Feminist, Gender, and Sexuality Studies Commons^™

‘Mony Prowde Wordez’: Pronominal Speech Acts, Identity And Community In Sir Gawain And The Green Knight, Katharine Jager

Medieval Feminist Forum: A Journal of Gender and Sexuality

This paper examines distinctions between Middle English second person pronouns thou and you and argues that such distinctions provide an important measure by which to understand late medieval chivalric masculinity.

Between Life And Literature: The Influence Of Don Quixote And Madame Bovary On Twentieth-Century Women's Fiction, Victoria Tomasulo

Dissertations, Theses, and Capstone Projects

This project demonstrates the influence of two foundational novels in the Western canon, Don Quixote and Madame Bovary, on twentieth-century British, Italian, and Anglo-American women’s fiction. Both novels illustrate the dangers and pleasures of literary influence. Stylistically innovative, they anticipated concerns that were of import to feminist literary critics in the seventies and beyond: the transformative power of the reading encounter, its normative and subversive effects on gendered identities, and the need of individual writers to liberate themselves from the shackles of literary convention. Drawing upon textual and paratextual evidence such as interviews, journal entries, and essays, I argue …

British Women Writers Conference Call For Papers

Honorable Mention

For its 25th annual meeting, the British Women Writers Conference invites papers and panel proposals considering the theme of “Generations.

Genre Categorization In Contemporary British And Us-American Novels, Carlos Ceia

CLCWeb: Comparative Literature and Culture

In his article "Genre Categorization in Contemporary British and US-American Novels" Carlos Ceia discusses a certain type of resistance to genre categorization in many novels in contemporary literature. Many British and US-American contemporary novels show patterns in narrative creativity where novel-writing techniques are sometimes more important than the traditional subject matter driven work of fiction. Ceia reviews experimental/metafictional novels which do not show intent to fulfil an aesthetic role pre-determined in a certain moment in history. Not having this kind of burden before them, many contemporary British and US-American novelists devote their artistic imagination more to the "potential" of the …

Animals In Irish Literature And Culture Edited By Kathryn Kirkpatrick And Borbála Faragó, Geneviève Pigeon

The Goose

Review of Kathryn Kirkpatrick and Borbála Faragó's Animals in Irish Literature and Culture.

Exposing The “Shadow Side”: Female-Female Competition In Jane Austen’S Emma, Melissa M. Lyman

LSU New Orleans Theses and Dissertations

Many critics have examined the shifting nature of female friendship in Jane Austen’s Emma from cultural and historical angles. However, a comprehensive scientific analysis of female-female alliance and competition in the novel remains incomplete. The Literary Darwinist approach considers the motivations of fictional characters from an evolutionary perspective, focusing primarily on human cognition and behaviors linked to reproductive success, social control, and survival. While overt physical displays of male competition are conspicuous in the actions of the human species and those of their closest primate relatives, female aggression is often brandished psychologically and indirectly, which makes for a much more …

Desdemona's Dildo: Fetish Objects And Transitional Sex In Othello, Perry Guevara

Early Modern Culture

No abstract provided.

Playing With Matches: Matchmaking As Authorship In The Nineteenth-Century Marriage Plot, Colleen Cusick

Dissertations, Theses, and Capstone Projects

This dissertation examines the narrative treatment of matchmakers in British marriage plots across the nineteenth century. In an era of increasing state control over marriage and the rising ideology of romantic marriage, the matchmaker represents the communal courtship practices of the past. As such, she offers both a threat to the emerging status quo and a reminder of the persistence of superseded cultural forms in the modern marriage system. Simultaneously, she constitutes an image of female creativity and authority that speaks to concerns about the professionalization of novel-writing and the place of women writers within that profession. Through this focus …

