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Articles 1261 - 1290 of 1869
Full-Text Articles in Feminist, Gender, and Sexuality Studies
About English-Language Scholarship On Humor In Ancient Chinese Literature, Peina Zhuang, Lei Cheng
About English-Language Scholarship On Humor In Ancient Chinese Literature, Peina Zhuang, Lei Cheng
CLCWeb: Comparative Literature and Culture
In their article "About English-language Scholarship on Humor in Ancient Chinese Literature" Peina Zhuang and Lei Cheng present an overview of scholarship by English-language Sinologists on humor. Zhuang and Cheng argue that while English-language scholars have played a path-breaking role in making prominent an important aspect of ancient Chinese literature, their studies also display weaknesses including questionable choices of source material, decontextualized analysis, or even mistranslation. They posit that the study of humor in ancient Chinese literature ought to be performed in a contextual perspective including linguistics, literary history, society, politics, etc.
Bibliography For The Study Of Chinese Literature In The Anglophone World, He Lin
Bibliography For The Study Of Chinese Literature In The Anglophone World, He Lin
CLCWeb: Comparative Literature and Culture
No abstract provided.
University Scholar Series: Alison Mckee, Alison L. Mckee
University Scholar Series: Alison Mckee, Alison L. Mckee
University Scholar Series
The Woman’s Film of the 1940s: Gender, Narrative, and History
On February 25, 2015, Dr. Alison L. McKee spoke in the University Scholar Series hosted by Provost Andy Feinstein at the Dr. Martin Luther King, Jr. Library. Dr. McKee discussed her recent book, The Woman’s Film of the 1940s: Gender, Narrative, and History, which addresses the terrain between official public histories and private experiences of love, desire, and loss against the backdrop of World War II. McKee is an Associate Professor in the Department of Television, Radio, Film, and Theatre Arts at SJSU. She specializes in film history, theory …
Emerging Feminist Voices On Media And Representation, Diana Depasquale, Cassie Tenorio, Alyssa Wells, Savannah Fulmer
Emerging Feminist Voices On Media And Representation, Diana Depasquale, Cassie Tenorio, Alyssa Wells, Savannah Fulmer
Ray Browne Conference on Cultural and Critical Studies (2015-2021)
The work featured in this panel is from students in WS2000, Introduction to Women's Studies. I created an assignment called "Choose Your Own Adventure." These projects include: an examination gender in film, and a revised version of the Bechdel Test, sexism and misogyny in gaming culture expressed through a series of comics, a painting on canvas using a variety of materials and techniques representing the control of women's reproductive rights and the damage done to female bodies by patriarchal language and rhetoric, and an analysis of womanism, scripture and Alice Walker's The Color Purple.
Each student engaged with issues related …
Postcolonial Disability In Mohesen Makhmalbaf’S Kandahar, Sukshma Vedere
Postcolonial Disability In Mohesen Makhmalbaf’S Kandahar, Sukshma Vedere
Ray Browne Conference on Cultural and Critical Studies (2015-2021)
Kandahar (2001), an Iranian film directed by Mohsen Makhmalbaf, details the journey of the protagonist, Nafas, to Kandahar to save her sister from committing suicide on the day of the solar eclipse. The film has gained recent attention by disability studies scholars for the representation of disability in Afghanistan; scholars have discussed the significance of prosthetics and international aid for the disabled in post-war zones of the Third World, but little has been said about disability as a postcolonial embodiment. I argue that Kandahar represents the postcolonial state as a disabled space both literally and metaphorically. It projects the veil …
Neglecting The Subjects Of The Drag Performance In White Chicks, Hannah Sylvester
Neglecting The Subjects Of The Drag Performance In White Chicks, Hannah Sylvester
The Downtown Review: An Interdisciplinary Journal Written and Peer-Reviewed by Mandel Honors College Students at Cleveland State University
As a temporary transvestite film, White Chicks tackles racial issues as well as gender issues and performance. While the statements made on behalf of racial issues are strong, the statements concerning gender are much weaker. The paper will give a summary of the film followed by a description of it as a temporary transvestite film alongside other films within the genre. Issues concerning gender roles--specifically the concept of femininity--are addressed within the film, but are never challenged or changed. Indeed, society's heterosexual hegemony are upheld within this film as they are in similar films in the genre. Homosexual instances in …
Finding Aid To The Bern Porter Collection Of Contemporary Letters, Bern Porter, Colby College Special Collections
Finding Aid To The Bern Porter Collection Of Contemporary Letters, Bern Porter, Colby College Special Collections
Finding Aids
Bern Porter (1911–2004) was an artist, writer, philosopher, and scientist who was involved in the development of the cathode ray tube, the Saturn V rocket, and the Manhattan Project, which he renounced upon learning of the bombing of Hiroshima. Also a pioneer in the arts, he is known for his landmark work as an author and publisher. He was an early practitioner of mail art and found and performance poetry and experimented with typography, sculpture, photography, artists’ books, and collage throughout his life. Porter lived and worked in New Jersey, New York, Tennessee, California, Guam, Alabama, and Tasmania. He finally …
Conjuring Magic And Witchcraft In William Shakespeare's Othello, Charlene Cruxent
Conjuring Magic And Witchcraft In William Shakespeare's Othello, Charlene Cruxent
Journal of Dracula Studies
No abstract provided.
