Queer Studies Commons^™

Queer Postsecular Conocimiento: Anzaldúan Readings Of Time, Spirituality, And Transformation In Nugent, Vuong, And Herrera, Joshua A. Swem

Theses and Dissertations

An overreliance on secularism within the field of queer theory and a denial of spiritual epistemologies prevent deep, alternative, and transformative strategies of analyzing literature. It can regurgitate oppressive ideology in academia. In this work, I synthesize Gloria Anzaldúa’s theoretical concepts of mestiza consciousness, nepantla, la facultad, and el cenote with José Esteban Muñoz’s queer temporality and futurity as a framework to engage with literary texts in queer, postsecular ways, freeing up fresh insights and polysemic perspectives. I argue that in  "Smoke, Lilies, and Jade" by Richard Bruce Nugent, Signs Preceding the End of the World by Yuri …

‘“We Was Girls Together”’: Black Girlhood And Homoeroticism In Toni Morrison’S Sula, Summer A. Still

Caroliniana Undergraduate Research Journal

This paper examines Toni Morrison’s Sula through the intertwined frameworks of Black girlhood and homoeroticism, with a focus on the friendship between Sula Peace and Nel Wright. By analyzing moments of intimacy, dreams, and kinship terminology, I argue that Morrison portrays their bond as both a survival mechanism against oppressive social structures and as a site where homoerotic desire emerges. Concepts such as “fictive kin,” “chosen kin,” and “quare” are used to show how Morrison complicates traditional categories of friendship and queerness in American literature. Ultimately, the novel positions Sula and Nel’s relationship as one of enduring love that exceeds …

Queer Okayness & The Modernist Influence: A New Form Of Queer Poetics In Ocean Vuong’S Night Sky With Exit Wounds, Sophia Behnke

Audre Lorde Prize

This paper analyzes poems from Ocean Vuong's 2016 debut collection, Night Sky with Exit Wounds, as a contemporary evolution of queer modernist poetics from the early twentieth century. Using conceptual frameworks from Sara Ahmed and Audre Lorde, the author argues for the cultural power of poetics as an inherently queer art form which artists are constantly redefining. By studying how prominent lesbian and queer modernists disrupted heteronormative ideals through non-conformist poetic strategies, the author develops a comparison to Vuong's work as a contemporary queer poet who both draws from past forms and develops a more nuanced understanding of queerness …

When To Bite Back: Queerness, Resistance, And Reclamation Of The Monstrous Identity In Andrew Joseph White’S Hell Followed With Us, Aster J. Mehigan Mx.

English

Who gets the right to define morality? Who gets to define what is monstrous? Frankenstein’s Creature, the vampires of Lost Boys, The Craft’s head witch Nancy Downs; these characters follow a pattern through the decades of those alienated from society, in this case being written with queer subtext, being deemed as monstrous. These queer monsters become the villains of the story, causing chaos, death and destruction in their wake, seeking revenge against a world that ostracizes them. The 2022 dystopian YA horror of Hell Followed With Us by Andrew Joseph White challenges the villanized monstrous identity through its transgender protagonist …

Investigating The Relationship Between Noun Classes And Plant Folk Taxonomy In Chasu Language Of Kilimanjaro Region In Tanzania, Peter Rabson Mziray

Journal of Humanities and Social Sciences

The current study investigates the relationship between noun classes and plant folk taxonomy in Chasu (G 22). The study focuses on two objectives: the first objective is to describe the plant folk taxonomy in Chasu and the second objective is to determine the relationship between noun classes and plant folk taxonomy in Chasu. Data were collected from rural villages in Same and Mwanga districts by using free listing, field interviews (jungle-walk-and-identify), and written texts containing Chasu plant names. The findings reveal that Chasu folk taxonomy reflects different ethnobotanical categories; including a unique beginner which is mmea/mimea ‘plant(s)’, and three life …

Reading Romance As An Act Of Resistance, Amy K. Krug

English Faculty Publications

A podcast discussion about how popular romance represents many different populations, including people of color, people with disabilities, and people who are LGBTQ+. Reading these romances with diverse characters can be a powerful mode of resistance against current anti-diversity efforts becoming more prevalent in society.

Listen to the episode. The transcript is available for download.

Queerness In The Ability To Choose, Haley Kamola

Student Scholar Symposium Abstracts and Posters

This presentation delves into examples of LGBTQ+ authors and characters within the choose your own adventure genre. With a primary focus on Anna Anthropy’s story game “queers in love at the end of the world” and Carmen Maria Machado’s memoir In The Dream House, instances of queerness found within the choose your own adventure genre are analyzed. Anthropy’s story game depicts two women with ten seconds to live until the world ends. The story game itself only exists for ten total seconds before players are given the chance to restart and try again. Machado’s memoir retells her experience in an …

"You Know The Rules": A Dramatic Experiment In Aromantic Literary Theory, April Chronowski

