Feminist, Gender, and Sexuality Studies Commons^™

Failed Manhood, Failed History: Masculinity And Agency In Benito Cereno And El Reino De Este Mundo, Cesar Valverde

Scholarship

No abstract provided.

Pasado Soterrado Y Ánima Reprimida En La Muñeca Reina Y Chac Mool, Cesar Valverde

Scholarship

No abstract provided.

Teaching Susan Glaspell's A Jury Of Her Peers And Trifles, Marina Angel

Journal of Legal Education

No abstract provided.

John Fox Jr.'S Commentary On The Roles Of Women In The Progressive Era., Heather Mac Sykes

Electronic Theses and Dissertations

John Fox, Jr. provides commentary on the changing roles of Progressive Era women in The Trail of the Lonesome Pine, The Little Shepherd of Kingdom Come, “A Cumberland Vendetta,” and “The Pardon of Becky Day.” Fox’s portrayals provide evidence that although he recognized the changes in his society with women spearheading reform, he did not entirely approve of these changes or of women taking an aggressive role in advocating change.

This thesis provides textual examples and analysis demonstrating Fox’s beliefs. Chapter two focuses on the stories of “The Pardon of Becky Day” and “A Cumberland Vendetta.” Chapter three analyzes The …

Distributed Authorship: A Feminist Case-Study Framework For Studying Intellectual Property, Sarah Robbins

Faculty Articles

To probe one case of free-ranging textual circulation, and to address issues associated with producers' rights to textual ownership and authorial credit, Robbins examines the Americanized versions of British writer Anna Barbauld's Lessons for children. Robin states that examining multiple specific cases of distributed authorship, and linking them to contemporary textual ownership issues, may well lead to nuanced extensions of the basic framework for understanding intellectual property that pioneers in the field have already formulated.

A Body Of Her Own: Cultural Constructions Of The Female Body In A.S. Byatt's Strange Stories, Sabine Coelsch-Foisner

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Byatt's short fiction, from her first collection Sugar and Other Stories (1987) to Elementals (1998) is marked by a continuous preoccupation with the body: the body as the product of social signifying practices, the body as the site of desires, fears, and anxieties, the body as the source of experience, the body as creator and created. In brief, the body is treated as the centre of existence, consciousness and identity. Yet, these are constantly called into doubt in Byatt's stories, which depict heroines trapped between asserting their identity and submitting to cultural dictates of beauty and behavior. In …

Guenevere's Conflict: Pagan Love Or Christian Ethics, Jacquelyn Sweeney Johnson

Theses & Honors Papers

This thesis examines the character of Guenevere in the broader, historical story of King Arthur. Analyzing newer, pagan, and feminist interpretations of her character as opposed to her original characterization in the Christian tale, it discusses the changes made in reinterpretation, especially as it relates to her relationship with Sir Lancelot.

Selected Definitions For Work In Communication And Media Studies & Selected Bibliography Of Publications In Comparative Media Studies, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Bodies Of Type: The Work Of Textual Production In English Printers' Manuals, Lisa M. Maruca

English Faculty Research Publications

This essay examines the shifting, ideologically situated and contested representations of print texts and technologies in two representative printers' manuals: Joseph Moxon's 1683 Mechanick Exercises on the Whole Art of Printing and John Smith's 1755 The Printer's Grammar. The construction of orderly print is supported in each by changing discourses of sexuality and gender. Moxon's manual celebrates the heterosexual working bodies of print, the laborers whose physical production of print is as important as the text supplied by writers. In Smith, however, the naturalized gendering of a now invisible print privileges only the Author, whose disembodied intellect transcends the …

Chasing Demons: Female Villains And Narrative Strategy In Victorian Sensation Fiction, Heather Sowards

Theses, Dissertations and Capstones

This thesis explores Victorian sensation fiction and key authors who rely on essentialism, employing the classifications of either angel or demon to their literary female figures. Using Nina Auerbach's theories on these above categorizations and Helene Cixous's linguistic binaries, I examine the ways in which the narrators of Mary Elizabeth Braddon's Lady Audley's Secret, Sheridan Le Fanu's Uncle Silas, and Wilkie Collins's Heart and Science force this taxonomy onto the female villains who dominate the novels' themes. By looking closely at the narrative strategies, I conclude that these female characters themselves are proposing a very different sense of self or …

Ladies Reading And Writing: Eighteenth-Century Women Writers And The Gendering Of Critical Discourse, Karen Gevirtz

Department of English Publications

No abstract provided.

