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Articles 481 - 510 of 1869
Full-Text Articles in Feminist, Gender, and Sexuality Studies
A Case Of Pandemic Narrative And The End Of Post-Cold War, Yongbing Jin, Penghan Zhang
A Case Of Pandemic Narrative And The End Of Post-Cold War, Yongbing Jin, Penghan Zhang
CLCWeb: Comparative Literature and Culture
The topical book Wuhan Diary, authored by the Chinese writer Fang Fang during the COVID-19 lockdown of Wuhan, is not so much a diary as a “becoming-diary,” given its performative practices. Wuhan Diary’s emphasis on the individual or private nature of its writing activity is attributable to its characteristic realistic conception of authenticity, which resulted historically from the humanist trend within Chinese literature in the 1980s as a significant element of post-socialist realism. Insofar as Wuhan Diary claims an overarching authorship that does not cohere with—or is, indeed, utterly subverted by—its textual complexities, it can be interpreted as …
Biopolitics In The Twenty-First Century: India And The Pandemic, _ Swatie, Rashee Mehra
Biopolitics In The Twenty-First Century: India And The Pandemic, _ Swatie, Rashee Mehra
CLCWeb: Comparative Literature and Culture
Swatie and Rashee Mehra discuss in their "Biopolitics in the Twenty-first Century: India and the Pandemic”, the rise of the biopolitical state in India in the 2020s. The article emphasizes the relevance of Michel Foucault’s work on biopolitics for the pandemic in India. The biopolitical governmentality of the Indian state operates at several levels to politicize ‘life itself’: racism (the notion that sections of the population are disposable), economics (the notion of privatization of care), and the logic of contagion (based on ideas of threat perception and risk). The article engages with biopolitics in the 21st century and looks at …
Confinement, Care, And Commodification In Mati Diop’S In My Room, Brittany Murray
Confinement, Care, And Commodification In Mati Diop’S In My Room, Brittany Murray
CLCWeb: Comparative Literature and Culture
In her article, “Confinement, Care, and the Commodification in Mati Diop’s In My Room,” Brittany Murray discusses a short film released in 2020 by the French and Senegalese director, Mati Diop. Shot in the artist’s studio in a Parisian banlieue during mandatory Covid-19 confinement, the film tackles the issues of grief, isolation, and care. The article shows how the film represents these issues, particularly urgent during the pandemic and yet belonging to longstanding concerns about care work and reproductive labor. To mediate between present crisis and a larger historical framework, the article demonstrates how the film’s formal attributes make a …
Reading The Global City: Crisis, Cognitive Mapping And The “Urban Sensorium” In Tom Mccarthy’S Satin Island And Ben Lerner’S 10:04, Marty Gilroy
CLCWeb: Comparative Literature and Culture
“What is the role played by the aesthetics and politics of space,” asks Kanishka Goonewardena, “in producing and reproducing the durable disjunction between the consciousness of our urban everyday life […] and the now global structure of social relations that is itself ultimately responsible for producing the spaces of our lived-experience?” (55). Goonewardena’s account of the “urban sensorium” describes the mediatory, ideological role played by space in this “gap,” informing his adaptation of Jameson’s “cognitive mapping” as a hermeneutics of urban experience vis-à-vis totality. This article considers the mediation of these insights as critical aesthetic strategies in two global city …
Literature And Economy In Portuguese-Speaking Southern Africa, Thomas Waller
Literature And Economy In Portuguese-Speaking Southern Africa, Thomas Waller
CLCWeb: Comparative Literature and Culture
In “Literature and Economy in Portuguese-speaking Southern Africa”, Thomas Waller offers a comparative reading of literary responses to neoliberalization in Portuguese-speaking southern Africa. Reading the proliferation of spectral effects in the Mozambican literature of the late 1980s alongside dystopian depictions of societal collapse in contemporary Angolan fiction, he suggests that writers in the two states have used distinctive aesthetic idioms to register the reintegration of southern Africa into the neoliberal world-system. In the fiction of Mozambican writers Aldino Muianga and Aníbal Aleluia, he shows how the legacy of colonial underdevelopment and its role in the transition to neoliberalism in Mozambique …
Conjunctures, Commodities, And Social State Marxism, Stephen Shapiro
Conjunctures, Commodities, And Social State Marxism, Stephen Shapiro
CLCWeb: Comparative Literature and Culture
In their article, “Conjunctures, Commodities, and Social State Marxism,” Stephen Shapiro discusses our current moment as the conjuncture of three temporalities: a secular trend of centrist liberalism, a Kress cycle of managerial capitalism, and three Kondratieff waves. These can be understood by the addition of implied terms in Marx’s advanced discussion of the commodity-form through an approach that Shapiro calls Social State Marxism.
