Feminist, Gender, and Sexuality Studies Commons^™

Review Of Translocational Belongings: Intersectional Dilemmas And Social Inequalities By Floya Anthias, Orly Benjamin

Wagadu: A Journal of Transnational Women's & Gender Studies

Social inequalities create violence and threaten to reduce democratic features of contemporary political lives. People are excluded, exploited, and discriminated against and easily left exposed to both state violence and (politically encouraged) sporadic violence. On what basis? On a long list of oppressive bases: class, gender, race/religion/ ethnicity/nationality/ religion/citizenship status, sexuality, age, ability, language, body shape, culture, sexuality, education, accent and many others.

Double Bind Of Muslim Women's Activism In Pakistan: Case Of Malala Yousafzai And Sharmeen Obaid-Chinoy, Naila Sahar

Wagadu: A Journal of Transnational Women's & Gender Studies

A majority of Western2 feminist studies has dealt with women from the third world as a homogenous entity of poor and passive victims without agency, who need saving and thus need to be spoken for. Chandra Talpade Mohanty and Gayatri Chakravorty Spivak have both underscored the urgency of seeing and dealing with third world feminism in terms of a genre that is different in socio-cultural background from Western dynamics, and they emphasize the importance of being wary of the ways in which Western feminism creates the 'discursive homogenization and systematization of the oppression of women in the Third World' (Mohanty, …

Feminists As Cultural ‘Assassinators’ Of Pakistan, Afiya S. Zia

Wagadu: A Journal of Transnational Women's & Gender Studies

Pakistan’s annual Aurat March (Women’s March) signifies a milestone in the culture of feminist protest, but a tense impasse follows a series of encounters between sexual and religious politics, and this has serious implica- tions for rights-based activism in the Islamic Republic.

The Fundamentalist Nexus Of Neoliberalism, Rentier Capitalism, Religious And Secular Patriarchies, And South Asian Feminist Resistances, Fawzia Afzal-Khan

Wagadu: A Journal of Transnational Women's & Gender Studies

In two case studies from Pakistan, which I then link to Afghanistan (under the Taliban before and after the Soviet/ US proxy war there) as well as the Farmer’s Movement in India—I wish to proffer an intersectional analysis of debates around the issue of women’s rights in the global south. Feminist artivism (art-as-activism), can help build solidarities to mount resistances against globally-inflected state repression in our age of neoliberal economic and religious fundamentalisms, which, working in tandem, seek to roll back the rights of women and minorities in and across South Asia, as elsewhere.

Performing Dalit Feminist Youth Activism In South India: Rap, Gaana, And Street Theater, Pramila Venkateswaran

Wagadu: A Journal of Transnational Women's & Gender Studies

Young Dalit men and women are changing the narrative of casteist oppression in India. Youth activists perform protest songs in the genre of rap and gaana, using elements of slam poetry and rap from African American artists and blending them with local musical innovations. The performances have deliberate messaging, signaling particular caste and gender injustices, both current and historical. This paper will analyze Dalit youth performances of rap, gaana, and street theater (koothu) in South India, particularly in Tamil Nadu, to understand the poetics of protest against caste and gender oppression. It will look at the notion of space in …

Looking At The Nation Through A Lover's Eye: N. Padmakumar's Film, A Billion Colour Story, Shreerekha Pillai Subramanian

Wagadu: A Journal of Transnational Women's & Gender Studies

Cinematic response in India to social justice movements, even when aimed at rectifying communal violence and tensions, reifies entrenched orders separating Hindu from Muslim, citizen from the 'Other,' native from the diasporic. To the polyphony of films focused on interfaith love, a recent indie film adds a new 'look'. Narasimhamurthy Padmakumar's, A Billion Colour Story (2016) focalizes on a child's point of view in a black and white filmic narration to dismantle old hatreds and re-ignite love of culture and nation for the very diversity that has become pixelated, walled, entombed and reactionary. More like Nollywood in its reliance on …

“Fiery Sparks Of Change”: A Comparison Between First Wave Feminists Of India And The U.S., Shoba Sharad Rajgopal

Wagadu: A Journal of Transnational Women's & Gender Studies

The celebration of the centenary of the 19th Amendment in 2020 has seen the resurgence of interest in the struggles of the Suffragette/Suffragist movement. This article examines the representation of first wave feminism in the developing world, with a focus on the Indian Subcontinent, from a postcolonial feminist perspective. As such, it critiques the colonialist perspective regarding women's movements of resistance in the developing world and links it to the critique of racism within the women's movements in the West. It discusses early feminists from India such as Tarabai Shinde whose spirited exposé of the double standards women were subjected …

