Feminist, Gender, and Sexuality Studies Commons^™

A Feminist's Guide To Sex Education, Alana Freitas, Hanna Ohaus, Courtney Cummings

Women’s Studies, Feminist Zine Archive

No abstract provided.

It's Not A Myth, Annie Fisher, Kelly Gough, Sydney Paley, Sarah White

Women’s Studies, Feminist Zine Archive

No abstract provided.

Rape Culture, Jazzie Newton, Jessica Contreras, Stephanie Karbo, Bradley Crislip

Women’s Studies, Feminist Zine Archive

No abstract provided.

Women: In Power And Politics, Hali Prineas, Emily Rose, Christine Soulagnet, Mara Hughes

Women’s Studies, Feminist Zine Archive

No abstract provided.

Intersectional Feminism, Carolyn Mai, Safieh Moshir Fatemi, Arielle Valesio

Women’s Studies, Feminist Zine Archive

No abstract provided.

Letters To Mei Lanfang, Alexandra Dare Norman

Mahurin Honors College Capstone Experience/Thesis Projects

As a male actor of female Dan characters, Mei Lanfang (1894-1961) is known throughout the world as the most representative performer of Chinese opera – particularly for his performance of Concubine Yu in the Peking opera Farewell My Concubine. A feminist analysis of his work in this opera reveals a series of assumptions about the definition of “Woman” in both theatre and life. This project is solo performance piece formatted in a series of open letters to Mei Lanfang, interspersed with personal stories investigating what it truly means to be a Woman – as an actor, a Christian, a feminist, …

"Mothers Like Us Think Differently": Mothers' Negotiations Of Virginity In Contemporary Turkey, Asli Aygunes

USF Tampa Graduate Theses and Dissertations

Even though virginity in Turkey is commonly defined, thus gendered, as losing the hymen, in Turkish society, discourses of virginity connect to broader discussions, such as modernity, morality, social honor/shame, religion, family values, and even medicine (vaginismus and artificial hymen surgery). Previous scholarship on women’s rights in Turkey outlines how historical approaches by Kemalist secularism were not enough to diminish oppressive social norms such as virginity and how the current conservative government and elements of traditional Turkish society perpetuate virginity as an important virtue for unmarried women. This study adds seven Turkish mothers’ interpretations of what I am calling the …

Raeleen Kao Interview, Beena Patel

Asian American Art Oral History Project

BIO: Raeleen Kao is a drawer, printmaker, and amateur competitive eater aka glutton residing in Chicago with a Charles Brand etching press, a red tabby, and forty plants.

Her prints and drawings have been exhibited in museums and galleries across the country most notably at the International Museum of Surgical Science, the Monmouth Museum of Art, Bert Green Fine Art, the Smith College Museum of Art, Tory Folliard Gallery, Firecat Projects, and Normal Editions Workshop. Her work has been represented at SELECT Fair New York, the Editions and Artist Books Fair in New York, the Cleveland Fine Print Fair, the …

"Speaking Back" To The Self: A Call For "Voice Notes" As Reflexive Practice For Feminist Ethnographers, Fawzia Haeri Mazanderani

Journal of International Women's Studies

While what comprises “feminist research methods” is subject to debate, research with a feminist orientation is often characterised by heightened reflexivity and a recognition of the subjective nature of knowledge claims (Ryan-Flood and Gill, 2010). By drawing upon ethnographic research conducted among young people in post-apartheid South Africa, this paper interrogates the potential value of audio recordings or “voice notes” during fieldwork, in conjunction with the more traditional form of the fieldwork diary. I argue that, by providing an additional means through which to articulate the inevitable messiness of fieldwork, the recording of “voice notes” enables the researcher to “speak …

I Love Dick, William L. Blizek

Journal of Religion & Film

This is a film review of I Love Dick (2017), directed by Jill Soloway.

By Beauty Damned: Millennial Feminism And The Exploitation Of Women's Empowerment In Pop Culture And Corporate Advertising, Maria L. Carreon

Dissertations, Theses, and Capstone Projects

Feminism has become a trendy cultural identity, leaving it open to exploitation by capitalists. Notions relating to “women’s empowerment” are used by capitalists to sell products to women, and yet many of those capitalists fund political campaigns that directly seek to quash or inhibit the advancement of women’s rights. With a little effort, any consumer can find out who their big purveyors are supporting politically. For example, Procter Gamble, who makes many products bought by women, gives the majority of its political contributions to republicans who oppose women’s reproductive rights. The same is true of McAndrews & Forbes, the parent …

Colossal, John C. Lyden

Journal of Religion & Film

This is a film review of Colossal (2017) directed by Nacho Vigalondo.

"From Local To Global: Exploring The Unique Identity Of Afro-Caribbean Women", Matthew A. Henry Sr.

