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Feminist, Gender, and Sexuality Studies Commons™

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University of Nebraska at Omaha

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Articles 91 - 120 of 168

Full-Text Articles in Feminist, Gender, and Sexuality Studies

Into The Deep, Jodi Mcdavid Jan 2020

Into The Deep, Jodi Mcdavid

Journal of Religion & Film

This is a film review of Into the Deep (2020) directed by Emma Sullivan.

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On The Record, Jodi Mcdavid Jan 2020

On The Record, Jodi Mcdavid

Journal of Religion & Film

This is a film review of On the Record (2020) directed by Kirby Dick and Amy Ziering.

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Run Sweetheart Run, Jodi Mcdavid Jan 2020

Run Sweetheart Run, Jodi Mcdavid

Journal of Religion & Film

This is a film review of Run Sweetheart Run (2020) directed by Shana Feste.

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The Assistant, John C. Lyden Jan 2020

The Assistant, John C. Lyden

Journal of Religion & Film

This is a film review of The Assistant (2020), directed by Kitty Green.

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Uncle Frank, John C. Lyden Jan 2020

Uncle Frank, John C. Lyden

Journal of Religion & Film

This is a film review of Uncle Frank (2020), directed by Alan Ball.

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Scare Me, Jodi Mcdavid Jan 2020

Scare Me, Jodi Mcdavid

Journal of Religion & Film

This is a film review of Scare Me (2020), directed by Josh Ruben.

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Mucho Mucho Amor, Jodi Mcdavid Jan 2020

Mucho Mucho Amor, Jodi Mcdavid

Journal of Religion & Film

This is a film review of Mucho Mucho Amor (2020), directed by Cristina Costantini and Kareem Tabsch.

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The Lighthouse, Kyle Derkson Oct 2019

The Lighthouse, Kyle Derkson

Journal of Religion & Film

This is a film review of The Lighthouse (2019), directed by Robert Eggers.

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Muslim Women In French Cinema: Voices Of Maghrebi Migrants In France, Shreya Parikh Oct 2019

Muslim Women In French Cinema: Voices Of Maghrebi Migrants In France, Shreya Parikh

Journal of Religion & Film

This is a book review of Leslie Kealhofer-Kemp's Muslim Women in French Cinema: Voices of Maghrebi Migrants in France (Liverpool: Liverpool University Press, 2015).

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Revenge Pornography: An Analysis Of Privacy, Obscenity, And The First Amendment, Kamrin Baker Mar 2019

Revenge Pornography: An Analysis Of Privacy, Obscenity, And The First Amendment, Kamrin Baker

UNO Student Research and Creative Activity Fair

An important issue in modern communication law and policy is the emergence of harassment via the Internet and social media. One form of such harassment is revenge pornography, the sharing of sexual images or videos without the consent of the individual depicted, usually at the hands of an ex-lover. In punishing the posters and purveyors of revenge pornography, perpetrators are often convicted of unrelated crimes such as identify theft or fraud, furthering the silence of revenge pornography. This new challenge in law raises some serious questions about the intersections of obscenity, privacy and the First Amendment in the effort to …

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Divine Love, John C. Lyden Jan 2019

Divine Love, John C. Lyden

Journal of Religion & Film

This is a film review of Divine Love (2019) directed by Gabriel Mascaro.

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Sister Aimee, John C. Lyden Jan 2019

Sister Aimee, John C. Lyden

Journal of Religion & Film

This is a film review of Sister Aimee (2019), directed by Samantha Buck and Marie Schlingmann.

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Hala, John C. Lyden Jan 2019

Hala, John C. Lyden

Journal of Religion & Film

This is a film review of Hala (2019), directed by Minhal Baig.

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Markie In Milwaukee, William L. Blizek Jan 2019

Markie In Milwaukee, William L. Blizek

Journal of Religion & Film

This is a film review of Markie in Milwaukee (2019) directed by Matt Kliegman.

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‘Love-Jihad’ And Bollywood: Constructing Muslims As ‘Other’, Nadira Khatun Dec 2018

‘Love-Jihad’ And Bollywood: Constructing Muslims As ‘Other’, Nadira Khatun

Journal of Religion & Film

In the postcolonial nation state that is India, cinema has become an important tool for propagating the idea of nationalism. In recent times, one of the most controversial components of Hindu nationalism has been the hate campaign against what is termed as ‘love-jihad’, which is deployed as a weapon to mobilize, polarize, and communalize citizens. The Indian Hindi-language film industry, popularly known as Bollywood, has also become a controversial site. In this paper, I argue that if ‘Indian nationalism’ is to be represented as ‘Hindu nationalism’ and ‘Indian culture’ as ‘Hindu culture,’ it logically follows that this majoritarian construction needs …

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‘I Am That Very Witch’: On The Witch, Feminism, And Not Surviving Patriarchy, Laurel Zwissler Dec 2018

‘I Am That Very Witch’: On The Witch, Feminism, And Not Surviving Patriarchy, Laurel Zwissler

Journal of Religion & Film

While contemporary discussions about witchcraft include reinterpretations and feminist reclamations, early modern accusations contained no such complexity. It is this historical witch as misogynist nightmare that the film, The Witch: A New England Folktale (2015), expresses so effectively. Within the film, the very patriarchal structures that decry witchcraft – the Puritan church from which the family exiles itself, the male headship to which the parents so desperately cling, the insistence, in the face of repeated failure, on the viability of the isolated nuclear family unit – are the same structures that inevitably foreclose the options of the lead character, Thomasin.