Zombie Cinema: Virtual Control For Angst Ridden Audiences, William D. Prystauk
Zombie Cinema: Virtual Control For Angst Ridden Audiences, William D. Prystauk
Journal of Dracula Studies
No abstract provided.
The Machine At The Mad Monster Party, Kevin L. Ferguson
The Machine At The Mad Monster Party, Kevin L. Ferguson
Journal of Dracula Studies
No abstract provided.
"Being A Mother Is An Attitude, Not A Biological Relation": Mother As Monster In Mary Shelley's Frankenstein, Donna Mitchell
"Being A Mother Is An Attitude, Not A Biological Relation": Mother As Monster In Mary Shelley's Frankenstein, Donna Mitchell
Journal of Dracula Studies
No abstract provided.
Digital Aids Documentary: Webs, Rooms, Viruses And Quilts, Alexandra Juhasz
Digital Aids Documentary: Webs, Rooms, Viruses And Quilts, Alexandra Juhasz
Publications and Research
No abstract provided.
Downtown's Queer Asides, Lucas Hilderbrand, Alexandra Juhasz, Debra Levine, Ricardo Montez
Downtown's Queer Asides, Lucas Hilderbrand, Alexandra Juhasz, Debra Levine, Ricardo Montez
Publications and Research
No abstract provided.
Hamlet #Princeofdenmark: Exploring Gender And Technology Through A Contemporary Feminist Re-Interpretation Of Hamlet, Allegra B. Breedlove
Hamlet #Princeofdenmark: Exploring Gender And Technology Through A Contemporary Feminist Re-Interpretation Of Hamlet, Allegra B. Breedlove
Scripps Senior Theses
Exploring the process of designing, producing, directing and starring in a multimedia feminist re-interpretation of Shakespeare's Hamlet set in a contemporary social media landscape.
Queer Content In Science Fiction Allegory And Analogue: Is It In Disguise?, Anna C. Marburger
Queer Content In Science Fiction Allegory And Analogue: Is It In Disguise?, Anna C. Marburger
Scripps Senior Theses
This thesis performs a textual analysis of two for-profit science fiction texts in which the authors implanted queer content: Bryan Singer's X-Men films and James Robert's Transformers comic series, "More Than Meets the Eye". The argument incorporates queer (referring to attraction and gender variance) media representation and western identity politics lenses into its critique.