Periodizing The Present: The 2020s, The Longue Durée, & Contemporary Culture, Treasa De Loughry, Brittany Murray
Periodizing The Present: The 2020s, The Longue Durée, & Contemporary Culture, Treasa De Loughry, Brittany Murray
CLCWeb: Comparative Literature and Culture
No abstract provided.
Feder, S. (Director). (2020). Disclosure: Trans Lives On Screen [Film]. Netflix., Galen D. Bunting
Feder, S. (Director). (2020). Disclosure: Trans Lives On Screen [Film]. Netflix., Galen D. Bunting
Feminist Pedagogy
Sam Feder’s documentary Disclosure: Trans Lives on Screen (2020) braids together an overview of trans cinema through the voices of transgender actors, alongside clips from classic and current cinema, and commentary from trans academics. Featuring commentary from an impressive array of voices, including actress Laverne Cox and historian Susan Stryker, the film offers a variety of perspectives on film and representation. Beginning with an impressive timeline of trans representation from the earliest representations of gender crossing in silent movies and ending upon the debut of Pose, in which trans people represent themselves, this Netflix Original offers a comprehensive visual history …
Bad Sex Ed: First-Day Icebreaker For Classes On Sex And Sexuality, Alice Rutkowski
Bad Sex Ed: First-Day Icebreaker For Classes On Sex And Sexuality, Alice Rutkowski
Feminist Pedagogy
The author describes a short teaching activity meant to precede the introduction of assigned course material that includes sexually explicit materials. Students are questioned about their experience with sex ed in their K-12 schooling in order to demonstrate the paucity of vocabulary, evidence-based information and even comfort level that most adults have with this material.
Illuminated Histories, Laura Meader
Illuminated Histories, Laura Meader
Colby Magazine
Artist Maggie Libby ’81 unearths the hidden histories of Colby women with their portraits.
Conceptions Of Space, Gender, And Movement Within Literature And Film: An Analysis Of "The Whimper Of Whipped Dogs" & Westward The Women, Stephanie Fishleigh
Conceptions Of Space, Gender, And Movement Within Literature And Film: An Analysis Of "The Whimper Of Whipped Dogs" & Westward The Women, Stephanie Fishleigh
Electronic Theses, Projects, and Dissertations
Often portrayed as static, and neutral, “space,” as it is used in this paper, refers to a literary conception, one which encompasses a sphere of locations as well as settings of events, characters, and objects within a literary narrative. Much to our detriment, humans are often compelled to codify and compartmentalize the world around us, using perceived differences as our epistemological touchstone. This phenomenon extends even to our relationship to space. In examining the interplay between space, geographies, genre, and gender, using two objects of analysis, this paper seeks to further the current scholarship on how gender ideology informs our …
"I Want To Know What I'M Looking At": Surveilling Gender As A Response To Cultural Anxieties In Halloween, Sleepaway Camp, And Scream, Jennifer Jacinda Mclawhorn
"I Want To Know What I'M Looking At": Surveilling Gender As A Response To Cultural Anxieties In Halloween, Sleepaway Camp, And Scream, Jennifer Jacinda Mclawhorn
Institute for the Humanities Theses
The purpose of this thesis is to investigate slasher films and how they use gendered tropes to respond to and perpetuate cultural anxieties. The methodology primarily uses textual analysis that includes close attention to content, context, and discourse. The study reveals structural patterns and problems that emerge within slasher films, specifically within the Final Girl trope and the behaviors that govern it. In surveilling the Final Girl’s gender performativity, it is apparent that abjection, or a gut reaction to something that exists between two distinct boundaries or categories, is provoked when the Final Girl crosses a socially established gender boundary. …
Not Like Other Girls - Victor/Victoria Reviewed From A Trans Perspective, Authen Katinas
Not Like Other Girls - Victor/Victoria Reviewed From A Trans Perspective, Authen Katinas
Consensus
No abstract provided.
