Other Feminist, Gender, and Sexuality Studies Commons^™

Incorporating Lean Non-Value Added Variants Into A Method Of Determining Stakeholder Salience For First-Line Manager Decision Making, Bruce H. Bader

All-Inclusive List of Electronic Theses and Dissertations

This research brings together two streams of thought for first-line manager decision-making. The first is the quality system model, in particular, Lean operations. The second is Stakeholder Theory. Both streams have been identified as ways to improve value of the organization. Previous studies disagree regarding whether Lean and Stakeholder theory can work together. The potential problem of having a poor balance of Stakeholders and Lean waste is that exclusive focus on one may result in less awareness of the other, in which case value can be lost by the organization. This research investigates if both Lean waste and Stakeholder salience …

Projecting Culture Through Literary Exportation: How Imitation In Scandinavian Crime Fiction Reveals Regional Mores, Bradley Hartsell

Electronic Theses and Dissertations

This thesis reexamines the beginnings of Swedish hardboiled crime literature, in part tracking its lineage to American culture and unpacking Swedish identity. Following the introduction, the second chapter asserts how this genre began as a form of escapism, specifically in Maj Sjöwall and Per Wahlöö’s Roseanna. The third chapter compares predecessor Raymond Chandler’s The Big Sleep with Roseanna, and how Sweden’s greater gender tolerance significantly outshining America’s is reflected in literature. The fourth chapter examines how Henning Mankell’s novels fail to fully accept Sweden’s complicity in neo-Nazism as an active component of Swedish identity. The final chapter reveals …

A Refuge For Jae-In Doe: Fugues In The Key Of English Major, Seo-Young J. Chu

Publications and Research

"A Refuge for Jae-in Doe: Fugues in the Key of English Major"

Author(s):

Seo-Young Chu (see profile)

Date:

2017

Subject(s):

Feminism, Creative nonfiction, Asian American literature, Sonnets, Social justice, Trauma

Item Type:

Essay

Tag(s):

#MeToo, Stanford, women in academia, early american

Permanent URL:

http://dx.doi.org/10.17613/cp82-8f39

Biopolitical Masochism In Marina Abramović’S The Artist Is Present, Jaime Brunton

Department of English: Faculty Publications

This essay analyzes The Artist Is Present, Marina Abramović’s heavily mediatized 2010 performance at New York’s Museum of Modern Art, through the lenses of Freudian and Deleuzean concepts of masochism, specifically with respect to how the masochistic tendencies of this performance may be read in the current context of biopolitics. The essay seeks answers to questions of political import that many critical analyses of Abramović’s performance, which focus on details of the performer’s personal history, have not adequately addressed. Drawing on the documentary film Marina Abramović: The Artist Is Present (2012) that follows Abramović through the conceptualization and enactment …

The Child To Come: Life After The Human Catastrophe By Rebekah Sheldon, Nathan Tebokkel

The Goose

Review of Rebekah Sheldon's The Child to Come: Life after the Human Catastrophe.

Becoming Pamela: The Fight For Maternal Authority In Pamela Ii, Danielle Pollaro

Seton Hall University Dissertations and Theses (ETDs)

In Pamela, Volume II, Pamela and her husband, Mr. B, clash over breastfeeding their child. The conflict over breastfeeding represents a contest for control over the maternal body and with it control over woman’s authority. The eighteenth-century created the concept of motherhood in order to maintain and perpetuate the patriarchy’s social, economic and sexual hierarchies. Pamela, Volume II propagates eighteenth-century domestic discourse by instructing and constructing the idea of the good wife and mother. Pamela’s failure to resist domesticity reveals patriarchy’s role in establishing gender identity. The novel functions to reinforce, strengthen and sustain eighteenth-century domestic discourse to stabilize …

Flesh In Line With The Mind : Gender In Caitlin Kiernan’S The Drowning Girl., Sarah Buckley

