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Articles 631 - 660 of 1312
Full-Text Articles in Feminist, Gender, and Sexuality Studies
Female Fantastic In Anthologies: Gendering The Genre And Its Discourse, Anna Boccuti
Female Fantastic In Anthologies: Gendering The Genre And Its Discourse, Anna Boccuti
CLCWeb: Comparative Literature and Culture
In the last decades, the fantastic literature written by women has been the subject of various studies, which, from different standpoints, have tried to investigate the characteristics of the female fantastic. In this essay, after a critical review of the most prominent theories about the so-called feminine fantastic and female writing, I will focus on the narrative strategies of the female fantastic. Through the close reading of the anthologies Tra due specchi. 18 racconti di scrittrici latinoamericane, and Insólitas. Narradoras de lo fantástico en Latinoamérica y España, I’ll try to draw a cartography of the Hispanic …
The Female Fantastic Vs. The Feminist Fantastic: Gender And The Transgression Of The Real, David Roas
The Female Fantastic Vs. The Feminist Fantastic: Gender And The Transgression Of The Real, David Roas
CLCWeb: Comparative Literature and Culture
Since Ann Richter coined the term “fantastique féminin” in 1977, many works in different languages have postulated a “female” way of writing fantastic texts, depending on the selection of themes, language, characters, supernatural elements, and the portrayal of the uncanny and the monstrous. This claim on the existence of a "female fantastic" reflects central issues in Feminist Literary Theory: on the one hand, the will to identify an aesthetic mode opposed to the dominant patriarchal discourse (female writing, the use of specific themes, etc.); on the other hand, the argument that there are marginal genres, forms and styles voluntarily removed …
Introduction: New Perspectives On The Female Fantastic, David Roas, Patricia Garcia
Introduction: New Perspectives On The Female Fantastic, David Roas, Patricia Garcia
CLCWeb: Comparative Literature and Culture
No abstract provided.
Night Of Awakening: Strength And Empowerment In The Young Adult Fiction Genre, Shelby Ann Davis
Night Of Awakening: Strength And Empowerment In The Young Adult Fiction Genre, Shelby Ann Davis
Undergraduate Honors Theses
The Young Adult Fantasy genre is often written off as a useless, or immature form of writing. However, there are studies that prove that this specific genre is not only engaging, but it is also empowering for young readers. By writing toward adolescent readers, authors are able to promote various ways in which their characters adjust or interact with their surroundings, which also influences their readers’ self and social awareness. By representing feminist perspectives and depicting the effects of trauma, YA literature fosters progressive social change and conveys the importance of mental health. In writing my own novel, The Night …
Educating For Global Competence: Co-Constructing Outcomes In The Field: An Action Research Project, Kristina A. Van Winkle
Educating For Global Competence: Co-Constructing Outcomes In The Field: An Action Research Project, Kristina A. Van Winkle
Antioch University Dissertations & Theses
Capacity building for globally competent educators is a 21st Century imperative to address contemporary complex and constantly changing challenges. This action research project is grounded in positive psychology, positive organizational scholarship, relational cultural theory, and relational leadership practices. It sought to identify adaptive challenges educators face as they try to integrate globally competent teaching practices into their curricula, demonstrate learning and growth experienced by the educators in this project, and provide guidance and solutions to the challenges globally competent educators face. Six educators participated in this three-phase project, which included focus groups, reflective journal entries, and an exit interview. Data …
Print Culture, Digital Culture, Poetics And Hermeneutics: Discussion With J. Hillis Miller, Liyuan Zhu
Print Culture, Digital Culture, Poetics And Hermeneutics: Discussion With J. Hillis Miller, Liyuan Zhu
CLCWeb: Comparative Literature and Culture
This paper is a response to Hillis Miller’s query on the author’s essay “Hillis Miller on the End of Literature.” The author basically agrees with Miller’s view on the shift from print culture to digital culture, explaining the special cultural context under which Chinese scholars emphasize the visual turn. Based on the rapid development of Chinese online literature, the author points out that print culture does not rival but coexists with digital culture. On the other hand, drawing on Aristotle’s Poetics and insights of several leading figures of contemporary hermeneutics, the author contends that Miller’s dichotomy of poetics (form) and …
China Question Of Us-American Imagism, Qingben Li
China Question Of Us-American Imagism, Qingben Li
CLCWeb: Comparative Literature and Culture
This paper investigates first the influences of ancient Chinese culture on Ezra Pound, and then Pound’s influence on the New Culture Movement of modern China (1917). It is a kind of circular journey of literary texts and theories from ancient China to the West and then back to China. This journey, or “circle model,” involves textual appropriation, variation, transformation and misunderstanding in every stage.
