Feminist, Gender, and Sexuality Studies Commons^™

“Caroline”: Deviance In Southern Women’S Poetry, Sage Aspyn Short

All Theses

Deviance in Southern women’s poetry can be characterized by uncertainty, religious images, and through the telling of stories often unheard of, forgotten, or erased, like racial and gendered violence. Glenis Redmond’s poetry in The Listening Skin and What My Hand Say both explore Southern womanhood alongside race, history, violence, illness, and legacy, among other themes and topics. In Caroline: Poems some deviances include religious metaphors alongside obsessive compulsive disorder, excessive cursing from a woman speaker, and historical graveyard musings. Critical texts about lyric theory and voice provide some background and historical significance to be used in this contemporary study and …

Killdeer, Elizabeth Muscari

Graduate Theses and Dissertations

This thesis project investigates, through poetry, how women and nature intersect. Formal decisions depict themes of inheritance and the body through couplets, tercets, quatrains, contrapuntal, sonnets, among other free-verse forms.

Ladybugs, Gabrielle Bologna

Comparative Woman

No abstract provided.

‘Poetry Is Not A Luxury’, Rage Should Not Be A Privilege: The Potential Power Of The ‘Racial Imaginary’, Georgia Mcgovern

CMC Senior Theses

Female rage exists outside of the constructed masculine ideal of anger. To examine female rage, one must analyze the intersections between gender and race. I examine white women's privilege and access to female rage in reality and the fictional world. I explore Black Feminist poetry as a form of storage for rage at gender-based prejudice, racial injustice, and their intersection. Using Myisha Cherry’s term “Lordean Rage”, I recognize this specialized manifestation of female rage as an artistic, intergenerational source of energy for change.

I examine Claudia Rankine’s term “racial imaginary” as an imaginative space in which white people draw lines …

Ukrainian Beauty, Daryna Gladun

Dartmouth College Master’s Theses

‘Ukrainian Beauty’ is a collection of poetry that emerged from my two years in MALS. It confronts the misrepresentation of a female body and experience in a male-dominant society of a rising democracy.

The poetry collection commences with an essay, ‘Ukrainian Beauty—91’ and beyond,’ which delves into the historical and political backdrop of the first national pageant, ‘Ukrainian Beauty,’ held in February 1991, a pivotal year marked by the collapse of the Soviet Union.

The 20 poems in the collection reference the late 1980s-1990s artworks by the Kharkiv School of Photography and Odesa Conceptual Artists, Les Podervianskyi’s radio plays, texts …

Honeysuckles & Irises: Effigies Of The Land, Ami` L. Hanna-Huff

English Creative Writing Theses

Here is a memoir of my paternal line through the lens of my Great-Grandmother and myself. A reclamation of the land I hail from and a connection to a history previously felt distant, this examination of race and gender explicitly focused on the African American Southern female experience; I try to make sense of the juxtaposing positions in our lives. The culture built from its creation through Tennessee personified. Here, I integrate history and theory with lyrics and prose to experience the eighty-one years of progress brought between our births and the lingering anxiety of slavery. My great-grandmother, Hazel Irene …

Teaching Anne Finch In "Partisanship In Restoration And Eighteenth-Century Britain", Jennifer Wilson

ABO: Interactive Journal for Women in the Arts, 1640–1830

The works of Anne Finch, a writer doubly exiled as a female poet and Jacobite, stand out as eminently teachable examples of a compelling political outsider view that provokes us to consider how we can better attend to perspectives of principled opposition. Her poems in response to what has been called the "first modern revolution," together with her odes upon the deaths of King James II and Queen Mary Beatrice, showcase the subversive power of indirect articulation, expressing values through emotions and affects in veiled forms such as allegory and alternate history.

Fierce Allegories: Teaching Anne Finch’S Fables In A Course On Satire, Sharon Smith

ABO: Interactive Journal for Women in the Arts, 1640–1830

This essay outlines an approach to integrating Anne Finch’s work into an advanced undergraduate and/or graduate course on eighteenth-century satire, focusing particularly on her satirical verse fables. This approach encourages students to question common critical assumptions about women and satire, most particularly that women avoided satire due to its association with aggression and politics—assumptions Finch’s fables are well-suited to challenge. The essay focuses particularly on Finch’s verse fables "Upon an Impropable Undertaking," “The Eagle, the Sow, and the Cat,” and “The Owl Describing Her Young Ones.” In these poems, written in the aftermath of the Glorious Revolution, Finch employs violent …

Feminine Interiority And Social Protest In The Poetry Of Mary Leapor, Joanna C. Yates

