Feminist, Gender, and Sexuality Studies Commons^™

Sew Speak! Needlework As The Voice Of Ideology Critique In The Scarlet Letter , "A New England Nun," And The Age Of Innocence, Laura L. Powell

UNLV Theses, Dissertations, Professional Papers, and Capstones

In the Nineteenth Century, needlework, and embroidery in particular, became a signifier of feminine identity. Needlework was such a significant part of women’s lives and so integral to the construction of femininity in nineteenth-century America that both pictoral and narrative art demonstrate numerous representations of women embroidering. The sheer volume of these representations in the Nineteenth Century suggests that the practice of embroidery provides a way of speaking for women—a representation of the voice of subjectivity silenced by patriarchal ideology. Because needlework serves as a signifier of ideal femininity, it provides uniquely fruitful and previously unexplored opportunities for investigating how …

"'Ic Paet Secgan Maeg, Hwaet Ic Yrmpa Gebad'": Christian Scribes' Condemnation Of Blood Feud And Its Effect On Women In Anglo-Saxon Society, Tara Seate-Beck

Theses & Honors Papers

In preserving The Wife 's Lament, Wulf and Eadwacer, and Beowulf's battle scene with Grendel's mother, Christian poets and scribes preserved much more than just the literature of Anglo-Saxon England. They recorded the feminine voice, a rare perspective emerging from a society founded principally on the fundamentals of warfare and male dominance. The women's songs stand as testaments to the strife and discord women suffered as a consequence of their husbands' participation in blood feud. Their stories are not merely recounted as third person narratives, as much of the other extant texts from the period are; in the elegies, these …

What's Love Got To Do With It?: Family, Sex, And Domestic Violence In Contemporary Irish Women's Fiction, Mary Ryan

disClosure: A Journal of Social Theory

No abstract provided.

Reasonable Conversions: Susanna Rowan's Mentoria And Conversion Narratives For Young Readers, Karen Roggenkamp

Faculty Publications

Though not well known, Rowson's Mentoria-a curious conglomeration of thematically-related pieces from multiple genres, including the essay, epistolary novel, conduct book, and fairy tale-offers particularly fertile ground for thinking about the nexus between eighteenth-century didactic books and earlier works for young readers.2 At the heart of Mentoria is a series of letters describing girls who yield, with dire and frequently deadly consequences, to the passionate pleas of male suitors.3 Fallen women populate Rowson's world, and scholars have traditionally read Mentoria within the familiar bounds of the eighteenth-century seduction novel.4 However, Rowson's creation transforms the older tradition of didactic, child-centered conversion …

The Limits Of Empathy: An Interview With Marianne Noble, Rebecca Lane, Jeffrey Zamostny

disClosure: A Journal of Social Theory

No abstract provided.

Piracy, Slavery, And Assimilation: Women In Early Modern Captivity Literature, David C. Moberly

Department of English: Dissertations, Theses, and Student Research

This thesis examines a hitherto neglected body of works featuring female characters enslaved in Islamicate lands. During the sixteenth and seventeenth centuries, many Englishmen and women were taken captive by pirates and enslaved in what is now the Middle East and North Africa. Several writers of the time created narratives and dramas about the experiences of such captives. Recent scholarship has brought to light many of these works and pointed out their importance in establishing what was still a young, unsure, and developing English identity in this early period. Most of this scholarship, however, has dealt with narratives of the …

Bad Girls And Biopolitics: Abortion, Popular Fiction, And Population Control, Karen Weingarten

Publications and Research

No abstract provided.

Captivating Malaeska: Reading The First Dime Novel As A Captivity Narrative, Elisabeth Ziemba

All Theses And Dissertations

Regardless of the genre under which Malaeska was marketed, the cross-genre tropes and lessons can be seen which mark the novel as one that has been influenced by captivity narratives. Perhaps more so because of the subtle way it has been integrated into popular culture, the heritage of the Native American captivity tale remains even after physical Indian captivity has ceased, providing readers with a multilayered reading which asks them to think about the events of the time in which the story was written as well as the time in which the story is set, while critiquing the white supremacist …

Technoromanticism: Creating Digital Editions In An Undergraduate Classroom, Katherine D. Harris

Faculty Publications, English and Comparative Literature

No abstract provided.