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A Journey Into The Heart Of God: Darren Aronofsky’S Noah (2014) As A Subversive Kabbalistic Text, Lindsay Macumber, Magi Abdul-Masih Dec 2018

A Journey Into The Heart Of God: Darren Aronofsky’S Noah (2014) As A Subversive Kabbalistic Text, Lindsay Macumber, Magi Abdul-Masih

Journal of Religion & Film

The title of this paper reflects our interpretation of this film as a subversive mystical text, from within the Jewish tradition of Kabbalah. This interpretation is itself the product of a long journey of thinking about, and wrestling with this film in various ways. In this paper, we will outline this journey, concentrating on our first impressions of the film, some notable shifts in our thinking on this film that alerted us to the connection between the film and Jewish mysticism, and some concluding remarks about the implications of this reading.

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Representations Of Nineteenth Century Mormonism In A Mormon Maid: A Cinematic Analysis, Elisabeth Weagel Dec 2018

Representations Of Nineteenth Century Mormonism In A Mormon Maid: A Cinematic Analysis, Elisabeth Weagel

Journal of Religion & Film

During the first quarter of the 20th century there was a trend in Hollywood to make films about Mormons. Practices such as polygamy created just the kind of sensationalism that attracted filmmakers (even Thomas Edison contributed with his 1902 film A Trip to Salt Lake). Many of these were B-pictures, but the 1917 film A Mormon Maid stands out because it was produced by a major production company (Paramount) and was backed by top director Cecil B. DeMille. It is often given passing reference, but very little genuine scholarship has been done on the film. A hundred years …

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Ask The Beasts Of The Southern Wild: Exploring Human Identity As Beast, Being And Beholder In Ask The Beasts: Darwin And The God Of Love And Beasts Of The Southern Wild, Stephanie Cherpak Clary Dec 2018

Ask The Beasts Of The Southern Wild: Exploring Human Identity As Beast, Being And Beholder In Ask The Beasts: Darwin And The God Of Love And Beasts Of The Southern Wild, Stephanie Cherpak Clary

Journal of Religion & Film

Anthropocentrism and hierarchical dualism together encourage a dangerous anthropology where human primacy among creation and the prioritization of certain humans leads to destruction for all. During a time when suffering caused by climate change continues to intensify, it is increasingly important to find compelling ways to share the stories of those who suffer most. I will explore how Beasts of the Southern Wild (Zeitlin, 2012) contextualizes the ecofeminist theology found in Johnson’s Ask the Beasts: Darwin and the God of Love (2014), specifically the idea of humans identifying as beasts, beings and beholders. Furthermore, I will discuss how the representation …

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Novitiate, Joshua Canzona Apr 2018

Novitiate, Joshua Canzona

Journal of Religion & Film

This is a film review of Novitiate (2017) directed by Maggie Betts.

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Thelma, Kevin V. Dodd Apr 2018

Thelma, Kevin V. Dodd

Journal of Religion & Film

This is a film review of Thelma (2017) directed by Joachim Trier.

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Beast, Rubina Ramji Feb 2018

Beast, Rubina Ramji

Journal of Religion & Film

This is a film review of Beast (2018), directed by Michael Pearce.

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Women Are Speaking Up At Sundance, Rubina Ramji Feb 2018

Women Are Speaking Up At Sundance, Rubina Ramji

Journal of Religion & Film

Women speak up at Sundance 2018.

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Quiet Heroes, William L. Blizek Jan 2018

Quiet Heroes, William L. Blizek

Journal of Religion & Film

This is a film review of Quiet Heroes (2018), directed by Jenny Mackenzie, Jared Ruga, and Amanda Stoddard.

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Puzzle, John C. Lyden Jan 2018

Puzzle, John C. Lyden

Journal of Religion & Film

This is a film review of Puzzle (2018), directed by Marc Turtletaub.

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The Miseducation Of Cameron Post, John C. Lyden Jan 2018

The Miseducation Of Cameron Post, John C. Lyden

Journal of Religion & Film

This is a film review of The Miseducation of Cameron Post (2018), directed by Desiree Akhavan.

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Half The Picture, John C. Lyden Jan 2018

Half The Picture, John C. Lyden

Journal of Religion & Film

This is a film review of Half the Picture (2018), directed by Amy Adrion.

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Believer, John C. Lyden Jan 2018

Believer, John C. Lyden

Journal of Religion & Film

This is a film review of Believer (2018), directed by Don Argott.

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The Shape Of Water, Ken Derry Dec 2017

The Shape Of Water, Ken Derry

Journal of Religion & Film

This is a film review of The Shape of Water (2017), directed by Guillermo del Toro.

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Revenge, Tony Michael Oct 2017

Revenge, Tony Michael

Journal of Religion & Film

This is a film review of Revenge (2017), directed by Coralie Fargeat.

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