Panic At The Picture Show: Southern Movie Theatre Culture And The Struggle To Desegregate, Susannah L. Broun
Panic At The Picture Show: Southern Movie Theatre Culture And The Struggle To Desegregate, Susannah L. Broun
Swarthmore Undergraduate History Journal
This paper explores the complex desegregation process of movie theatres in the southern United States. Building off of historiography that investigates regulations of postwar teenage sexuality and recent scholarly work that acknowledges the link between sexuality and civil rights, I argue that movie theatres had a uniquely delayed desegregation process due to perceived sexual intrigue of the dark, private theatre space. Through analysis of drive-in and hardtop theatres, censorship of on-screen content, and youth involvement in desegregation, I contend that anxieties of interracial intimacy and unsupervised teenage sexuality produced this especially prolonged integration process.
Trauma, History, And Terror In The Poetry Of Yusef Komunyakaa And Sinan Antoon, Reema Binghadeer
Trauma, History, And Terror In The Poetry Of Yusef Komunyakaa And Sinan Antoon, Reema Binghadeer
CLCWeb: Comparative Literature and Culture
In her comparative study “Trauma, History, and Terror in the Poetry of Yusef Komunyakaa and Sinan Antoon,” Reema Binghadeer considers the work of the African American poet Yusef Komunyakaa (b. 1941) and the (Arab) Iraqi poet Sinan Antoon (b. 1967) through the lens of trauma theory of some notable theorists including; Freud, Cathy Caruth, Jean Laplanche, Roger Luckhurst, and Shoshana Felman—have negotiated in this field. The article explores the literary manifestations of trauma in two distinct historical periods and geographical settings to show the specificities of each prototype and how the historical-cultural significance and textual meanings of trauma have intertwined …
Precarity In The Times Of Partition: Personal Vs Communal Love In Khushwant Singh’S Train To Pakistan And Saadat Hasan Manto’S “Gurmukh Singh Ki Wasiyat”, Ayesha Perveen
CLCWeb: Comparative Literature and Culture
The paper studies how various shades of love respond to precarity in anarchic times by comparing the narrative representation of the aftermath of the Partition of the British colonized Subcontinent into independent countries of India and Pakistan in 1947 with particular focus on Sikh-Muslim relationships in Punjab as presented in Khushwant Singh’s novel Train to Pakistan and Saadat Hasan Manto’s short story “Gurmukh Singh ki Wasiyat.” Employing Judith Butler’s concept of precarity, the paper analyzes how both the writers sketch precarity in partition times ensuing in post-Partition communal violence and effacement of love. The selection of the texts is significant …
How Marlon T. Riggs Queered The Documentary Form, Anthony M. Sweeney
How Marlon T. Riggs Queered The Documentary Form, Anthony M. Sweeney
Dissertations, Theses, and Capstone Projects
Marlon T. Riggs’s documentary films and their paratextual elements are rooted in his intersectional identities as a Black and gay man. His activist goal of Black gay liberation was based on what he saw as deeply engrained internal and external racist and homophobic societal structures that subjugated Black queers. In this thesis, I place research from Black cultural studies, gender and sexuality studies, and film studies in conversation with one another to show how Riggs’s filmography is an example of queer form. In doing so, I attempt to redefine the focus of the scholarship on Riggs from an avant-garde filmmaker …
Because Potato, Candice Evers
Because Potato, Candice Evers
MFA in Illustration & Visual Culture
This thesis project explores the phenomenological qualities of the internet; asking, since the internet is difficult to grasp, what other modes of investigation might we have available? Using an investigative framework set forth by Jack Halberstam, this thesis declines to come to knowledge solely through understanding the formal, the structural, the highly visible and mainstream. The literature that I have gathered provides a range of modes for interrogating the simultaneously central and inconsequential subject of my thesis itself: the potato. Juxtaposing the physical, political and material conditions of the potato the internet’s least academic mode of knowing: the meme. Analyzing …
Freestyle's Forsaken, Sage D. Rivera
Freestyle's Forsaken, Sage D. Rivera
Theses and Dissertations
Freestyle is a genre of music born in the mid-1980s from Latino and Black communities in the urban epicenters of the United States. This project spotlights a freestyle music artist “Corina," and how she suffered a patriarchal construct but finally got the moment of significance she deserved.
