Women's Studies Commons^™

Sandra Clements, Kelli Johnson

Oral Histories – NPS AACR Civil Rights In Appalachia Grant

Kelli Johnson conducting an oral history interview with Sandra Clements.

This oral history is part of the National Park Service African American Civil Rights History and Appalachia Grant Program.

A New Politics Of Black Regality: Zora Neale Hurston And Alice Walker’S Monarchical Method, William Martin

Beyond the Margins: A Journal of Graduate Literary Scholarship

Literary critics conducting a comparative study of Zora Neale Hurston’s Their Eyes Were Watching God and Alice Walker’s The Color Purple diligently tend to the relationship between the two women, particularly at an intertextual level. This paper sheds light on an important third member of this relationship: Black women readers. An articulation of Black regality, which involves the incorporation of monarchical symbols and titles in characterizations of Black people, provides these readers with political tools poised to liberate Black women from hegemonic male authority and control. Examining the significance of adornment for the self exclusively to combat invisibility, the power …

Homage To Eleanora: A Musical Journey Through The Billie Holiday Songbook, Keith A. Dames

Dissertations, Theses, and Capstone Projects

Billie Holiday was a singer, songwriter, vocalist, bandleader and composer in the fields of music, black culture and more specifically the genre of jazz. The primary focus of this study is Billie Holiday’s discography, music, and compositions as treated in relation to the black culture of production. This study will explore a secondary content analysis of Billie Holiday’s music, musicianship, musicality and compositional skills within the American jazz mainstream, broader jazz audience and world at large. This project will take an analytical look at the structure and form of the compositions of Billie Holiday. Billie Holiday is credited with composing …

How Marlon T. Riggs Queered The Documentary Form, Anthony M. Sweeney

Dissertations, Theses, and Capstone Projects

Marlon T. Riggs’s documentary films and their paratextual elements are rooted in his intersectional identities as a Black and gay man. His activist goal of Black gay liberation was based on what he saw as deeply engrained internal and external racist and homophobic societal structures that subjugated Black queers. In this thesis, I place research from Black cultural studies, gender and sexuality studies, and film studies in conversation with one another to show how Riggs’s filmography is an example of queer form. In doing so, I attempt to redefine the focus of the scholarship on Riggs from an avant-garde filmmaker …

Anna Belle King, Kelli Johnson

Oral Histories – NPS AACR Civil Rights In Appalachia Grant

Kelli Johnson conducting an oral history interview with Anna Belle King.

This oral history is part of the National Park Service African American Civil Rights History and Appalachia Grant Program.

The Attempted Name Changes Of Muw After Coeducation, Bayleigh Dawkins

Merge

No abstract provided.

Women Without Bodies: Autonomy, Empowerment, And Embodiment In Southern Women, Martha Peyton Ford

Honors Theses

This thesis explores the relationship between rural, upper-class, Southern, white women and their bodies. In my attempts to understand this relationship, I analyze sources from the fields of gender studies, philosophy, and psychology, utilizing concepts such as the Cult of True Womanhood, the newly-emerging field of body memoirs, and the long-lasting but elusive idea of Southern ladyhood to make sense of cultural expectations of Southern women and their bodies. This research, alongside my use of autoethnography and oral history, serve as an anchor for my analysis of women’s relationships to their bodies, in which I use myself, my mother, and …

F. Scott Fitzgerald’S Homme Épuisé: Usurping The “Madwoman” In Tender Is The Night (1934) [2022], Emma Hill

Master's Theses

Nineteenth-century women writers commonly use themes of entrapment and madness in what are now classified as gothic novels. In texts such as Jane Eyre, Frankenstein, and The Yellow Wallpaper, confinement and madness are synchronous in developing the figure of “the madwoman.” These texts were written during a time when it was uncommon for female writers to seek publication, and many used pseudonyms to get their works published or to be taken seriously by critics. The “madwoman” emerged as a powerful trope to articulate what writing under a patriarchal system feels like. That is to say, confinement scenarios resulting from female …

Decolonizing Female Archetypes: Creating An Oppositional Consciousness In Contemporary Chicana And Iraqi Women’S Fiction, Semah Salih Hussein

Graduate Theses and Dissertations

In dominant imperialist discourses, women, such as Iraqi women and Chicanas, have been marginalized in political, social and economic structures and have been manipulated to maintain imperialist exploitation and processes. They have been frozen within certain archetypal configurations. Iraqi women have been misrepresented as victims of their culture and traditions, and Chicanas have been represented in derogatory terms or excluded from mainstream hierarchies of representation. This study examines some counternarratives and oppositional subjectivities/ consciousnesses provided by Iraqi and Chicana women writers through their utilization of the legacy of a number of fictional and historical female figures. The primary texts analyzed …

