Open Access. Powered by Scholars. Published by Universities.®

Feminist, Gender, and Sexuality Studies Commons™

Open Access. Powered by Scholars. Published by Universities.®

Theatre and Performance Studies

Institution
Keyword
Publication Year
Publication
Publication Type
File Type

Articles 1171 - 1200 of 1207

Full-Text Articles in Feminist, Gender, and Sexuality Studies

Ua12/2/1 College Heights Herald, Vol. 76, No. 52, Wku Student Affairs Apr 2001

Ua12/2/1 College Heights Herald, Vol. 76, No. 52, Wku Student Affairs

WKU Administration Documents

WKU campus newspaper reporting campus, athletic and Bowling Green, Kentucky news. Articles in this issue:

  • Moore, Brian. Another Meningitis Case Found on Campus
  • Dawes, Jennifer. Boy Riding Bicycle Hit on Normal – Christopher Siegrist
  • Walsh, Erica. Student Government Association Election Produces Low Voter Turnout
  • Hall, Rex. Alcohol to be Served in Luxury Suites – Diddle Arena
  • Training Needed to Avoid Rolling – Vans
  • Grady, Brian. Editorial Cartoon – Rolling Vans
  • NCAA Stepping on Mid-Major Schools
  • Hiles, Tom. Naming Revenue Needed
  • Murphy, Sean. Policing the Police
  • Corbin, Brett. Concrete Canoe Team Rows to Sixth Regional Win
  • Hoang, Mai. Dance Company Debuts …


Because Of Thy Exceeding Faith: A Choreographic Portrayal Of Women In The Book Of Mormon, Wendy L. Bone Jan 2001

Because Of Thy Exceeding Faith: A Choreographic Portrayal Of Women In The Book Of Mormon, Wendy L. Bone

Theses and Dissertations

This thesis is a choreographic exploration that illuminates and defines moments in the lives of women who are mentioned in the Book of Mormon. These women are Sariah; the wife of King Lamoni and Abish, her servant; and the Ammonite mothers of Helaman's two thousand stripling warriors. It is through these stories that their faith was evident. By understanding the roles these women played in the history of the Book of Mormon, we can use their example to strengthen our own testimonies.
It was discovered through this process that, although one can read about the life of another, a deeper …


Dancing Boys, Anthony Shay Jan 2000

Dancing Boys, Anthony Shay

Pomona Faculty Publications and Research

The informal, and occasionally formal, institution of the dancing boy--the term used by most Western writers in their descriptions of the Islamic world--has been attested for centuries by European observers throughout the Middle East, North Africa, and Central Asia, as well as the Indian subcontinent and throughout the Islamic areas of Southeast Asia such as Indonesia and the southern Philippines. These individuals have been called by a variety of names: bachchec [batcha], literally "child" in Persian and some Turkish languages, luti (itinerant performer), raqqas (dancer) in many regions, kocek (little) and tavsan (rabbit) in Ottoman Turkey, khawal in …


Style Guide For Books In Comparative Cultural Studies, Steven Tötösy De Zepetnek Jan 2000

Style Guide For Books In Comparative Cultural Studies, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.


Purdue Books In Comparative Cultural Studies, Steven Tötösy De Zepetnek Jan 2000

Purdue Books In Comparative Cultural Studies, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.


The Validity Of Selected Draw-A-Person Test Classifying Criteria Among Homosexual And Non Homosexual Males, Joel Von Ornsteiner Aug 1999

The Validity Of Selected Draw-A-Person Test Classifying Criteria Among Homosexual And Non Homosexual Males, Joel Von Ornsteiner