Heavy Expectations: Reading Pregnancy In The Victorian Novel, Livia Arndal Woods

Dissertations, Theses, and Capstone Projects

This dissertation articulates the tendency of Victorian novels to make legible only the pregnant bodies of immodest characters who transgress gendered ideologies while the pregnant bodies of modest characters tend to go undescribed. Tracing the medicalization of pregnancy and childbirth over the course of the long nineteenth century, my chapters demonstrate the function of moralizing narrative conventions in the representation of pregnancy in mid-Victorian novels, of a self-conscious use of free indirect diagnosis in high-Victorian fiction, and a shift at the fin-de-siècle from pregnancy as a signifier of morality to a symptom of unstable minds. The novels I read closely …

Diagnoses By Gender: The Consequences Of Treatment Of The Mentally Ill In Virginia Woolf's The Waves And Mrs. Dalloway 2016, Erika Nichole Jackson

Master's Theses

“Insanity is purely a disease of the brain…The physician is now the responsible guardian of the lunatic, and must ever remain so.” Sir John Charles Bucknill (1897)

Mental illness has consistently been and continues to be a subject that is viewed as taboo by society, especially when it comes to diagnosing a patient. Instead of acknowledging a person’s actions, thoughts, and words, society continually disregards mental illness as something that is negative and to be feared. The fact that this area of medicine can be difficult and distressing makes it all the more important to continue research. It is true …

Dandy As Disease: Gender Hygiene And British Nineteenth-Century Literature, Sharon Louise Fox

Graduate Theses and Dissertations

“Dandy as Disease: Gender Hygiene and British Nineteenth-century Literature” explores the link between the nineteenth-century dandy, ideas of hegemonic masculinity, and Walter Besant’s The Revolt of Man, a dystopian text in which women have usurped all traditionally-masculine roles, while men are the caretakers and manual workers. The first chapter deals with the historical role of the dandy in the nineteenth-century and how he might be viewed as the cause of the fall of Britain. The second chapter revolves around Besant’s novel, exploring how men are shown to be at fault for Britain’s fall in the eyes of the rest of …

“Deliberate Voluptuousness”: The Monstrous Women Of Dracula And Carmilla, Judith Bell

Graduate Theses and Dissertations

Vampire women play a culturally significant role in films and literature by revealing the extent to which deviation from Socially accepted behavior is tolerated. In this thesis, I compare the vampire women of Bram Stoker’s Dracula and J. Sheridan Le Fanu’s Carmilla to their depictions in recent adaptations. In Stoker’s Dracula, the vampire sisters are representative of the shortcomings of 19th century gender roles, especially in regard to women’s communities. In recent adaptations, the vampire sisters’ revealing clothing, promiscuity, and lack of characterization are still closely connected with villainy, and as in Stoker’s novel, the women’s violent deaths in the …

A Band Of Sisters: Female Detectives, Authority, And Fiction From 1864 To The 1930s, Amanda Renee Schafer

Graduate Theses and Dissertations

Because mystery and detective fiction have been classified as “popular” genres, the complex ideas and ideologies that the authors work with and within reach a wide and varied audience through formulaic and familiar ways. The perceived conservatism of the genre allows authors to present and pursue distinctly anti-conservative views in disguise. For fictional detectives and, especially female detectives, disguise is an effective tool for solving their cases. Often, these detectives will disguise themselves as someone infinitely more conservative than they are in order to gain access to their quarry. Similarly, mystery and detective fiction wear a cloak of conservatism to …

Review Of Amy Culley, British Women’S Life Writing, 1760-1840, Elizabeth Zold

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

Review Of Sarah Raff, Jane Austen's Erotic Advice, Danielle Spratt

ABO: Interactive Journal for Women in the Arts, 1640–1830

A book review of Sarah Raff's Jane Austen's Erotic Advice.

Review Of Dale Townshend And Angela Wright, Eds., Ann Radcliffe, Romanticism And The Gothic, Ellen Malenas Ledoux

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

“Abused, Neglected,—Unhonoured,—Unrewarded”: The Economics Of Authorial Labor In The Writings Of Mary Robinson, Jennifer L. Airey

