Feminist, Gender, and Sexuality Studies Commons^™

A Twilight World Of Unspeakable Horror: Lesbian Camp And The Vampire Lovers (1970), Mirielle Lemay

University Honors Theses

From the late 1960s through the early 1970s, a wave of lesbian vampire themed exploitation films proliferated through UK, US, and Western European cinemas. In critical literature on this subgenre, camp reading is often dismissed, unacknowledged, or understood as circumscribed by authorial intent and/or intended audience. With this alternating lack of attention to and dismissal of camp, the interpretive agency of the queer spectator is constrained, their spectatorship implicitly subordinated to that of the "conventional" horror audience—the voyeuristic-sadistic male spectator. Through a reading of The Vampire Lovers, a 1970 British production from Hammer Studios, I seek to explore how …

Eat Or Be Eaten: A Posthuman Ecofeminist Reading Of The Vegetarian And Organ Meats, Erin Grace Elizabeth Kostic

Seton Hall University Dissertations and Theses (ETDs)

As two novels that feature the reformation and reconstruction of the female body, both Han Kang’s The Vegetarian and K-Ming Chang’s Organ Meats emphasize the posthuman existence of women seeking to break free from the gender-based shackles that constrain them, leading to a striking rejection of the anthropocentric and patriarchal worldviews that plague contemporary society. My thesis comparatively examines each novel through an ecofeminist lens in an attempt to prove that it is only when a woman is able to reframe her existence outside of a male-centric worldview that she can truly find freedom. The Vegetarian’s Yeong-hye loses her …

Nathaniel Hawthorne And The Limits Of Half-Feminism, Jessica Mckenzie

Seton Hall University Dissertations and Theses (ETDs)

This project argues that while Nathaniel Hawthorne creates intellectually complex and emotionally resilient female heroines in The Scarlet Letter and The Blithedale Romance, he ultimately reinforces the patriarchal structures he appears to critique. Through the figures of Hester Prynne and Zenobia, Hawthorne demonstrates a deep awareness of women’s societal oppression and the limitations imposed upon them within nineteenth-century America. However, despite moments of resistance and autonomy, these women are never permitted full liberation, agency, or lasting fulfillment. Their narratives ultimately become constrained by the patriarchal power that denies them independence and sustaining love. Thus, Hawthorne’s work coincides with the …

Miss Ogilvy Does Not Find Herself: The Repression Of Queer Expression Post World War I, Kennedie Krieger

2026 Symposium

World War l was a historical period of intense societal change, and although it brought upon a lot of devastation, there were also groups of people that experienced liberation because of the war. Radclyffe Hall’s short story “Miss Ogilvy Finds Herself” is an example of the ways in which the war offered relief for queer women who had previously been expected to exist within rigid gender roles. Through an uncommon perspective, readers are able to get a sense of the ways in which gendered societal expectations shifted during the war and the positive outcomes this brought about. Although these hopeful …

The House Of Pages: Longing, Confinement, And Women’S Imaginative Architecture, Ashtyn E. Hedlund

Undergraduate Research Journal

This article examines how women’s longing and imaginative agency are shaped, constrained, and reconstituted within domestic and psychological interiors in women’s literature. Drawing on Kate Chopin’s The Awakening, Edith Wharton’s The House of Mirth, Ann Petry’s The Street, Carmen Maria Machado’s In the Dream House, and Kelly Barnhill’s When Women Were Dragons, the essay employs bibliomancy as both method and metaphor, allowing chance, intuition, and textual resonance to guide critical inquiry. Through a symbolic “house” composed of five rooms, the article traces how each narrative transforms confinement into imaginative depth. These spaces reveal longing not …

Fighting Like A Girl: The Trauma, Power, And Resistance Of Heroines In Young Adult Fantasy, Sara L. Chappell

