Feminist, Gender, and Sexuality Studies Commons^™

Mi Comunidad, Arianna Bucio

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Cold Is Warm, Axeri Ramirez

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Junction City: From Our Past Selves To Future Generations, Melissa Nielsen

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Mujeres En Arquitectura, Elizabeth L. Rubio

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

My Asianness, Mia Page

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Soy Indígena, Tania Estrada Rodriguez

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Ni De Aquí, Ni De Allá, Brian Rodriguez Barroso

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Mis Lugares Favoritos, Alexis Santos Pacheco

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Change Comes From Anywhere, Emely Ortega

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Comfort Zone, Taylor Christie

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

When Do I Matter, Romell E. Mccalpin-Carter

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Never One Place, Julian L. Contreras

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Encuentro De Latifundios, Georgina C. Salvarrey

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Enrique, Nicholas Mavrolas

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

“To Whom Do I Owe The Symbols Of My Survival?” To Childhood, I Thank You, Audriana Peñaloza

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Cruzando Para Respirar Otro Día, Josue Alva Morales

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Preliminary Pages

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Courageous Cuentos: A Journal Of Counternarratives

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

"Dear Stanford: You Must Reckon With Your History Of Sexual Violence" By Seo-Young Chu, Seo-Young J. Chu

Publications and Research

In 2000 a Stanford professor raped me. My rape is now older than I was. (I’m still not as old as he was.) The more time passes the more I’m struck by Stanford’s apathy and fecklessness about sexual violence. I wrote a letter asking Stanford to stop compounding the abuse and to reckon with its rape culture. This letter—including the “Incomplete Compilation of Links to Sources Documenting Stanford’s History of Sexual Violence, in Chronological Order”—should be mandatory reading for administrators, faculty, students, alumni, and stakeholders at both Stanford and CUNY. #MeToo #MeTooAcademia

Womanist Poetics: Emily Dickinson, Gertrude Stein, And Audre Lorde, Aya Telmissany

Theses and Dissertations

Today, the sentimentality associated with poetry is often condescendingly dubbed in a patriarchal society as “feminine poetry.” The first women poets who dared to attempt the pen were often met with attacks on their femaleness and harsh critiques of their writing which was likened to sorcery and witchcraft. Emily Dickinson, Gertrude Stein, and Audre Lorde are three American women poets who countered these attacks and turned them inside out in favor of their own womanist poetics. They wrote about experiencing the world as women and most importantly about experiencing poetry as women. What happens to poetry when a woman appropriates …

The Flow Of (Re)Memory In African American And Nubian Egyptian Literature: Morrison, Oddoul, And Mukhtar, Bushra Hashem

Theses and Dissertations

The purpose of this thesis is to define the term rememory, which Toni Morrison coins in her novel Beloved, and explore its interplay with water imagery in the novel and in two Nubian short stories, namely Haggag Oddoul’s “The River People” and Yahya Mukhtar’s “The Nile Bride.” The three narratives have core common features: they centralize water bodies as key sites of events, they depend heavily on the retelling of history and mythology, and they are told predominantly from the perspective of women. How do the writers weave rememory, history, and mythology to produce these narratives? Are they attempting to …

Identity In The 21st Century Nigerian Fiction: A Case Study Of Blackass By Igoni A. Barrett., Ogochukwu B. Ossai

Beyond the Margins: A Journal of Graduate Literary Scholarship

This paper attempts to examine the allegorical narrative strategies and politics of identity—race, and gender, using postcolonial and racial frameworks. The novel, Blackass written by a Nigerian writer is a 21st century fierce comic satirical adaptation of Metamorphosis, a novella by Franz Kafka. The intricacies and culture within a society and ethnicity in a nation such as patriarchy are explored through the language, characters, and development of the plot in Nigerian literature. For this essay, I enter into the discourse of race by analyzing the social and cultural phenomena that occur throughout the structure of the fictional work.

Testimony, Violence, And Silence: An Examination Of Agamben And His Critics, Yagmur Uygarkizi

Dignity: A Journal of Analysis of Exploitation and Violence

This paper investigates the difficulties faced by survivors of atrocities in testifying. I work on the case of female victims of domestic torture as reported by Jeanne Sarson and Linda MacDonald. The starting point is Giorgio Agamben’s Remnants of Auschwitz with his discussion on Primo Levi’s paradox and the testis/superstes/auctor distinction. I build on his nuances while arguing that he has not looked enough into power dynamics that render one speechless. “Unspeakable violence” refers simultaneously to incapacity and not being allowed to speak. Pain renders the victim speechless; perpetrators distort language and speak over survivors. Victims are often not allowed …

