Feminist, Gender, and Sexuality Studies Commons^™

Review Of Emily Sun’S On The Horizon Of World Literature, Jing Yang

CLCWeb: Comparative Literature and Culture

No abstract provided.

The Malvinas/Falklands War In Transatlantic Narratives: Exploring Collective Memory And Negotiating Self/Other Identity, Andrea R. Bellot

CLCWeb: Comparative Literature and Culture

In her article "The Malvinas/Falklands War in Transatlantic Narratives: Exploring Collective Memory and Negotiating Self/Other Identity", Andrea R. Bellot examines the remembrance of the Malvinas/Falklands War (1982) through cultural texts for children, presenting a comparative analysis of post-war narratives from both the United Kingdom and Argentina. Through a detailed exploration of "The Tin-Pot Foreign General and the Old Iron Woman" by British author and illustrator Raymond Briggs (1984), and the Argentine TV cartoon show "La Asombrosa Excursión de Zamba en las Islas Malvinas" (2012), broadcasted on Paka Paka, Bellot discusses how collective memory and national identity are crafted and contested …

All Men Are Brothers: Pearl S. Buck’S Translation Of Shui Hu Zhuan And Its Effects On Her Writing Career, Zhihui Sophia Geng

CLCWeb: Comparative Literature and Culture

In her article “All Men Are Brothers: Pearl S. Buck’s Translation of Shui Hu Zhuan and its Effects on Her Writing Career,” Zhihui Sophia Geng focuses on Pulitzer Prize winner and Noble Laureate Pearl Sydenstricker Buck’s All Men Are Brothers, her translation of the classical Chinese novel Shui Hu Zhuan. She examines the reception of her translation and analyzes the significance of All Men Are Brothers to Buck’s literary career. By providing the first complete translation of Shui Hu Zhuan to an English-speaking audience, Buck made a significant cultural contribution to the United States and English-speaking cultural spheres. The …

Engaging China: Beckett’S Debt To Pound, Giles, And Laloy, Lidan Lin

CLCWeb: Comparative Literature and Culture

In her article "Engaging China: Beckett’s Debt to Pound, Giles, and Laloy," Lidan Lin examines Ezra Pound’s influence on Samuel Beckett. In their dealings with China, Pound and Beckett are both indebted to such sinologists and cultural transmitters as Ernest Fenollosa, H. A. Giles, Louis Laloy, and Laurence Binyon who introduced Chinese culture, literature, and arts to the Western world through translation and their writings about China. Lin situates the Pound-Beckett connection in the broad cultural context of the early 20^th century. She argues that while modernism’s turn to China as a cultural paradigm was collectively brought about by …

Translation As Creative Writing: Rewriting The Chinese Maze Murders In Contemporary China, Xiaoquan Raphael Zhang

CLCWeb: Comparative Literature and Culture

In his article “Translation as Creative Writing: Rewriting The Chinese Maze Murders in Contemporary China,” Xiaoquan Raphael Zhang examines four groups of selected writings centered on one of Robert van Gulik’s more well-known Judge Dee novels, The Chinese Maze Murders (written first in English but not published until 1956). Different from most publications on van Gulik and his novels, Zhang examines the impact of censorship and self-censorship on the writing, rewriting, and (re)adapting, “literal” and “liberal/free” translation of the Judge Dee stories traveling between Chinese and English, between China and the West, for Chinese and non-Chinese audiences. Focus is given …

Exotic Construction Of An Ancient Oriental Sappho: On Rexroth’S Creative Translation Of Li Ch’Ing-Chao’S Ci-Poems And Its Influences, Yuqun Fu

CLCWeb: Comparative Literature and Culture

In her article “Exotic Construction of an Ancient Oriental Sappho: On Rexroth’s Creative Translation of Li Ch’ing-Chao’s Ci-Poems and its Influences,” Yuqun Fu discusses Li Ch’ing-Chao’s Ci-poems and her identity as a woman intellect in the patriarchal and feudal Song Dynasty of China. Due to Kenneth Rexroth’s feminist perspective and Sappho complex as well as his own pursuit to excel in the hipster stylistics of the newly prospering Beat writers, Rexroth turns to the Eastern women poets to fuel his own cause, especially in his idiosyncratic way of interpreting and translating Li Ch’ing-Chao. His translation focuses on gender identity and …

Carceral Liberalism: Feminist Voices Against State Violence, Andrea Michaels

Feminist Pedagogy

The following book review of Shreerekha Pillai’s Carceral Liberalism: Feminist Voices against State Violence (2023) is an expansive and timely collection of essays on the carceral state in its implications for feminist educators. This review focuses on the connections and connectivity of two essays in the collection that attempt to address a minor examination of the person as political.

