Feminist, Gender, and Sexuality Studies Commons^™

Strategies Of Liberation And Empowerment In Maya Angelou's And Audre Lorde's Black Feminist Literature, Lydia Jernigan

Student Works

The progression of second-wave feminism in America saw Black feminist writers such as Maya Angelou and Audre Lorde utilizing literature, and notably poetry, to resist against their oppression, due not only to their gender but also to their race. Lorde states in her 1977 essay, “Poetry is Not a Luxury,” that poetry, for women, “is a vital necessity of our existence. It forms the quality of light within which we predicate our hopes and dreams toward survival and change, first made into language, then into idea, then into more tangible action.” One of the aims of Lorde’s explicitly political poems—as …

Consent In Conversation: Education Of Sexual Violence In Maya Angelou's I Know Why The Caged Bird Sings, Emily Benning

Richard T. Schellhase Essay Prize in Ethics

Maya Angelou’s memoir, I Know Why the Caged Bird Sings, is just one of many titles challenged and banned in public schools for “sexually explicit” content. On page 71 of her 281 page autobiography, Angelou discloses that she was raped at 8 years old by her mother’s boyfriend, and despite it being followed with scenes that emphasize the value of healing through literature, public attention has been directed to the (non-consensual) intercourse itself as a reason for censorship. As censorship efforts have expanded in the past two decades, challengers have continued to add more ban-worthy qualities to the list …

The Postmodern And The Personal In Edna St. Vincent Millay’S Aria Da Capo, Roxanne Rankin

Munn Scholars Awards

Aria Da Capo, Edna St. Vincent Millay’s 1919 play, has thus far been largely ignored in literary criticism. This essay, through a historical survey of Millay’s previous critical reception followed by a close reading of Aria Da Capo, attempts to explain and then bridge this gap in academic scholarship. A postmodernist reading of the play will then illustrate why Millay’s work still confounds scholars today and how Aria Da Capo specifically continues to be relevant more than 100 years after it was first produced.

"Real Women Have Bodies": A Study In Adaptation, Madison Ephlin

Honors Projects

The art of adaptation is a difficult process, and is often hard to please general audiences that have a connection to the source material. As a student who studies both English Literature and Film Production, the question asked through this study is what does it take to write a “successful” adaptation? What qualifies as “successful”? How does an adaptation balance the themes, characterization, and plot of a piece of literature with the continuous momentum and visual complexity that the medium of film requires, all in 120 pages or less? This study engages with these questions by actively practicing adaptation, adapting …

Anti-Woman Invective On The Early Modern Stage: Abuse, Degradation, And Resistance, Savannah Xaver

Dissertations

On the early modern stage, gendered epithets like “strumpet,” “mermaid,” “minx,” “hobby horse,” “courtesan,” “drab,” and “whore” are not just markers of misogyny. Instead, these insults harm the male user as well as their female target. My cross-playwright and cross-genre connections show the complex, wide use and impact of anti-woman terms. A wide-ranging study of the plays of Shakespeare and his contemporaries reveals that gendered insults signify masculine mental decline in tragedies as well as comedies and tragicomedies. In tragedy, the increasingly violent language of male slur users – like, for example, the frustrated Othello, who declares, of his wife, …

Bad Blood: Octavia E. Butler Takes A Bite Out Of Gender And Racial Stereotypes In Fledgling, Abigail Cole

Senior Theses

For contemporary audiences the word “vampire” typically conjures two figures: a Damon Salvatore-esque[1] man with devil may care eyes, dark hair and an equally dark past. Dripping with sex and charm, he struggles with an internal dilemma, his animalistic urge to kill constantly at war with his human morality. On the other hand, we have the sexy, scantily clad white female vampire who uses her feminine wiles and socially “perfect” body to prey upon poor, unsuspecting men, until she is eventually corralled into domestic submission, or killed. While this description fits the broader scale of what the vampiric figure …

To Be Necessary: The Remarkable Life Of Mary Wollstonecraft, Elisabeth Phillips

Bound Away: The Liberty Journal of History

Although overshadowed by her daughter, Mary Shelley, in the public imagination, Mary Wollstonecraft (1759-1797) stands as a significant figure in her time who left a significant legacy. Her writings advocating for women’s education, equal rights, and career opportunities established her as the progenitor of the modern women’s rights movement. Wollstonecraft’s ideas resonated in the era of the Atlantic world revolutions and laid the foundation for later advances of women in the Western world; therefore, it is important to study her contributions in the present.