Cold War Playboys: Models Of Masculinity In The Literature Of Playboy, Taylor Joy Mitchell

Humanities & Communication - Daytona Beach

“Cold War Playboys: Models of Masculinity in the Literature of Playboy” emphasizes the literary voices that emerged in response to the Cold War’s redefinitions of space and sexuality and, thus, adds to the growing national discourse of Cold War literary and masculinity studies. I argue that the literature Playboy includes has always been a necessary feature to creating its masculinity model; however, that very literature often destabilizes the magazine’s grand narrative because it presents readers with alternative models of masculinity. To make that argument, I presume five things: 1) masculinity, like femininity, is a construct; 2) the mid-century masculinity crisis …

Jeanette Winterson's Love Intervention: Rethinking The Future, In "Sex, Gender And Time In Fiction And Culture", Abigail Rine

Faculty Publications - Department of English

No abstract provided.

The Intricacies Of M.F.K. Fisher: Discovering A Kaleidoscopic Hybridity, Elizabeth Lee Sleeper

Electronic Theses and Dissertations

This thesis seeks to analyze M.F.K. Fisher's socio-historic role and the components of her texts as a means to interrogate the categorization of her writing, to identify her authorial voice, and to see how it all contributes to and proves that Fisher is a `kaleidoscopic' hybrid writer. I utilize theoretical positions such as New Historicism, Feminism, Genre Theory, and Everyday Theory to help me identify and explain the hybrid tendencies of Fisher's writing. It is not a comprehensive study of her texts in light of these theories, but rather, it is a broad overview in order to demonstrate alternative readings …

Film Review: Gulliver's Travels, Karen Gevirtz

Department of English Publications

No abstract provided.

Et Cetera, Marshall University

Et Cetera

Founded in 1953, Et Cetera is an annual literary magazine that publishes the creative writing and artwork of Marshall University students and affiliates. Et Cetera is free to the Marshall University community.

Et Cetera welcomes submissions in literary and film criticism, poetry, short stories, drama, all types of creative non-fiction, photography, and art.

All Is True (Henry Viii): The Unbearable Sex Of Henry Viii, Steven Bruhm

Data and Test Instruments

No abstract provided.

Still Here: Choreography, Temporality, Aids, Steven Bruhm

Data and Test Instruments

No abstract provided.

Between Reason And Faith: Breaking The Status Quo In Bram Stoker’S Dracula, Erin Newcomb

Journal of Dracula Studies

No abstract provided.

Mormon Female Gothic: Blood, Birth, And The Twilight Saga, Lisa Lampert-Weissig

Journal of Dracula Studies

No abstract provided.

Vampires Do(N’T) Exist: Using Past And Present Technologies To Make Dracula Real, Holly J. Mcbee

Journal of Dracula Studies

No abstract provided.

Sexing The Book: The Paratexts Of Bram Stoker’S Dracula, Brigitte Boudreau

Journal of Dracula Studies

No abstract provided.

Modelos Masculinos Y Violencia En Sanctuary Y Crónica De Una Muerte Anunciada, Cesar Valverde

Scholarship

This essay analyzes how two novels, William Faulkner’s Sanctuary and Gabriel Garcia Marquez’s Chronicle of a Death Foretold, present masculine models that juxtapose power and violence during times of social crisis. Both novels present violent masculinities that overcome peaceful masculinities, in conflicts that result in murders and rapes; but rather than acuse the individuals responsible for the violent acts, the texts point out the social mechanisms that inexorably move the authors of the crimes. In both works we also see violence against women and resulting public deaths of men wrongly accused, which happen due to an inability to adapt to …

Ivy Leaves, Volume 85, Ivy Leaves Editorial Staff

Ivy Leaves

The 2011 edition of the Anderson University journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Anna Davis, Brianne Holmes, Sarah Dobrotka, Rafael Alcantar, Jr., Josh Overstreet, Calli Lawson, Kelly Johnson, Jennifer Hall, Rachel Spoon, Mandie Wines, Naomi Nakazato, Lindsey Dilleshaw, Jivan Davé, Phillip Belger, David Bishop, Laura Jones, Seth Christie, Andrew Higgins, Teresa Jones, and Tim Speaker.

Review Of Victorian Biography

The George Eliot Review Online, ISSN: 2831-5375

No abstract provided.

Review Of Daniel Deronda, Alain Jumeau

The George Eliot Review Online, ISSN: 2831-5375

Alain Jumeau's new French translation! of Daniel Deronda is the first since Ernest David's in 1881,1882 and 1886, no longer easily accessible. Jumeau is an excellent George Eliot scholar as well as an experienced translator - his translations include The Mill on the Floss and The Way We Live Now - and he has produced a graceful and fluent translation with preface and notes, introducing the great Victorian novel, so radically experimental in psychology and narrative form, to a new Francophone readership."