ABO: Interactive Journal for Women in the Arts, 1640–1830

This essay examines one of the central preoccupations of Mary Robinson’s authorial career, a concern with the poor financial treatment of authors. Writers, Robinson suggests, are demeaned by predatory publishers, heartless or anti-intellectual aristocratic patrons, and a disinterested, distractible reading public, none of whom care to compensate the author for the labors of her pen. In a culture that neither recognizes nor rewards female intellect, women authors are particularly vulnerable, but Robinson’s criticisms transcend the problems caused by gender alone; male authors, too, could fall into penury when their labor was insufficiently valued. Rejecting the Romantic ethos of the solitary …

“See Ourselves As Others See Us”: Empathy Across Gender Boundaries In James Joyce’S Ulysses, Madison V. Chartier

Butler Journal of Undergraduate Research

Many critics originally attacked James Joyce’s Ulysses for its dark representation of gender relations. Today, many scholars consider this criticism prematurely formed and recognize that these early critics responded more to Stephen Dedalus’s antagonistic, misogynistic views in the novel’s opening chapters than to the rest of the epic and the views of the novel’s main protagonist, Leopold Bloom, who displays a much more receptive, appreciative attitude toward women. These scholars now believe that gender relations as portrayed in Ulysses actually undermine preconceived notions of a gendered hierarchy. However, this difference in character perspective is not the only or even the …

"Silence Laps Smooth Over Sound': Sound, Gender, And War, In Jacob's Room", Betsy Lawson

SEWSA 2016 Intersectionality in the New Millennium: An Assessment of Culture, Power, and Society

In A Room of One’s Own, as well as in Three Guineas, Virginia Woolf contends that the devaluing of women and the perpetuating of women’s inferiority facilitate all heroic and violent action (A Room of One’s Own, 36). In this paper, I’ve applied Woolf’s argument to her 1922 novel, Jacob’s Room, and focused on the ways in which certain sounds become gendered as masculine or feminine and devalued accordingly, leading to a masculine society that operates on masculine ideals. In Jacob’s Room, women’s voices are characterized as chatty and empty, where men’s voices exude authority and …

Ghosts And Angels In The House: Cecilia De Noel And The Search For Faith In The Late Nineteenth Century, Christine Sutphin

English Faculty Scholarship

The nineteenth century, so often thought of as the age of scientific theory, technological change, and realism in fiction, abounds with supernatural phenomena. While some readers and observers of culture could define practices and texts related to the supernatural as pernicious because irreligious or unscientific, others could appreciate ghost stories at least as imaginative entertainment resulting in pleasurable fear but not otherwise significant. However, these stories can be read as serious and profound explorations of the unknown and the moral, philosophical, and spiritual questions with which we continue to struggle.

Of all the ghost stories published during the period, perhaps …

The Weight Of “Glory”: Emily Dickinson, George Eliot, And Women’S Issues In Middlemarch, Megan Armknecht

Criterion: A Journal of Literary Criticism

No abstract provided.

Oceans And Ecotones In Mary Shelley’S Maurice, Or The Fisher’S Cot, Colin Carman

Landscapes: the Journal of the International Centre for Landscape and Language

This essay is about oceans in one of Mary Shelley’s non-canonical works, Maurice, or the Fisher’s Cot: A Tale (1820), and the relatedness of humans to their ocean environments; it’s also about Shelley’s representations of those rich and diverse life-forms that populate the edge between sea and land-mass and within what ecologists refer to as an “ecotone.” By characterising the ocean as an ecotone in Maurice, Shelley makes explicit a more eco-conscious way of understanding the nature/culture dichotomy and in terms that directly involve the shifting boundaries between land and sea, saltwater and freshwater, human and animal. This English Romantic …

Reconsidering The Emergence Of The Gay Novel In English And German, James P. Wilper

Purdue University Press Books

In Reconsidering the Emergence of the Gay Novel in English and German, James P. Wilper examines a key moment in the development of the modern gay novel by analyzing four novels by German, British, and American writers. Wilper studies how the texts are influenced by and respond and react to four schools of thought regarding male homosexuality in the late nineteenth and early twentieth centuries. The first is legal codes criminalizing sex acts between men and the religious doctrine that informs them. The second is the ancient Greek erotic philosophy, in which a revival of interest took place in the …

Ceasing To Run Underground: 20th-Century Women Writers And Hydro-Logical Thought, Annie M. Cranstoun