My Worldy Goods Do Thee Endow: Widowhood, Economic Conservatism, And The Mid- And Late Eighteenth-Century Novel, Karen Gevirtz

Department of English Publications

No abstract provided.

Jane Austen's Powers Of Consciousness, Diane M. Counts

Theses, Dissertations and Capstones

This thesis incorporates information from recent biographies, feminist studies, and scholarly interpretations focusing on Jane Austen's narrative strategies. Such incorporation of material provides a context for understanding the significance of Austen's contributions to the novel form and illuminating the development of the female narrative voice. It focuses on Emma, Austen's last novel published during her lifetime, as an exemplification of Austen's enunciation of a feminine perspective of life and vocalization of a growing female self-awareness - her powers of consciousness - through Emma. Of primary concern is Austen's use of narrative techniques enabling the reader to become intimately acquainted and …

Dracula In The Comics, Perry Lake

Journal of Dracula Studies

No abstract provided.

It's All In The Blood: The Bram Stoker/Peter Cushing Alliance, Michael Mcglasson

Journal of Dracula Studies

No abstract provided.

"A Race Of Devils": Frankenstein, Dracula And Science Fiction, Robert James Frost

Journal of Dracula Studies

No abstract provided.

The Journey Of The Damned Coffin, Jordi Ardanuy, Luis Romero

Journal of Dracula Studies

No abstract provided.

The Post-Feminist Vampire: A Heroine For The Twenty-First Century, Victoria Amador

Journal of Dracula Studies

No abstract provided.

The Dragon The Raven And The Ring, Michael Vorsino

Journal of Dracula Studies

No abstract provided.

Michel Beheim, German Meistergesang, And Dracula, David B. Dickens, Elizabeth Miller

Journal of Dracula Studies

No abstract provided.

Ivy Leaves, 2002-2003, Ivy Leaves Editorial Staff

Ivy Leaves

The 2003 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Chris Bailey, Christin Bradley, Sarah Colson, Rich Gregory, Jason Johnson, Joshua Poe, Annabelle Robinson, Jay Strickland, Renee Tanner, Aaron Archibald, Tanner Capps, Ada Ezeokoli, Jessica Gregory, Kurtis Miller, Wayne Cox, and Jane Dorn. Cover art by Sarah Colson.

Et Cetera, Marshall University

Et Cetera

Founded in 1953, Et Cetera is an annual literary magazine that publishes the creative writing and artwork of Marshall University students and affiliates. Et Cetera is free to the Marshall University community.

Et Cetera welcomes submissions in literary and film criticism, poetry, short stories, drama, all types of creative non-fiction, photography, and art.

Review Of The Lifted Veil, Tim Heath

The George Eliot Review Online, ISSN: 2831-5375

It was perhaps Herbert Spencer in his Autobiography (1904) who first disseminated the myth that, though George Eliot will remain for posterity one of our finest novelists, her weakness was that she could not construct effective, dramatic plots. By implication, her stories would thus not be effective on the stage, without the commentary of her wise, omniscient narrator. Perhaps in consequence there have been fewer dramatic adaptations of George Eliot's work than those of other nineteenth-century novelists, including Jane Austen and Dickens - this despite, amongst others, an extremely distinguished silent film based on Romola, starring Lillian Gish, in 1924. …

Address Of Wreath-Laying In Poets' Corner, Westminster Abbey 20 June 2002, Margaret Wolfit

The George Eliot Review Online, ISSN: 2831-5375

Dear George Eliot

You don't know me - but I have been a great admirer of yours for a long time now, since I was at school in fact. I must have been very young when I first had parts of your novels read to me. Later when I was at boarding school I studied Silas Mamer for a literature exam - I can't recall my reaction to other authors at the time - but I know I wrote a letter home saying I thought George Eliot must be a wonderful person because my mother kept the letter.