ABO: Interactive Journal for Women in the Arts, 1640–1830

Mary Leapor (1722-46) is one of the many under-studied women poets of the eighteenth-century. She is often described as a laboring-class poet which, while historically accurate, implies her immediate marginalization as an writer by her class and gender. Her focus of enquiry explores a new female authorial interiority, embracing her own volition, personality, and aesthetic sensibility through the act of writing itself. This nascent individualism, arising from the examination of feeling, lies at the heart of her work and heralds the social protest that will erupt later in the century. This paper hopes to offer a broader perspective on Leapor’s …

Spadafore, Sampson, Benjamin Lachapelle

Querying the Past: LGBTQ Maine Oral History Project Collection

Sampson Spadafore is a 27-year-old queer, transmasculine person who currently lives in Westbrook, Maine. They are originally from Syracuse, New York, and attended Nazareth College in Rochester, New York. They graduated with a degree in musical theater. Spadafore discusses shifts in their gender self-presentation and gender fluidity as well as media erasure of trans men. They then moved to Portland, Maine, to work for Maine Boys to Men and have also worked with Speak About It; Maine Renters United; and Democratic Socialists of America. A political current focus is using social media and art to raise awareness about Palestine. Writing …

In Yellow: A Solo Poem-Play, Emily Kitchens

Faculty Articles

“In Yellow” was developed in the INKubator residency at Art House Productions (Jersey City, NJ) in 2019 with the following blurb:

In Yellow is a solo poem-play about a relationship between a young woman and a ceramic doll her grandmother made that she has just accidentally broken. It is about grief. It is about breaking out of generationally instilled feminine values. It is about the color yellow. It’s all true.

“In Yellow” is an experiment of a poem and play for one voice. I was in New York City for about 10 years, before that The Bay Area, but am …

Cadwallader, Megan, Gretchen Thiele

Querying the Past: LGBTQ Maine Oral History Project Collection

Meghan Cadwallader was born in 1976 in a small, rural town in Upstate New York. She grew up with a stable family and surrounded by the Catholic religion. Cadwallader realized she was lesbian around her junior year of high school. However, her sexuality was never a huge deal, more just another part of her. She went to college at Holland’s University, and all-girls school, in which she initially came out to people resulting in mixed responses. Meghan then went to Bucknell University In Pennsylvania. She received a degree in French and English with a concentration in creative writing. She talks …

Excavation Of Silenced Voices: (Re)Visiting Menka Shivdasani’S Frazil Through The Modern Feminist Discourse Of Indian Writing In English, Rangnath Thakur, Binod Mishra

Journal of International Women's Studies

The postmodernist phase of Indian English writing is characterized by the voices of many strong women expressing a feminist exploration of alternative discourses in women’s writing which are distinguished from the patriarchal framework of literary discourse. Along with Kamala Das, Meena Alexander, Imtiaz Dharkar, and Eunice de Souza, Menka Shivdasani is an active voice in contemporary Indian English poetry. Shivdasani is a prolific poet who has written poetry on various social, cultural, religious, and personal issues. Her four poetry collections include Nirvana at Ten Rupees (1990), Stet (2001), Safe House (2015), and Frazil (2018). Through her poetry, she has endeavored …

New Commandments, Jacob Sussman

Masters Theses

I reach into the earth, pull out mud-encrusted objects, and recombine them to define new meanings. With every object transposed, the past breaks down; new potentials form. “New Commandments” recombines historical symbolism through an intuitive building, destroying, and merging to reimagine or re-establish meaning.

The work critiques rites of passage, masculinity, and stereotypes by deconstructing how histories, ideologies, and preconceptions form.

As a queer person raised in-between Judaism and Christianity, social preconceptions and religious expectations festered my formation. Our choice is taken away at this moment of conception. To take back autonomy, I reimagine historical, and religious symbolism and transmute …

Spit Brimming With Futures, Penny Molesso

School of Art, Art History, and Design: Theses and Student Creative Work

SPIT BRIMMING WITH FUTURES is an immersive video and audio installation that uses ASMR (Autonomous Sensory Meridian Response) to investigate the intersection of transgender and neurodivergent identity, expressing an urgent need to imagine stories about transgender, autistic people that affirm our agency and autonomy amidst a political climate that weaponizes neurodivergence to delegitimize trans experiences. The American political right’s vilification of transgender people is used to uphold structures of white supremacy and heteropatriarchy that become destabilized when rigid binary gender categories are challenged. The political right has a vested interest in keeping trans people out of public view, thus weaponizing …

Stories Of A Queer Femme, Parker Jones

Capstone Projects and Master's Theses

“Stories of a Queer Femme” is a collection of poems about my experience being queer and non-binary while still presenting very feminine. The poems explore growing up, experiencing love, and accepting my life while outside of the gender binary. This collections reveals the course theme of hidden histories: We have always been here. We will always be here. Our lives and our stories matter.