Utopian Promises, Dystopic Realities: Teaching Bell Hooks “No Love In The Wild”, Naimah H. Ford

Feminist Pedagogy

This original teaching activity discusses bell hooks’ film review of Beasts of The Southern Wild and explains how it can be used to encourage students to recognize how popular culture reproduces and reinforces disturbing paradigms. This original teaching activity, based on hooks’ review “No Love in The Wild,” encourages students to be informed while navigating visual images in popular culture. This activity also explains how hooks’ film review and the film can be used to empower students with strategies to analyze film and other visual images that are seemingly progressive but support the strictures and structures that reinforce patriarchy, racism, …

I, Discomfort Woman: A Fugue In F Minor, Seo-Young J. Chu

Publications and Research

No abstract provided.

Queer Ecologies: A Final Syllabus/Zine Product Of Our Independent Study, Yeh Seo Jung, Ray Craig

Crossings: Swarthmore Undergraduate Feminist Research Journal

This zine is the product of our independent study course Queer Ecologies, which is an exploration of bio-social systems using a queer and feminist theoretical lens. We aim to look critically at knowledge formation and construct alternative visions for more just and sustainable relationships between science, nature, and ourselves. While queer theory most directly interrogates the normative structure of heterosexuality both in humans and in biology more broadly, these studies include analyses of hierarchy, power, and value. Queer Ecology can be used to examine phenomena such as climate change, extinction, pollution, species hierarchies, agricultural practices, resource extraction, and human population …

Contagious Animality: Species, Disease, And Metaphor In Early Modern Literature And Culture, Jeremy Cornelius

LSU Doctoral Dissertations

In my dissertation, Contagious Animality: Species, Disease, and Metaphor in Early Modern Literature and Culture, I close read examples of Renaissance drama alongside their contemporary cultural texts to examine anxieties around social differences as constructed and mediated through what I call “contagious animality” in early modern English culture. Animal metaphors circulated anxieties around social differences on the early modern cultural stage in English drama where animality elicits uncertainties about identitarian constructions of difference. In this vein, I close read formal elements and their interactions with early modern culture to argue that animal metaphors transmit modes of speciating difference in …

Elizabeth Robins Portrays Working Women In Suffragette Literature: A Reflection Through The Lens Of The 2015 Film, Suffragette, Joanne E. Gates

Presentations, Proceedings & Performances

I place the 2015-released film Suffragette within a context of the efforts Elizabeth Robins made to document and, by witnessing, to advocate, the early phases of the British Women’s Suffrage Movement in England. Robins wrote and participated across margins. An expatriate American living in England, she had no personal advantage to gain with a franchise. In her late forties and in ill health, she took perhaps only "safe" opportunities to thrust herself into the fray. But as Jane Marcus points out, with her research on the play that became Votes for Women, she took efforts to experience how working-class …

Ivy Leaves, Volume 98, Ivy Leaves Editorial Staff

Ivy Leaves

The 2023 edition of the Anderson University journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Lily McNamara, Adam Jobson, Taylor Merner, Emma Miller, Canon Allen, Katelyn Flower, Johnathan Sorce, Zoe Dubiski, Carson Cawthon, Maeve Foote, Taylor Merner, Brianna Elwell, Abbie Vanasse, Lindsay Blumenfield, Knoxie Le Roux, Rebecca Thompson, Jocelin Flora, Caroline Reynolds, Julia Hewitt, Emily Miller, Lindsay Gatlin, Isabella Rigsby, Jennifer Hollifield, Dr. Derek Updegraff, and Tim Speaker.

Novelizing The Feminist Biography, From Nancy Milford's Zelda To The Present: What Are The Ethics Of Sourcing?, Joanne E. Gates

Presentations, Proceedings & Performances

This presentation arose out of two parallel tracks: the desire to novelize my own feminist biography of Elizabeth Robins and the awareness -- especially made acute in the essay on Emma Tennant's two treatments of the Sylvia Plath and Ted Hughes material by Diane Middlebrook, "Misremembering Ted Hughes" -- that for a novelist to base fiction on historical subjects risks not merely critical exposure; it also has its ethical and sometimes legal complications.

Anyone of a certain age remembers or can mark the impact of Milford's study of Zelda Fitzgerald, published 1970, the finalist in several book awards and scores …

Quiet Rebellions: An Interview With Gothataone Moeng, Anupama Arora, Sandrine Sanos

Journal of Feminist Scholarship

No abstract provided.

"No, Not There": The Literary Precarity And Profundity Of Queer Spatiality, Samuel James Aftel

Theses and Dissertations--English

Love, broadly defined, needs space to grow. For love to materialize and sustain itself (in both literature and society), it must find hospitable geosocial, institutional, and psychic terrain. This is especially true for queer intimacies beyond heteronormative relationality, for the prospect of love’s radical––or reactionary––possibilities is contingent upon the more general sociality in which it develops. Yet love is often a worldmaking and, sometimes, historic mechanism unto itself. Love and its concomitant sexualities must therefore be understood within and without normative structures of hegemony; the workings of (neo)colonialism and capitalism––as well as patriarchy, white supremacy, and heterosexism––dictate to love, and …

Bibliography, Alison Langdon

Faculty/Staff Personal Papers

Bibliography of publications by Alison (Ganze) Langdon.

