Literature in English, North America Commons^™

Eat Or Be Eaten: A Posthuman Ecofeminist Reading Of The Vegetarian And Organ Meats, Erin Grace Elizabeth Kostic

Seton Hall University Dissertations and Theses (ETDs)

As two novels that feature the reformation and reconstruction of the female body, both Han Kang’s The Vegetarian and K-Ming Chang’s Organ Meats emphasize the posthuman existence of women seeking to break free from the gender-based shackles that constrain them, leading to a striking rejection of the anthropocentric and patriarchal worldviews that plague contemporary society. My thesis comparatively examines each novel through an ecofeminist lens in an attempt to prove that it is only when a woman is able to reframe her existence outside of a male-centric worldview that she can truly find freedom. The Vegetarian’s Yeong-hye loses her …

They Can’T “Shut Us Up”: Emily Dickinson’S And Mina Loy’S Use Of Religious Struggles In Girlhood To Empower Their Feminist Poetic Voices As Women, Bridget H. Anderson

Seton Hall University Dissertations and Theses (ETDs)

Poet Emily Dickinson and Modernist poet Mina Loy’s works stand the test of time to create a striking religious and feminist narrative today. Dickinson’s poetry, which remained largely unknown in her lifetime, will come to wield great power in the feminist and religious spheres in the years following her death in 1886. Following in Dickinson’s footsteps, Loy’s poetry is direct and engaging in a more urgent message with her bold imagery and brash words. Dickinson’s “We talked as Girls do” (392) and “They shut me up in Prose” (445) are texts that subtly challenge the misogyny in the Calvinist religion …

Nathaniel Hawthorne And The Limits Of Half-Feminism, Jessica Mckenzie

Seton Hall University Dissertations and Theses (ETDs)

This project argues that while Nathaniel Hawthorne creates intellectually complex and emotionally resilient female heroines in The Scarlet Letter and The Blithedale Romance, he ultimately reinforces the patriarchal structures he appears to critique. Through the figures of Hester Prynne and Zenobia, Hawthorne demonstrates a deep awareness of women’s societal oppression and the limitations imposed upon them within nineteenth-century America. However, despite moments of resistance and autonomy, these women are never permitted full liberation, agency, or lasting fulfillment. Their narratives ultimately become constrained by the patriarchal power that denies them independence and sustaining love. Thus, Hawthorne’s work coincides with the …

"The Yellow Wall-Paper": Decoding Medical Patriarchal Structures (A Common Theme Within Gothic Literature/Horror), Yvonne T. Samuels

Masters Theses (Archived)

This paper makes the claim that Charlotte Perkins Gilman’s “The Yellow Wall-Paper” encoded the medical system as part of the patriarchy used to control and harm women, especially within the 19^th Century, and how this is a common theme within gothic literature and modern-day horror. Through the Feminist Literary Criticism framework and the methodology of textual analysis, certain literary devices Gilman uses, including the Gothic trope of the narrator’s environment in “The Yellow Wall-Paper” is analyzed to reveal women living in a patriarchal society during the 19^thCentury and the medical system being a source of power. “The …

Reading Romance As An Act Of Resistance, Amy K. Krug

English Faculty Publications

A podcast discussion about how popular romance represents many different populations, including people of color, people with disabilities, and people who are LGBTQ+. Reading these romances with diverse characters can be a powerful mode of resistance against current anti-diversity efforts becoming more prevalent in society.

Listen to the episode. The transcript is available for download.