All-Inclusive List of Electronic Theses and Dissertations

The purpose of this study was to explore the validity of Machover's (1949) interpretation that attention to both the hips and buttocks drawn by male subjects in their first male Draw-A-Person Test (DAP) or the drawing of a female figure first are significant indicators of male homosexuality. The hypothesis was that the frequency of these homosexual indicators among non-instituted homosexuals would be significantly higher (P = < .05) than the male heterosexual group. One hundred homosexual and 100 heterosexual males were selected from groups of volunteers from two universities, one bookstore and a community center in the New York City area. The subjects were administered a DAP test in booklet format and a questionnaire. The drawings were classified for homosexual indicators blindly and independently by three judges who were trained in the use of the Machover interpretation of the DAP. Chi square analyses were calculated for the frequency of hips and buttocks and for the drawing of a female figure first and no significant differences between the self identified homosexual and heterosexual male groups in the expected direction were found. It was concluded that the lack of any significant difference between the scores of the homosexual and heterosexual males in this study casts considerable doubt on the validity of the male homosexual interpretations explored. Speculations were made concerning the widely discrepant results from past studies and this investigation. The majority of the past research had been conducted within institutional settings and there have been cultural changes over the last fifty years in both psychology and society's tolerance for the male homosexual. Unlike any previous DAP study, one-hundred urban homosexual and one-hundred heterosexual males were randomly selected. This researcher cautions that the DAP test should be interpreted with other available information, and results based on its independent use are viewed with much skepticism. Implications for future research were discussed.


Toward Historizing Gender In Polynesia: On Vilsoni Hereniko’S Woven Gods And Regional Patterns, Jeannette Marie Mageo Mar 1999

Toward Historizing Gender In Polynesia: On Vilsoni Hereniko’S Woven Gods And Regional Patterns, Jeannette Marie Mageo

Pacific Studies

This article considers possible parallels between Rotuman and Samoan gender history through Vilsoni Hereniko’s book Woven Gods. Hereniko draws upon the work of Victor Turner to analyze his Rotuman data, arguing that wedding clowns reverse normative social structures. Wedding clowns are expert female practitioners of Rotuman joking discourse. This discourse is not only ritualized on special occasions but is also an everyday informal discourse and, I argue, is in this sense normative; it counterbalances respect discourse, which is likewise practiced in ritual (ceremonial) contexts but also in everyday polite contexts. In the Samoan precolonial sex-gender system, males and females had …


Passing Performances: Conference Opens Closet Of American Theatre, James Wilson Jan 1999

Passing Performances: Conference Opens Closet Of American Theatre, James Wilson

Center for LGBTQ Studies (CLAGS)

Coincidentally, CLAGS's one-day symposium "Passing Performances: History, Evidence, Identification" occurred just as Hollywood's biggest film star publicly rejected the long-standing and wide-spread claims that he is gay. In a high-profile legal battle that concluded this past fall, Tom Cruise and his wife Nicole Kidman settled their libel suit against a London tabloid, which asserted that their eight-year marriage is actually a ruse constructed to conceal Cruise's alleged homosexuality. The couple reportedly settled for more than $500,000, and they hoped to quash rumors once and for all that their marriage is a sham. Even in this "post-Ellen" era, the suit reflects …


Uncanny Performances In Colonial Narratives: Josephine Baker In "Princess Tam Tam", Elizabeth Coffman Jan 1997

Uncanny Performances In Colonial Narratives: Josephine Baker In "Princess Tam Tam", Elizabeth Coffman

School of Communication: Faculty Publications and Other Works

No abstract provided.


A Message From The New Executive Director, Jill Dolan Jul 1996

A Message From The New Executive Director, Jill Dolan

Center for LGBTQ Studies (CLAGS)

I'm honored and pleased to be succeeding Marty Duberman as Executive Director of CLAGS. I taught in theatre and drama and women's studies at the University of Wisconsin-Madison before I accepted my present position in the PhD Program in Theatre at the CUNY Graduate Center. At Madison, teaching and writing in lesbian performance theory, the fact that a national center for lesbian and gay studies had been established in New York gave me a sense that the field in which I worked was arriving, securing its legitimacy and its vibrancy and insisting on its visibility. In my two years at …


A Good Country Gentlewoman: Catherine Clive's Epistolary Autobiography, Joallen Bradham Jul 1996

A Good Country Gentlewoman: Catherine Clive's Epistolary Autobiography, Joallen Bradham

Faculty Articles

Unable to play the gentlewoman on stage, Catherine Clive lived the part in retirement. Her letters document the days and ways of the gentlewoman, Clive's need to assume the role, and the actress's awareness that she performs. In all details, Clive's gentlewoman conforms to contemporary expectations of that figure.