English

This paper proposes a new literary theory framework based on the zine "an aromantic manifesto" by yingchen and yingtong, as well as the work of Erving Goffman, using theater as a device to examine romantic relationships. Blending English and sociology, I focus each chapter on a different literary period and examine two plays each: early modern (Christopher Marlowe's Doctor Faustus and William Shakespeare's Much Ado About Nothing), modern (Edward Albee's Who's Afraid of Virginia Woolf? and Djuna Barnes' "To The Dogs"), and contemporary (Caryl Churchill's Cloud 9 and Margaret Edson's W;t). In tandem with analysis of formal elements---like …

“Bottom Nature”: Embodying History In Gertrude Stein’S The Making Of Americans, Yasmin Tehrani

Theses and Dissertations

This paper attempts to connect Gertrude Stein’s conception of being in The Making of Americans with her vision of the production of history. This paper then concludes that for Stein, historical subjects themselves, both individually and collectively, and the imbued qualities in their being, shape history.

“More Than What [They] Made Us To Be”: From Passing To Perception In Victorian And Modern Vampire Media, Lauren Sieberg

English (MA) Theses

Throughout Victorian Gothic horror fiction, vampires function as deviant figures, maneuvering within social confines of passing until their status quo-threatening identity is exposed. Of the popular vampires from this period, most gradually fail to maintain status as social insiders—as demonstrated with Bram Stoker’s Count Dracula or Sheridan Le Fanu’s Carmilla, who possess the temporary capacity to pass until their hidden monstrosity is revealed over time. Even if Gothic monsters are confined to a limited space and time far from society, this is still not enough; in accordance with the Victorian culture of morality policing by dominant groups, the vampiric Other …

Un-Silencing Dickinson: Emily Dickinson's Aversion To The Male Body And Heterosexuality In "My Life Had Stood–– A Loaded Gun", Cassandra Barron

Global Tides

This paper examines Emily Dickinson's aversion to heterosexual marriage and sexual initiation in her poem "My Life had stood-- a Loaded Gun". The ethics of deciphering through identifying and categorizing potentially Queer authors and texts impacts our understandings of frequently canonized authors such as Emily Dickinson. Emily Dickinson's nineteenth-century American context informed her ability to write deliberately about her experience of subversive sexual desire. Instead, Dickinson utilizes images of death, apathy, and immortality to illustrate her revulsion toward the male body and heterosexual marriage. This paper illustrates how utilizing Queer and feminist theories illuminates new and potential understandings of Emily …

Queen's Pride: A Queer Reading Of Star Wars Character Padmé Amidala, Madeleine Loewen

Mythopoeic Society Seminar Proceedings

Ever since Luke Skywalker and Han Solo first appeared onscreen together in 1977, LGBTQ+ Star Wars fans have harnessed the power of queer reading to write themselves back into a galaxy far, far away, despite Lucasfilm’s long-term disapproval of such practices. Nonetheless, there exists little scholarly literature on queerness in the franchise, and even less on the potentially sapphic characters. Queen Padmé Amidala, first introduced onscreen in Episode I: The Phantom Menace, proves a surprising—but no less salient—queer figure in Star Wars. From her intimate relationships with her handmaidens, to her experimentation with gender performativity, to her quiet yet …

Virginia Woolf And The Lesbian Literary Tradition, Hunter Candrian-Velez

English and Creative Writing | Senior Theses

Modernist English authors, such as Virginia Woolf in her novel Orlando: A Biography, built upon a pre-existing and long tradition of underground lesbian literature dating back to Sappho in Ancient Greece. Before Woolf, female writers of the 19th century continued this tradition by establishing the literary trope of the “Victorian Romantic Female Friendship,” which would later take on different shapes and connotations with discoveries made in the early 1900s related to sexology and homosexual inversion. These discoveries would lead writers to code their work in the hopes of avoiding censorship and government punishment. Writers such as Virginia Woolf, Elizabeth Gaskell, …

Feeling Foreign / Foreign Feeling: Affect In Southeast Asian Diasporic Short Story Collections, Francys Aerin Fortes

Theses and Dissertations

Affect studies have long been saturated with scholarship investigating the fluidity of emotions, though a larger turn in the field now prioritizes the felt experiences of marginalized peoples. Sianne Ngai’s work is one part of this turn that seeks to unpack the effects of oppressive systemic forces on Black, Brown, and queer bodies. Sianne Ngai reexamined the nature of emotions in her seminal text Ugly Feelings (2005), particularly concerned with how negative feelings are disproportionately felt by marginalized bodies as a result of conditions of obstructed agency, systems of power, and wage labor capitalism. Drawing from Ngai’s writing, this thesis …

Voicing The Violence: Carmen Maria Machado's Contribution To A Queer Archive, Audrey C. Bryant

Honors Undergraduate Theses

This project analyzes In the Dream House (2019) alongside “The Husband Stitch” and “Eight Bites” from the collection Her Body and Other Parties (2017) by Carmen Maria Machado. The first, a memoir, details Machado’s personal experience with domestic abuse between partners who share a female gender identity; the latter is a collection of short stories outlining everyday violations made against women. Scholars have discussed these works with specifications including female domestic horror, Machado’s use of retellings, and domestic violence and abuse. This project fills a gap in the discourse by intersecting and connecting queer theory with archival studies to support …