The Shame Of (Be)Longing In Jamaica Kincaid's Lucy, Grace S. Miholic

All Theses

This thesis examines the role of shame in Kincaid's Lucy. Separated into four separate sections, the thesis moves through Lucy’s relationship with her boss, Mariah, her Antiguan mother, and the shame that is identified at the end of the novel. In the introduction, I identify the passage that frames the novel around shame. I then identify my thesis, which centers around Lucy’s shame and her inability and refusal to situate herself with neither Mariah nor her mother’s expectations. The second section of the thesis revolves around Mariah and the form of feminism that skews her perception and expectations of …

Transcendental Blooms: Margaret Fuller And The Radical Language Of Flowers, Jenna Mcclain

Honors Theses

Situated between the literary periods of American Romanticism and Transcendentalism, Margaret Fuller’s writings vary in their topic and medium, offering a unique fusion of literary style as well as a refined yet radical social perspective. Fuller’s work frequently employs flowers as tools for communication rather than as mere symbols, with flowers acting as transmitters of Fuller’s philosophical message in her many sketches and poems. In “The Magnolia of Lake Pontchartrain,” one of her most famous prose sketches, Fuller explores flowers in a nuanced way that exemplifies how floral representations function more like characters than objects in her work. While scholars …

The Specter Of Body Horror Haunting Joyce Carol Oates’S “The Chair Of Tranquility” And Charlotte Perkins Gilman’S “The Yellow Wall-Paper”, Tanya L. Tromble

Bearing Witness: Joyce Carol Oates Studies

Joyce Carol Oates is the editor of a 2023 collection entitled A Darker Shade of Noir: New Stories of Body Horror by Women Writers. Her own story in the collection, “The Chair of Tranquility (from the Diary of Mrs. Thomas Peele, Trenton, New Jersey, 1853),” takes on a fuller meaning when considered in a dialogic relationship to Charlotte Perkins Gilman’s 1892 story “The Yellow Wall-Paper.” By first outlining how Gilman’s and Oates’s stories can be seen as sister stories, then analyzing some essential differences operated in Oates’s story, the author is finally able to discuss the dialogic effect of …

The Mudwoman In The Academia: The Spectral Presence Of Jane Eyre And Antoinette Cosway In Joyce Carol Oates's Mudwoman, Stéphanie Durrans

Bearing Witness: Joyce Carol Oates Studies

While Jane Eyre has been lauded as a feminist novel, its modernist prequel Wide Sargasso Sea clearly aims at recovering the lost voice of the much-maligned Bertha Rochester from an altogether different feminist perspective. In her 1985 essay on these two novels, Joyce Carol Oates highlights their dual relationship in terms of romance and anti-romance, regarding Rhys’s novel as “a reverse mirror image of Jane Eyre’s and Rochester’s England.” Commenting upon the brief encounter between Jane and Rochester’s first wife as depicted by Jean Rhys, Oates also points out that, “[i]nhabiting contrary worlds, one woman is a savage to the …

The 11-Year Itch: Exploitation As Sublimation In Blonde (Joyce Carol Oates, 2000; Andrew Dominik, 2022), Jocelyn R. Dupont

Bearing Witness: Joyce Carol Oates Studies

The goal of this article is to discuss Andrew Dominik’s much-criticized adaptation of Oates’ novel Blonde (2000), released on the Netflix streaming platform in September 2022. It aims at re-assessing the movie in the light of its literary hypotext, which appears to have been rather unfairly left out of much of the debate surrounding the release and critical reception of the film. In a first part, this article briefly addresses the stakes of Dominik’s adaptation, which are more complex than they might seem, notably on account of the extreme iconicity of its subject, even more so than its subject matter. …

Is Love A “Pathological Condition Of The Soul”? Joyce Carol Oates's Beasts And Rape: A Love Story, Nicolas P. Boileau

Bearing Witness: Joyce Carol Oates Studies

This paper seeks to address the question of Oates’s relation to feminist and gender theories by looking at two novellas published consecutively, Beasts and Rape: A Love Story in the beginning of the 2000s. The short texts share a common storyline based on rape, which is far from uncommon in Oates’s fiction. However, I argue that there is something very specific in these two novellas in the way Oates chooses to handle the testimony of the rape, both overtly and covertly, both in graphic details and in repressed forms of expression, giving way to a reflection on women’s vulnerable position …

Joyce Carol Oates And Feminism: Facts Found And Foundered, Gavin J. Cologne-Brookes

Bearing Witness: Joyce Carol Oates Studies

This essay explores the nuanced relationship between Joyce Carol Oates and feminism, distinguishing between Oates as an individual and “JCO” as the authorial process. Through analysis of novels like Babysitter, the essay argues that Oates’s fiction resists fixed labels, instead foregrounding ambiguity, interpretation, and the limitations of categorization. Drawing on philosophical and literary contexts, it contends that while Oates’s work invites feminist readings, her narrative style deliberately undermines definitive conclusions. Ultimately, the essay suggests that JCO’s writing stimulates inquiry and self-reflection, positioning art as a process of response rather than a vehicle for asserting categorical truths—including those of feminism.