Western Theory And Historical Studies Of Chinese Literary Criticism, Zhirong Zhu
Western Theory And Historical Studies Of Chinese Literary Criticism, Zhirong Zhu
CLCWeb: Comparative Literature and Culture
This paper examines the formation of modern historical studies of classical Chinese literary criticism in terms of its interaction with and transformation of western theory. The discipline emerged during the eastward movement of Western ideas in the early twentieth century, promoting the “scientific study” of classical Chinese learning, and instituting curriculum and textbooks in Chinese universities. The reception of Western concepts of “literature” and “literary criticism” in the early twentieth century, largely through Japan, laid the very foundation of historical studies of classical Chinese literary criticism as an independent subject of study. This paper argues that when adopting Western methods …
The Chuanyue (Traversing) Of Western Cultural Industry Theories In China, Hui Li, Naihai Zhai
The Chuanyue (Traversing) Of Western Cultural Industry Theories In China, Hui Li, Naihai Zhai
CLCWeb: Comparative Literature and Culture
This paper discusses the reception and transformation of western theories of Culture Industry in China during the Reform Era (1978-present). It proposes the term 穿越 (chuanyue, traverse), rather than communication or traveling theory, in order to probe into the complexity of the interaction, modification and transformation of western theories of Culture Industry and creative industries in China. The paper focuses on 1) issues of time lag or disjunction, in that it took more than half a century for the critique of Culture Industry to enter China; 2) divergent interpretations of Culture Industry with a strong critical edge of …
Cinematic Representation Of Ethnic Minorities In Prc And Postcolonialism, Xinyu Lu
Cinematic Representation Of Ethnic Minorities In Prc And Postcolonialism, Xinyu Lu
CLCWeb: Comparative Literature and Culture
This paper explores the notions of “Sinophone” and “Chinese-language cinema” under the rubrics of postcolonialism in Chinese film studies both in China and elsewhere around the world. The paper argues that these postcolonial-inspired notions misconstrue Chinese national identity building as imperialist/colonialist endeavours, and dichotomize Han and Chinese ethnic minorities. The paper offers its counterargument by examining cinematic practices of people’s cinema, minority nationality films and native-language films in the PRC.
“Western Marxism” In Mao’S China, Jun Zeng, Yichen Wang
“Western Marxism” In Mao’S China, Jun Zeng, Yichen Wang
CLCWeb: Comparative Literature and Culture
China’s reception of “Western Marxism” is a critical part of the global history of Marxism. This paper examines three aspects of the reception of Western Marxism in literary and art criticism during the early years of Mao’s China (1949-65): the Western Marxist critique of surrealism, debates over Marx’s Economic and Philosophical Manuscripts of 1844, and Sartrean existentialism and Western Marxism. The impacts of Western Marxist literary thought upon Chinese literary studies during the early years of the PRC are discussed, along with the extensive influx of Western Marxism that began in the reform era of post-Mao China (1978- ) …
Late Postmodernism, Nicholas Brown
Late Postmodernism, Nicholas Brown
CLCWeb: Comparative Literature and Culture
No abstract provided.
Sedimented Forms: Coming Back To Autonomy, Marina Vishmidt
Sedimented Forms: Coming Back To Autonomy, Marina Vishmidt
CLCWeb: Comparative Literature and Culture
No abstract provided.
The Minimal Politics Of Autonomy, Myka Tucker-Abramson
The Minimal Politics Of Autonomy, Myka Tucker-Abramson
CLCWeb: Comparative Literature and Culture
No abstract provided.
Immanuel Kant’S Manifesto For Dad Rock, Christian Thorne
Immanuel Kant’S Manifesto For Dad Rock, Christian Thorne
CLCWeb: Comparative Literature and Culture
No abstract provided.
Genre’S Autonomy, Autonomy’S Genre, Tim Lanzendörfer
Genre’S Autonomy, Autonomy’S Genre, Tim Lanzendörfer
CLCWeb: Comparative Literature and Culture
No abstract provided.