Ua12/2/2 Xposure - Spring 1996, Wku Student Affairs Jan 1996

Ua12/2/2 Xposure - Spring 1996, Wku Student Affairs

WKU Administration Documents

1996 Xposure yearbook.

  • Davis, Amanda. College Bands
  • Witty, Patrick. Keeping His Composure: Award-Winning Conductor Visits – Karel Husa
  • Noel, Anthony. Eyes in the Dark – Tara Higdon, Stalking
  • Gamblin, Joe. The Thursday Night Ritual – Entertainment
  • Portrait Gallery – Neal Thomas, Tamico Johnson, Elin Ramberg, Larry Danielson, John Hildreth
  • Shain, Kimberly. Graves of Earthly Delights: Western Students Dig for Bones of Confederate Soldiers – Archaeology, Sons of Confederate Veterans
  • Wade, Molly. College Habitats – Dormitories, Apartments
  • Hieb, Dan. The Underground Club – Green River Grotto, Spelunking, Caves
  • 35th Annual Student Art Competition
  • Gamblin, Joe. WWF . . . Or …


A Collection Of Gay Plays, Floyd Edward Reed Aug 1995

A Collection Of Gay Plays, Floyd Edward Reed

All-Inclusive List of Electronic Theses and Dissertations

This thesis, 8 Collection of Gay Plays, contains three one act plays which reflect different aspects,of gay life. In the first play, "Awakening," a recent college graduate is forced to deal with his own sexuality by watching those around him embrace their respective homosexuality or bisexuality. The second play is a romantic comedy. P.K., the central character in "Something's Cooking in the Kitchen with P.K.," must choose between two men who say they love him. In the process, he learns that he doesn't need to have someone to be whole, and he learns what it means to be loved. Finally, …


Asses And Wits: The Homoerotics Of Mastery In Satiric Comedy, Mario Digangi Apr 1995

Asses And Wits: The Homoerotics Of Mastery In Satiric Comedy, Mario Digangi

Publications and Research

This essay explores master-servant homoeroticism in three seventeenth-century satiric comedies: Ben Jonson's Epicoene and Volpone and George Chapman's The Gentleman Usher. Whereas "sodomy" always signifies social disorder, "homoerotic" useful for describing same-sex relations that are socially normative or orderly. Thus homoerotic master-servant relations become "sodomitical" only when they are perceived to threaten social order. In Epicoene, the character associated with the disorder of "sodomy" is neither Dauphine or Epicoene, but the "unnatural" Morose, even though he has not literally had sex with the boy he marries. The erotic master-servant relationship in Volpone is sodomitical because it transgresses against …


Grupo Ubú: El Edificio De La Identidad En Barriendo Sombras, Cesar Valverde Jan 1995

Grupo Ubú: El Edificio De La Identidad En Barriendo Sombras, Cesar Valverde

Scholarship

No abstract provided.


Vol. 17 No. 3 (1994): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Sep 1994

Vol. 17 No. 3 (1994): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …


Vol. 17 No. 3 (1994): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Sep 1994

Vol. 17 No. 3 (1994): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …


Contributors: Vol 17 No. 3, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Sep 1994

Contributors: Vol 17 No. 3, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Contributors list of Vol. 17 (1994): Pacific Studies Full Issue 3


Books Received And Book Notices, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Sep 1994

Books Received And Book Notices, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Book Listing for the Vol 17, No 3 Edition of the Pacific Studies Journal


Marsha Norman's Ghosts: The Embodiment Of The Past On The Stage, Jennifer Anne Workman Aug 1993

Marsha Norman's Ghosts: The Embodiment Of The Past On The Stage, Jennifer Anne Workman