Dissertations, Theses, and Capstone Projects

Starting from two central ecopoetic convictions—the constitutive role of environment in human experience (and vice versa), and text’s ability to connect with the world—this dissertation then moves in a different direction from most ecocritical projects. Instead of looking at the ways literary representation flows back into nature in the forms of attitude, praxis, and policy, this study focuses on the earlier part of the loop: the emergence of text from environment, particularly its aquatic parts, via the faculty of the imagination. In its scrutiny of images that spring directly from matter and its faith in the concept of a personal …

Remembering Barbara Hardy, Beryl Gray

The George Eliot Review Online, ISSN: 2831-5375

I don't compare my intellectual capacity with Lydgate's, but I do remember the precise moment when I knew that the study and potentially the teaching of 'English' were absolutely what I wanted to commit myself to for the rest of my working life, an already distinctly 'mature' student though I was. That moment occurred during my first year at Birkbeck, when Barbara was lecturing on Samuel Richardson's vast epistolary work of fiction, Clarissa, and showing how Clarissa's syntax is one of the ways in which the nature of her intelligence is distinguished from that of every other character in the …

In Memoriam, Bill Adams (1923-2016), John Burton

The George Eliot Review Online, ISSN: 2831-5375

With the passing of Bill Adams at the age of 92 we have truly reached the end of an era. Bill had a close association with the George Eliot Fellowship for fifty years and only two days before his death on 21 June he had laid a wreath ih Nuneaton, as the Fellowship's guest of honour, and after his speech enjoyed chatting at the museum tea room with guests and members, some of whom he had known for decades.

Barbara Hardy (1924-2016), Isobel Armstrong

The George Eliot Review Online, ISSN: 2831-5375

This will be a very personal obituary because in losing Barbara I lost one of the profoundest friendships of my life. Her demanding intellectual boldness and buoyant strength of mind were immediately striking. But she also had a capacity for warmth and joy and enthusiasm, a warmth that was evident in the home environment she created: to enter her Earl's Court flat was like entering a Matisse painting - full of colour, oriental carpets, bowls and pots, and paintings by her daughter, Kate. I was lucky enough to experience that warmth and energy less than a week before she died, …

In Janet Dempster's Footsteps: Reminiscence, David Harper

The George Eliot Review Online, ISSN: 2831-5375

The road from Trent Valley Station down towards the town centre curves gently past the row of horse-chestnuts in Bond Gate with their white candles. To the young boy arriving to take up residence in Nuneaton it promised something new, always interesting, always just out of reach.

From my earliest years I was a keen reader and felt the privilege of our local author's being one of the unquestioned greats; but it was George Eliot's north Warwickshire that initially attracted me, with The Mill on the Floss and Si/as Marner my favourites. This was reinforced by cycling the lanes for …

'Woman's Freedom Lies In Choosing The Husband Who Is To Be Her Master': Existentialism And The Female Slave In Daniel Deronda, Marianne Burton

The George Eliot Review Online, ISSN: 2831-5375

Various commentators have suggested that Daniel Deronda can be read as a text which espouses early existentialist principles, elevating the individual's search for personal truths above society's expectations and conceptions of duty. I am going to suggest that Deronda 's proto-existentialism is of particular interest when viewed as poised between nineteenth- and twentieth-century formulations of existentialism, the godly and the godless, and when Deronda's search is compared with the narratives of the female characters whose freedoms are more curtailed by social mores.

Riding Horses In Middlemarch, Beryl Gary

The George Eliot Review Online, ISSN: 2831-5375

'George Eliot's Peculiar Passion' i the title of an article by Sarah Wintle, refers to the belief expressed by Katherine Mansfield in a letter to her husband, John Middleton Murry, that George Eliot had a 'peculiar passion for horses'. At the beginning of the article, Wintle quotes the part of Mansfield's letter which asks Murry to

think of some of [George Eliot's] pictures of country life - the breadth - the sense of sun lying on warm barns - great warm kitchens at twilight when the men came home from the fields - the feeling of beasts horses and cows …