College of Arts & Sciences Senior Theses

This paper analyzes how Caitlyn R. Kiernan in her novel The Drowning Girl characterizes gender identity, particularly in regards to women, both transgender and cisgender. The book's characterization of gender roles for cisgender men, cisgender women, and transgender women, while seeming on the surface to subvert sexist stereotypes, reproduces the pitfalls of feminist literary criticism popularized in the 1970s and 1980s. Notably, such themes include viewing women's madness as a method of transcending masculine rationality, a dichotomized essentialism of masculinity and femininity, and universalizing women's experience without regards to race, class, and nationality. Transgender autobiographical and literary archetypes employed in …

Breaking The Cycle Of Silence : The Significance Of Anya Seton's Historical Fiction., Lindsey Marie Okoroafo (Jesnek)

Electronic Theses and Dissertations

This dissertation examines the feminist significance of Anya Seton’s historical novels, My Theodosia (1941), Katherine (1954), and The Winthrop Woman (1958). The two main goals of this project are to 1.) identify and explain the reasons why Seton’s historical novels have not received the scholarly attention they are due, and 2.) to call attention to the ways in which My Theodosia, Katherine, and The Winthrop Woman offer important feminist interventions to patriarchal social order. Ultimately, I argue that My Theodosia, Katherine, and The Winthrop Woman deserve more scholarly attention because they are significant contributions to women’s …

"Some Things Grew No Less With Time:" Tracing Atu 510b From The Thirteenth To The Twentieth Century, Rachel L. Maynard

Electronic Theses and Dissertations

This thesis provides a comparative analysis of seven different variants of the fairy tale commonly known as “Donkeyskin,” classified in the Aarne-Thompson-Uther folktale motif index as ATU 510B. By comparing so many different iterations of one fairy tale, it is easier to recognize the inherent attitudes concerning women and their place in society contained in this tale. Additionally, reading multiple variants from different centuries lends a perspective on the way that these attitudes changed over the centuries. Each of the thirteenth century texts considered end with their heroines trapped in loveless marriages, much like the seventeenth-century fairy tale, “Donkeyskin,” their …

Who Are These People? Let's Find Out!, Niall E. Walsh, Lindsay Kline, Anastasia E. Zaluckyj, Crystal O. Nwokoro, Belynn Hollers, Paul Z. Armstrong, Lindsay Caudill

Collin College Undergraduate Interdisciplinary Student Research Conference

Panel Chair: Camin Melton

Papers presented:

"Muted Group Theory: A Struggle for Representation" by Niall E. Walsh

Abstract: This paper examines the concept of Cheris Kramarae's Muted Group Theory as it applies to a range of texts. The theory asserts that women have historically been at a disadvantage in society due to their inability to properly communicate their experiences. This problem is a direct result of a patriarchal society that has constructed predominantly masculine modes of communication.

"Cloelia: Breaking Class Ceilings Before it Was Cool (and How it Inspired Me)" by Lindsay Kline

Abstract: Cloelia lived during the sixth century …

To Kill A Mockingbird, The Help, And The Regendering Of The White Savior, Brett Seekford

James Madison Undergraduate Research Journal (JMURJ)

Filmmakers continue to use the “White Savior “ archetype to construct racialized messages in the post-Civil Rights era. These protagonists, who resolutely defend the rights of African Americans, ultimately focalize whiteness and marginalize black characters and voices. Though a white savior features prominently in both To Kill a Mockingbird (1962) and The Help (2011), The Help’s regendering of the archetype invites viewers to imagine a world in which a white savior is no longer necessary. The Help’s update on the white savior trope from Atticus Finch to Skeeter Phelan allows for deeper development of black characters and a …

The Fantastic Manifesto: Monstrosity Of Memory And Epiphany Of Selfhood In The Spirit Of The Beehive (1973), Layla Blodgett Carrillo

