European Languages and Societies Commons^™

French Opera And The French Revolution, Etienne Nicolas Mehul, Savannah J. Dotson

Departmental Honors Projects

Although Etienne Nicolas Méhul is relatively unknown today, he was greatly respected by his contemporaries, including Beethoven, Cherubini and Berlioz. He rose to popularity and notoriety during the most turbulent years of the French Revolution, when most intellectuals fled for their lives, and yet he managed to maintain his status as a favorite of the people. From an examination of some of his operas - Euphrosine (1790), Ariodant (1799), Adrien (1792, 1799), and Horatius Coclès (1794) - it is apparent that Mehul used thinly veiled allegories to express his views. His heroes in these operas were Romans, Scottish nobles, and …

Autotraduction, Traduction Interculturelle Et Intersémiotique Dans La Quarta Via De Kaha Mohamed Aden, Simone Brioni

Department of English Faculty Publications

No abstract provided.

Man’S Best Friend? Dogs And Pigs In Early Modern Germany, Alison Stewart

School of Art, Art History, and Design: Faculty Publications and Creative Activity

When Jacob Seisenegger and Titian painted individual portraits of Emperor Charles V around 1532, a dog replaced such traditional accouterments of imperial power as crown, scepter, and orb.3 Charles placed one hand on the dog’s collar, a gesture indicating his companion’s noble qualities including faithfulness.4 At the same time, another more down-to-earth meaning for the dog had become prominent in the decades before the imperial portraits: the interest in and ability to eat anything in sight. This pig-like ability resulted in dogs, alongside pigs, becoming emblems of indiscriminate and gluttonous eating and drinking during the early sixteenth century when humanists, …

El Sacrificio, La Perfección, Y El Aislamiento: La Imagen De La Madre Española En El Contexto Socio-Histórico Y Literario, Samantha E. Morse

Pitzer Senior Theses

La siguiente investigación explora las representaciones de la mujer-madre en el contexto español a través de la historia del siglo XX y XI. Usa “La niña sin alas” de Paloma Díaz-Mas, “Al colegio” de Josefina Rodríguez Aldecoa, y “Espejismos” de Josefina Rodríguez Aldecoa – tres cuentos de la antología Madres e hijas de Laura Freixas – para analizar tres temas particulares que relatan a la situación de la mujer-madre: el espíritu del sacrificio, el perfeccionismo, y el aislamiento. La investigación concluye con una evaluación de los cuentos como “obras femeninas.” Intenta de enseñar el valor de estos cuentos por sus …

Front Cover

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Reviews

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Front Matter

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'Det Ny Fra Thy': Historical Innovation In A Peripheral Place, Poul Houe

The Bridge

When we say in English that a certain innovation "takes place" or in Danish: finder sted, which means literally, "finds place" -both linguistic idioms, "takes" or "finds" place, suggest that the role of place is not accidental. This is obviously pivotal in geography, but also in anthropology, sociology, philosophy, and a host of cultural studies, sometimes in the form of "mental geography." Recent Danish book titles suggest as much: Dan Ringgaard's Stedssans (Sense of Place), Anne-Marie Mai's Hvor litteraturen finder sted (Where literature Takes Place) in 3 volumes, and Ringgaard & Mai's anthology Sted (Place).

Popular Crime Novels - New Paradigms For Women, Nete Schmidt

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I am originally from Denmark, blond, and blue-eyed. I have five kids of varying ages, but no tattoos and no piercings, so I am a very normal Danish woman! I had an important introduction to the state of feminism in the United States when I lived in San Francisco for a year in 1986. A single mother of three, I had brought my kids along and got a lot of help from a dear friend Jenny, who had a husband and two kids. She also worked twelve hours a day, and when I asked her when she saw her kids, …

Back Matter

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The Spirit Of Hans Christian Andersen In The United States, Taru Rauha Spiegel, Kristi Planck Johnson

The Bridge

Hans Christian Andersen (1805-75) was a great traveler and would undoubtedly have liked to visit the United States, in which he took a keen interest. As his fame grew, he received numerous invitations from his admirers across the Atlantic. However, as is well known, he became morbidly afraid of sea voyages after his dear friend, Henriette Wulff, perished in a fire onboard ship in 1858. 1 Prone to seasickness and careful of his health and well being, the aging author found the prospect of the long Atlantic voyage daunting and never undertook it.