“Who Says Lowriders Are Only For Men?”: Lowriders In Las Vegas, Nevada, Alejandra Herrera

UNLV Theses, Dissertations, Professional Papers, and Capstones

Since its creation, Las Vegas, Nevada, has been associated with casinos, nightlife, drinking, and neon lights. Las Vegas is not associated with Lowriders. Historically, lowrider vehicles are associated with crime, gangs, and male drivers. When lowriding comes to mind, Lowriders are associated with major cities in California, Texas, New Mexico, Arizona, and Colorado. Lowriders are not usually visualized as having female participants or as being present in Las Vegas. This thesis highlights members of the Lowrider community (especially Christal Leyva, Ivelys Franco, and Juanita Salazar) through the use of oral interviews and personal correspondence. The Lowriders interviewed for this thesis …

Possession: The Struggle For Female Bodily Agency In Exorcism Cinema, Michelle Lynne Pribbernow

Graduate Theses and Dissertations

A dominant trope of the possession genre of horror cinema is the spectacle of the white female body that extends beyond narrowly-proscribed boundaries as being too active, too loud, too sexual, and too uncontrolled. This excess is depicted as monstrous, revolting to patriarchal ideology and in need of containment. In this dissertation, I argue that the long-standing horror genre of possession narratives reveals social anxieties about a loss of control over the productive and reproductive capabilities of the undisciplined female body in U.S. patriarchal, white supremacist, late capitalist culture. This study critically examines three sets of possession films: the Paranormal …

She Speaks Her Truth: Black Female Self-Empowerment In African-American Centric Texts, Britt N. Seese

Master of Arts in English Plan II Graduate Projects

A Master's Portfolio that looks into African-American Women in African-American literature and theatrical works.

Reading The Traumatic Moment: The Role Of Socioeconomic Systems In The Color Purple And The Bluest Eye, Andrea Doll

Undergraduate Theses

There are many points of sameness between Alice Walker's The Color Purple and Toni Morrison's The Bluest Eye. Both novels occur in the mid-20th century and focus on protagonists within the same race, gender, and relative class. Of all the similarities between the texts, the most influential is the trauma, sexual and otherwise, shared between Pecola Breedlove and Celie. Most notably, both characters experience incestuous rape resulting in pregnancy shortly after their first menstruation. Despite their numerous shared events and attributes, what occurs after their sexual trauma differs drastically for each character. At the end of The Color Purple …

“Madam” Elizabeth: Elizabeth Hobbs Keckley’S Sisyphean Attempt To Join The “Cult Of True Womanhood”, Bella Biancone

Undergraduate Research and Scholarship Symposium

Nineteenth century notions of femininity and etiquette were governed by strict societal standards. “True Womanhood” was defined by four fundamental virtues– piety, purity, submissiveness, and domesticity. However, there was another pre-requisite for joining this revered cult¬: whiteness. No matter how pious or domestic a woman of color was, she could never hope to be considered a proper lady by Victorian standards. In discerning what it meant to be a member of that “cult of True Womanhood,” Black women were used to determine the boundaries of white womanhood; a “True Woman” was to be the antithesis of the stereotypical sexual and …

‘The Female Marine’ And ‘Clotel’: An Analysis Of Female Crossdressing To Escape Coercive Labor Situations In 19th Century American Literature, Kaelyn Ireland

Symposium of Student Scholars

Although illegal in many U.S. cities, crossdressing was a point of fascination for Americans of the nineteenth century. Stories of real women passing as men to serve in the military—for example, Revolutionary War veteran Deborah Sampson—enchanted readers and inspired writers, such as that of The Female Marine. Ostensibly written by its heroine, but most likely written by Nathaniel Hill Wright, The Female Marine was a popular story about a young woman who was forced to become a sex worker and cross-dressed to escape her situation, then enlisted in the Navy where she served abroad the U.S.S. Constitution. At …

Nothing Compares, John C. Lyden

Journal of Religion & Film

This is a film review of Nothing Compares (2022), directed by Kathryn Ferguson.