ATU Theses and Dissertations 2021 - Present

This thesis examines the evolution of female rage in young adult fantasy literature, focusing primarily on Sarah J. Maas’s Throne of Glass series while drawing comparisons to other contemporary heroines. It argues that female rage is not a sign of instability but a politically meaningful response to trauma and systemic oppression. Using trauma theory, affect theory, and narrative identity theory, this project traces how Aelin Ashryver Galathynius’s rage develops from a physiological survival response into protective care, political resistance, and ultimately reclaimed agency. Early in the series, her anger emerges as dissociation and emotional shutdown shaped by trauma and institutional …

Between Authenticity And Exploitation: Rethinking The Intended Audience Of Sean Baker's Tangerine, Ava Brandt

Student Scholar Symposium Abstracts and Posters

Sean Baker's Tangerine (2015) has generated genuinely divided responses among trans critics, and for good reason. This paper takes that division seriously, using two reviews published on Autostraddle within six weeks of each other to frame a central question: who is Tangerine actually for? Existing scholarship on trans cinema has tended to evaluate films on a spectrum from exploitative to affirming, but this paper argues that framework is insufficient for a film like Tangerine, which operates as both simultaneously. Through close reading of the film alongside its production history, paratexts, and reception, and drawing on Paige Macintosh's scholarship on trans …

“The Revolution Begins At Home”: Ambivalent Sexism In The Color Purple And The Help, Berit P. Gibson

All Graduate Reports and Creative Projects, Fall 2023 to Present

Ambivalent sexism theory, proposed by Glick and Fiske in 1996, argues that sexism is comprised of both negative and “positive” images of women. The theory has become a staple in research on sexism as it theorizes the Madonna/whore dichotomy as sexist on both sides of the binary, and how attitudes switch from “positive” to negative. But, so far, literature scholars have not used the theory to read literature. As the theory is based in ideals of white womanhood, how do we do so in an intersectional way?

In order to work through this question, I bring in The Color Purple …

"I Exist In Triple": Parisian Influence, And The Three-Way Split In James Baldwin's Giovanni's Room (1956), Paloma Lupino

Theses, Dissertations and Culminating Projects

James Baldwin's novel Giovanni's Room was received as a rebellion against his cohort of ex-patriate Black writers due to its entirely white cast. This thesis investigates how the Parisian influence of the Black writers in Paris served as inspiration for the creation of Baldwin’s second publication. The use of racial frameworks progresses the discussion of a different topic: queerness. Giovanni’s Room will be explored in the following ways: Paris as the internal environment of the novel and Baldwin's backdrop in the novel's creation, the conversation of ex-patriate Black writers, feminism, intersectionality, hygiene as queerness, and a three-way split of consciousness. …

Investigating The "Party Consciousness": Gender Normativity & Affect In Woolf’S Party Scenes In “To The Lighthouse” & “Mrs. Dalloway”, Chelsea Goodman

English

In 1925, Virginia Woolf wrote in her diary, “…I should like to investigate the party consciousness…where people secrete an envelope which connects them and protects them from others, like myself, who am outside the envelope” (DIII 13). Woolf’s metaphor of the “envelope” reflects how parties have the potential to be places of community and, conversely, of alienation. In literary criticism, Woolf’s parties are often simplified and read as sites of communion. I argue that instead of a suspension of normativity across all characters, which one might expect in a party scene, Woolf’s domestic party scenes solidify, reflect, and enforce …

“Before Your Honour?”: Divine Morality And Women Reclaiming Power In Ben Jonson’S Volpone And William Shakespeare’S Measure For Measure, Delilah G. Fleming

Theses and Dissertations

This thesis explores how the female protagonists in Shakespeare’s Measure for Measure and Jonson’s Volpone navigate and combat corrupting patriarchal forces through moral religious speech. In both plays, the male characters have allowed false gods and hypocrisy to dictate and justify their corrupt behavior. By engaging with the historical significance of early modern female rhetoric this thesis examines Jonson’s Celia and Shakespeare’s Isabella, and how they operate in the interest of godly virtue rather than blind obedience to patriarchal figure heads.  Volpone’s Celia is a character largely neglected in the canon, and whose speech emphasizes the relationship between female agency …