Constructing (Un)Situated Women: Situated Knowledges In Arundhati Roy's The God Of Small Things (1997) And Balli K. Jaswal's Erotic Stories For Punjabi Widows (2017), Necole T. Deloach

College of Graduate Studies: Theses & Dissertations

This thesis applies Donna Haraway’s concept of “situated knowledges” to postcolonial feminist novels such as Arundhati Roy’s The God of Small Things and Balli K. Jaswal’s Erotic Stories for Punjabi Widows in order to illustrate why there needs to be a new framework for analyzing literary postcolonial women. Despite the applicability of Donna Haraway’s “situated knowledges” to postcolonial feminist literary studies, there has been little research published that analyzes not just the intersection of “situated knowledges” and postcolonial feminist literature, but also the problems that occur when Western scholars approach postcolonial texts without completely acknowledging their own worldview. I argue …

Reverberations Of Boarding School Trauma In Upstate New York, Grace A. Miller

Comparative Woman

The legacy of boarding schools in Upstate New York is one that non-Natives seem to have forgotten. This historical amnesia compounds other acts of genocide, including cultural genocide, of the Haudenosaunee people throughout US history. Established in 1855 at the Cattaraugus Reservation (Seneca), the Thomas Indian School would serve as an institution of forced assimilation and displacement, much like the other Native American boarding schools. While the larger US population has grown to forget these schools' existence, the shadowed legacy of institutions, like the Thomas Indian School, Haskell, and Carlisle Indian Industrial School, the rippling effects of these schools’ practices …

“By That Daughter’S Most Devoted Affection”: Anxious And Avoidant Attachments In Opie’S Adeline Mowbray, Meghan E. Hodges

Comparative Woman

Attachment theory, or the theory that one’s personality and social development is informed greatly by the infant-parent bond, largely arises in the 1950s with the work of John Bowlby. Although the phenomenon was only then beginning to be scientifically evaluated, it has long been observed that the relationship one has with one’s parents is a determinant factor in one’s development. This work investigates the impact of the failure to heal the insecure attachment Amelie Opie’s Adeline Mowbray (1808). Adeline, having grown up in her distant mother’s intellectual shadow, develops a neurotic attachment to her mother which causes romantic maladjustment in …

The Acceptance Of Womanhood: Gender Performance And Self-Actualization In L.M. Montgomery's Anne Of Green Gables, Anne Of Avonlea, And Anne Of The Island, Lauren M. Hinshaw

EWU Masters Thesis Collection

There is a pervasive cultural conception of what it is to be a woman, and in literary criticism that preconceived notion of womanhood becomes the basis for a majority of feminist critique; however, because of the particularities of human experience, gender is a highly variable aspect of identity that is reliant on both internal and external factors. According to Judith Butler, among these factors is the means by which a given individual performs their gender. Performances that portray gender are not consistent from one individual to the next; rather, various masculinities and femininities can simultaneously exist as accurate representations of …

Retelling Tales: Patience Agbabi's Queering Of Chaucer's "The Man Of Law's Tale", Caylin Wigger

Undergraduate Research Awards

Geoffrey Chaucer’s The Canterbury Tales is recognized as a formative text within the canon of English literature. Because of his widely known status, Chaucer and his writings have become the central focus of many medievalists; this does not simply mean the increased presence of critical writings, but also creative works that are inspired by The Canterbury Tales. Patience Agbabi’s Telling Tales is a contemporary poetic retelling of The Canterbury Tales in which she explores the origins of ideas such as diaspora, colonization, racialized thinking, social hierarchy, and binary thinking, only to question these ideas in her own writing. Author …

Conceive And Control: Cultural-Legal Narratives Of American Privacy And Reproductive Politics, Emily Naser-Hall

Theses and Dissertations--English

Law and literature share a foundation in narrative. The literary turn in legal scholarship recognizes that the law itself is a form of narrative, one that simultaneously reflects socio-cultural norms and creates social and political regulations with a complex matrix of power. Cultural narratives from the 1950s to the mid-1970s pertaining to reproductive politics, domesticity, and national identity both produce and are productive of legal rulings that govern and restrict private acts of sexuality and speech. The Supreme Court used cases concerning sex and reproduction to enumerate, explicate, and complicate the right to privacy, which appears nowhere in the U.S. …