Exploring Specters Of Feminism In The Work Of Joyce Carol Oates, Nicolas P. Boileau, Tanya L. Tromble

Bearing Witness: Joyce Carol Oates Studies

This collection originates from the international conference “Specters of Feminism in the Work of Joyce Carol Oates,” held at Aix-Marseille Université in March 2024 as part of the broader project “Women and the F-Word: Thinking about Women’s Resistance to Feminism.” The introduction situates Oates’s vast and varied oeuvre within evolving feminist discourses, highlighting her ambivalent personal stance toward feminism and the critical consensus that her work engages deeply with feminist themes, especially sexual violence, trauma, and the complexities of gendered power. The essays gathered here explore how Oates’s stylistic experimentation, intertextuality, and representations of female agency and victimhood simultaneously reflect, …

“Some Vague Utopia”: Searching For Urania, Moira L. Neve

Theses and Dissertations

Despite the global pendulum swing of gender trouble marked by the United States’ President’s declaration that there are only two sexes, activists have been rejecting assimilation (ie. defining equality as gay marriage or queer people in the military) within queer studies long before 2025. In the first half of the 20th century, a journal by the name of Urania (1916-1940), privately published and circulated to their home base in the United Kingdom and beyond, five editors (Esther Roper, Eva Gore-Booth, Jessey Wade, Dorothy Cornish, and Irene Clyde/Thomas Baty), challenged the gender binary and the resulting assumptions of heterosexual marriage. This …

On Emily Dickinson, Katelyn Confer

2024 Symposium

The following paper will explore the relationship between Emily Dickinson’s poetry, the circumstances of her life, and the historical context in which she lived to glean an understanding of how her mental health influenced her work. Selected poems by Dickinson will be reviewed and analyzed, along with a brief overview of nineteenth century attitudes towards female mental health with a particular emphasis on the medical diagnosis of female hysteria.

Gentleman Death In Silk And Lace: Death And The Maiden In Vampire Literature And Film, Emily Wilson

Electronic Theses and Dissertations

This thesis contains an examination in the psychosocial significance of Hans Baldung Grien’s “Death and the Maiden” art motif, created during the Renaissance period following the Black Death, and its resurgence in the vampire fiction genre of both literature and film. I investigate the motif in Bram Stoker’s Dracula (1897) and Anne Rice’s Interview with the Vampire (1976) as well as their film adaptations by Francis Ford Coppola (1992) and Neil Jordan (1994), respectively. By examining the presence of the motif in art, literature, and film, I found that the common threads across all investigated works were the dominant social …

A Legacy Of Labor: Maternity Narratives In 1960s And 1970s North American Life Writing, Katelynn Ann Vogelpohl

Graduate Theses, Dissertations, and Problem Reports (ETD)

Abstract

A Legacy of Labor: Maternity Narratives in 1960s and 1970s North American Life Writing

Katelynn Ann Vogelpohl

The phenomenon of maternity has been repeatedly described as an event that shakes the very foundations of social and physical identity. As the flesh of the pregnant person literally divides to produce new life, one subject becomes enclosed within another, dramatically affecting the pregnant person’s sense of self and causing a confluence of intense, and often conflicting, feelings. In North America, there are two dominant, and seemingly opposing, discourses on pregnancy and childbirth: the institutional medical discourse and the natural childbirth discourse. …

Owning The Body: Bodily Autonomy And Consent In The Works Of Octavia Butler, Korryn Plantenberg