"Obsessive Myth:" Disturbing The Grammar Of The Lyric And Epic In Theresa Hak Kyung Cha's "Dictee", Noelle (Nell) Kriegel

All Theses

The archival text Dictée by Theresa Hak Kyung Cha spans many genres, making it a highly hybrid text. Cha uses personal letters, official government documents, images, prose, dictation exercises, translations, and poetry to create a composite identity of women neglected through history. Dictée’s hybrid form allows it to experiment with the lyric and epic traditions, challenging their forms to adequately reflect the lived experience of oppressed women. Dictée’s hybridity is but one aspect of its interrogation of literary form and language; the text also plays with grammar, specifically pronouns, to depict a genealogy of female voices as they relate to …

Survey Of Medieval Literature On Maternal Mortality, Postpartum Care, And Birth Trauma In Relation To The Crisis In Arkansas, Paige Q. Thompson

English Undergraduate Honors Theses

When the general public thinks of childbirth in the Middle Ages, they think of death and danger. However, Arkansas has the highest maternal mortality rate in the entire United States, and many of those deaths are preventable. There have been previous analyses on different medieval texts as well as research into modern Arkansas, but none have made a direct connection between the two subjects. By analyzing medieval literature to understand cultural norms surrounding childbirth and postpartum care, patterns can be traced to modern Arkansas, where needless deaths are still prevalent. Ultimately, medieval texts demonstrate cultural attitudes surrounding blame toward women …

Redefining The Teenager: Liminality And The Dystopian Young Adult Heroine Who Overthrows The Government To Save The Child And Preserve Innocence, Ashtyn Zavala

All Theses

The teen girl figure has swept young adult dystopian fiction from 2008 onward, continuously overthrowing governments and acting outside of her socially defined roles. This stock character became a cornerstone in most YA fiction during its time, leading to this thesis’s investigation of its necessitation: why must a teenage girl save her country’s people from an oppressive government and why can none of the other children or adults do this saving? This thesis attends to Suzanne Collins’ The Hunger Games (2008-2025) and Tahereh Mafi’s Shatter Me (2011-2021) to examine the conditions and subsequent formula that give rise to this teen …

"Some Women Make It Look So Easy": An Analysis Of Jenny Offill's Fragmentary Novels And Their Critique Of Postfeminist Sensibility, Kimberly Crooks

Theses, Dissertations and Culminating Projects

Jenny Offill’s novels Dept. of Speculation and Weather are each narrated by a woman who exists in a postfeminist era that insists upon the achievability of a happy work-life balance. Despite the lofty career aspirations now afforded to women, the protagonists find themselves burdened by the gendered responsibilities that disproportionately hold them responsible for domestic duties, childcare, and emotional labor. Both protagonists use a fragmented narrative style to convey their consciousness, and the texts are composed of hundreds of short fragments that include memories, self-reflections, philosophical musings, lines of poetry, fun facts, questions, and more. While the narratives do not …

Anti- Intellectualism, Authenticity, And Intellectual Authority In Short-Form Digital Discourse, Mariaisabel Sandoval

Electronic Theses, Projects, and Dissertations

This thesis examines how anti-intellectualism, authenticity, and credibility intersect in digital discourse. In contemporary online environments, expertise is increasingly treated with suspicion, while relatability, emotional immediacy, and personal conviction often function as alternative markers of trustworthiness. Under these conditions, intellectual expression may become socially risky, particularly in spaces where speakers must appear authentic without seeming overly serious, pretentious, or out of touch. This study asks how credibility and authority are performed, negotiated, and contested in short-form digital discourse, and how sincerity is reshaped when authenticity itself becomes a rhetorical performance.

This project is grounded in scholarship on anti-intellectualism, platform culture, …

Taylor Swift, Gender, And Feminism: What Do The Data Say?, Maxine Lewis

The Manuscript: Journal of Taylor Swift Studies

In the world of Swiftian scholarship, several scholars have credited Taylor Swift with feminist impact, while others have criticized both her type of feminism and claims to be a feminist. Many arguments rest on a narrow group of protest songs (“The Man”, “You Need To Calm Down”, and “Only The Young”) and a short period of Swift’s career in which she made many paratextual political gestures (2019-2020). However, claims about a songwriter’s feminism (or lack thereof) will be more accurate, robust, and nuanced if they draw on data from her whole career.