Subverting Patriarchal Interpretation Of The Ramayan Through A Feminist Lens: A Critical Study Of Sita's Ramayana, Shruti Chakraborti

Wagadu: A Journal of Transnational Women's & Gender Studies

“Re-vision – the act of looking back, of seeing with fresh eyes, of entering an old text from a new critical direction – is for us more than a chapter in cultural history: it is an act of survival”, writes Adrienne Rich in her seminal essay, “When We Dead Awaken: Writing as Re-vision”. Rich firmly advocates that women authors should create spaces for subversion of patriarchal values and ideals through their literary works. Revisionist mythmaking, from a feminist literary perspective, evolves through challenging a preceding text which predominantly manifests androcentric ideas. The present paper aims to examine a female reinterpretation …

The Mythos Of Lilith: A Collection Of Madwomen, Megan Mau

Master's Theses

For too long, women’s stories have been mitigated, translated, truncated, and censored, if they were even recorded at all before the world could hear them. What could women be writing that would be so threatening to incite such censorship? To a male-dominated world, anything that could disrupt their illusions of power is a threat. If a woman penned a narrative of her experiences in this world, or if she were to begin speaking on a new way of thinking that called for change, that must be stopped. The ultimate goal is to prevent women from writing or stepping out of …

F. Scott Fitzgerald’S Homme Épuisé: Usurping The “Madwoman” In Tender Is The Night (1934) [2022], Emma Hill

Master's Theses

Nineteenth-century women writers commonly use themes of entrapment and madness in what are now classified as gothic novels. In texts such as Jane Eyre, Frankenstein, and The Yellow Wallpaper, confinement and madness are synchronous in developing the figure of “the madwoman.” These texts were written during a time when it was uncommon for female writers to seek publication, and many used pseudonyms to get their works published or to be taken seriously by critics. The “madwoman” emerged as a powerful trope to articulate what writing under a patriarchal system feels like. That is to say, confinement scenarios resulting from female …

Exhibit Me / Prohibit Me, Alok Vaid-Menon

Wagadu: A Journal of Transnational Women's & Gender Studies

No abstract provided.

Racialization.Spectacle.Liberation, Sm Rodriguez, Chriss Sneed

Wagadu: A Journal of Transnational Women's & Gender Studies

This special issue navigates the complexity of racialization, experiences related to identity, social structure, and inequality, and that which emerges when one/many embark on journeys towards liberation. “racialization.spectacle.liberation” is an intentional provocation; in both punctuating each word and leaving them affixed, wegesture towards the curious amalgamations that are produced at the intersections of where each project begins and ends. Such processes are not benign.

The Fantasy Of Spotting Human Trafficking: Training Spectacles In Racist Surveillance, Elena Shih

Wagadu: A Journal of Transnational Women's & Gender Studies

In January 2019, in honor of National Slavery and Human Trafficking Prevention Month in the US, the Marriott International hotel group announced that it had successfully trained 600,000 hotel workers to spot the signs of human trafficking in its hotel properties around the world. This training, planned and executed in partnership with anti-trafficking organizations and law enforcement, reflects the recent proliferation of training schemes to identify victims of trafficking. This paper explores how such trainings script racist optics into the surveillance and policing of potential victims. Using proxy markers of poverty, sexuality, race, and nation, victim identification trainings expand policing--by …

The Mammy, The Strong, Or The Broken: Politics Of Hair Afrocentricities In Scripted Television, Hayley Blackburn

Wagadu: A Journal of Transnational Women's & Gender Studies

The general literature on the experiences of Black women in America consistently discusses the way that more Afrocentric appearances— whether through skin tone, hairstyles and textures, clothing, language, or a combination of all the above— have been negatively framed throughout cultural and media histories ...

Presumed Nonhuman: Black Women Intellectuals And The Struggle For Humanity In The Academy, Andrea N. Baldwin

Wagadu: A Journal of Transnational Women's & Gender Studies

In this article I engage with the work of Sylvia Wynter, Christina Sharpe, and Kevin Quashie, weaving in my own personal narrative of being presumed nonhuman to detail the everyday struggles Black women academics face. Herein I also illustrate how these struggles become sites of resistance, building, and hope.