The Weak, The Wicked, The Divine: A Collection Of Poems, Grace Hedin

University Honors Theses

The Weak, the Wicked, the Divine is a collection of thirteen original poems based on the female figures of the Iliad and the Odyssey with scholarly analysis. The Introduction gives background on Homer and his works as well as their impact on both modern day and myself. The second section contains both the original work of Grace Hedin and the author's scholarly analysis of both their own work and the figure the poem is based upon. The Conclusion will hold the final thoughts and dedications from the author. An audio reading of all poems is attached to this thesis, with …

Don’T Be Like Me: A Letter To My Daughters, Morénike Giwa Onaiwu

Ought: The Journal of Autistic Culture

It is often stated that parenting is "the toughest job you'll ever love." And it certainly doesn't come with an instruction manual. However, though we will falter, because of our love for our children, most of us learn a lot on the journey. This growth helps us to develop the skills and understanding needed, as parents, to be able to effectively guide, support, and nurture our children. Such knowledge, though beneficial for all families, is critical within neurodiverse households.

So what do you do when you just don't have it? What do you do when you have as much (if …

Du Undergraduate Showcase: Research, Scholarship, And Creative Works: Abstracts, Emma Aggeler, Elena Arroway, Daisy T. Booker, Justin Bravo, Kyle Bucholtz, Megan Burnham, Nicole Choi, Spencer Cockerell, Rosie Contino, Jackson Garske, Kaitlyn Glover, Caroline Hamilton, Haley Hartmann, Madalyne Heiken, Colin Holter, Leah Huzjak, Alyssa Jeng, Cole Jernigan, Chad Kashiwa, Adelaide Kerenick, Emily King, Abigail Langeberg, Maddie Leake, Meredith Lemons, Alec Mackay, Greer Mckinley, Ori Miller, Guy Milliman, Katherine Miromonti, Audrey Mitchell, Lauren Moak, Megan Morrell, Gelella Nebiyu, Zdenek Otruba, Toni V. Panzera, Kassidy Patarino, Sneha Patil, Alexandra Penney, Kevin Persky, Caitlin Pham, Gabriela Recinos, Mary Ringgenberg, Chase Routt, Olivia Schneider, Roman Shrestha, Arlo Simmerman, Alec Smith, Tessa Smith, Nhi-Lac Thai, Kyle Thurmann, Casey Tindall, Amelia Trembath, Maria Trubetskaya, Zachary Vangelisti, Peter Vo, Abby Walker, David Winter, Grayden Wolfe, Leah York

DU Undergraduate Research Journal Archive

Abstracts from the DU Undergraduate Showcase.

“But For Those Of Us Who Live Here”: Performance Of Work And Community By Women Employed In Rural, Predominantly White, Small-Town Schools, Telena M. Turner

Masters Theses, 2020-current

Rural, small towns are incredibly complex cultural centers. Although rural places are consistently portrayed as unchanging, the operation of cultural and identity within these locations is consistently on the move. Using reflexive interviewing, poetic transcription, autoethnographic writing, this project (re)presents poems on community and identity from five women employed in schools in rural, mostly White, small towns in the Central Appalachian region. Analyzing the poems through concepts in performance studies and work on space and place, this project positions movement and change at the center of small towns and examines how notions of rural place and community are performed through …

Women Without Bodies: Autonomy, Empowerment, And Embodiment In Southern Women, Martha Peyton Ford

Honors Theses

This thesis explores the relationship between rural, upper-class, Southern, white women and their bodies. In my attempts to understand this relationship, I analyze sources from the fields of gender studies, philosophy, and psychology, utilizing concepts such as the Cult of True Womanhood, the newly-emerging field of body memoirs, and the long-lasting but elusive idea of Southern ladyhood to make sense of cultural expectations of Southern women and their bodies. This research, alongside my use of autoethnography and oral history, serve as an anchor for my analysis of women’s relationships to their bodies, in which I use myself, my mother, and …

Full Issue

AWE (A Woman’s Experience)

No abstract provided.

The Mythos Of Lilith: A Collection Of Madwomen, Megan Mau

Master's Theses

For too long, women’s stories have been mitigated, translated, truncated, and censored, if they were even recorded at all before the world could hear them. What could women be writing that would be so threatening to incite such censorship? To a male-dominated world, anything that could disrupt their illusions of power is a threat. If a woman penned a narrative of her experiences in this world, or if she were to begin speaking on a new way of thinking that called for change, that must be stopped. The ultimate goal is to prevent women from writing or stepping out of …