This article provides the first systematic survey of …

From Viðkenning To Valarindi: The Enigma Of Goldberry And The River-Woman, Derek Simon

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

THIS IS A TWO-PART ARTICLE. IN ORDER TO READ OR DOWNLOAD THE OTHER PART, FOLLOW THE LINK AT THE END OF THIS ABSTRACT.

Building upon the previous examination of the eddic and skaldic contours of Goldberry’s River kenning names, this reading of Goldberry’s enigma focuses on the mythological referents of her kinship relations and their narrative consistency in the legendarium.  Tending to the intrinsic connection between “[t]he incarnate mind, the tongue, and the tale” (Tolkien, On Fairy Stories, 41), I contend that the poetics of kenning diction sustain if not demand a reading of the River-woman references mythologically through …

The Power Of A Woman’S Charm: Analyzing The Presence Of Onahal In Oroonoko, Kristyn Haney

Steeplechase: An ORCA Student Journal

Aphra Behn’s Oroonoko is a story that places great emphasis on the importance of the power of beauty, but it isn’t perhaps the strongest force at work in the novel. Onahal is a minor character in the story who contrasts the idea that beauty is the only way to obtain power. As a former wife of the King, it is noted that while she once possessed beauty, she is now older and has therefore lost her beauty to the passage of time. Though her beauty is diminished, she still has her charm, which grants her power within her space. In …

The Alembic - International Literary Journal, Sara Mackinnon, Finn Heller, Sarah Debian, Kate Blackwell

English Student Scholarship

No abstract provided.

Beyond A Shadow Of A Doubt: Examining The Female Gothic In Mary Shelley's Frankenstein And Bram Stoker's Dracula, Delaney Harrington

Harding Undergraduate Research Conference

My paper explores the ideals of the Female Gothic subgenre present in Frankenstein and Dracula. Both are feminist works, though they go about this in unconventional ways. I analyze the characters as well as the narrative and context of these stories to prove that they espouse feminist ideals. These novels are perhaps two of the most famous in the gothic genre, and they have the potential to be mislabeled. My paper warns about the dangers of mislabeling these stories and argues for their feminist interpretations.

Portrait Of A Lady On Fire: Female Directors Subverting The Male Gaze, Josephine Ebersole

KUCC -- Kutztown University Composition Conference

No abstract provided.

The Combahee River Collective’S Influence On Modern Feminism, Josephine Ebersole

KUCC -- Kutztown University Composition Conference

No abstract provided.

‘“We Was Girls Together”’: Black Girlhood And Homoeroticism In Toni Morrison’S Sula, Summer A. Still

Caroliniana Undergraduate Research Journal

This paper examines Toni Morrison’s Sula through the intertwined frameworks of Black girlhood and homoeroticism, with a focus on the friendship between Sula Peace and Nel Wright. By analyzing moments of intimacy, dreams, and kinship terminology, I argue that Morrison portrays their bond as both a survival mechanism against oppressive social structures and as a site where homoerotic desire emerges. Concepts such as “fictive kin,” “chosen kin,” and “quare” are used to show how Morrison complicates traditional categories of friendship and queerness in American literature. Ultimately, the novel positions Sula and Nel’s relationship as one of enduring love that exceeds …

"Black History Is Black Horror": Hauntology And Cultural Trauma In 20th And 21st Century Black Women's Gothic Horror, Destini S. Beckwith