Animating Feminism, Angella Burgess

Postgraduate

Animation mirrors society, reflecting its values, beliefs and challenges, becoming a tool to enable cultural improvement by recognising diversity and critiquing socio-political issues. Inspired by traditional Eastern European animation, renowned for its surrealism and socio-political narratives, this research aims to expand the medium’s potential. Directors like Jan Svankmajer and Jiri Trnka created masterpieces based on folklore, mythology and political commentary. This research aims to intertwine and shape animated works' content and context by honouring this tradition.

The research explores the multifaceted role of contemporary animation, which embeds Eastern European stylistic techniques to disrupt popular story structures and shape social discourse. …

Queer Coding And Representation: The Motion Picture Production Code And Its Impact On The Lgbtq Community, Amber Leech

English and Creative Writing Summer Fellows

The Motion Picture Production Code was a set of guidelines for films imposed between 1934 and 1968 that prevented them from depicting immoral themes such as profanity, blasphemy, and glorification of criminal activity. While homosexuality was never explicitly mentioned, it was banned in films through a rule prohibiting the depiction of sex perversion. This resulted in many films using a technique called queer coding in which they could imply that a character was queer without alerting the Production Code Administration. Because queer characters could not be depicted without glamorizing homosexuality, however, many of these characters were villains, died in the …

La Condition Féminine En Algérie Et Sa Transcription Filmique Chez Nadia Zouaoui, Saïd Adel

Journal of Amazigh Studies

N/A

Aẓar De Malik Bourkache, Production Mvi (2023). Film Documentaire, Hend Sadi

Journal of Amazigh Studies

N/A

Looking For A Better Chair: The L Word And Learning How To Sit, Beans Fernandez

Dissertations, Theses, and Capstone Projects

In the 20 years since the initial airing of Showtime’s The L Word, the series has garnered a massive following among the sapphic and queer community and has cemented itself as a staple of queer media canon. Beyond the basic queer plotlines, though, The L Word captures lesbian and queer identity, politics, and livelihoods while using a seemingly superficial medium to portray queer bodies in a way that brings it to mainstream and cisheteronormative culture. Further, queer media like The L Word is able to guide members of the LGBTQ community into a queer consciousness and existence.

Desire Lines: An Annotated Screenplay, Alexandra Tydings

Dissertations, Theses, and Capstone Projects

This thesis explores under theorized questions of power, sexuality, and gender on the film set by analyzing the role of the Intimacy Coordinator (IC), a recent arrival in that space. A film set has its own culture, built from conventions, rituals, and hierarchies. The work of the IC occurs at the nexus of some of the most entrenched and invisible of these dynamics, including gender roles, bodily autonomy, and the power to consent. The author, having worked professionally as an actress, a director, and most recently an Intimacy Coordinator in film and television, now turns to feminist and queer theory, …

Shake Ya Ass, But Watch Yourself: An Intersectional And Decolonial Approach To Exploring The Sexualization Of Female Recording Artists And The Empowerment Of Women In The United States, H.B. Rebeka

Dissertations

This dissertation, titled Shake Ya Ass, But Watch Yourself: An Intersectional and Decolonial Approach to Exploring the Sexualization of Female Recording Artists and the Empowerment of Women in the United States, critically examines the phenomenon of sexualization of women in the music industry and its impact on female empowerment. Through an intersectional and decolonial feminist lens, the study delves into the historical and socio-cultural contexts that shape the portrayal and perception of female recording artists in the United States.

The research traces the roots of feminism and the commodification of racial stereotypes through music, exploring how female empowerment has been …

Strike A Pose: Performing Gestures Of Female Madness Across Media Circa 1900, Elyse S. Singer

Dissertations, Theses, and Capstone Projects

This dissertation examines methods for performing female madness onstage, in the medical theatre, and before the camera circa 1900. My focus is on Western techniques for imitating white women’s hysteria in the United States, England, and France. I argue that theatrical gesture served—and continues to serve—as a safeguard, a survival technique, for the actor (and the spectator) to preserve rationality in the enactment or viewing of mentally ill characters. At the same time, these resilient mad gestures carry traces of the oppressive structures of power that have fostered their legibility. Embodying a person in mental distress is a high-stakes endeavor. …

Alianzas Antimodernas: Estudios Del Cine Español Del Proceso 15m, Pedro Cabello Del Moral