Whether Jumeau is aware of translation theory or not, his version exemplifies the chief processes of translation technically …

Review Of George Eliot's Grammar Of Being, Melissa Anne Raines

The George Eliot Review Online, ISSN: 2831-5375

Readers of The George Eliot Review will be familiar with the work of Melissa Anne Raines, which began with the publication of her prize-winning essay for the George Eliot Fellowship, and was followed by several articles, two in this journal, now part of this important book. It had its origin in words from Felix Bolt: 'vibrations that make human agonies are often a mere whisper in the roar of human existence', said to be 'a precursor to the famous lines ... from Middlemarch ... "the roar that lies on the other side of silence'“, and the first statement of what …

Narration In Middlemarch Revisited, K.M. Newton

The George Eliot Review Online, ISSN: 2831-5375

In a previously published article entitled 'The Role of the Narrator in George Eliot's Novels',1 I attempted to defend her narrator (particularly in regard to Middlemarch) from a variety of critical attacks. The main points of my argument were: (I) that the narrator should not be identified with Eliot herself as it often is but is a persona with a tone of voice separate from the author and thus both integrated into the fiction and central to its structure; (2) form and realism were reconciled by the fact that the narrator was represented as a historical novelist writing a novel …

The George Eliot Review- Journal Of The George Eliot Fellowship 2011: No. 42, Beryl Gray, John Rignall

The George Eliot Review Online, ISSN: 2831-5375

CONTENTS

Notes on Contributors ........................................................ .5

ARTICLES Sarah Bunney: Mr and Mrs Cross with the Artist John Wharlton Bunney in Venice, June 1880 (Prize Essay)................................................................ 7

K. M. Newton: Narration in Middlemarch Revisited...................................................... .19

Rosemary Ashton: The Mill on the Floss and the Difficulties of Relationships (Thirty-Ninth George Eliot Memorial Lecture, 2 October 2010)....................................................26

Marilyn Orr: 'Even our failures are a prophecy': The Mill on the Floss and the 1860s.................................... 38

Kathryn Hughes: Enter the Aunts.............................................................49

Alain Jumeau: Translating The Mill on the Floss into French.................................................. 63

Catherine Brown: The Mill on the Floss on the BBC in 1978........................................... 70 …

Review Of Imagining Italy: Victorian Writers And Travellers, Catherine Waters, Michael Hollington, John Jordan

The George Eliot Review Online, ISSN: 2831-5375

Two of the essays in this volume take George Eliot's Romola as their subject. Both reward attention, and they may be in danger of escaping deserved notice given the major concentration here on the life and writing of Dickens. This is the second of three publications projected by the organizers of a conference on 'Dickens, Victorian Culture, Italy', held in Genoa in 2007. The advance poster for the conference, still on the web, inadvertently does the book a slight disservice: 'At present', the organizers write, 'we are considering any or all of 1) A volume of the very best papers …

Japanese Branch Report- 2010, Naomi Ohno

The George Eliot Review Online, ISSN: 2831-5375

On Saturday 4 December 2010, the Fourteenth Annual Convention of the George Eliot Fellowship of Japan was held at Okayama University.

The morning session began with an opening remark by Hiroshi Oshima (Hyogo University of Teacher Education), followed by a Welcome Address by Shintetsu Fukunaga (Okayama University). In the morning, we had three papers presented. The first two papers were introduced and commented upon by Shota Nakajima (Tokushima Bunri University), and the third by Mizue Aida (Nihon University).

The first paper was 'The Seductive Power of Eyes - Re-examining Maggie Tulliver in The Mill on the Floss' by Eri Yoshimura …

Translating The Mill On The Floss Into French, Alain Jumeau

The George Eliot Review Online, ISSN: 2831-5375

Before dealing with my personal experience of translating The Mill on the Floss into French, I shall start with a few remarks on George Eliot's literary status in France compared with that in English-speaking countries. In Britain, in the States and other English-speaking countries, George Eliot is usually regarded as a great novelist, of the same magnitude as Dickens perhaps, although her novels are definitely more 'high-brow'. It might even be argued that she is the greatest female English novelist. In France, her reputation is quite different and it is possible to find educated people who have never read her …