Dissertations, Theses, and Capstone Projects

The Spanish culture of storytelling suffered under the nearly forty-year dictatorship of Francisco Franco. The government-regulated cinema welcomed propaganda and melodrama, and denied the fantastic, the legendary, and the magical. These carefully manipulated histories, which served to romanticize the ideologies of the regime, also served to eulogize the delinquent and the depraved. In the early 1970s, at the heels of the collapse of Franco’s reign, the people of Spain bore witness to a new national cinema. The Spirit of the Beehive (1973), the feature debut from Victor Erice, exists at the threshold between a storied history of Spanish dictatorship and …

“There Was That In Her Face And Form Which Made Him Loathe The Sight Of Her”: Disfiguration And Deformity Of Female Characters In 19th Century American Women’S Literature, Kelsi E. Cunningham Miss

College of Graduate Studies: Theses & Dissertations

Rebecca Harding Davis, Sarah Orne Jewett, and Mary Wilkins Freeman challenge the way that society treats and views the disabled and deformed. Through different representations of the disabled characters, the three short stories by these authors reveal the realities that women faced in the 19^th century in response to rigid beauty standards and expectations. The authors in this study address the marginalized position of the disabled characters and show how society’s attempts to “normalize” the women confine them to a fixed identity. Analyzing the texts in relation to disability studies and the authors’ perceived effectiveness of social charity will …

A Generation Of Katnisses: The New Power Of Female Protagonists In Young Adult Dystopian Literature, Mckenzie K. Watterson

Undergraduate Theses, Professional Papers, and Capstone Artifacts

Considering emerging heroines in young adult dystopian fiction, this project first examines them in a literary review. Using feminist ethics of care as a baseline, the review considers their unique worlds, agency, and motivation

Narrative Pleasures And Feminist Politics: Popular Women’S Historical Fiction, 1990-2015, Victoria Kennedy

Theses and Dissertations (Comprehensive)

This dissertation contributes to a developing body of work on women’s historical fiction and its significance to feminist discourse. Building from Diana Wallace’s 2005 study The Woman’s Historical Novel: British Women Writers, 1900-2000, I offer a modified definition of “the woman’s historical novel” and a transatlantic consideration of several of the most popular titles in the contemporary period, including The Other Boleyn Girl (2001), Outlander (1991), A Great and Terrible Beauty (2003), and Scarlett (1991). Several studies have followed Wallace’s, notably Ann Heilmann and Mark Llewellyn’s Metafiction and Metahistory in Contemporary Women’s Writing (2007) and Katherine Cooper and Emma …

Femme Fatales And The Shifting Gender Norms Of The 19th Century, Esther M. Stuart

College of Graduate Studies: Theses & Dissertations

This project seeks to explore female monstrosity, specifically the femme fatale, in Gothic literature and its reflection of the shifting gender norms of the nineteenth century. The late 1790s experienced a distinct narrowing of female gender roles. While authors like Mary Wollstonecraft and Mary Hays publish during the eighteenth century, a backlash against such feminist voices took hold as a resurgence of spheres ideology and more traditional gender norms came into vogue. This particular shift in attitudes towards female gender norms is reflected in Scottish poet Anne Bannerman’s work as well as English novelist Charlotte Dacre’s Zofloya. Both authors’s works …

Reader's Guide: A Foray Into Violence, Trauma And Masculinity In In Our Time, Sara-Rose Beatriz Bockian

CMC Senior Theses

Modernism has been called “a reaction to the carnage and disillusionment of the First World War and a search for a new mode of art that would rescue civilization from its state of crisis after the war” (Lewis, 109) Hemingway attempts this rescue by re-thinking aspects of the novel that were taken for granted in earlier periods, just as the conventions of modern life were taken for granted pre-WWI. Furthermore, his work tries to rectify the dissonance between a pre and post-war self through the exploration of social conventions relating to violence, trauma and masculinity.