Dissertations, Theses, and Capstone Projects

Anti-Modern Alliances: Studies of Spanish Cinema of the 15M Process mobilizes decolonial theory to shed new light upon the politics of the 15M (or Indignados) movement and its visual culture. It tackles anti-modern critiques as embodied in film characters who have been traditionally relegated to the margins of modernity’s grand narratives. The research corpus encompasses a diverse body of works –documentaries, fiction films, activist video essays and their paratexts, which I critically interrogate in dialogue with contemporary feminist, anti-racist, decolonial, anti-neoliberal and anti-ableist debates. Thus, the dissertation examines the methods by which audiovisual works from the past ten years have …

Utilizing Existing Postfeminist Framework To Explore A Sexualized Media Test Case: “Man Needs A Woman” By Maty Noyes, Nicole Doris

DU Undergraduate Research Journal Archive

Postfeminism is simply referred to as the most recent wave of feminism, but feminist scholars have failed to reach a standardized definition that recognizes the nuances of sexuality, media, and culture present within the field. This paper utilizes the postfeminist framework of two prominent feminist scholars: Rosalind Gill and Feona Attwood. Specifically, this paper draws from Gill’s interpretation of postfeminism and Attwood’s interpretation of the sexualization of culture and the overlap between the two theories. Rather than attempt to offer a concrete definition in such a rapidly evolving field, this paper offers a music video from a lesser-known pop artist, …

Queerform/Ing, Matthew Solon-Lee Weimer

Art Theses and Dissertations

My artwork is situated within and around vessels and the Queer Homoerotic World and explores sexuality as a Demisexual within them. This is accomplished through the two processes of my creation, Minivague and Queerform/ing: balancing sexual tension and explicit expression, while subverting traditional norms and stereotypes with queerness to distance oneself from stereotypical Gay Art. Altering/emphasizing makes the artwork more romantic, lighter, whimsical, softer, and tender than the figure/s and the situations actually are. The process is also emphasizing what one sees or wants to be seen. The Pink Boy becomes a celebration of intimacy of any form. I discuss …

Queering Tv In The Age Of Tiktok, Greta Reel

Graduate Theses, Dissertations, and Capstones

This thesis asks how fans have created their own queer representation on the social media platform TikTok. It looks at the tools afforded by TikTok that fans have used to “ship” non-canon woman-loving-woman couples and to “queer” television show characters. It also examines how fans on TikTok have reacted to television plotlines they were unhappy with, such as the “bury your gays” trope. Four shows, all after the year 2000, are used as case studies. These shows are Wednesday (2022-present), Criminal Minds (2005-present), Stranger Things (2016-present), and Killing Eve (2018-2022). Numerous TikTok videos and comments revolving around each show are …

With Love, ; An Interdisciplinary And Intersectional Look At Why Creativity Is Essential, Theo Starr Gardner

Whittier Scholars Program

My Whittier Scholars Program self-designed major, Teaching Creativity, is a mixture of Art, Literature, and Education classes. My research and praxis classes have been focused on the ‘how?’s and 'why?’s of creativity, so it felt only right that my project should be a constructivist, generative project. The project I have been working on throughout my time at Whittier, and that has just fully come to fruition on April 11th, 2024, was a solo art gallery/open mic event entitled ‘With Love,’. With Love, was conceptually inspired by the research I’ve conducted on creativity and creative arts education over the past few …

Seeing Is Believing: Observing Trans Spirituality Through The Smith-Waite Tarot, Phoebe Santalla

MFA in Illustration & Visual Culture

In 1909 the Rider Company published the Smith-Waite Tarot deck which featured 78 illustrated cards by Pamela Colman Smith. With heavy use of appropriated and ambiguous symbology, the Smith-Waite deck became a meditation tool for realizing alternative realities. By observing the history of the deck, analyzing Smith’s approach to illustration, and retracing the counterculture occult explosion in the 1970s, this essay argues that the Smith-Waite deck is an object the reflects the queered body and self. The modern, trans-contentious, Western political climate creates an environment that obscures the fact that transgender people exist beyond the medicalization of their bodies. To …

The Golden Age Of Mexican Cinema, Daniel Galindo

Publications and Research

This presentation is about the film called María Candelaria (1943), a film of the cinema of the golden age of Mexico that shows the lifestyle of the people of that time, more than anything it shows how women were reviled in the macho society. The Golden Age of Mexican Cinema is a period of brilliance in the history of Mexican cinema, which began in 1936-1956.