Theses/Capstones/Creative Projects

During the 1980’s the Second Wave feminist movement provided more interest in interdisciplinary movements towards equity in the case of gender. One movement that slowly grew was Womanism, which included the intersection between race and gender. Specifically, the experiences of black women in the United States. Inspired by this movement authors such as Octavia Butler was a black science fiction author who wrote literature focused on black women. Alongside her preoccupation, with race in science fiction, Butler explores the nature of consent and bodily autonomy in utopian and dystopian futures. Within her novels, she uses Womanism to engage with futuristic …

“Too Good To Kill”: Literary Gerontology And Late Style In Margaret Atwood’S Gilead Novels, Serina Item

Electronic Theses, Projects, and Dissertations

Margaret Atwood’s 1985 novel, The Handmaid's Tale, and her 2019 sequel, The Testaments, illuminate the author’s continued interest in the connection between a woman’s age and the notion of her usefulness and complicity within a hegemonically masculine society. Focusing on literary gerontology and the author’s late style, this essay highlights Atwood’s persistent rejection of patriarchal representations of older women in literature. I analyze the ways in which Atwood’s “ustopian” (Atwood’s literary genre invention, combining “dystopia” and “utopia”) novels develop older women characters beyond “old age as motif and metaphor” by removing age and gender as significant barriers to …

The Postmodern And The Personal In Edna St. Vincent Millay’S Aria Da Capo, Roxanne Rankin

Munn Scholars Awards

Aria Da Capo, Edna St. Vincent Millay’s 1919 play, has thus far been largely ignored in literary criticism. This essay, through a historical survey of Millay’s previous critical reception followed by a close reading of Aria Da Capo, attempts to explain and then bridge this gap in academic scholarship. A postmodernist reading of the play will then illustrate why Millay’s work still confounds scholars today and how Aria Da Capo specifically continues to be relevant more than 100 years after it was first produced.

Heroine Of The Peripheral: An Exploration Of Feminism And Anti-Feminism In The Poetry Of Sylvia Plath, Devoney Looser

Augsburg Honors Review

Recognizing that there are many legitimate ways to view Plath's work, this study doesn't claim a definitive reading or even a glimpse into the 'real' Sylvia Plath. Instead, the following exploration will focus on feminist and anti-feminist renderings of motherhood in Plath's Crosstng the Water, Ariel, and Winter Trees. This study doesn't set out to prove or disprove these labels as they relate to Plath either. My intention is not to make value judgments about various aspects of the poetry but rather to highlight the contradictions and the co-existence of feminist and anti-feminist qualities in the text.

“The Un/Touchables:” Quest For Citizenship In Arundhati Roy’S The God Of Small Things And Indra Sinha’S Animal’S People, Mahreen Shahzadi

Seton Hall University Dissertations and Theses (ETDs)

This paper argues that Ammu and Velutha, in The God of Small Things and Animal in Animal’s People are not seen as productive citizens of the nation because of their marginalization, which results in their status as second-class citizens. However, Ammu, Velutha, and Animal resist second-class status by challenging the heteropatriarchal nation, rejecting its limited definition of gender, caste, sexuality, and citizenship.

Pedagogies Of The “Irresistible”: Imaginative Elsewheres Of Black Feminist Learning., Mecca Jamilah Sullivan

Journal of Feminist Scholarship

In her foreword to the groundbreaking anthology, This Bridge Called My Back: Writings by Radical Women of Color, Toni Cade Bambara (1983) famously argues that the great work of feminist writing is “to make revolution irresistible.” This statement is often read as a founding call of women-of-color feminism, and of feminist literary expression in particular. Yet Bambara’s notion of the “irresistible” extends beyond the page; throughout her works, she also uses the term as a key descriptor of her pedagogy, and her vision of the classroom. Bambara joins Audre Lorde and other Black feminist writer/teachers in insisting on a …

Hannah & Nana: A Personal Memoir On Appalachian Intergenerational Trauma, Womanhood, & Family, Hannah Dunn

Honors Projects

I was deeply affected by the death of my beloved nana in 2018. After her death, my family asked me to be the storyteller for us. Thus, for my Honors Project at Bowling Green State University (BGSU), I decided to write a personal memoir on my family. This memoir explores how we fit into notions of womanhood and family in Appalachia, as well as studying the effects of intergenerational trauma on us. Qualitative research, in the form of the autoethnography, serves as the methodology for this project. In writing a creative memoir, I have transformed my personal to the academic.

