of The American Quilt Study Group, Volume 25 (2004), Kathlyn Sullivan, Barbara Brackman, Lucinda Reddington Cawley, Virginia Eisemon, Laurel Horton, Kaaren Beaver-Buffington, Loretta B. Chase, Pamela Weeks Worthen, Mary E. Gale, Margaret T. Ordoñez

Uncoverings Journal

Preface by Kathlyn Sullivan

Rocky Road to Analysis: Interpreting Quilt Patterns by Barbara Brackman

In Teppich: Quilts and Fraktur by Lucinda R. Cawley

Sunday School Scholars Quilt: Civil War Textile Document by Virginia Eisemon

Mary Black's Family Quilts: Changing Styles, Status and Fabric Availability by Laurel Horton

A Quilt For General Grant by Kaaren Beaver-Buffington

A Blue Hills Quilt: To Miss Charlotte Hawkins by Loretta B. Chase and Pamela Weeks Worthen

Eighteenth-Century Indigo-Resist Fabrics: Their Use in Quilts and Bed Hangings by Mary E. Gale and Margaret T. Ordoñez

Authors and Editor

Index

Ms. Joanna Boley-Lee On Leisure, Maureen Elgersman Lee

We Exist Series 4: Quotes

Interviewer: Maureen Elgersman Lee.

Interviewee: Ms. Joanna Boley-Lee (age 66; born 1937 in Newark, New Jersey; lived in Maine for 8 ½ years)

“I think my closing reflections would be that when I came to Lewiston I remember walking across the bridge that goes across the Androscoggin, the extension of Main Street, just sort of looking out, and there was a black man with a camera and I thought, good, there's a black person. So I went up to him and I introduced myself, told him I was new in the area and he tells me he was visiting. I …

Selected Definitions For Work In Communication And Media Studies & Selected Bibliography Of Publications In Comparative Media Studies, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Reverend Albert Jackson And Mrs. Clemmie Jackson On Leisure, Maureen Elgersman Lee

We Exist Series 4: Quotes

Interviewer: Maureen Elgersman Lee

Interviewees: Reverend Albert Jackson (born in Slabfork, Virginia; age 61; lived in Maine for 43 years) and Mrs. Clemmie Jackson (born March 1948 in Marengo County, Alabama; age 55; lived in Maine for 3.5 years)

“Well I like it. You know, I describe it as, ah, a place where you can shop. I notice when it rain, a lot of people go out to eat. They like to eat here in Maine. And I've noticed -- I've (inaudible) –but this is a good area to live in.”

Interviewer: “Are there any events in Lewiston and Auburn's …

Mr. James Sheppard On Leisure, Sanela Zukic

We Exist Series 4: Quotes

Interviewer: Sanela Zukic

Interviewee: Mr. James Sheppard (born in New York City in 1924; both his parents immigrated from Antigua in the West Indies to Canada, then they came to the United States in 1923; moved to Maine in 1971).

“But in addition to that we'd have lots of summer events: picnics and that sort. But that's separate; that's a different thing.”

“Between my wife and I, we saw to it that they did a lot of reading. And we did a lot of traveling. We did a lot of traveling to the Caribbean and South America, and we took …

Uncoverings: The Research Papers Of The American Quilt Study Group, Volume 24 (2003), Virginia Gunn, Heather Ersts Venters, Mary Bywater Cross, Sarah Rose Dangelas, Carolyn K. Ducey, Mary Ellen Ducey, Marin F. Hanson, Janneken Smucker, Blaire O. Gagnon

Uncoverings Journal

Preface by Virginia Gun

Eighteenth-Century Annapolis Quilters: "She performs all sorts of QUILTING in the best Manner" by Heather Ersts Venters

The Anti-Polygamy Quilt by The Ogden Methodist Quilting Bee by Mary Bywater Cross

The Cultural Significance of the Block Island Woman's Christian Temperance Union Quilt of 1931 by Sarah Rose Dangelas

Quilt Symposium '77: "Fine Art-Folk Art" at Lincoln, Nebraska by Carolyn Ducey and Mary Ellen Ducey

Quilts as Manifestations of Cross-Cultural Contact: East-West and Amish-"English" Examples by Marin F. Hanson and Janneken Smucker

Egyptian Appliques by Blaire O. Gagnon

Authors and Editor

Index

Toward A Framework Of Audience Studies In Comparative Cultural Studies, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Constance Cary Harrison, Refugitta Of Richmond : A Nineteenth-Century Southern Woman Writer's Critically Intriguing Antislavery Narrative Strategy, Gaillynn Marie Bowman

Theses, Dissertations and Capstones

Although often maligned by literary scholars, Constance Cary Harrison, nineteenth-century novelist, journalist, essayist, and short-story author, achieved popular success with her subtle, but often radical, explorations of gender, and slavery during the antebellum and post-Civil War years. Furthermore, Harrison developed innovative characterizations of African-Americans while seeking nineteenth-century southern and northern readership through conciliatory prose. In particular, Harrison characterized a slave who gained his freedom and maintained a successful, independent life, without white assistance. This unique perspective for a Southern writer of her era stemmed from the war time destruction of her homestead, Vaucluse, which compelled Harrison to recreate an idealized …

The Source Of Hip, Shelly J. Eversley

Publications and Research

This essay situates Norman Mailer's "The White Negro" (1957) and Jack Keroauc's The Subterraneans (1958) in the context of 1950s racial integration and the transformative potential of interracial sex. It argues that both authors' terms, "beat" and "hip," depend on the idea of "the Negro" whose status allows them to imagine a counter culture essential to their midcentury articulations of individual integrity and creative freedom.

Mr. Richard Terrence On Leisure, Rachel Talbot-Ross

We Exist Series 4: Quotes

Interviewer: Rachel Talbot-Ross

Interviewee: Mr. Richard Terrence (age 57; born 1945 in Cleveland, Ohio; moved to Maine in October 1975)

“And, you know, raising my children is interesting in that as they grew older and as they noticed the very differences, they were starting to mix in very well. They were making friends, and, you know, they were involved in sporting activities and community.”

Mrs. Emma Jackson On Leisure, Maureen Elgersman-Lee

We Exist Series 4: Quotes

Interviewer: Maureen Elgersman Lee

Interviewee: Mrs. Emma Jackson (age 62; born 1941 in Atlanta Georgia; lived in Maine for 46 years; has three children)

“Because it wasn't ever in the - the -- the, ah, club scenes, or any scenes like that. Actually, we live, ah, a really sheltered life. We went to church. We were involved. But the church was our main focus and our main goal. And I -- and -- and our lives were wrapped -- revolved around that. So that might be -- which would be a reason why we didn't--”