After leaving …

Review Of Lives Of Victorian Literary Figures I, George Eliot, Charles Dickens, Alfred, Lord Tennyson, Ralph Pite, Gail Marshall, Corinna Russell, Matthew Bevis

The George Eliot Review Online, ISSN: 2831-5375

Like Pickering and Chatto's Lives of the Great Romantics, these volumes, each one devoted to a major Victorian writer, offer a collection of facsimile reproductions of 19th or early 20th century essays, reviews and extracts from memoirs and biographies with the emphasis, according to Ralph Pite's 'General Introduction', on material hard to find outside copyright libraries. Each volume contains a thoughtful and illuminating introduction; pithy but highly informative headnotes to each item, outlining the personal relationship (if any) and general attitude of its author towards Eliot, Dickens or Tennyson and in the process attuning our ears to the sound of …

Japanese Branch Report, Itsuyo Shimizu

The George Eliot Review Online, ISSN: 2831-5375

The sixth annual convention of the George Eliot Fellowship of Japan was held at Tezukayama University in an ancient city, Nara, on Saturday 30 November 2002. Before the opening, the members who arrived early enjoyed Romola (a silent film directed by Henry King, 1924) and opera music (arranged by Kiyoko Tsuda, a head official of the Japanese branch).

The morning session began with an opening address by Kiyoko Tsuda, a professor at Tezukayama University. In the morning, four members read their papers under the chairmanship of Professor Yoshiko Tanaka and Professor Shigeko Tomita.

The first paper, 'Women in Scenes of …

Review Of Lectures D'Une Amvre: George Eliot, 'The Mill On The Floss', Maria Tang

The George Eliot Review Online, ISSN: 2831-5375

George Eliot's novels have never been received in France with great enthusiasm. Translatiom have been relatively sparse, and it is still difficult to find more than one or two titles in Paris. even in the best academic bookshops, whereas Jane Austen's novels are widely read. Only a detailed reception history could reveal the reasons for this response, although it no doubt has something to do with the high Victorian tone and sentiments of George Eliot's writing, which would have fallen on deaf ears in late nineteenth-century France and a fortiori in the successive phases of twentieth-century modernism. The renewed interest …

Notes On Contributors 2003

The George Eliot Review Online, ISSN: 2831-5375

Kathleen Adams has been Secretary of the Fellowship since 1968. She initiated the Review in 1970, was editor until 1981 and co-editor 1982-91. She published Those of Us Who Loved Her in 1980 and A Community of Interest: The Story of the George Eliot Fellowship 1930-2000 in 2000.

Terence Cave is Emeritus Professor of French, Oxford University, and Emeritus Research Fellow, St John's College. He has edited the Penguin edition of Daniel Deronda (1995) and the Oxford World's Classics edition of Silas Marner (1996). He is the author of Recognitions: A Study in Poetics (1988) and numerous books and articles …

'The Mill On The Floss' And 'Silas Marner': New Casebooks, Nahem Yousaf, Andrew Maunder

The George Eliot Review Online, ISSN: 2831-5375

This collection of essays on two of George Eliot's most popular novels adds to the growing number of Casebooks produced by Palgrave. These are useful volumes, particularly for students, providing as they do a selection of recent critical perspectives. That said, I would have thought that The Mill on the Floss might have merited a volume all to itself; however the choice of essays contained herein provides some interesting links both within and across the two novels discussed.

In their Introduction, the editors comment that 'the essays reprinted in this New Casebook serve as a reminder of the dimensions of …

Toast To George Eliot Birthday Luncheon, 24 November 2002 The Toast To The Immortal Memory, Andrew Davies

The George Eliot Review Online, ISSN: 2831-5375

In November 2002, 'my' adaptation of Daniel Deronda finally reached the screen, on BBCl. The production had been anticipated for years, and many people must have wondered what made it take so long.

Middlemarch, in 1994, had been a great labour of love for all involved in the production, and was received so well that it's not an exaggeration to say that it revived the reputation of the Classic Serial, and the then sagging reputation of the BBC itself. I was keen to adapt more George Eliot, and the BBC were favourably inclined.

I had, shamefully, never read Daniel Deronda, …