Dreaming With A Future: Queer Memory Beyond National Trauma, Cynthia Melendez

Wagadu: A Journal of Transnational Women's & Gender Studies

This article examines queer memory in Peru through the works of artists Christian Benday.n, Barboza-Gubo and Mroczek, and the collective No Tengo Miedo. I suggest that they construct alternative memories to the hegemonic one, as they denounce the violence against the LGBTIQ population during the years of political violence (1980-2000).

Black Queer Times At Riis: Making Place In A Queer Afrofuturist Tense, Jah Elyse Sayers

Wagadu: A Journal of Transnational Women's & Gender Studies

This paper posits a queer Afrofuturist mode of spatiotemporal production in queer and trans Black, indigenous and people of color’s navigation to and making of a queer beach to honor Black queer and trans histories and build Black queer and trans futures in opposition to multiple forms of displacement.

The Fantasy Of “Home”: Locating Dislocation, Loss, And Silence, Roksana Badruddoja

Wagadu: A Journal of Transnational Women's & Gender Studies

The meaning(s) of “home” are once again a robust conversation in the American national landscape as we continue to struggle over postcolonial empire-inspired borders. As a queer Person of Color, Woman of Color, and Mother of Color in the U.S.; an American offspring of Bangladeshi Muslim immigrant parents; and a professor of social inequalities, I am particularly concerned about thinking through neoliberal anti-liberatory U.S. racialization projects and the notion of “home” or what I call the “neoliberal home.” I concern myself with diverse languages, images, myths, and rituals through which “home” is represented and constituted, and from the dispatches of …

Artist Statement: Tutorial On Radiance, Kearra Amaya Gopee

Wagadu: A Journal of Transnational Women's & Gender Studies

Tutorials on Radiance explores a queerness beyond the physical body and extends to the lived environments of queer people. I am particularly focused on Anglophone Caribbean cultures of queerness. I will be looking specifically at the boundaries of the 2D image in relation to queerness, portraiture and visibility.

A Vacation Is Not Activism Part Iii —On Tourism And Ecosocial Disasters, Bani Amor

Wagadu: A Journal of Transnational Women's & Gender Studies

No abstract provided.

Review Of Melancholia Africana By Nathalie Etoke, Lanham: Rowman & Littlefield, 2019, Kristen Kirksey

Wagadu: A Journal of Transnational Women's & Gender Studies

Melancholia Africana: The Indispensable Overcoming of the Black Condition by Nathalie Etoke, is equal parts ruminative meditation and urgent call to action for Black Africans and those in the diaspora. The titular concept, melancholia africana, is “an extensible concept that examines how sub-Saharans and people of African descent cope with loss, mourning, and survival in a practice of everyday life contaminated by the past.”

Review Of Progressive Dystopia: Abolition, Anti-Blackness, And Schooling In San Francisco, By Savannah Shange, Durham: Duke University Press, 2019, Siobhan Brooks

Wagadu: A Journal of Transnational Women's & Gender Studies

Alexis de Tocqueville, the French sociologist, in 1831 visited the United States to observe U.S. democracy, and in 1835 he wrote Democracy in America. One of the observations Tocqueville made was that slavery coexisted with ideals of freedom. This observation from almost 200 years ago informs Savannah Shange’s groundbreaking book, Progressive Dystopia: Abolition, Anti-Blackness, and Schooling in San Francisco.

'Disembodied Bones': Recovering The Poetry And Prose Of Elinor Wylie 2021, Sarah R. Bullock

Master's Theses

Picking a book to read is like diving for a pearl, writes Elinor Wylie, a 20th Century American poet, novelist, essayist and prominent magazine literary editor. In her essay "The Pearl Diver", she writes that it is the diver that risks the unknown- unaided by diving equipment in the form of library indexes-who gains the greatest joy, Wylie states (Fugitive Prose, 869). Wylie explains:

I venture to perceive an analogy between the rebellious pearl diver and myself, in my slight experience with public libraries...how much more delightful, how much more stimulating, to abandon the paraphernalia of card indexes and mahogany …

Women In The Outdoors: Navigating Fear And Creating Space For Spiritual Inspiration 2021, Morgan Costello

Master's Theses

The purpose of this study was to examine the relationship between fear and spiritual inspiration for women in the outdoors. Specifically, this study looked at participants from SUNY Cortland’s Outdoor Education Practicum, a core course in the Recreation, Parks, and Leisure Studies Department that culminates with a two-week outdoor experience, with the goals of teaching outdoor skills and building community. This was a mixed-method study, with quantitative data collected according to pre(mid)post design and qualitative data coming from journal entries over a 5-day period. Testing was conducted using the Outdoor Situational Fear Inventory to measure fear, and the Nature Relatedness …