Performativity And Domestic Fiction In Antebellum America: The Power Dynamics Of Class And Gender Performance, Blair Hedigan

Scripps Senior Theses

This thesis analyzes the role of performativity within the domestic novel during antebellum America; specifically, the ways in which E.D.E.N. Southworth’s The Hidden Hand and Louisa May Alcott’s Behind a Mask subverted cultural and societal norms by exploring the performative nature of class and gender. Through their respective protagonists, the two authors sought to question the power dynamics of an overwhelmingly patriarchal society. By granting their protagonists agency through performance, Southworth and Alcott explored the ways in which women might alter existing power structures to reject the restrictions gender essentialism placed upon antebellum women, and to advocate for women’s rights, …

"The Mouth Of The Void," "Hum", Hannah L. Comeriato

Williams Honors College, Honors Research Projects

This project presents two distinct pieces of short fiction, linked through intentional stylized language, grammatical patterns, and a sectionalized narrative structure. Each individual piece of short fiction functions independently – as separate and distinct from the other, with no explicit connection in content (i.e. recurring characters, parallel timelines etc.). However, each narrative also displays a kind of complex interaction with the other, each crafted to produce, when read alongside one another, a shared indistinct aesthetic and emotional experience. This aesthetic and emotional experience is crafted, specifically, by the use of stylized verbs, the em-dash, and alternating dialogue-based and image-based sections. …

Living Subversive Narratives: Shahrazad’S Stories Of Women, Caleb Nicholas

Honors Projects

Though scholars have examined The 1001 Nights’ Entertainments or The Arabian Nights, few have thoroughly explored the function of Shahrazad’s tales as they relate to her position as a woman. Closely reading the stories of the Nights reveals that there are chiefly two types of female characters who emerge in her stories: the heroic, who have no apparent autonomy, and the villainous, who have overflowing autonomy. These depictions of women are problematic from the viewpoint of present-day feminism, but are understandable, and even genuinely subversive, in Shahrazad’s context. Although some scholars have dismissed questions about the function of the …

The Nature Of God: Perceptions Of God With Exposure To Nature And Natural Events, Holly Ann Kolberg

All-Inclusive List of Electronic Theses and Dissertations

Research studies have shown that the sense of awe evoked by natural settings may be associated with transcendental thinking about God. Similarly, other researchers have suggested that people attribute events to God when they cannot develop a sufficient naturalistic explanation for a phenomenon. People appear to prefer attributing events to a benevolent God but will modify their beliefs to assume that God is punitive if event outcomes do not appear to favor their well-being or religious attributions do not accommodate a situation. In the current study, the goal was to evaluate how exposure to photographs of different environments influenced beliefs …

Thematic Bibliography To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke

CLCWeb: Comparative Literature and Culture

No abstract provided.

A Critique Of Puritan Values And Social Restrictions, Laura Guebert

Scholars Week

This paper outlines and discusses Nathaniel Hawthorne's The Scarlet Letter through the lens of feminist and social critiques. It attempts to draw attention to the fates of both male and females characters in the story according to their personality and status. Therefore, by examining the complex treatment and relationships between the four principle characters of The Scarlet Letter and their author, Hawthorne’s use of a feminist critique can be understood as a wider criticism of Puritan and, by extension, mid-nineteenth century social and moral restrictions and expectations.

Barrie's Traditional Woman: Wendy's Fatal Flaw, Charlsie G. Johnson

Oglethorpe Journal of Undergraduate Research

The primary goal of this literary critique of J.M. Barrie’s novel Peter and Wendy, with the utilization of a feminist psychoanalytical approach, is to explore issues such as: Neverland’s perpetuation of patriarchal structures under the guise of a false modernity and Wendy’s inability to achieve modernity through the societal expectations that undermine the freedom within Peter’s Neverland, as well as her inherent tendencies to gravitate to the traditional feminine role. The arguments and conversation of this topic is based upon a close reading of the Centennial Edition of The Annotated Peter Pan, Barrie’s Peter and Wendy, and articles …

The Ideology Of Madness: The Rejected Artist Vs. The Capitalist Society In As I Lay Dying, Jared R. Mcswain

Oglethorpe Journal of Undergraduate Research

This article examines the character of Darl Bundren in William Faulkner’s As I Lay Dying from the position that he is an artist functioning in a society that ultimately rejects and condemns him through the vessel of ideological conceptions of madness. Topics explored include the ideology of madness, the ideological project of capitalism, queering as a weapon to support an ideology, essential characteristics of “the artist” type, and the consequences of perceived madness.