Admiring Autonomy, Fabio Akcelrud Durão
Admiring Autonomy, Fabio Akcelrud Durão
CLCWeb: Comparative Literature and Culture
No abstract provided.
When ‘Interplay Is The Content Of The Work’—A Response To Nicholas Brown’S Autonomy, Elise Archias
When ‘Interplay Is The Content Of The Work’—A Response To Nicholas Brown’S Autonomy, Elise Archias
CLCWeb: Comparative Literature and Culture
No abstract provided.
Aesthetics Today, Fredric Jameson
Aesthetics Today, Fredric Jameson
CLCWeb: Comparative Literature and Culture
No abstract provided.
Stray Thoughts And Desire Paths—A Dialogue, Jenna Butler, Yvonne E. Blomer
Stray Thoughts And Desire Paths—A Dialogue, Jenna Butler, Yvonne E. Blomer
The Goose
In this dialogue, authors, teachers, and environmentalists Yvonne Blomer and Jenna Butler discuss the ways in which our desire paths—our intents for our lives—have changed since the start of the pandemic. Covering women's writing, feminism, daily life during the pandemic, environmentalism, and race, this dialogue is an act of allyship from two women of different backgrounds writing together.
“If Aristotle Had Cooked”: Contemporary Feminist Practices Within The Rhetoric Of Young Latinas’ Spoken Word Performances, Nora K. Rivera
“If Aristotle Had Cooked”: Contemporary Feminist Practices Within The Rhetoric Of Young Latinas’ Spoken Word Performances, Nora K. Rivera
English Faculty Articles and Research
Over three hundred years have passed since Sor Juana Inés de la Cruz, the first feminist in the Americas, wrote her famous response defending her right to learn and to speak through her poetry. Today, the spoken word poetry of Melissa Lozada-Oliva, Denice Frohman, Mercedez Holtry, Melania Luisa Marte, and Elizabeth Acevedo grapples with the same matters Sor Juana did more than three hundred years ago. This article analyzes the feminist practices within the rhetoric of the spoken word performances of Lozada-Oliva, Frohman, Holtry, Marte, and Acevedo by positioning their work as performed testimonios (Blackmer Reyes and Curry Rodriguez 2012; …
10 Theses On Feminist Economics (Or The Antagonism Between The Strike And Finance), Luci Cavallero, Verónica Gago
10 Theses On Feminist Economics (Or The Antagonism Between The Strike And Finance), Luci Cavallero, Verónica Gago
CLCWeb: Comparative Literature and Culture
In their article, “10 Theses on Feminist Economics (or the antagonism between the strike and finance),” Luci Cavallero and Verónica Gago are interested in a feminist economics that is able to redefine, based on the bodies and territories in conflict, labor and exploitation, communal and feminized modes of doing and resisting, and popular innovation in moments of crisis. They write from the position of having formed part of the organizing for the feminist strike that, since 2016, has driven what they characterize as a massive, radical, and transnational movement. They root the theses that they synthesize here in that dynamic …
Readymade Or Made [To Be] Ready, Replicant Or Surplus: Social Reproduction And The Biopolitics Of Abstraction Prefigured In Contemporary Art, Jaleh Mansoor
CLCWeb: Comparative Literature and Culture
The artist may be one of the last subject-positions within capitalism to determine their own labour under the sign of “creativity,” and to be held at an oblique angle to value productive labour; they are dialectically “free” to be creative (Adorno, Vishmidt, Stakemeir, Beech). But since 1973 if not 1915, artists mark this creative capacity as a process whereby reification has migrated from that of the object to that of the subject, to the artist-subject, now heightened in a post-industrial era of “feminized” and immaterial labour where service eclipses production. Artists in the “post medium condition” elaborate practices that track …
Detroit’S Water Wars: Race, Failing Social Reproduction, And Infrastructure, Brian Whitener
Detroit’S Water Wars: Race, Failing Social Reproduction, And Infrastructure, Brian Whitener
CLCWeb: Comparative Literature and Culture
In this essay, I theorize an emergent urban power dynamic of infrastructural resource grabs or the use of state power to transfer infrastructural resources away from marginalized, racialized, and/or precariously documented populations. As a transfer, rather than a set of cuts or privatizations, I argue this dynamic is distinct from those of neoliberal or “shrinking” states and is a direct attack on the social reproduction capacity of communities and individuals. Focusing on the case of Detroit, where predominantly white suburban elites succeeded under the cover of Detroit’s 2013-14 bankruptcy proceedings to pry the possession of the water and sewage infrastructure …