Examining Katniss Everdeen's Gender Ambiguity In The Hunger Games : How Suzanne Collins Utilizes The Ya Genre To Resist Feminine Stereotypes, Moriah K. Mcdonald

Honors Theses

Even those who passively engage with modern media are likely to notice a binary frequently imposed on young adult women—that of the kind, reputable and trustworthy “good girl” or the mean, scandalous and deceitful “bad girl.” Such themes remain significantly featured in young adult (YA) literature, a genre specifically aimed at teenagers. Thus, in analyzing The Hunger Games trilogy by Suzanne Collins, I undertake a twofold analysis. I illustrate how Collins’s works tackle the specific issue of binary representation of women in the media, thereby validating the usefulness of the YA genre in commenting on current day issues facing teens.

A Daughter Of The Samurai, Etsu Inagaki Sugimoto

Zea E-Books Collection

Born in 1874 the youngest daughter of a samurai and former daimyo—a feudal prince under the Takugawa shogunate—Etsu Inagaki grew up surrounded by ghosts of an aristocratic military lineage. Having fought on the losing side in the wars that installed the Meiji emperor, the ­Inagaki family was reduced in power, status, and wealth but not in pride or ­devotion to its traditional roles and customs. Etsu’s upbringing and education were conservative and old-fashioned, guided by the Shinto and Buddhist beliefs her family held. The samurai virtues of honor, ­stoicism, and sacrifice applied to daughters and wives as well as sons …

2022 Iggad Conference Program, Charles Joyner Institute For Gullah And African Diaspora Studies

IGGAD Conference Programs

Program of the 2022 IGGAD Conference: Who Owns This? Communities, Heritage, and Preservation.

Notation That Considers The Body: The Glyphs Of Nancy Stark Smith, Margarita Delcheva

Tête à Tête: Journal of Francophone Studies

No abstract provided.

Elgin's "Native Tongue": A "Me Too" Universe?, Amir Barati

Tête à Tête: Journal of Francophone Studies

Suzette Haden Elgin’s novel Native Tongue (1984) provides a fascinating critique of the ideologies inscribed into patriarchal language and evokes an extremely valuable linguistic and political awareness. This article will examine the liability of the ways the novel revolts against the patriarchal society via the introduction of a gynocentric linguistic intervention. I claim, Elgin’s novel showcases an invaluable instance of how it is possible for women to revolt against the pillars of patriarchy through manipulations at the gestalt and schematic level of language and most specifically, the bodily metaphoric quality of the English. This proposed transformation of the schematic and …

Two Trans-Atlantic Divorce Novels: In Camilla, Elizabeth Robins Counters Edith Wharton’S The Custom Of The Country, Joanne E. Gates

Presentations, Proceedings & Performances

This paper argues that Elizabeth Robins' reading of The Custom of the Country (recorded in her diary, 25 November 1913) impacted the way Robins drafted her very next novel, Camilla. Unlike Wharton’s Undine, whose careers with men might be characterized by the sequence of her last names (Spragg Moffatt, Marvell, de Chelles, Moffatt), Camilla undertakes one long reflective flashback on her early life with her ex-husband, Leroy Trenholme, as she crosses the Atlantic, east to west, having been proposed to by a deeply caring and comforting Englishman. This reliving of the unraveling of her marriage (especially the scene of …

Anonymity As A Bridge From Actress To Author: The Case Of Elizabeth Robins, Joanne E. Gates

Presentations, Proceedings & Performances

Any scholar working on the origins of the feminist journey of the actress turned writer Elizabeth Robins ought to be aware of her two earliest short works of fiction she wrote and published in The New Review under nearly perfect anonymity. This paper will profile these two earlier stories, published in 1894 even before her first novel, George Mandeville's Husband, attracted attention when it appeared under her perhaps thinly disguised pseudonym, C. E. Raimond.

Robins saw the potential and, yes, to her mind, the necessity, of establishing herself as a writer so that she could more securely support herself. …

Fashioning The Flapper: Clothing As A Catalyst For Social Change In 1920s America, Julia Wolffe

Honors Program Theses

Fashion has been a catalyst for social change throughout human history. Fashion in 1920s America in particular reflects society's rapidly evolving attitudes towards gender and race. Beginning with how corsetry heavily restricted women for nearly four hundred years up until the twentieth century, this thesis explores how clothing has acted as a tool for societal progression following World War I and Women's Suffrage and during the Jazz Age and The Harlem Renaissance. Specifically, this thesis examines how the influence of jazz music and dance that originated from Black American communities led to the creation of the flapper evening dress. The …

Uncoverings: The Research Papers Of The American Quilt Study Group, Volume 43 (2022), Joanna E. Evans, Kristin Barrus, Xenia E. Cord, Mary Bywater Cross, Mary Jane Eichacker-Kaufman, Alice M. Hines, Laurel Horton, Colleen Gelhaus Pokorny

