Feminist, Gender, and Sexuality Studies Commons^™

Selected Definitions For Work In Communication And Media Studies & Selected Bibliography Of Publications In Comparative Media Studies, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Media, Message And Meaning: The "Queer As...What?" Symposium, Andrew Ingall

Center for LGBTQ Studies (CLAGS)

On October 11, scholars, journalists, media watch activists, and community intellectuals examined depictions and productions of LCTBQ people in television, the World Wide Web, and print journalism at a CLAGS symposium with the wily title, "Queer as . . . What?"

Dracula In The Comics, Perry Lake

Journal of Dracula Studies

No abstract provided.

It's All In The Blood: The Bram Stoker/Peter Cushing Alliance, Michael Mcglasson

Journal of Dracula Studies

No abstract provided.

"A Race Of Devils": Frankenstein, Dracula And Science Fiction, Robert James Frost

Journal of Dracula Studies

No abstract provided.

The Journey Of The Damned Coffin, Jordi Ardanuy, Luis Romero

Journal of Dracula Studies

No abstract provided.

The Post-Feminist Vampire: A Heroine For The Twenty-First Century, Victoria Amador

Journal of Dracula Studies

No abstract provided.

The Dragon The Raven And The Ring, Michael Vorsino

Journal of Dracula Studies

No abstract provided.

Michel Beheim, German Meistergesang, And Dracula, David B. Dickens, Elizabeth Miller

Journal of Dracula Studies

No abstract provided.

No Woman Is An Object: Realizing The Feminist Collaborative Video, Alexandra Juhasz

Publications and Research

Feminist video does collectivity exceedingly well. Certainly other politicized cultural movements and individuals work through this method, and, of course, feminists also produce work in collaboration in film and other media (as Julia Lesage testifies above). However, I assert that there is a profound natural mechanics to women's work in video that makes the medium's method, theory, and theme the interactive and politicized subjectification of the female sex. Film and patriarchy share the project of women's objectification-they make victims. Video and feminism see women as complex, worthy selves-they produce subjects. In feminist collaboration: video, the medium (inexpensive, debased, nonprofessional), the …

Toward A Framework Of Audience Studies In Comparative Cultural Studies, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Spaces Of Motherhood, Deirdre Conlon, Marcus Carvalho

Reconstruction: Studies in Contemporary Culture

[First paragraph]

In this paper our aim is to critically evaluate motherhood, as a social production that is deeply imbricated with the ideologies of patriarchy, technology and capitalism. We ground our analysis in Henri Lefebvre's (1994) theory on the social production of space and Barbara Katz-Rothman's (2000) examination of motherhood as it is constituted through ideology. Further, we draw on Smith's (1997) observation that it is possible to examine the production of space and materialization of capitalism at different scales; in this paper we focus specifically on the scale of the body and of the house in order to consider …

Saving "Cinderella": History And Story In Ashpet And Ever After, Elisabeth Rose Gruner

English Faculty Publications

An orphan is mistreated by a cruel surrogate family. The orphan is special, however, and with the intervention of kind and magical parental substitutes, rises to dizzying heights and achieves a happy ending. It’s a familiar tale, from “Cinderella” to Harry Potter —the difference is all in the details. In two fairy tale films of the 1980s and 1990s, those details remove the Cinderella story from the realm of fantasy. Ashpet and Ever After take pains to “realize” Cinderella—to remove almost all elements of magic and fantasy and to imagine, instead, what might make such a story real. Both incorporate …

Representation Of Women In Men's Magazines : A Comparison Of Local And Foreign Editions Of Fhm, Belinda M Balraj

Student Works (2000-2009)

Women frequently face discrimination wherever they go. Their representation in the media has always been the subject of discussion among feminists and non feminists. This study was based on the representation of women in the local and foreign edition of a men's magazine, the FHM. The study on the representation of women was based on the pictures and the terms used to describe women in the interview section found in 5 issues of FHM (3 local and 2 foreign editions) used in this study. The study showed that women featured were generally depicted as sexual objects and were pictured and …

Selected Bibliography For The Study Of Central And East European Culture, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Constructivism And Comparative Cultural Studies, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Selected Journals Of Media And Communication Studies, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Root Canals: The Neutered Vampire And The Metamorphosis Of Undead Metaphor, Chris Mcgunnigle

Journal of Dracula Studies

No abstract provided.

"Unconscious Cerebration" And The Happy Ending Of Dracula, John Greenway

Journal of Dracula Studies

No abstract provided.

The Tomb Of Vlad Tepes, Constantin Rezachevici

Journal of Dracula Studies

No abstract provided.

Imitations Of Immortality: "Shadow Of The Vampire", James Craig Holte

Journal of Dracula Studies

No abstract provided.

Repulsive Pariah Or Romantic Prince? Transforming Monstrosity In Bram Stoker's And Francis Ford Coppola's Dracula, Vrunda Stampwala Sahay

Journal of Dracula Studies

No abstract provided.

Xenophobia And Its Subversion In Darker Than You Think, Margaret L. Carter

Journal of Dracula Studies

No abstract provided.

'Good Little Bad Girls': Controversy And The Flapper Comedienne, Sara Ross

Communication, Media & The Arts Faculty Publications

In the late 1910s and early 1920s, the American film industry experimented with variety of new and timely female types which in some way challenged the sexual status quo, including the bohemian feminist, the madcap, the baby vamp and the flapper. Whether drawn from the headlines, adapted from best-selling novels or hot Broadway plays, or created for the screen, these characters had the potential to generate both strong box office, and controversy and censorship.

Revampings Of Dracula In Contemporary Fiction, Margaret L. Carter

Journal of Dracula Studies

No abstract provided.

Once Upon The Sleeping Canon: Literary Lustre In Cradle Of Filth's Wintry Romances, Julio Angel Olivares Merino

Journal of Dracula Studies

No abstract provided.

Melodrama Hath Charms: Planche's Theatrical Domestication Of Polidori's "The Vampyre", Katie Harse

Journal of Dracula Studies

No abstract provided.

Count Dracula And The Folkloric Vampire: Thirteen Comparisons, Patrick Johnson

Journal of Dracula Studies

No abstract provided.

In Search Of The Lesbian Vampire: Barbara Von Cilli, Le Fanu's "Carmilla" And The Dragon Order, Raymond T. Mcnally

Journal of Dracula Studies

No abstract provided.

"I Am Not Like Other People": Tippi Hedren, Vampires And Marnie, Victoria Amador

Journal of Dracula Studies

No abstract provided.