Eddie Mabry Diversity Award

The Caribbean by far is probably one of the most diverse regions represented in the face of history. Geographically, each island is dynamic in the continuous change and flow of possession by Europeans and influences of the countless peoples of various extractions. This diversity is evident in the realization that there is a queer inability for scholars, and people alike to truly define what is the Caribbean and what it means to be a part of this region. Referencing the Caribbean is almost always focused on a specific island community/locality in that region, which gives the impression of the Caribbean …

Women's Hit Cheating Songs: Country Music And Feminist Change In American Society, 1962-2015, Madeline Rachel Morrow

Electronic Theses and Dissertations

This thesis examines songs about cheating performed by women in country music that appeared on year-end country songs charts in Billboard magazine from 1962 through 2015. The study of a total of fifty qualifying songs included a focus on their lyrical and musical content, the performers' personae and careers, and the way the particular outside factors of feminism and changing gender relations in American society may have influenced them. These songs do not show a purely linear progression of or emphasis on social change, in spite of country music's pride in conveying the truth about the lives of its songwriters, …

Nonconsensual Collaborations, 2012-Present: Notes On A Shared Condition, Aliza Shvarts

Journal of Feminist Scholarship

"Nonconsensual Collaborations, 2012-present: Notes on a Shared Condition" is an extended performance text. It investigates the unmarked gendered dynamics of artistic collaboration, documenting a series of “nonconsensual collaborations”—that is, performances with other artists who did not agree to their participation. Presented here as written narratives, these nonconsensual collaborations frame everyday occurrences of violation, erasure, and misrecognition, exploring how discourses of consent arise from the raced and gendered histories of property relations. They call into question the politics of representation, the status of the document, the formation of evidentiary truth, and the interpenetration of sexual and aesthetic economies. These nonconsensual collaborations …

Más Rudas Collective, 2009-2016 (An Archival Epilogue To An Epic Pachanga), Josh T. Franco

Journal of Feminist Scholarship

Contemporary artists Más Rudas Collective (MRC) were active in San Antonio, Texas, from 2009 to 2016. This essay looks to primary source documents from preceding decades and keystone exhibitions of Chicana/o art to articulate MRC’s position in a network of art production and curatorial activity that takes Chicana/o identity as a conceptual framework and/or departure point. Specific examples of MRC members’ reappropriations of Mexican, Mexican American, and Chicana/o cultural elements are analyzed and considered as “weaponizations” against cultures of body shaming and misogyny. Their approach is compared to that of other artists and curators in order to highlight the variety …

Not Mine Alone, Nor Mine To Own: Some Reflections On The Young Girl, Jacqueline Mabey

Journal of Feminist Scholarship

This essay looks at the role of the young girl in the curatorial practice of Jacqueline Mabey. Mabey reckons with the young girl as the signifier of a spectrum of mutable cultural signifieds and young girls as subjects on their own terms in the two exhibitions under review, Miss World and Utopia Is No Place, Utopia Is Process. In doing so, she recognizes a shift in motivations from an interest in what the young girls mean as a narcissistic reflection to how she could work in service of the development of young girls.

Consciousness Engendered Throughout Lena Dunham's "Girls" : Female Subjectivity Vs The Problem Of Post-Feminism, Heeyeon Kim

Legacy Theses & Dissertations (2009 - 2024)

The inequality between genders is an idea still endorsed in everyday life throughout media, political discourse, and relationships. Gender discrimination spurs feminists to strive for equity and has become the motivation for the changing and progressive message in their writings and artworks. Lena Dunham’s HBO TV series Girls is such a work and is distinctly unique when compared to Hollywood’s presentation of the standard image of women, and thus, has been used as an initiation into the study of post-feminism and the contemporary media. Dunham’s attitudes and ideas shown in Girls has the same vigorous feminist movement resembling the rebelliousness …

The Whole World To Please, Elena Leith

Audre Lorde Prize

This is a fictional piece derived from stories of women who have experienced abortions for different reasons.

Reading Latinx And Lgbtq+ Perspectives: Maya Christina Gonzalez And Equity Minded Models At Play, Elena Avilés

Chicano/Latino Studies Faculty Publications and Presentations

Through an equity-minded model, this essay addresses the work of Maya Christina Gonzalez and the new visions of gender she offers in children’s literature with My Colors, My World (2007). This essay frames the presence of Chicana/Latina feminist non-conforming perspectives on gender as chillante aesthetics and analyzes Gonzalez’s advancement of Latinx and LGBTQ+ standpoints in the following texts Call Me Tree/Llámale árbol (2014), I Am Free to Be Me: Gender Now Activity Book (2011) and Claiming Face: Self-empowerment Through Self-Portraiture: An Educator's Guide to Building the Powerful Link between Creativity and a Sense of Self (2010).

