Feminist, Gender, and Sexuality Studies Commons^™

“A Drunken Cunt Hath No Porter”: Medieval Histories Of Intoxication And Consent, Carissa M. Harris

Medieval Feminist Forum: A Journal of Gender and Sexuality

This essay traces medieval representations of intoxication and consent and links them to contemporary cases, including Brock Turner’s 2016 rape trial and the 2017 slew of lawsuits filed against Baylor University. Through an examination of medieval texts from a range of genres, including the Biblical stories of Lot and Noah, the Digby Mary Magdalene play, proverbs, Geoffrey Chaucer’s Wife of Bath’s Prologue, the 1292 legal case of Isabella Plomet, and Robert Mannyng’s Handlyng Synne, this essay explores past views of gender, perpetrators, culpability, alcohol, and consent. It argues that victim-blaming those who have been assaulted while intoxicated has …

The Dangerous Women Of The Long Eighteenth Century: Exploring The Female Characters In Love In Excess, Roxana, And A Simple Story, Jillian Bailey

Electronic Theses and Dissertations

The Long Eighteenth Century was a period in which change was constant and proceeding the Restoration Era; this sense of change continued throughout the era. Charles II created an era in which women were allowed on the theatre stage, and his mistresses accompanied him to court; Charles II set the stage for the proto-feminist ideas of the eighteenth century that would manifest themselves in Eliza Haywood’s Love in Excess, Daniel Defoe’s Roxana, and Elizabeth Inchbald’s A Simple Story. These novels showcase the enlightenment of women and some of their male contemporaries and the beginning struggles of female …

Demonic Pedagogy And The Teaching Saint: Voice, Body, And Place In Cynewulf's Juliana, Christina M. Heckman

Medieval Feminist Forum: A Journal of Gender and Sexuality

In Cynewulf’s Old English poem Juliana, the saint frames her encounters with her adversaries as pedagogical confrontations, refusing the lessons they attempt to “teach” her and ultimately adopting the identity of a teacher herself. These confrontations depend on three key tropes in the poem: Juliana’s voice, as a material manifestation of language deployed by the saint; her body, both as living body and as relic; and place, especially the place of the saint’s martyrdom and/or burial. Viewed through theories of material feminism, these tropes reveal diverse forms of agency in the poem, as both human and non-human agents make …

Feeling Clumsy, Feeling Alien: Gender And Affect In Victorian Sensation Fiction, Gracie Mae Bain

Graduate Theses and Dissertations

“Feeling Clumsy, Feeling Alien: Gender and Affect in Victorian Sensation Fiction” explores the interactions between the shock of reading sensation fiction and the affective potential of the genre using Sara Ahmed’s definition of the killjoy and the affect alien. The sensation genre, as explained in its name, is potentially useful when thinking about affective ties in the Victorian period. The first chapter, “Tracing Sensations: Finding and Following the Killjoy” explores the affective footwork that readers of sensation fiction are asked to perform in their sympathetic process with the female villains and fallen heroines. Affective tools employed by sensational fiction create …

“A Woman’S Story”: Lady Macbeth And Performing Femininity In The Early 1600s – Late 1900s, Phyllis Lebert

Graduate Theses and Dissertations

This paper uses gender studies to understand the themes of gender performance further, and more specifically, femininity, in Shakespeare’s Macbeth. It also explores the many ways feminine gender performance has changed as society has changed. Thus, proving gender is performative rather than innate. It does this by examining first the text within the context of Elizabethan society. Moreover, by examining three pivotal performances of Lady Macbeth through history within the context of their social structures as well. The three performances are that of Sarah Siddons in the Late 18th Century, Ellen Terry in the 19th Century, and Judy Dench in …

Queer Pregnancy In Shakespeare's Plays, Alicia Page Andrzejewski

Dissertations, Theses, and Capstone Projects

Bringing together queer and feminist theory, this dissertation examines Shakespeare’s representations of pregnancy divorced from their promised duration and promised end, revealing that the pregnant body is not wholly symbolic of futurity, chastity, or even heterosexual desire. In queer readings of Shakespeare’s plays and in the methodological debates that inform them, the pregnant body has been conspicuously absent, despite being often subsumed into definitions of heteronormativity and procreative reproduction. In feminist work on Shakespeare’s pregnant characters, scholars largely conflate pregnancy with maternity instead of considering the ways in which these women might engage in non-heterosexual forms of intimacy and eroticism. …

Divided Loyalties: Family And Consent To Marriage In Late Middle English Literature, 1300–1500, Jennifer R. Alberghini

Dissertations, Theses, and Capstone Projects

Studies of marriage and family can help us learn how medieval women lived. This dissertation focuses on “consent theory,” which explains the medieval definition of marriage. According to the Church, a marriage was made valid by the couple’s consent, not outside pressures. This theory, as we might expect, conflicted with practice: children—daughters especially—were expected to be obedient to their parents and marry approved partners.