El Ex-Hombre: Masculinidad Y Exilio En La Poesía De Juan José Domenchina, Iker González-Allende

Spanish Language and Literature Papers

This article analyzes the representation of masculinity in Juan José Domenchina’s poetry of exile. The article argues that, during his last 20 years of life in exile (1939–1959), Domenchina shows in his poetry a contradictory masculinity. On the one hand, he reaffirms normative masculinity by rejecting pompous demonstrations of suffering, describing himself as stoic, tough, strong-willed and independent, and praising nostalgically Castilian men’s hypermasculine behavior. On the other hand, Domenchina’s poetry also testifies to his feelings of emasculation, since he calls himself an “ex-man”, shows his masculine fragmentation with the figures of the doppelganger or shadow, identifies himself with a …

Made In Germany: Integration As Inside Joke In The Ethno-Comedy Of Kaya Yanar And Bülent Ceylan, Kathrin M. Bower

Languages, Literatures, and Cultures Faculty Publications

As the largest “foreign” population in Germany, Turkish immigrants have been the primary target for concerns about integration and the impact of immigration on German culture. Since the founding of the first Turkish German cabaret in 1985 by Şinasi Dikmen and Muhsin Omurca, the misconceptions and one-sided expectations associated with integration have been played, parodied, and satirized by Turkish German performers. As producers of contemporary ethno-comedy, Kaya Yanar and Bülent Ceylan appeal to mass audiences with a new approach, inverting questions of integration by creating communities through laughter in which audiences are at once in on the joke and its …

Re-Thinking Paris At The Fin-De-Siècle: A New Vision Of Parisian Musical Culture From The Perspective Of Gabriel Astruc (1854-1938), Cesar A. Leal

Theses and Dissertations--Music

Gabriel Astruc (1864-1938), a French impresario of Jewish background, is mostly known for his collaborative work as an impresario with Sergei Diaghilev and his Ballets Russes. His role within Parisian musical culture at the fin de siècle, however, was much broader. He was a critic, creator of a leading periodical, producer of musical and circus events, music publisher, and associate of many important cultural figures of his day. Although Astruc has been mentioned in scholarly literature, his multifaceted activities have never been carefully studied.

Following the revisionist initiatives of previous scholars (e.g., Pasler, Huebner, Garafola, Fauser), this project offers …

Quintinie, Quarrels And Silence: The Arguments In And About George Sand’S Roman À Thèse, Kate Bonin

Modern Languages and Cultures Faculty Work

George Sand’s thesis novel, Mademoiselle La Quintinie (1863), proposed to solve what Sand termed the gravest problem confronting modern France: the undue influence of the Catholic Church and its supporters (the parti clérical) in Second Empire politics and social life. Quintinie’s story of young lovers separated by their opposing religious beliefs articulates Sand’s prises de position on issues ranging from Church doctrine, the Italian Risorgimento and the contested legacy of Jean-Jacques Rousseau. The novel engages with, and even incorporates, works by other authors including Louis Veuillot, Octave Feuillet and Rousseau himself, framing Sand’s own opinions within a multi-voiced …

Cultural Discourse In Taiwan. Ed. Chin-Chuan Cheng, I-Chun Wang, And Steven Tötösy De Zepetnek., Chin-Chuan Cheng, I-Chun Wang, Steven Tötösy De Zepetnek

CLCWeb Library

The collected volume Cultural Discourse in Taiwan — edited by Chin-Chuan Cheng, I-Chun Wang, and Steven Tötösy de Zepetnek and published by National Sun Yat-sen Uiniversity Press in 2009 — is intended as an addition to scholarship in the field of Taiwan Studies. The articles in the volume are in many aspects comparative and the topics discussed are in the context of literary and culture scholarship. At the same time, the volume is interdisciplinary as the articles cover historical perspectives, analyses of texts by Taiwan authors, and cultural discourse as related to Taiwan consciousness, language, and linguistic issues. Copyright release …

Clcweb Best Practices, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Mapping The World, Culture, And Border-Crossing, Steven Tötösy De Zepetnek, I-Chun Wang

CLCWeb Library

Authors in the collected volume Mapping the World, Culture, and Border-crossing — edited by Steven Tötösy de Zepetnek and I-Chun Wang and published by National Sun Yat-sen University Press in 2010— begin with exploring theoretical premises about the processes and ramifications of cultural crossings to establish a clearly defined theoretical context for the case studies which follow. The case studies range from the creation of identity through patriotic songs in Taiwan under martial law, to nationality and Japanese identity, cultural autonomy in contemporary North America, Asian migration to Latin America, ethnic identity in the writings of Tan, Naipaul, Eliot, and …

Contributors

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My Danish Heritage And The Privilege Of Serving As U.S. Ambassador To Denmark, Laurie S. Fulton

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One of the things I miss most since leaving my post as U.S. ambassador to Denmark is not hearing anyone around me speak Danish or speak English with a Danish accent. It was an adjustment to realize that few people in America know much about Denmark. And so, I truly am delighted to be with you this evening for the Danish American Heritage Society Conference. Tak for invitationen.

Editorial Statement

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Excerpts From The World At War By Georg Brandes, Catherine D. Groth

The Bridge

Dear Friend:

Your remark about the Danes, that they are a nation without pride, has made bad blood in this country and has wounded me personally. A writer of your rank should refrain from derogatory expressions about a whole nation, especially since such generalisations never hit the truth, no more than one strikes a butterfly with a club. You doubtless remember Renan's words on the subject.