(Re)Writing Woman With "The Laugh Of The Medusa" And Antioedipus, Samantha Rodgers

Online Theses and Dissertations

The importance of tattooing as an area of feminist composition study lies in its challenge to male discourse concerning the subjectivity of sexed, particularly female sexed, bodies that feminism has long ignored due to fear of essentialization. Cixous argues: "…Censor the body and you censor breath and speech at the same time. Write yourself. Your body must be heard" (8). Tattooing has transitioned from writing masculine group identity (gangs, prisoners, sailors, etc.) into writing feminine embodied experience. It is a way for women to rewrite institutionalized norms of womanhood and humanity. Consequently, this paper argues that tattoos are a form …

The Emergence Of The Feminist Fatale In American Film Noir, Anne Dennon

All Master's Theses

The femme fatale, a quasi-eternal figure of female transgression and retributory violence, has gradually entered popular culture’s symbolic lexicon as representative of mainstream feminism and postmodern femininity. Tracing the development of the femme fatale into a feminist pop culture icon necessitates establishing her sociopolitical status in the late modern era through her presence in Victorian sensational literature. The femme’s translation from the Victorian context to the American mediascape presages her evolving presence in three cinematic eras: classic film noir, neo-conservative retro noir, and millennial neo-noir. Feminist film criticism tends to identify the femme fatale as a protofeminist, a productive transgressor …

Below The Neck, Above The Knees, Desiree Dawn Kapler

Theses and Dissertations

My thesis explores the act of violation in the context of trauma and healing through the use of personal narratives and experimental film. My research allows personal storytelling to transform into a larger and more universal theme of generational trauma and dysfunction. Through a feminist lens, I challenge social norms of body autonomy for the sick and abused, capitalism’s social effects on the poor, and passed down maternal lessons from the women who are doing the best that they can with the lives and opportunities that they have been given.

This work is created in spite of the labels my …

The Power Of Queer Representation In The Media, Jack Harris

Tredway Library Prize for First-Year Research

This paper examines the lack of representation of the queer community in today's film and television productions. Recent work such as The CW's The 100 and Nickelodeon's The Legend of Korra are used to create an intersectional analysis of the tropes associated with queer characters and the effect that queer representation has on viewers. The intersectionality of queer rights and feminism is mapped out in an effort to understand the root of the issue and, in that discovery, find solutions for the future.

The Parton Paradox: A History Of Race And Gender In The Career Of Dolly Parton, Lindsey L. Hammers

College of Graduate Studies: Theses & Dissertations

With a career that has spanned over five decades, country music artist Dolly Parton has continually redefined her image and her music to remain relevant. By incorporating the musical and lyrical stylings of disco and other popular music genres into her songs, Parton moved beyond music’s color line to increase her popularity as an artist. This thesis shows how Parton established a distinct career that catered to different audiences as she traversed the musical color line and repackaged what feminism looked like to country music fans during the Women’s Movement of the 1960s. Placing Parton’s actions in conversation with music’s …

Feminism And Economic Inequality, Katharine T. Bartlett

Faculty Scholarship

No abstract provided.

Masking Femininity: Women And Power In Shakespeare's Macbeth, As You Like It, And Titus Andronicus, Kelly Sorge

Honors Theses and Capstones

This paper analyzes the power that Lady Macbeth from Macbeth, Rosalind from As You Like It, and Tamora from Titus Andronicus assert and answers the questions of how women assert power in Shakespeare and the role gender plays in power.

The Road Trip As Artistic Formation In Defeo's Work, Frida Forsgren

CLCWeb: Comparative Literature and Culture

In her article "The Road Trip as Artistic Formation in DeFeo's Work" Frida Forsgren discusses previously unpublished photographic material documenting Jay DeFeo's road trip in Europe and North Africa in the 1950s. Forsgren argues that the Beat road trip is by no means an exclusively masculine enterprise and quest: DeFeo's journey helped open the door to her emancipation as a female artist and propelled her artistic development. Moreover, the global experience represented by the trip helped shape her local Beat milieu upon her return to San Francisco. While European, Medieval, Italian Renaissance, and Hebrew influences in DeFeo's oeuvre have been …

Politics Of Feminist Revision In Di Prima's Loba, Polina Mackay

CLCWeb: Comparative Literature and Culture

In her article "Politics of Feminist Revision in di Prima's Loba" Polina Mackay explores Diane di Prima's two-volume epic Loba (1998) and, through a comparison of di Prima to the work of Adrienne Rich, argues that Loba practices a politics of feminist revision. Further, Mackay examines the ways in which di Prima starts to move away from the recovery project of female voices in patriarchal culture, associated with late twentieth-century Feminism, towards a women's literature which need not be defined entirely through its resistance to patriarchal narratives of gender in men's literature. Here it focuses on di Prima's revisionist …

Individual Thought Patterns: Women In New York's Extreme Metal Music Scene, Joan M. Jocson-Singh

Theses and Dissertations

Extreme metal music (EMM) is both an umbrella term and a sub-category of heavy metal. Although women have a small but steady presence in heavy metal, this number shrinks when applied to the EMM scene. Using ethnographic research, participant-observation and interviews, this study surveys women in New York's EMM scene to address participation, gender performativity and feminist musicology.