Feminist Modernist Dance, Melissa Bradshaw, Jessica Ray Herzogenrath

English: Faculty Publications and Other Works

This is the first of two special issues of Feminist Modernist Studies dedicated to feminist modernist dance (the second will be Summer, 2022). We have wrestled in our joint editorial work here, as well as in our own work, over the disjunctions embodied in these three terms conjoined. Though feminist scholars have been doing important work in modernist studies for half a century, the term modernism remains mired in gatekeeping canon formations that center white male artists, primarily writers, with few exceptions. The continued need to specify “feminist modernism” signals an exasperating truism that modernism persists in its reliable male-orientation. …

Warrioress In White: A Semiotic Analysis Of America's Joan Of Arc In The Women Of The Copper Country, Akasha Khalsa

Conspectus Borealis

Mary Doria Russell’s The Women of the Copper Country is a fictionalized historical account of the 1913 mining strike in the Keweenaw Peninsula. Significantly in this strike, a great deal of leadership was focused in the Union’s Women’s Auxiliary. In particular, one woman formed the backbone of the local movement. Known by her community as Big Annie, Anna Klobuchar Clements was the heart of the 1913 strike. Memories of her bravery linger today in the form of recorded testimonies by elderly community members, immortalization in plaques and songs, and Russell’s popular novel. Today she is remembered not as herself, not …

Autobiographical Narratives Of Sexual Violation: Trauma, Genre, And The Politics Of Telling, Sarah M. Hildebrand

Dissertations, Theses, and Capstone Projects

This dissertation engages with literary trauma theory and rape studies by investigating how scholars through the 1990s theorized the relationship among trauma, narration, and silence, and how the #MeToo movement causes us to rethink these views. Attending to the specific silence generated in the wake of sexual violation reveals how power structures influence the act of telling, challenging the idea that trauma is untellable. I argue that literary trauma theory needs to push beyond its foundation in biomedical models of trauma—in which the (in)ability to recall or articulate traumatic events is rooted in neurology—to examine the ways traumatic narratives are …

An Exploration Of Voice, Kristyn Montgomery

Master of Arts in English Plan II Graduate Projects

This combination of four pieces reflects an overarching theme of researching the ways that our foundations and experiences shape us, either by our own hands or by the hands of others. This is a final portfolio that was submitted to the English Department of Bowling Green State University in partial fulfillment of the requirements for the degree of Master of Arts in the field of English.

Hettie Jones And Bonnie Bremser: Complicating Feminist And Beat Master Narratives, Nancy Effinger Wilson

Journal of Feminist Scholarship

The Beat master narrative suggests that all Beats ignored racism; the feminist wave model suggests that there was no feminist activism between the first and second wave of feminism and no attention to the intersection of race and gender prior to the third wave. Both models discount and in the process erase the efforts by Beat writers Bonnie Bremser and Hettie Jones who challenged racism and sexism before the more visible civil rights and feminist movements of the 1960s. Employing Milton Bennett's Developmental Model of Intercultural Sensitivity to analyze the intercultural/interracial attitudes present in Bonnie Bremser’s Troia and Hettie Jones’ …

"Monsters In Suburbia": Women's Bodies, Monstrosity, And Motherhood In The Mere Wife, Claire M. Bonvillain

Honors Theses

This thesis explores themes of monstrosity in Maria Dahvana Headley's novel The Mere Wife in connection with issues of women's bodies and feminism. It analyzes prominent female characters in the novel and the relationships of their bodies to patriarchal authority, showing how and why bodies are deemed monstrous. It discusses the role that motherhood plays in patriarchal society, as well as explores alternatives that the novel offers to this system.