Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 3 of 3

Full-Text Articles in Lesbian, Gay, Bisexual, and Transgender Studies

I Femminiellə: Unearthing Sanctified Queerness, Francesca Stone Houran Jan 2023

I Femminiellə: Unearthing Sanctified Queerness, Francesca Stone Houran

Senior Projects Spring 2023

This project serves as an unearthing, in the figuratively archeological sense, of the religious roots and foundations of queerness, often overlooked in contemporary gender discourses, through the exposing of pre and post-modern queer religious iconography specific to the Neapolitan third-gender community of the femminiellə. Although the femmininellə have origins in a long lineage of non-binary forms and figures throughout global and Italian history, they have been more recently brought to the surface of gender discourses through the avenue of photography, showcased in digital and physical exhibition spaces.


Bound To Rise, Morgan P. H. Bielawski Jan 2019

Bound To Rise, Morgan P. H. Bielawski

Senior Projects Spring 2019

Senior Project submitted to The Division of Languages and Literature of Bard College.

Bound to Rise is a collection of short stories about people who discover themselves in the “fine drizzly rain” (or smirr, in Scottish lingo) of everyday life. They orient themselves and find some way forward, or they realize they have to. Thematically, it addresses a carnival (the carnivalesque), a demolition derby, multiple fires, photography, drinking, music, an eating disorder, and a birthday cake. It includes one original children’s story written in Russian and translated into English by the author.


Xx Openings, Jackson Siegal Jan 2018

Xx Openings, Jackson Siegal

Senior Projects Spring 2018

XX Openings represents my dual sculpture and photography practice. The title comes from a 70’s domestic frame, with 20 openings of varying sizes for family pictures. Half of the slots were filled with stock pictures of smiling family scenes, while the others just had measurements for the openings themselves. The object struck me as alienating, and oppressive. I didn’t see any scene within those openings I felt connected to.

The frame came to symbolize varying perspectives, ways of seeing, and ways of being. As my sculpture practice has weighed more heavily on my work as a photographer, I feel tensions …