Biljana Jovanović, A Rebel With A Cause Or: On ‘A General Revision Of Your Possibilities’, Tijana Matijević

Wagadu: A Journal of Transnational Women's & Gender Studies

By analysing Yugoslav writer Biljana Jovanović’s early novels, the essay follows her possible literary speculations on the capacity of the Yugoslav society to fulfill the promises of the revolution, together with her imagining of an alternative form of sociability, as that which could result in universal, human emancipation. Offering a peculiar portrait of the urban society of the late seventies in Yugoslavia, in her novels Jovanović tests if and how the problem of women’s emancipation is connected to the problems of class. Yet, a failure of class emancipation, an ‘impossibility to revise’ the society is antagonized from the scrupulous and …

Veronica Porumbacu’S ‘Return From Cynthera’ (1966): A Conceptual Manifesto Of Socialist Feminism, Ovidiu Ţichindeleanu

Wagadu: A Journal of Transnational Women's & Gender Studies

Veronica Porumbacu (1921-1977) was a Romanian poet and translator who has been unjustly forgotten today due to her proletcultist poems of the 1950s. Yet her work was widely published and well-known during the socialist regime, and is especially relevant for the two decades of growth and ideological innovation of the 1960s and 1970s. In my article I analyze a remarkable volume of hers published in 1966, situating it in the context of her work and in the wider frame of the political context of Romania. I argue that Return from Cythera can be considered a conceptual manifesto of socialist feminism, …

Agency, Biography, And Temporality: (Un)Making Women’S Biographies In The Wake Of The Loss Of The Socialist Project In Yugoslavia, Tanja Petrović, Jovana Mihajlović Trbovc

Wagadu: A Journal of Transnational Women's & Gender Studies

This essay seeks to deepen our understanding of women’s agency in socialist societies. Focusing on socialist and post-socialist Slovenia, it explores the ways agency reveals itself in interviews with and biographical portraits of the socio-politically active women – or “political workers” (politične delavke), as they were called during Yugoslav socialism – Mara Rupena Osolnik and Aleksandra Kornhauser Frazer. In these texts, agency unfolds as a mosaic of multiple, naturally intertwined activities and engagements aimed at the common good and at improving the position of women and other socially marginalized groups. This kind of agency – understood as the ability to …

Editorial: Gender Relations And Women’S Struggles In Socialist Southeast Europe, Dijana Jelaca, Nikolay Karkov, Tanja Petrović

Wagadu: A Journal of Transnational Women's & Gender Studies

For readers versed in the tradition of North Atlantic feminist theory, the intersection of “socialism” and “feminism” is relatively uncomplicated. As a rule, the theory proffers a critique of the “double oppression” that women experience under patriarchy and capitalism, with the exact relationship between these two systems then up for debate. While often not explicitly thematized, the theory’s geographical roots in North American and Western European struggles and contexts inform its epistemological practice and organizational protocols.

Towards Women’S Minor Cinema In Socialist Yugoslavia, Dijana Jelaca

Wagadu: A Journal of Transnational Women's & Gender Studies

This essay theorizes the concept of women’s minor cinema in socialist Yugoslavia, conceptualized through examples of cultural texts that circulate within the so-called women’s genres: romance films, “chick flicks,” and TV soap operas. Women’s cinema is here not defined solely as films made by women, but rather, films that address the spectator as a woman, regardless of the spectator’s sex or gender. I argue that, in the context of Yugoslavia, such works frequently articulated emancipatory, feminist stances that did not demarcate a dichotomous opposition to the socialist state as such, but rather called for the state to fulfill its original …

The Return Of Jugoslovenka: An Unrequited Love Affair, Jasmina Tumbas

Wagadu: A Journal of Transnational Women's & Gender Studies

This essay considers women’s emancipation in Socialist Yugoslavia as central to the socialist project. I focus on the feminist art of the 1970s and 1980s, aswell as contemporary engagements with the question of Yugoslavia. I put in conversation performance works by Sanja Iveković, Vlasta Delimar, Marina Gržinić, and Šejla Kamerić. The title of this essay, “Return of Jugoslovenka: An Unrequited Love Affair” points to how contested the position of Yugoslav women was during socialism, and how much it remains so today, albeit for very different reasons. As I show in the article, Yugoslav women in the arts embraced socialism as …