Medieval England’s legal system came down on both sides of the issue. Rape accusations were made by parents who disapproved of their daughter’s choices, and court cases evaluated the validity of a marriage made without parental …

Strict Restraints: Abstinence's Gender Problems In Measure For Measure, Joseph Makuc

History Honors Papers

Shakespeare’s Measure for Measure poses questions about sexual coercion and governmental corruption that resonate today. Recent scholarship has examined sexual abstinence in Measure for Measure in terms of its historical economic and religious context regarding Isabella. However, Angelo and the Duke, the play's other central characters, also make claims about the value of abstinence. I put these characters’ claims into dialogue with Judith Butler’s theory of gender performativity and extensive scholarship on Shakespearean England. I argue that abstinence is the axis around which Measure’s main characters revolve, and that Measure locates these characters’ abstinences as competing performances of manhood and …

“More Free Than He Is Jealous”: Female Agency And Solidarity In The Winter’S Tale, Stacey K. Mooney

The Review: A Journal of Undergraduate Student Research

No abstract provided.

Politicized Identity In Peter Ho Davies's The Welsh Girl And The Fortunes, Savanna S. Batson

English Department Theses

This thesis explores the effects of politicized identities on the basis of particular aspects of an individual’s being, such as gender, ethnicity, or nationality in Peter Ho Davies’s novels The Welsh Girl (2007) and The Fortunes (2016). By carefully studying each of his protagonists within the context of the particular time and place in which they have come of age, and are now living, this thesis demonstrates how Davies engages with themes of identity, community, and alienation relative to the specific socio-cultural matrix that informs the politicization of identities at their time. It explores how Davies’s characters undergo the process …

On The Shoulders Of Humphrey Carpenter: Reconsidering Biographical Representation And Scholarly Perception Of Edith Tolkien, Nicole M. Duplessis

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

In his obituary for Carpenter, Douglas A. Anderson reviews Carpenter’s “long and complex” involvement with the subject of his 1977 authorized biography, indicating that “with [Carpenter’s] passing it is time to begin to assess his changing perspectives on Tolkien and on his own Tolkien-related work.” Since its publication, Carpenter’s biography of Tolkien, which Anderson calls “an excellent book. . . unusually accurate more than a quarter of a century after it was written, despite many advances in Tolkien scholarship” remains a largely unquestioned authority, its influence so entrenched as to be virtually invisible. As a result, scholarship on Tolkien, from …

Subverting The Patriarchy And Its Ties To Feminism: Du Maurier And Her Adaptations, Samantha Koller

KUCC -- Kutztown University Composition Conference

This paper describes the common (mis)reading of Daphne Du Maurier's Rebecca as upholding Victorian patriarchal values and attempts to demonstrate that the novel is indeed feminist and acts as a critique and subversion of those patriarchal standards; it then examines the film and stage adaptations of Rebecca, demonstrating via comparison to the original medium that feminism has begun to affect other cultural interpretations and depictions of the narrator, Mrs. Danvers, and Rebecca herself.

“‘Hel-Heime!’: The Daring Love Between Men In Dome Karukoski’S Tolkien”, Christopher Vaccaro

Journal of Tolkien Research

This article briefly summarizes the homo-amorous connections between members of the T.C.B.S. in the Karukoski's film, Tolkien.

On The Wind, Wyatt Georgeson

Toyon: Multilingual Literary Magazine

N/A

Resilience As Regeneration In Kate Atkinson’S Life After Life, Beatriz Domínguez García

CLCWeb: Comparative Literature and Culture

In Life After Life (2013), British writer Kate Atkinson returns to the rewriting of History as her-story that characterized her early fiction. The protagonist’s lifespan overlaps with the major historical events of the twentieth century, allowing the writer to explore how those affected the individual lives of women and, at the same time, problematizing history, memory, and the past. Above all, Life After Life highlights the deep vulnerability of women to systemic gender violence, although it also emphasizes women’s resilience. The purpose of this paper is to examine Atkinson’s peculiar rendering of resilience, which interestingly she locates in the body, …

The Unruly Womb In Early Modern English Drama: Plotting Women's Biology On The Stage, Ursula Potter

Late Tudor and Stuart Drama

This study provides an accessible, informative and entertaining introduction to women’s sexual health as presented on the early modern stage, and how dramatists coded for it. Beginning with the rise of green sickness (the disease of virgins) from its earliest reference in drama in the 1560s, Ursula Potter traces a continuing fascination with the womb by dramatists through to the oxymoron of the chaste sex debate in the 1640s. She illuminates how playwrights both satirized and perpetuated the notion of the womb’s insatiable appetite.