‘Mony Prowde Wordez’: Pronominal Speech Acts, Identity And Community In Sir Gawain And The Green Knight, Katharine Jager

Medieval Feminist Forum: A Journal of Gender and Sexuality

This paper examines distinctions between Middle English second person pronouns thou and you and argues that such distinctions provide an important measure by which to understand late medieval chivalric masculinity.

‘Open, And Always, Opening’: Trans- Poetics As A Methodology For (Re)Articulating Gender, The Body, And The Self ‘Beyond Language’, Lizzy Tricano Kaval

Dissertations, Theses, and Capstone Projects

Poetry is a useful medium for exploring the fluidity and possibilities in language beyond the everyday terms of normative language. For trans- and genderqueer subjects, whose identities cannot be articulated within the linguistic boundaries of binary gender, and whose outward appearance challenges the cultural logic of gendered visibility, poetry becomes a valuable and necessary tool for survival, disruption, activism, and personal and public empowerment. Through syntax, word choice, semantic and non-semantic qualities of language, poetry helps articulate the inexpressible, complex, and unstable gender identities and subject positions, even as they change or multiply. It gives names to felt ideas, which …

Defining Afghan Women Characters As Modern Archetypes Using Khaled Hosseini’S A Thousand Splendid Suns And Asne Seierstad’S The Bookseller Of Kabul, Alexandra Andrews

Masters Theses

Middle-Eastern women, specifically Afghan women, are often misunderstood. Yet, authors Khaled Hosseini and Asne Seierstad use the method of storytelling to show that Afghan female characters are not completely subjugated, voiceless, and powerless—despite how they are often depicted in media. Instead, in Hosseini’s A Thousand Splendid Suns, and Seierstad’s The Bookseller of Kabul, Afghan female characters are represented as assertive, risk takers, and heroic. By applying Joseph Campbell’s theory regarding the archetypal heroine to the lives of Mariam and Laila from A Thousand Splendid Suns, and Sharifa and Leila from The Bookseller of Kabul, it is clear that these Afghan …

“See Ourselves As Others See Us”: Empathy Across Gender Boundaries In James Joyce’S Ulysses, Madison V. Chartier

Butler Journal of Undergraduate Research

Many critics originally attacked James Joyce’s Ulysses for its dark representation of gender relations. Today, many scholars consider this criticism prematurely formed and recognize that these early critics responded more to Stephen Dedalus’s antagonistic, misogynistic views in the novel’s opening chapters than to the rest of the epic and the views of the novel’s main protagonist, Leopold Bloom, who displays a much more receptive, appreciative attitude toward women. These scholars now believe that gender relations as portrayed in Ulysses actually undermine preconceived notions of a gendered hierarchy. However, this difference in character perspective is not the only or even the …

What Do You Think I Am?: On Perceiving Unintelligibility In The Nonbinary Gender Experience, James Warwood

Graduate Student Theses, Dissertations, & Professional Papers

What does it mean to be “retired from gender,” and what role does such an identity play in daily life? Engaging with the work of Maurice Merleau-Ponty and Judith Butler, this project attempts to elucidate the experience of nonbinary – that is, external to the male/female gender binary – gendered individuals, and the ultimate unintelligibility of that experience. Merleau-Ponty’s phenomenological approach to perception allows for an exploration of the social norms and regulations that determine how gender is defined in Western culture; combined with Butler’s significant work on gender and its performativity, phenomenology proves a useful tool for revealing the …