User Perception Of Gender Studies In Video Games, Quinn T. Gienapp

Honors Thesis

Alongside the increase in video game popularity, a subclass of games was formed that offer very unconventional gaming experiences. These games offer different stories that differ greatly from games made on multi-million-dollar budgets. Many of these types of games exist on the fringes of the industry and portray LGBTQ+ themes through their writing or gameplay. One of these games uses the medium of video games to process their trauma by relaying their own story. The game “He Fucked the Girl Out of Me” is an autobiographical video game that highlights the story of the Author and their experiences with …

Representations Of Gender In Math-Related Films, Jacob Gathje

CSB and SJU Distinguished Thesis

This project analyzes how four popular math-related films - Hidden Figures, Mean Girls, Good Will Hunting, and A Beautiful Mind - either follow, resist, or reconfigure gender stereotypes in mathematics. It includes close readings of specific scenes in each of the films, along with broader analysis of the effects of how women and men are represented differently. It concludes forward-looking focus, providing suggestions for how future math-related movies can depict a more realistic and inclusive version of the field of mathematics. Ideally, this will help improve one part of the larger issue of gender disparities in math.

Container Film, Dena Kopolovich

Theses and Dissertations

Container Film is an experimental nonfiction short film that explores the theme of carrying. Drawing inspiration from a blend of anthropological, religious, and artistic sources, the film is guided by an unknown narrator who contemplates the origins of humanity. Unlike conventional storytelling, the narrator’s uncertainty and inner dialogue punctuate the narrative, challenging a traditional linear structure. Jumping between diverse thoughts, she resists depicting human history with a singular hero or linear trajectory. Visually, the film unfolds through vivid tableaux vivants, dance sequences, and curious object arrangements, illustrating the subtle relationship between human cognition and materiality. Through its nuanced, tactile approach, …

Rgb Root Matriz Color Dance, Danielle E. Gauthier

Theses and Dissertations

RGB Root Matriz Color Dance (Color Dance) is an immersive, interactive experience that combines poetic phrases and color filters to create a womb-like environment. Designed by Danielle Gauthier, this artistic piece uses a webcam to respond to users’ movements in real time, allowing them to confront and express their emotions through metaphor and dance. Color Dance creates a unique platform for self-discovery and empowerment by fostering a connection between the body and discomforting emotions.

Feminism And Female Identity In Adaptations Of Pride And Prejudice Throughout The 20th And 21st Centuries, Emily Suh, Emily Suh

Honors Theses

To many of her fans in the world, Austen is undeniably a feminist author, especially for her time in the nineteenth century. In a time where women were dependent upon male family members for their livelihoods, most of Austen’s heroines exhibit a sort of independence and strong will with a mind of their own, including in Pride and Prejudice. Elizabeth is the model for what an independent woman is, a woman who is not so concerned with the monetary value of matrimony and only falls in love because she wants to. Furthermore, female audiences tend to like Elizabeth more than …

Imaginative Acts, Environmental Futurity: Re-Envisioning The Heroic White Male Savior In Snowpiercer, Michelle Yates

Green Humanities: A Journal of Ecological Thought in Literature, Philosophy & the Arts

In contrast to many Hollywood climate fiction films, Snowpiercer (2013) offers a more complex representation of the white male savior. In contrast to films like WALL-E (2008) and Interstellar (2014) that recuperate and invest in white masculine privilege, Snowpiercer highlights the more destructive aspects of a patriarchal capitalist system that privileges hegemonic white masculinity. While the ending of Snowpiercer may seem bleak, it also points to the possibility of a new system, an environmental futurity that centers indigenous knowledge and the experiences of women and people of color. Though Snowpiercer is not formally an American film, its casting of recognizable …

Can Marketing Transcend Entrenched Gender Biases?, Thinh Nguyen

Markets, Globalization & Development Review

Through a feminist lens, Maclaran and Chatzidakis (2022) challenge conventional assumptions about gender, emphasizing its performative nature shaped by social practices rather than inherent traits. This commentary extends analyses of key themes such as gender performativity, the male gaze, and subject-object binaries within marketing. It critiques how marketing strategies reinforce existing power imbalances and systemic biases rooted in historical narratives. The writing also reflects on media interpretations of gender issues through films like 'Turning Red' and 'Barbie'. By contextualizing gendered marketing within broader societal frameworks, this writing contributes to ongoing dialogues in media studies, sociology, and gender studies, highlighting the …

Queering Storytelling: Challenging Normative Storytelling Methodology And Building A Queer Approach To Documentary Filmmaking, Ruben Schneiderman

Women's, Gender, and Sexuality Studies Honors Projects

As representations of queer people on screen grow, so too has the violence for queer folks at the margins. This project looks at four documentaries that cover key moments in LGBTQ history to see how filmmaking methodologies and choices can further the harms of institutional violence. Key themes include homonormative and assimilationist representations in film, the formation of a reductive cultural memory of queer politics, and the obscuring of the global crises of AIDS. Through an analysis of these films, I argue for the formation of queer documentary methodologies that are grounded in the ideas put forward by queer theorists …