Sylvia Plath And "The Bigger Things": War, History, And Modernism At Midcentury, Reagan Lothes

Dissertations, Theses, and Capstone Projects

Sylvia Plath and “the bigger things” explores the ways in which Plath’s “confessionalism”—so often read as antithetical to T. S. Eliot’s notion of “impersonality”—constituted not a break from modernism but rather a negotiation of its transatlantic legacy. In doing so, it works against a long-standing critical tradition that has defined Plath, who was living in England as she composed her Ariel poems, as nonetheless a distinctly American poet and one focused uniquely—and, as some have claimed, even pathologically—on the self. An examination of Plath’s published work, including interviews, statements of poetics, journal entries, and letters, in the context of a …

“The Healing Balm Of Sympathy Denied”: Moral Sense Philosophy, Patriarchy, And Monstrosity In Mary Shelley’S Frankenstein, Estefania Velez

Theses and Dissertations

Though Mary Shelley’s Frankenstein produces an ideology of sympathy consistent with the literary and philosophical aims of Romanticism, this essay examines Shelley’s critique of patriarchy which posits that though sympathetic companionship in Frankenstein remains an ethical necessity, it is unattainable within a social order marred by misogynist structures of power.

"The More They’Re Beaten The Better They Be": Gendered Violence And Abuse In Victorian Laws And Literature, Danielle T. Dominguez

CMC Senior Theses

During the Victorian age, the law and society were in conversation with each other, and the law reflected Victorian gender norms. Nineteenth-century gender attitudes intersected with the law, medical discourse, and social customs in a multitude of ways. Abuse and gender violence occurred beneath the veneer of Victorian respectability. The models of nineteenth-century social conduct were highly gendered and placed men and women in separate social spheres. As this research indicates, the lived practices of Victorians, across social and economic strata, deviated from these accepted models of behavior. This thesis explores the ways that accepted and unaccepted standards of female …

Burning, Drowning, Shining, Blooming: The Shapes Of Aging In W.B. Yeats’ Poetry, Malea C. Martin

CMC Senior Theses

Love and growing old are thematically inseparable in W.B. Yeats' poetry, yet it is the former with which this great Irish poet is often associated. The poet's attitudes toward aging are made clear through his symbolism, complicated Irish allusions, and a sometimes jarring treatment of women. As it turns out, these devices have as much to do with Yeats' concern over aging as they have to do with the infamous Maud Gonne. This thesis attempts to not only expose and analyze these intricacies, but also challenge the way the literary canon typically isolates Yeats’ more famous poems without the context …

The Good Bloke In Contemporary Australian Workplaces: Origins, Qualities And Impacts Of A National Cultural Archetype In Small For-Profit Businesses, Christopher George Taylor

Antioch University Dissertations & Theses

This study explored the nature and significance of a common but widely misunderstood phrase encountered in Australia: The Good Bloke. Underlying this enquiry was awareness, based on the researcher’s personal and professional experience, that the idea of a Good Bloke powerfully influences individual perceptions of leaders in Australian small-to-mid sized for-profit firms. The study commenced with an exploration of the origins and history of the phrase, tracing it to the 1788 arrival of a disproportionately male Anglo-Celtic population was composed significantly of transported convicts. The language and mores of this unique settler population evolved for two centuries based on relationships, …

A Poetics Of Temperance: Gender, Genre, And Meaning-Making In Early Modern England, Cristina Maria Rosell

LSU Doctoral Dissertations

For several hundred years, the scholarly discussion of temperance was dominated by the legacy of classical models. This dissertation, titled A Poetics of Temperance: Gender, Genre, and Meaning-Making in Early Modern England, develops said discussion in a new way by forging a language about ethics and aesthetics into a poetics of temperance. The term poiesis derives from Greek and signifies “to make, create, produce” (OED). Accordingly, Aristotle uses the Greek poietes, “from which our word ‘poet’ derives,” to denote a “maker” (Murray xxxii). In brief, this project understands the role of women in emergent genres as …

Review Of Charlotte Lennox: An Independent Mind By Susan Carlile, Alexis Mcquigge

ABO: Interactive Journal for Women in the Arts, 1640–1830

This article reviews Susan Carlile's recent biography of Charlotte Lennox, Charlotte Lennox: An Independent Mind. Because much of Lennox's life story, and many of her works, remain mysterious to contemporary readers, Carlile's work highlights some unique and important aspects of the life of a - at least in the eighteenth- and nineteenth-centuries, a celebrated literary minds. Carlile's work is an important and necessary addition to the study of women's writing in the period, and contributes a great deal to those studying the works of Charlotte Lennox.