(Un) Continuity In E-Lit In Portuguese And Spanish, Vinicius Carvalho Pereira, Tina Escaja
(Un) Continuity In E-Lit In Portuguese And Spanish, Vinicius Carvalho Pereira, Tina Escaja
Electronic Literature Organization Conference 2020
The creation of digital literature in Portuguese and Spanish has shown a constant engagement with fluidity and change. Whereas the topics developed in e-lit in Portuguese and Spanish have shown a continuum as manifested by the use of metaphors to represent popular culture, high culture and gender issues, the media used to express those concepts has shown (un)continuity by relying in new digital means that open up new possibilities of expression, representation and dissemination. The two papers in this panel explore how e-lit provides a new medium to present the myth of the labyrinth in digital poems that challenge our …
“Making The World A Better Place To Live In”: Hattiesburg Women’S Literary Organizations And The Formation Of A Progressive Southern City, 1884-1945, Daniella Kawa
Master's Theses
This study examines the activity and impact of white women’s literary clubs in Hattiesburg, Mississippi between 1884 and the end of World War II in 1945. This project examines to what extent women adhered to or broke away from societal norms of the time by involving themselves in intellectually stimulating groups with other women, especially in response to rapidly changing standards of femininity and womanhood during the Progressive era. Women’s literary clubs reveal patterns of women moving out of the home and into a public role, in addition to signifying the new ways in which women fit themselves into a …
Curating Digital Pedagogy In The Humanities, Katherine Harris, Matthew Gold, Rebecca Frost Davis
Curating Digital Pedagogy In The Humanities, Katherine Harris, Matthew Gold, Rebecca Frost Davis
Faculty Research, Scholarly, and Creative Activity
This is the published introduction to the born-digital, open-access, peer-reviewed *Digital Pedagogy in the Humanities*. More a rationale and scholarly study of both Digital Pedagogy and DPiH in general, this introduces articulates the uses, theory, rationale about digital pedagogy as it has been shaped in U.S. institutions since the explosion of Digital Humanities in 2009. As a separate field now, Digital Pedagogy is built on the generosity of its practitioners, but saving the *stuff* of teaching and pedagogy is difficult. The introduction historicizes this now-published project, its open peer review process, and its development in the early years (starting in …
Why I Write In Yiddish, Karen Alkalay-Gut
Why I Write In Yiddish, Karen Alkalay-Gut
CLCWeb: Comparative Literature and Culture
No abstract provided.
“The Poem Is What Lies Between A Between”: Mahmoud Darwish And The Prosody Of Displacement, Ayelet Even-Nur
“The Poem Is What Lies Between A Between”: Mahmoud Darwish And The Prosody Of Displacement, Ayelet Even-Nur
CLCWeb: Comparative Literature and Culture
Palestinian poet Mahmoud Darwish grew up in Israel as an internal refugee living under Israeli military rule, legally classified as a “present-absentee alien.” This article focuses on his 1995 volume of poetry, Limādhā tarakta al-ḥiṣān waḥīdan? (Why Did You Leave the Horse Alone?), to study the manner in which Darwish’s cultivation of the musical and aural aspects of poetry serves as a means of poetically attending to the effects of dispossession and displacement. Through a discussion of the poems in the collection’s fourth section, Ghurfa l’il kalām maʿ al-nafs (A Room to Talk to Oneself …
Queering Identity Politics In Shimon Adaf’S Aviva-No, Yael Segalovitz
Queering Identity Politics In Shimon Adaf’S Aviva-No, Yael Segalovitz
CLCWeb: Comparative Literature and Culture
This article offers a queer reading of Shimon Adaf’s volume of poetry, Aviva-No (2009), analyzing it in conjunction with his recent collection of essays on identity formation, Ani aherim (I am others) (2018). Adaf’s oeuvre has been primarily studied through the lens of ethnicity and race. This article demonstrates that gender plays a key role in his body of work. Aviva-No, which is a lamentation for the poet’s sister, destabilizes the boundaries between the mourning brother and the absent sister. This ontological deconstruction stimulates in Aviva-No a broader undoing of gender as an embodied identity. The volume is replete …