From Jane Austen To Meghan Markle: The Persistence Of British Imperialism In White Popular Feminism, Kathryn M. Kohls

Theses and Dissertations--English

This dissertation traces the persistent threads and values of white womanhood from the nineteenth-century British Empire to modern American popular culture. The figure of the white woman was significant to upholding colonialism and empire in the literary mass media and culture of the nineteenth century, and I argue that this figure continues to be used in popular media and online content today to surreptitiously uphold white supremacy and obscure race and gender inequalities. This dissertation will explore the overlaps between nostalgia, historical revisionism, white womanhood, white supremacy, and white feminism in modern American popular culture. The connections between, and the …

Yes, Baby: Essays, Amy Gault

Graduate Theses/Dissertations

This creative thesis includes thirteen flash nonfiction pieces and one fiction short story exploring emotions and experiences that have changed who I am today. These writings are personal experiences or are inspired by personal experience. These creative works interrogate deeply transformative events and situations, such as familial relationships, trauma, poverty, living in the Midwest, patriarchy, and the beauty in existing. In the thesis’s critical introduction, I examine how my flash nonfiction pieces employ Milan Kundera’s theory of the appeal of play and Charles Baxter’s concept defamiliarization. I analyze how the succinct form of the flash essay allows my nonfiction writing …

From “A Room Of Your Own” To “A Room Of Her Own”: Women Rewriting Women And The Path To Feminist Practice, Vasiliki Misiou

Journal of Feminist Scholarship

Virginia Woolf’s A Room of One’s Own (1929) was first translated in Greek by Mina Dalamanga (Odysseus Editions) in 1980. Almost forty years later, in 2019, Vasia Tzanakari was assigned the translation of Woolf’s seminal text by Metaichmio Publications. And in 2021, a new translation by Sparti Gerodimou saw the light of day, published by Erato Publications (2021). Three different women translators have thus rendered Woolf’s text in Greek with all three publications coming out at times marked by significant changes in Greek society. Exploring the context in which the agents were situated and drawing on feminist translation practices and …

"Concealing The Excess Of Her Pleasure": A Queer Reading Of Jane Austen's Northanger Abbey, Josie Anne Blubaugh

Cal Poly Humboldt theses and projects

This queer reading of Jane Austen's Northanger Abbey uses critical frameworks from queer theory, feminist theory, trans theory, and Black Romanticism to analyze female-female relationships between the characters in the novel as a product of the social norms, conventions, and discourses of Romantic-era Britain. By using literary analysis and close reading, I study the many ways in which Northanger Abbey can be read queerly, specifically where gender and sexuality intersect with race and ethnicity.

Though queer readings of this novel have been done in the past, my own analysis focuses on female-female relationships and takes race into consideration when I …

“I'M Kind Of A Big Deal In This Industry:” How Killing Eve’S Villanelle Subverts The Femme Fatale Archetype, Molly Kent

Honors Theses and Capstones

From the instant Catherine Tramell stepped on screen with shaven, glossy legs and a perfectly curled, bouncy, blonde bob, Basic Instinct (1992) became a cult classic, centered around the dangerous and seductive femme fatale who makes the movie tick. Nearly 25 years later, a new monstress steps on screen as a suited, quirky, slicked-back assassin with a penchant for curly-haired women and a destiny to reform the femme fatale trope: Villanelle of Killing Eve.

The co-lead and resident femme fatale of Killing Eve, Villanelle, subverts the traditional role of the femme fatale in a decentering of the patriarchy …

Blood And Oil: How Vampiric Literature Bolsters Big Oil’S Power, Sarah Marie Demond

Graduate Student Theses, Dissertations, & Professional Papers

This thesis examines the relationship between blood and oil, that is, the multitude of ways in which the petromodernity industries harvests and threatens vitality. The introduction of this thesis is concerned tracking how petromodernity is a byproduct, offspring, or extension of colonialism. In this way, petromodernity can be thought about as “petro-colonialism.” Ursula K. LeGuin’s “Carrier Bag Theory of Fiction” informs the argument that the way thay petro-colonialism came to be and also maintains itself is by utilizing the “killer story.” This thesis also employs autorheoretical techniques informed by Lauren Fournier to show how petro-colonialism or “oiliness” sticks to its …

Engl 157: Great Works Of Global Literature, Scott R. Kapuscinski

Open Educational Resources

Syllabus for a general education course bringing together celebrated texts by Joseph Conrad, Chinua Achebe, Bessie Head, and Marjane Satrapi. Survey of perspectives beginning during the "scramble for Africa" via Conrad, through postcolonial writers Achebe and Head, and finally making a connection via dehumanization to Orientalism and undoing monocultural presumptions in the near East through Satrapi's Persepolis.