Review Of Royal Shakespeare Company Production Of Mary Pix’S The Beau Defeated, Retitled The Fantastic Follies Of Mrs. Rich, Aparna Gollapudi

ABO: Interactive Journal for Women in the Arts, 1640–1830

Jo Davies’s reprise of Mary Pix’s comedy The Beau Defeated, Or The Lucky Younger Brother,performed by the Royal Shakespeare Company at Swan Theatre in Stratford-upon-Avon under the title The Fantastic Follies of Mrs. Rich refocuses the comedy from its original engagement with primogeniture and middling class masculinity towards the female characters. It also diffuses Pix’s Whiggish moralism in Mrs. Rich's portrayal, highlighting instead her energy and verve. Overall, a very successful production, the performance is more Restoration comedy than the transitional work that Pix's play was when it opened in 1700.

Editing Aphra Behn In The Digital Age: An Interview With Gillian Wright And Alan Hogarth, Laura Runge, Gillian Wright, Alan Hogarth

ABO: Interactive Journal for Women in the Arts, 1640–1830

This interview provides a view of the work in progress for the Cambridge University Press edition of the Complete Works of Aphra Behn. Gillian Wright serves as a general editor (with Elaine Hobby, Claire Bowditch, and Mel Evans) as well as the volume editor for Behn’s poetry. Alan Hogarth is the Postdoctoral Research Associate working with Mel Evans on the computational stylistics and author attribution testing. The discussion focuses on the scope and principles of editing the poetry of Aphra Behn, the role of stylometry in establishing the corpus, the status of work, a few particular poems, and some surprises.

Reading Her Queenly Coiffure: A Collaborative Approach To The Study Of Marie-Antoinette's Hairstyles, Hélène Bilis, Jenifer Bartle, Laura M. O'Brien, Ruth R. Rogers

ABO: Interactive Journal for Women in the Arts, 1640–1830

Four colleagues--a faculty member, a digital services librarian, a research librarian, and a curator of Special Collections--take turns describing their role in creating an undergraduate student project around an eighteenth-century almanac that belonged to Marie-Antoinette. In recounting the steps taken, the collaborative process, the student research, and the analysis of the contents of the Trésor des Grâces almanac, we share the lessons learned for completing a digital exhibit over the course of one semester.

New Lines: Mary Ann Yates, The Orphan Of China, And The New She-Tragedy, Elaine Mcgirr

ABO: Interactive Journal for Women in the Arts, 1640–1830

This essay demonstrates a significant break in eighteenth-century tragedy from tales of fallen women begging (the audience) for forgiveness and redemption to a different kind of she-tragedy, in which the heroine is neither fallen nor sexually desired, but rather transcends nation and politics with the “natural” moral force of maternal love. I argue that this shift was made possible/legible by Susannah Cibber’s ill-health, which forced Arthur Murphy to reconceive The Orphan of China’s heroine and allowed a rival actress, Mary Ann Yates, to step into this new role and to establish a tragic ‘line’ defined in opposition to that of …

Ann Yearsley, "Earl Goodwin", And The Politics Of Romantic Discontent, Chris Foss

English & Linguistics Articles

There is a dearth of more substantial critical studies on Ann Yearsley’s tragic drama Earl Goodwin in general, and while the few out there have helpfully illuminated the play’s representation of the historical plight of women and the poor during Anglo-Saxon times, as well as its application to their current predicaments in Romantic-era England and France, they have tended to leave unexplored the ways in which Yearsley simultaneously is clarifying and extending her anger at and frustration with the class- and gender-based discrimination she experienced firsthand in the fallout with her mentor Hannah More over the profits from her first …

“Dyrne Langað”: Secret Longing And Homo-Amory In Beowulf And J.R.R. Tolkien’S The Lord Of The Rings, Christopher Vaccaro

Journal of Tolkien Research

“‘Dyrne Langað’: Secret Longing and Homo-amory in Beowulf and J.R.R. Tolkien’s The Lord of the Rings” investigates the close “homoamorous” relationship between Frodo and Samwise, employing a close reading of select passages from the eighth-century English poem, Beowulf. The argument begins with a clarification of terms. Afterwards, it focuses upon the cruces related to a key scene involving Beowulf’s departure and compares the intensity of the unspoken love Hroðgar has for Beowulf to the love Sam has for Frodo at the Grey Havens. Ultimately, the essay argues for a new way of reading both departure scenes.

Women & Tolkien: Amazons, Valkyries, Feminists, And Slashers, Robin A. Reid Dr.

Journal of Tolkien Research

This paper reports on an early pilot project that asks women who self identify as readers or fans of Tolkien's work and/or teachers who have taught Tolkien's work, and/or scholars who have published on Tolkien's work to answer a few open-ended questions about their reasons for enjoying his work. By "women," I mean anybody who identifies as a woman. By "Tolkien's work," I mean any of his published novels, stories, poems, or academic essays. The study arises from the question that is often asked of fans of Tolkien's work: why do women so enjoy it, given the relatively minor narrative …