At Home Among Strangers, Aleksandra Gorbacheva
At Home Among Strangers, Aleksandra Gorbacheva
Theses and Dissertations
At Home Among Strangers is a character-driven documentary that explores the price of freedom for a gay person in a society that lacks freedom and civil rights. It follows an asylum seeker from Russia, Sasha Smirnov, during a crucial moment of his life: starting over in New York City at 40 as a journalist without English language skills. The film reflects on the choices one makes and the consequences of staying true to oneself.
Fantasized Masculinity Performed In American War Narratives, Shea O'Scannlain
Fantasized Masculinity Performed In American War Narratives, Shea O'Scannlain
English Honors Theses
In this thesis I wanted to explore the ways that masculinity has been written in history through the genre of fiction. The first chapter discusses traumatized white masculinity in Kurt Vonnegut's novel SlaughterHouse Five and Oliver Stone's film Born On The Fourth of July. The second chapter deals with the female Black experience in response to the white patriarchy in Toni Morrison's novel Home and HBO's television series LoveCraft Country. And finally chapter 3 deals with mythologized masculinity redeemed through violence in Martin Scorsese's film Taxi Driver and Frank Miller's comic book series The Dark Knight Returns. …
Spinning Plates, Anikó K.L. Sáfrán
Spinning Plates, Anikó K.L. Sáfrán
Masters Theses, 2020-current
Spinning Plates is an intermedia exhibition based on multitasking, at times to an absurd level, to address the gendered division of care labor in a typical, heteronormative household. One hundred years into the pursuit of passing an Equal Rights Amendment, women are still taking on the majority of duties related to managing and caretaking the household and its children, even though most women have also joined the income-generating labor force. At the core of the exhibit are performance-based videos of the mother-artist multitasking, completing household chores, exercising, and creating art. Some of the artworks are action paintings, others are drawings …
A More Equitable Film Pedagogy: Including Media Literacy In Higher Education Film Classrooms To Result In Better Media Practitioners, Alexis Romero Walker
A More Equitable Film Pedagogy: Including Media Literacy In Higher Education Film Classrooms To Result In Better Media Practitioners, Alexis Romero Walker
Journal of Media Literacy Education
This article explains the importance of including critical media literacy practices in skills-based classrooms in film education. Students continue to use methods of filmmaking that are inherently biased because they continue to be taught an age-old set of skills that do not engage in critical analysis. With the convergence of contemporary film theory in the classroom, educators can help students learn new methods of filmmaking that are representative for all communities and people. Through textual analysis of three films, this article shows why educators in higher education film programs must include critical media literacy in the skills course curriculum and …
There Is Sometimes A Buggy: Queering The Cowboy, Kelsey Gavin
There Is Sometimes A Buggy: Queering The Cowboy, Kelsey Gavin
Art and Art History Honors Papers
For my honors thesis project and body of work for the Annual Student Exhibition 2022, I will be interpreting stills from David Lynch's movie Mulholland Drive, sourcing from a singular four-minute scene referred to as The Cowboy scene. I will be recreating this scene in various mediums focusing on three central parts of the scene: The Cowboy, The Skull, and Adam Kesher. This project will examine and delve into the overall theme I have been exploring in my studio practice over the course of the past several years about how film and painting intertwine. For the Annual Student Exhibition it …
Gender Nonconformity In Mexico: A Study Of Community And Isolation In Carmín Tropical, Maddox Arnold
Gender Nonconformity In Mexico: A Study Of Community And Isolation In Carmín Tropical, Maddox Arnold
Honors College Theses
As media representation of minority communities becomes more common, it is important to consider how such representation reflects the real-life experience of the communities in question. Rigoberto Pérezcano’s 2014 film Carmín Tropical offers a clear view of the gender nonconforming experience in Mexico. Although Mexico remains one of the deadliest countries for transgender people, over the last decade many states have introduced legislation to advance the rights of the transgender and gender nonconforming community. This places Mexico in a unique position as the country finds itself balancing between violence and progress. Carmín Tropical tells the story of Mabel, a muxe …
Long Live The Queer: Demystifying Noncitizenship In Uncle Frank And Pain And Glory, Andrew D. Manker
Long Live The Queer: Demystifying Noncitizenship In Uncle Frank And Pain And Glory, Andrew D. Manker
Theses and Dissertations
This thesis explores the ways in which a nation infantilizes its citizens, and how family dynamics internalize this infantilization. Queer family members and citizens are treated as threats to the family and by extension the nation because to live into queerness is to refuse the nations infantilization. Additionally, this thesis shows how queer people can cultivate a hopeful future for themselves and the family-as-extension-of-nation by radically redefining what citizenship looks like in a family and nation.
