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Full-Text Articles in Lesbian, Gay, Bisexual, and Transgender Studies
Imagining The Trans Symphony: Integrating Transgender Composer Identity In Music Analysis, Penrose M. Allphin
Imagining The Trans Symphony: Integrating Transgender Composer Identity In Music Analysis, Penrose M. Allphin
Masters Theses
Contemporary music analysts have generally downplayed the relevance of composer intent, a dismissal which ignores the potential for an enhanced expressive context afforded by composers' own assessments and also contributes to the silencing of already othered voices, such as in the case of queer and trans composers. Allowing the trans composer a voice in the reading of their work affirms the integral part of the trans experience that is self-determination. Over time, this project to tell trans stories evolved into a series of vignette-like analyses of trans composers’ works in which I use a methodology that incorporates the voices of …
“Get Your Geek On”: Online And Offline Representations Of Audiotopia Within The Geekycon Community, Sarah Frances Holder
“Get Your Geek On”: Online And Offline Representations Of Audiotopia Within The Geekycon Community, Sarah Frances Holder
Masters Theses
This thesis examines the musical community of GeekyCon, a convention centered around popular media, such as Harry Potter, Broadway, and Disney. The GeekyCon community results from the connection between the unofficial convention Facebook group and the yearly physical event. This interconnectivity allows both the live and mediated space of GeekyCon to function as a heterotopia, a concept first conceived by Foucault (1967) as a separate space outside of the dominant society in which ideas and identities can be freely explored. Through ethnographic research, including participant observation as well as interviews, I present the music of GeekyCon as an audiotopia, a …
Unmasking Wagner's Grail: Homoeroticism, Androgyny, And Anxiety In Parsifal, Tyler Cole Mitchell
Unmasking Wagner's Grail: Homoeroticism, Androgyny, And Anxiety In Parsifal, Tyler Cole Mitchell
Masters Theses
Most readings of Wagner’s final music drama Parsifal seek to illumine a clandestine presentation of Wagner’s racist doctrine or make sense of a less-shrouded but still ambiguous panegyric to Christianity. However, little scholarly material addresses Wagner’s provocative account of sensuality and homoeroticism in this Bühnenweihfestspiel [Stage Consecration Festival Play]. This thesis explores desire and homosexuality within the drama and considers how and why Wagner masks these themes through the opaque mythos of religion, race, and community. Parsifal was partly informed by Wagner’s own complex neuroses: his sexual anxieties and scandals, amalgam of German philosophies, and confusion concerning Germanness. As filtered …