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Articles 31 - 38 of 38

Full-Text Articles in Other Feminist, Gender, and Sexuality Studies

Queer Pedagogical Desire: A Study Guide, Matt Brim Oct 2013

Queer Pedagogical Desire: A Study Guide, Matt Brim

Publications and Research

This essay explores the queer pedagogical desires that attended my writing of the Study Guide for the documentary film United in Anger: A History of ACT UP (Jim Hubbard, 2012). The analysis takes up Robyn Wiegman’s central question in Object Lessons, “What is it we expect our relationship to our objects of study to do?”, which is of particular importance to the discipline of queer studies insofar as the field is oriented around the desire to meld social justice with critical pedagogy. The queer professor’s desire in the case of the Study Guide-as-object was to create a text that …


Surviving The City: Resistance And Plant Life In Woolf’S Jacob’S Room And Barnes’ Nightwood, Ria Banerjee Jan 2013

Surviving The City: Resistance And Plant Life In Woolf’S Jacob’S Room And Barnes’ Nightwood, Ria Banerjee

Publications and Research

In Jacob’s Room (1922) and Nightwood (1936), Virginia Woolf and Djuna Barnes use plant life to express a profound ambivalence about the masculine-inflected ordering functions of art and morality. They show that these processes codify lived experience and distance it from the feminine and sexual. To counter this turn towards the urban inauthentic, both novels depict non-urban spaces to upend conventional notions of usefulness. They fixate on evanescent flowers, wild forests, and untillable fields as sites of resistance whose fragility and remoteness are strengths. In Jacob’s Room, I argue that the eponymous protagonist is destroyed by his conventional education …


Rachilde, Marguerite Eymery Vallette (1860-1953), Ria Banerjee Jan 2012

Rachilde, Marguerite Eymery Vallette (1860-1953), Ria Banerjee

Publications and Research

This is a biographical overview of the life and principle works of the French author Rachilde, a.k.a. Marguerite Eymery Vallette (1860-1953), one of the few women writers working in the masculinist field of fin-de-siecle or decadent fiction.


The Lgbtq Short Story, Matt Brim Jan 2008

The Lgbtq Short Story, Matt Brim

Publications and Research

“The LGBTQ Short Story” is a lengthy entry in the three-volume encyclopedia LGBTQ America Today, edited by queer scholar John Hawley. The entry explores the characteristics of the genre and synthesizes the work of the top 25 living queer short story writers.


Introduction: The Sexual Body, Shelly J. Eversley, Jennifer L. Morgan Apr 2007

Introduction: The Sexual Body, Shelly J. Eversley, Jennifer L. Morgan

Publications and Research

Introduction to the special issue, "The Sexual Body," edited by Shelly Eversley and Jennifer L. Morgan.


Papas' Baby: Impossible Paternity In Going To Meet The Man, Matt Brim Jan 2006

Papas' Baby: Impossible Paternity In Going To Meet The Man, Matt Brim

Publications and Research

"Papas' Baby: Impossible Paternity in Going to Meet the Man" employs the conceit of “impossible” fatherhood to critique mutually reinforcing racist and heteronormative constructions of reproduction. It argues, first, that the white paternal fantasy of creating “pure” white sons is undermined by the homoerotic necessity of bring the phantasmatic black eunuch, castrated yet powerfully potent, into the procreative white bed. The “fact” of the “white” child produced in that marital bed, however, not only cloaks the failure of racial reproduction in the living proof of success but also occludes the male/male union that subtends the heteronormative fantasy of reproduction. …


Female Iconography In Invisible Man, Shelly J. Eversley Jan 2005

Female Iconography In Invisible Man, Shelly J. Eversley

Publications and Research

Argument concerning female visuality in Ralph Ellison's novel, Invisible Man.


The Source Of Hip, Shelly J. Eversley Oct 2002

The Source Of Hip, Shelly J. Eversley

Publications and Research

This essay situates Norman Mailer's "The White Negro" (1957) and Jack Keroauc's The Subterraneans (1958) in the context of 1950s racial integration and the transformative potential of interracial sex. It argues that both authors' terms, "beat" and "hip," depend on the idea of "the Negro" whose status allows them to imagine a counter culture essential to their midcentury articulations of individual integrity and creative freedom.