Uncoverings Journal

Preface by Joanna E. Evans

The Landscape of the Modern Quilt Movement, 1995–2020 by Kristin Barrus

Jelly Rolls and Layer Cakes: The Rise of Pre-cut Fabrics by Colleen Gelhaus Pokorny

Influence and Inspiration: The Indianapolis Star Quilt Contests by Xenia E. Cord and Mary Jane Eichacker-Kaufman

Women Stitching Identity: Two White Counterpanes by Laurel Horton

Beyond Borrowing: Japanese Infl uence on Northern California’s Bay Area Quilt World During the Late Twentieth Century by Alice M. Hines

Exploring Regionalism: The Quilts of Grant Wood’s Family and Paintings (An Update) by Mary Bywater Cross

Contributors

Index

In Search Of A Homeland: Jewish-American Women Writers And Their Struggle With Cultural Alienation, Alisa K. Burris

Graduate Research Theses & Dissertations

This study examines the lives and fictional works of five Jewish-American women writers of the twentieth century within the complex context of cultural alienation. Authors Anzia Yezierska, Dorothy Parker, Grace Paley, Cynthia Ozick, and Marge Piercy are each featured in separate chapters that examine how personal experiences of estrangement weave through and influence their texts. As a result of this dissertation’s scrutiny, meaningful connections emerge between these diverse Jewish women authors and the transformation of painful struggles into profound journeys to seek belonging. Through their works’ literal and figurative pilgrimages to reach an ultimate homeland, all five writers creatively illustrate …

Creating A Reverberating Beat: Digital Curation Of The Women Writers Of The Beat Generation, Elena Maria Rogalle

Electronic Theses and Dissertations, 2020-2023

The focus of my study is the creation of a special topics American literature or Women's Studies course about the women writers of the Beat Generation; this course provides students with a variety of explorations of women's writing during and after Post World War II America. This period saw many changes in terms of women's roles as they challenged the mid-20th century societal constructs. My research examines the women Beat writers by centering on their distinct women's discourse and how their voices challenged the patriarchally-driven canon of Beat Generation writers. To accomplish this task, my research focuses on expanding the …

(Dis)Possessed Black Youth: How America's Architecture Challenges Coming Of Age In Twentieth And Twenty-First Century African American Women's Literature, Margaret Frymire Kelly

Theses and Dissertations--English

This dissertation advances studies of Black childhood, particularly Black girlhood, by examining how African American women writers depict the troubled journey to adulthood in stories of segregation, immigration, and incarceration. I argue that authors of four representative literary works emphasize architectural structures as well as ancestral hauntings among which Black children grow up. Without examining the material structures, we cannot understand the strategies these haunted Black youth deploy to reach adulthood. Examining the architectural structures that the protagonists of Maud Martha (1953), Brown Girl, Brownstones (1959), Zami (1982), and Sing, Unburied, Sing (2017) grow up in and around, I demonstrate …

Rochester Ladies’ Anti-Slavery (Sewing) Society: Handcraft As A Metaphorical Tool For The Abolitionist Cause, Hinda Mandell

Journal of Feminist Scholarship

In 1851, in Rochester, New York, a group of six women banded together as the founding members of an anti-slavery group in order to support the work of the abolitionist Frederick Douglass. They called themselves the Rochester Ladies’ Anti-Slavery (Sewing) Society, although they dropped “Sewing” from the group’s name in 1855. Yet the fact that “Sewing” was included in the original name of this reformist group indicates the foundational role of craft not only as a guiding activity but also central as an activist mechanism to abolish the institution of slavery. They were the benefactors of Frederick Douglass, himself regarded …

Colonial Markets, Consumers, And Trade: A Comparative Analysis Of Historic Ceramics From The Bluefields Bay Area, Westmoreland, Jamaica, Lacy Risner

Murray State Theses and Dissertations

The ceramic assemblages from a British colonial settlement in Bluefields Bay, Jamaica, provide a unique window into the market availability, exchange routes, and consumption patterns of the eighteenth century. This study compares the historic ceramics collected from two sites in Bluefields Bay to one another and to other intra-island (Jamaica), intraregional (Lesser Antilles), and international (North America) colonial and postcolonial sites to reveal patterns of individual and global ceramic consumption and distribution in the emergent capitalist networks and markets of the colonial era. Integrating small British colonial sites into the networks of other more extensive studies focusing primarily on plantations …