“Some Vague Utopia”: Searching For Urania, Moira L. Neve

Theses and Dissertations

Despite the global pendulum swing of gender trouble marked by the United States’ President’s declaration that there are only two sexes, activists have been rejecting assimilation (ie. defining equality as gay marriage or queer people in the military) within queer studies long before 2025. In the first half of the 20th century, a journal by the name of Urania (1916-1940), privately published and circulated to their home base in the United Kingdom and beyond, five editors (Esther Roper, Eva Gore-Booth, Jessey Wade, Dorothy Cornish, and Irene Clyde/Thomas Baty), challenged the gender binary and the resulting assumptions of heterosexual marriage. This …

"A Changed Understanding Of Our Present": Moby-Dick As Prophetic Ecological Activism, Katie Ann Schini

Graduate Student Theses, Dissertations, & Professional Papers

Moby-Dick: Or, The Whale is a classic of American literature, spanning multiple genres and remaining culturally relevant nearly 175 years after its original publication. Though on the surface Moby-Dick reads as an adventure story of a man who experiences the whaling industry firsthand, Herman Melville’s text continues to invite new generations of readership through the framework of the twenty-first century climate crisis.

In this thesis, I position Moby-Dick as a text that can be used to understand our modern society’s current dispositions of ecological grief. My thesis operates at the intersection of three main literary critical theories: ecocriticism, affect, and …

A Monstrous [Un]-Becoming: Defining The Final Boy, Rhys Crumpton

College of Graduate Studies: Theses & Dissertations

Through an exploration of horror theory, monster theory, queer theory, and disabilities studies, this thesis defines a 21st century archetype within the serial horror narrative, known as “the Final Boy.” This character is a manifestation of a queer, often neurodivergent man in peril at the hands of a monstrous society. This harmful socionormativity is narratively represented by a monster wearing the face of a man, one whom the Final Boy must subdue and overcome if he wishes to survive. The seven tenets found in this project highlight the fluctuating morality the Final Boy is forced to engage in per the …

“As Blind Men Learn The Sun”: Towards A Poetics Of Queer Mysticism In American Literature, 1860-1960, Bradley M. Nelson

Dissertations, Theses, and Capstone Projects

This dissertation seeks to play with the similarity between the queer and the mystical, and in the process, defines something I call “queer mysticism.” I include four cardinal figures of nineteenth- and twentieth-century American poetry: Walt Whitman, Emily Dickinson, Gertrude Stein, and Robert Duncan. Beginning with Walt Whitman, I show how each of these poets bear witness to an experience of the divine that is both immanent and immanently queer. Through historical and biographical research, I uncover their poetic inspiration in popular modes of expression and in the esoteric and arcane. By establishing a connection with a few Catholic mystics …

Shared Shame And Affect In Nella Larsen's Passing, Claudia Ludwick

All Theses

This project focuses on the negative affect of shame in Nella Larsen’s 1920s American novel, Passing. While shame is a universal feeling everyone feels, the project argues that Larsen’s two main characters, Irene Redfield and Clare Kendry, feel a specific type of invisible shame that pulls on them differently. For Irene, this shame is reactive and aggressive, but for Clare, this shame is passive and often ignored. The project details where and how the shame manifests for each character, particularly focusing on how shame can be seen visibly and invisibly in and on the body. Because no other character recognizes …

The Queer Gazes Back: A Dowry Of Blood As A Queer Mirror To Cisheterosexual Gothic Fears, Robin Bozik

English

This paper examines the connection between the contemporary Gothic A Dowry of Blood and its literary predecessors, Dracula, Frankenstein, and Carmilla. Through a focus on queer bodies, this work demonstrates the evolution of queer lineage-making and responses to cisheterosexual threats. Using literature as a “mirror” to gaze back on the visceral fears held by those who fall outside the norms of gender and sexuality in their respective time periods, this work also examines social tensions in the 21^st century surrounding reproduction and gender-affirming care.

In addition to literary analysis of the primary texts, this paper is …

Asexuality In Science Fiction: A Study Of Non-Sexual Queer Intimacy In Short Stories By Ursula K. Le Guin, Samuel Delany, And Theodore Sturgeon, Mik Dressler

Honors College Theses

The study of asexuality is still a relatively new concept in queer studies, and the rarity of asexual literature poses questions about how media can help further develop this study. This question takes unique shape in the genre of science fiction, one deeply and intrinsically tied to queer storytelling but very often hypersexualized. This essay evaluates the asexual themes of four sci-fi short stories which predate modern vocabularies and frameworks of asexuality: “The Widget, The Wadget, and Boff” by Theodore Sturgeon, “Unchosen Love” and “Mountain Ways” by Ursula K. Le Guin, and “Aye, and Gomorrah” by Samuel Delany. Referencing queer …