All-Inclusive List of Electronic Theses and Dissertations

This study focuses on the role of the ghost figure in Marsha Norman's drama. In order to understand how this ghost figure is unique to her drama, but at the same time has roots in the American theater, I first examine her relationship to her American predecessors and their portrayal of the past in order to later show how the ghost figure is Norman's "device" that she uses to explore the past on the stage. I then attempt to determine her relationship to the current movements with which she is most often associated: new realism and feminism. Because new realism …


Vol. 16 No. 1 (1993): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Mar 1993

Vol. 16 No. 1 (1993): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …


Books Received And Book Notices, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Mar 1993

Books Received And Book Notices, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Book Listing for the Vol 16, No 1 Edition of the Pacific Studies Journal


Vol. 16 No. 1 (1993): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Mar 1993

Vol. 16 No. 1 (1993): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …


Contributors: Vol 16 No. 1, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Mar 1993

Contributors: Vol 16 No. 1, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Contributors list of Vol. 16 (1993): Pacific Studies Full Issue 1


A Zepetneki Tötösy Család Adattára / Records Of The Tötösy De Zepetnek Family, Steven Totosy De Zepetnek Jan 1993

A Zepetneki Tötösy Család Adattára / Records Of The Tötösy De Zepetnek Family, Steven Totosy De Zepetnek

CLCWeb Library

A Zepetneki Tötösy család adattára/Records of the Tötösy de Zepetnek Family (Szeged: Attila József University, 1993. ISBN 9634819141 ©Steven Tötösy de Zepetnek https://docs.lib.purdue.edu/clcweblibrary/totosyrecords1993 ) contains transcripts of published data, archival and family documents, and genealogies of the Tötösy de Zepethnek family and its selected collateral families. A Zepetneki Tötösy család adattára includes data about other Töt(t)ös(s)(i)y families not related by origin to the Tötösy de Zepetnek family. The revised and updated version of the 1993 print book is Records of the Tötösy de Zepetnek Family/A Zepetneki Tötösy család adattára. West Lafayette: Purdue University Press, 2010-. ISSN 1715-152X …


In Common: Voices Of The Common Woman, Zoanne Allen Jan 1988

In Common: Voices Of The Common Woman, Zoanne Allen

Masters Theses

This is an original compiled script of selected materials relating to the common experiences of women. The intention was to present a work that would touch all women by describing experiences that are shared among us generally. The script utilized materials from a variety of sources: prose, diaries, poems and plays. The tone of the pieces selected were both serious and humorous. Through the assembling of these pieces, a complete script was created. The final goal of the work was to create a sense of bonding among the women in the audience. Secondarily, the male members of the audience should …


Gay Side Story Original Poster, Audacity Theater Jan 1983

Gay Side Story Original Poster, Audacity Theater

Gay Side Story

Poster for original production of GAY SIDE STORY as presented in conjunction with Symposium X at the University of Southern Maine, 1983.


Gay Side Story Original Script, Diane Elze Jan 1983

Gay Side Story Original Script, Diane Elze

Gay Side Story

Original script for Gay Side Story

WRITTEN BY

Avis

Diane Elze

Rico Estabrook

John Frank

Dale McCormick

Tony Norton

Cheryl Ring

Chris Thurston


Gay Side Story Scrapbook, Gay Side Story Collection Jan 1983

Gay Side Story Scrapbook, Gay Side Story Collection

Gay Side Story

Scrapbook containing photographs and ephemera from original 1983 production of Gay Side Story.

The full playbill can be seen here.


Gay Side Story Playbill, Gay Side Story Collection Jan 1983

Gay Side Story Playbill, Gay Side Story Collection

Gay Side Story

1983 Playbill for Gay Side Story with forward by John Frank

WRITTEN BY

Avis

Diane Elze

Rico Estabrook

John Frank

Dale McCormick

Tony Norton

Cheryl Ring

Chris Thurston

WITH SPECIAL THANKS TO

Leonard Bernstein

Arthur Lawrence

Stephen Sondheim

Phil Spector