Theses

Octavia Butler’s Afrofuturistic, gothic horror, neo-slave narrative Kindred (1979) vividly illustrates the story of a woman, Dana, involuntarily time-traveling from her home in 1976 Los Angeles, California, to a plantation in 19th-century Maryland. The interactions that she has with her ancestors, such as Alice, a free Black woman, and Rufus, a white man who enslaves Alice, leave Dana mentally and physically scarred. The 20th-century novel is meant to graphically reflect on the horrors of enslavement and the mental and physical effects that Black people endured/still endure because of it (i.e., grief, racial violence, and post-traumatic stress disorder). Furthermore, the novel’s …

Voices Of Motherhood: A Comparative Analysis Of Feminist Commentary On Law In Margaret Atwood’S The Handmaid’S Tale And Celeste Ng’S Little Fires Everywhere, Addison Elaine Scott

Senior Theses

This South Carolina Honors College senior thesis provides a detailed comparative literary analysis of the depiction of motherhood and the legal system in two selected novels: Margaret Atwood’s The Handmaid’s Tale (1985) and Celeste Ng’s Little Fires Everywhere (2017). Feminist women writers have used narratives to articulate and represent marginalized experiences suppressed by systems of power. By reading these narratives, readers can emotionally connect with the perspectives shared while engaging with the underlying feminist commentary. This explores how Atwood and Ng illustrate the failure of American legal and social systems to understand or fully protect motherhood and fertility—complicating, confounding, and …

(Un)Celebrated Women: Three Women Authors And Their Imprint On The Gullah Geechee Literary Tradition, Raven Mariah Gadsden

Theses and Dissertations

Three women authors, Laura Middleton, Julia Peterkin, and Zora Neale Hurston, are responsible for the creation of some of the most important Gullah Geechee literary images in the 1920s and 1930s. By examining the historical moments and movements which were active while these women were writing, it is obvious why these women are at the center of this conversation. Each of these women’s writing plants the seed for a Renaissance of Gullah Geechee representation. While Middleton's work never gets published, her documentation of black life in South Carolina for the Federal Writers' Project worked as a counter narrative to texts …

Queer Okayness & The Modernist Influence: A New Form Of Queer Poetics In Ocean Vuong’S Night Sky With Exit Wounds, Sophia Behnke

Audre Lorde Prize

This paper analyzes poems from Ocean Vuong's 2016 debut collection, Night Sky with Exit Wounds, as a contemporary evolution of queer modernist poetics from the early twentieth century. Using conceptual frameworks from Sara Ahmed and Audre Lorde, the author argues for the cultural power of poetics as an inherently queer art form which artists are constantly redefining. By studying how prominent lesbian and queer modernists disrupted heteronormative ideals through non-conformist poetic strategies, the author develops a comparison to Vuong's work as a contemporary queer poet who both draws from past forms and develops a more nuanced understanding of queerness …

Separate But Found: An Ontological Analysis Of Toni Morrison's Beloved, Byron Haynes

Posters - 2026

In Toni Morrison's Beloved, separation becomes the ideal solution for African American women to recover their humanity and build a future. These women understandably harbor for their oppressor and would be unable to foster a coexistence with them, given their suffering after being the victims of sexual assault, lynchings, hard labor, substandard living circumstances, and death regularly. By illustrating the methodical methods in which women are dehumanized under Whiteness, this essay examines how each woman reclaims their humanity through the separation of Whiteness in their lives through Baby Suggs’s preaching, Sethe’s choice to kill her daughter, Denver’s exploration of reality …

Reframing Risk And Resistance: Sexuality In The Fault In Our Stars, Megan Stiffler

Undergraduate Theses and Capstone Projects

Like many contemporary Young Adult (YA) novels, particularly of the YA romance genre, John Green’s The Fault in Our Stars (2012) explores the complexities of teenage sexuality. The narrative follows familiar genre conventions: sixteen-year-old Hazel Grace Lancaster’s routine life is disrupted when she meets seventeen-year-old Augustus (Gus) Waters. Their initial encounter is immediately charged with sexual attraction. Gus cannot seem to look away from her, while Hazel quickly addresses that he is “a hot boy” (Green 8-9). From this first meeting, the relationship develops much like a traditional YA romance, with their emotional connection and physical desires ultimately culminating in …