By interrogating reality through the masquerade of an impossible universe, science fiction affects how subversive a text can be. When authors designate the natural and the unnatural in a strange universe, they designate what and who belongs in our society. Whatever they imagine has an effect …
Being "Like A Girl" In The Twenty-First Century: Branding And Identity Through Cultural Conversation, Jane A. Condon
Being "Like A Girl" In The Twenty-First Century: Branding And Identity Through Cultural Conversation, Jane A. Condon
Scripps Senior Theses
Branding exists at the intersection of culture and economics and is an increasingly important tool in distinguishing commodities. Over the past few years, more and more companies have started to use discourses of female empowerment, celebrating femininity, womanhood, and all things “girly” to sell their products - spiking sales, racking up millions of online views, and starting important conversations in the process. Procter & Gamble's “Like A Girl” campaign for Always creates a productive tension and way of thinking about both brand and buyer. The “Like A Girl” campaign is unique because it presents a feminist message to and about …
“Rip It!”: A Juxtapositional And Critical Discourse Analysis Of Gender Violence In 3 Tyler Perry Films, Avina Ross
“Rip It!”: A Juxtapositional And Critical Discourse Analysis Of Gender Violence In 3 Tyler Perry Films, Avina Ross
Graduate Research Posters
This qualitative study uses juxtapositional, intersectional and critical discourse analyses as one composite framework to assess Black female victimness and matriarchy in three Tyler Perry films. Findings exposed a transitional archetype model consisting of 5 domains (Victim, Bitterfruit, Matriarch, Forgiver and Princess) whereby victimized characters are portrayed using racist and sexist stereotypes. Additionally, rich juxtapositions in the films with regard to Black female victimness and matriarchy were also revealed. These juxtapositions play out in the transitional archetype model and reiterate a harmful racist gendered stereotype: strong, Black women (matriarchs) are not and cannot, by way of their strength, aggressiveness and …
The Representation Of Women And Gender In Warner Bros. Cartoons: A Performance Of Satire, Eliza Wells
The Representation Of Women And Gender In Warner Bros. Cartoons: A Performance Of Satire, Eliza Wells
Audre Lorde Prize
No abstract provided.
Moving Foward?: Problematic Ideologies In Twenty-First Century Fairy Tale Films, Alyson Kilmer
Moving Foward?: Problematic Ideologies In Twenty-First Century Fairy Tale Films, Alyson Kilmer
All Master's Theses
Fairy tales, as a reflection of our values and belief systems, are crucial in shaping and maintaining cultural ideologies. In the twenty-first century, cinematic fairy tales have the unique position of representing such values in an expansive and expeditious manner. Audiences must therefore be critically conscious of the messages promoted by these tales. An analysis of the five most popular contemporary fairy tale films, Disney’s Princess and the Frog (2009), Tangled (2010), Universal’s Snow White and the Huntsman (2012), and Disney’s Frozen (2013) and Maleficent (2014), revealed minimal attempts to propitiate critical audiences in regard to changing cultural values, but …
Philosophy's Rarified Air: On Peden's Spinoza Contra Phenomenology, Steven Swarbrick
Philosophy's Rarified Air: On Peden's Spinoza Contra Phenomenology, Steven Swarbrick
Publications and Research
No abstract provided.
Cumulative Index Of Clcweb: Comparative Literature And Culture (1999-), Steven Tötösy De Zepetnek
Cumulative Index Of Clcweb: Comparative Literature And Culture (1999-), Steven Tötösy De Zepetnek
CLCWeb Library
No abstract provided.
Cute As A Button, Marta R. Finkelstein
Cute As A Button, Marta R. Finkelstein
Theses and Dissertations
Cute As A Button explores powerlessness, vulnerability, illness and addiction all wrapped up in tender buttons and a cute, cuddly creature. Using animation, sculpture, sound and an intimate space, I surround the viewer in a saccharine nightmare, one that references the dark underbelly of the cute and the sweet. The visual and aural elements are representative of the psychological and emotional states of powerlessness, which are overcome by the act of making and exploring a medium over which I can have complete control.