The Shape Of Things: A Theatrical Examination Of The Progression Of Emotional Manipulation, Kylee Lorio
The Shape Of Things: A Theatrical Examination Of The Progression Of Emotional Manipulation, Kylee Lorio
Honors Projects
In Neil LaBute's work, The Shape of Things, graduate art student Evelyn Thompson meets security guard and future muse, Adam Sorenson, in an art museum during his late-night shift. Their meeting poses the question of just how far humans are willing to go for love. In less than two hours, LaBute’s insight regarding manipulation between intimate partners calls the integrity of our own interpersonal relationships into question. This project encapsulates the materials of Bridgewater College student Kylee Lorio while directing this production during the Covid-19 pandemic.
How Love Ought To Be: The Power Of Sapphic Representation In Animated Children’S Cartoons, Olivia Storz '22
How Love Ought To Be: The Power Of Sapphic Representation In Animated Children’S Cartoons, Olivia Storz '22
Honor Scholar Theses
Though there has been a long history of LGBTQ+ representation across various forms of media, cartoons are uniquely suited to counter hegemonic teachings that privilege heteronormativity. Consuming media with LGBTQ+ characters not only has the potential to shape attitudes towards the LGBTQ+ community and make them more positive, but cartoons have the unique power to teach children important lessons that they do not learn in school, including narratives about queerness. In the absence of discussions about LGBTQ+ identities in the classroom, children overwhelmingly end up priviling heterosexuality in their interactions. As such, cartoons then have the power to counter these …
An Analysis Of Charging Practices And Their Impact On Battery Degradation In North American Electric Vehicles Built Between 2010-2020, Douglas William Edward Ferrier
An Analysis Of Charging Practices And Their Impact On Battery Degradation In North American Electric Vehicles Built Between 2010-2020, Douglas William Edward Ferrier
All-Inclusive List of Electronic Theses and Dissertations
Electric vehicles (EVs) are emerging as a component of the global solution to combat climate change. However, in North America, particularly in the United States and Canada, the transition away from internal combustion engines (ICE) has been slow. North America faces unique challenges due to its geographical size and population in comparison to other continents. The good news is that EV adoption is increasing within North America. Along with increased EV adoption, governments and public companies are constructing charging infrastructure to support increased consumer EV purchases. Despite increased adoption, many future and current owners throughout North American society have concerns …
“And We’Re Happy, So Happy, To Be Modern Women”: Dissociative Feminism On Screen And In Literature, Michaela Elizabeth Flaherty
“And We’Re Happy, So Happy, To Be Modern Women”: Dissociative Feminism On Screen And In Literature, Michaela Elizabeth Flaherty
Honors Scholar Theses
On-screen and literary works have increasingly represented a new, digital-age wave of postfeminism: dissociative feminism, which rejects happy-go-lucky, sex-positive fourth-wave feminism, instead embracing nihilism. Fleabag, the titular character of the hit BBC miniseries Fleabag (2016–9), embodies dissociative feminism, though she ultimately comes to reject this darkly relatable perspective. However, social media largely ignores this latter, essential aspect of her character arc and has taken to romanticizing Fleabag’s feminist ideology, effectively constructing a harmful and dangerous virtual echo chamber of dissociative feminism. Participants in this online discourse should instead turn to the HBO limited series I May Destroy You (2020) for …