Strategies Of Liberation And Empowerment In Maya Angelou's And Audre Lorde's Black Feminist Literature, Lydia Jernigan

Student Works

The progression of second-wave feminism in America saw Black feminist writers such as Maya Angelou and Audre Lorde utilizing literature, and notably poetry, to resist against their oppression, due not only to their gender but also to their race. Lorde states in her 1977 essay, “Poetry is Not a Luxury,” that poetry, for women, “is a vital necessity of our existence. It forms the quality of light within which we predicate our hopes and dreams toward survival and change, first made into language, then into idea, then into more tangible action.” One of the aims of Lorde’s explicitly political poems—as …

I, Discomfort Woman: A Fugue In F Minor, Seo-Young J. Chu

Publications and Research

No abstract provided.

Unraveling Milk And Honey: Women’S Voice, Patriarchy, And Sexuality, Renidia Audinia Siva, Ida Rosida, Muhammad Azwar

Journal of International Women's Studies

This article discusses patriarchy and sexuality portrayed in Milk and Honey; a poetry collection written by Canadian author Rupi Kaur. Kaur is an amazing poet, artist, and performer who touches on trauma, feminism, migration, love, and loss in her works. Milk and Honey is a unique book of poetry as it combines written poetry with line art images. The collection is split into four chapters: “the hurting,” “the loving,” “the breaking,” and “the healing.” This research aims to show how the illustrations that appear alongside the poems have amplified the speaker’s voice in response to patriarchy and sexuality. This study …

5 Poems, Rebecca Ruth Gould

Comparative Woman

These poems examine the challenges facing the woman creator, and focus in particular on the problem of the muse, and how this relates to the feminist reconceptualization of traditional notions of gender and sexuality. As part of this broader poetic inquiry, I also challenge traditional notions of monogamy and heterosexual desire.

The Kin-Ship, Zheng Moham Wang

Comparative Woman

This is a group of two English poems the author composed separately in 2019 and 2021 about the imaginary scenes of his grandpa and mother from a Iu-Mien family of Southeast Asia and Southwestern China. The group was submitted to the upcoming Kinship volume of the Comparative Woman journal of Louisiana State University.

Muele Las Palabras Con Canela: How Queer Xicanx Writing Practices Reclaim Indigeneity, Karen Zurita

Cal Poly Humboldt theses and projects

My thesis project is a multi-genre story in itself, dedicated to my community. By using Gloria Anzaldúa’s Borderlands/La Frontera: The New Mestiza and Luz Calvo and Catriona Rueda Esquibel’s Decolonize Your Diet, I emphasize the importance of Xicanx writing needing to reflect their Indigenous identity by intertwining the spiritual and physical in their writing practices. In the process of creating this thesis project I was able to heal my own writing and have it shapeshift into creating a summer poetry class for high school students in the Humboldt County Area. In all, I found these writing practices to be crucial …

Theorizing Autistic Sexualities As Collective Poetic Experiences, Anna Nygren, Hanna Bertilsdotter Rosqvist

Ought: The Journal of Autistic Culture

This article is a palimpsest emerging as part of a project of collective autoethnographic writing on the theme of sexuality. It draws on the intensification of friendly writing, friendly as in friends with benefits. We write as autistic and neuroqueer subjects, writing until our textualities becomes sexualities. We write until the text becomes a room – call it Earth or call it Body, call it Brain or call it Heart – in which one could crack meanings―but these are not the most important ones. Instead of meanings and positions, we want to write about movements in time. The time it …

Help, Elizabeth Marie Cox

AWE (A Woman’s Experience)

No abstract provided.

Ana (A Work In Progress), Amanda Hellewell

AWE (A Woman’s Experience)

No abstract provided.

Life Giver Pantoum, Amy Griffin

AWE (A Woman’s Experience)

No abstract provided.

Yes ... But, Elizabeth Marie Cox

AWE (A Woman’s Experience)

No abstract provided.

Twenty-Two, Amy Griffin

AWE (A Woman’s Experience)

No abstract provided.

On The Inside: A Small Collection Of Poems, Lauren Moss

AWE (A Woman’s Experience)

No abstract provided.

Mightier Than The Men, Sydney Springer

AWE (A Woman’s Experience)

No abstract provided.