Queer-Baiting On The Bbc’S Sherlock: Addressing The Invalidation Of Queer Experience Through Online Fan Fiction Communities, Cassidy Sheehan
Queer-Baiting On The Bbc’S Sherlock: Addressing The Invalidation Of Queer Experience Through Online Fan Fiction Communities, Cassidy Sheehan
UROP Posters
Fans of a particular media source often write fan fiction to build on, deviate from, and transform original source material. The BBC’s Sherlock is not exempt from this common practice; in fact, the homoerotic subtext which persistently endures within the show lends itself to the production of slash fan fiction. Many perceive this subtext as a method of queer-baiting, or an ultimately harmful tactic used by writers and producers to lure in queer viewers. In this paper, dialogue and scenes from the show itself are compared to excerpts from works of fan fiction in order to explore reactions to queer-baiting …
Sex In Japan: It’S A Straight Man’S World, Kaileigh Nicklas
Sex In Japan: It’S A Straight Man’S World, Kaileigh Nicklas
Honors Theses, 1963-2015
Japanese feminism directly impacts the social image of non-male sexuality in Japanese literature and pop-culture through highlighting gender roles, ingrained misogyny, and violence toward non-male oriented sex. This project will specifically focus on the power dynamics of sex in Japanese society through gender roles, female sexuality, and the rise of Japanese feminist movement. An observation of sexuality in Japan from such female works as The Apprenticeship of the Big Toe P and Snakes and Earrings in contrast to male works such as Norwegian Wood and Memoirs of a Geisha provide further insights to the role that sex plays in the …
Navegando Las Barreras Entre El Patriarcado Y El Poder Femenino: Un Análisis De La Representación De La Mujer En El Cine Español Desde 1948 A 2014, Olivia Sloan Marple
Navegando Las Barreras Entre El Patriarcado Y El Poder Femenino: Un Análisis De La Representación De La Mujer En El Cine Español Desde 1948 A 2014, Olivia Sloan Marple
Honors Theses and Capstones
Este ensayo tratará del papel de la mujer en el cine español y como las representaciones de la mujer en el cine se conectan con lo que pasa en la sociedad española. Específicamente, mostrará que el poder del papel de la mujer se correlaciona con la deconstrucción de los roles de género en la sociedad patriarcal y la fluidez de género representadas en las películas.
Además, este ensayo intenta demostrar que no vemos una trayectoria directa de la representación de la liberación femenina en el cine español. Efectivamente, el poder de los papeles femeninos no tienen que ver con la …
The Basque Big Boy? Basque Masculinities In Vaya Semanita, Iker González-Allende
The Basque Big Boy? Basque Masculinities In Vaya Semanita, Iker González-Allende
Spanish Language and Literature Papers
This article argues that the television show Vaya semanita portrays a specific Basque masculinity, different from the Spanish or Mediterranean ones. The traditional Basque masculinity shares some values with the most accepted forms of Spanish masculinities –including manhood as a challenge to be overcome, physical strength, intemperate drinking, and gluttonous eating – but differs from them in the way men behave in relation to women and sex, and the way they maintain close friendships with each other. Basque men appear as dependent on their mothers and wives, making them look emasculated and infantile. Their male bonding is also interpreted as …
Review Article About Chinese Comparative Humanities Journals Published In 2013, Yuan Liu
Review Article About Chinese Comparative Humanities Journals Published In 2013, Yuan Liu
CLCWeb: Comparative Literature and Culture
No abstract provided.
Reception And Variations Of Classical Narratology In Chinese Scholarship, Biwu Shang
Reception And Variations Of Classical Narratology In Chinese Scholarship, Biwu Shang
CLCWeb: Comparative Literature and Culture
In his article "Reception and Variations of Classical Narratology in Chinese Scholarship" Biwu Shang discusses the field's impact starting in the 1970s to today. Shang's survey includes translations of Western frameworks including introductions published during three waves (the 1980s, 1990s, and 2000s respectively). While Shang posits that Chinese narratology owes a debt to English-language Western scholarship, as it stands in the last decades this is counterbalanced with the development of Chinese narratology and Western scholarship started to show interest in Chinese scholarship: indeed, the more exchanges between Chinese scholarship and that of the West develop, the more beneficial the dialogue …
Introduction To New Work On Electronic Literature And Cyberculture, Maya Zalbidea, Mark C. Marino, Asunción López-Varela
Introduction To New Work On Electronic Literature And Cyberculture, Maya Zalbidea, Mark C. Marino, Asunción López-Varela
CLCWeb: Comparative Literature and Culture
No abstract provided.
E-Literature, New Media Art, And E-Literary Criticism, Janez Strehovec
E-Literature, New Media Art, And E-Literary Criticism, Janez Strehovec
CLCWeb: Comparative Literature and Culture
In his article "E-Literature, New Media Art, and E-Literary Criticism" Janez Strehovec explores the commonalities between electronic literature and new media art. Rather than deploying the traditional conceptual apparatus of e-literary criticism directed first and foremost to the new media elements of e-literature, Strehovec takes into account approaches from current theories in the social sciences and humanities. In doing so, he draws upon examples of new media art as a practice in which the novel's social paradigms change the way of art-making and challenge the very function of art. Close-readings of some new media art projects including Bookchin's Mass Ornament …