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Articles 1 - 12 of 12
Full-Text Articles in Literature in English, North America, Ethnic and Cultural Minority
A Black Prometheus Among The Gods: Illuminating African American Literary Tradition In Sam Greenlee's The Spook Who Sat By The Door, Kenneth L. Rainey Iii
A Black Prometheus Among The Gods: Illuminating African American Literary Tradition In Sam Greenlee's The Spook Who Sat By The Door, Kenneth L. Rainey Iii
Cal Poly Humboldt theses and projects
In his hard-hitting novel The Spook Who Sat by the Door Sam Greenlee aims to help his target African American audience to succeed and thrive as their true selves with the novel functioning as a guide to resisting the ever-present physical and spiritual threat faced daily. On the one hand the novel functions as a manual for civil uprising, but underneath that surface, Greenlee argues that true African American resistance comes through nurturing self-determination, self-love, and self-esteem. This project also argues that Spook ought to be located closer to the center of the African American literary canon and provides comparisons …
‘There Is No Gallery’: Race And The Politics Of Space At The Capitol Theatre, New York, Pardis Dabashi
‘There Is No Gallery’: Race And The Politics Of Space At The Capitol Theatre, New York, Pardis Dabashi
Literatures in English Faculty Research and Scholarship
This essay brings developments in Black film historiography and architecture studies to bear on the study of Northern picture palaces as the period of their prominence coincided with the Jim Crow era. Taking as my focus New York City’s Capitol Theatre – which opened in the immediate wake of the US race riots of 1919 and was the largest movie theater to date – I show how Northern middle-class film culture enforced racial segregation in the absence of legal protection. Southern movie theaters were able either to outlaw Black attendance or relegate their Black patronage to the gallery, a seating …
Racial Spatial Relationships In Claudia Rankine’S Citizen, Thomas Jenson
Racial Spatial Relationships In Claudia Rankine’S Citizen, Thomas Jenson
Criterion: A Journal of Literary Criticism
In Citizen: An American Lyric, Claudia Rankine addresses topics from segregation to police brutality to indicate the extreme spatial relationships between racial groups. Her work reveals the geographic mechanisms that confine African Americans to certain locations as well as the coerce them to violently share space with their white counterparts. Drawing upon spatial theory, which exposes the structures of unjust geography, my analysis also considers language as an additional spatial force that harms the black community as much as more physical phenomena.
From Camp Meetings To Crusades: African American Religious Songs In Context, Konner B. Smith
From Camp Meetings To Crusades: African American Religious Songs In Context, Konner B. Smith
Honors College Theses
The images found throughout African American religious songs are timeless, yet they reflect the realities of their particular historical and cultural contexts, explaining those circumstances from the view of the African American community. Despite the differences in sound, there is a strong sense of continuity between each era, as compositions from slave songs to rap use certain passages from scripture to emphasize the themes of freedom, hope, and perseverance. From the spiritual to the gospel to contemporary religious rap, both history and hope have been lifted up and transformed in the voices of oppressed and enduring African Americans.
Race Youth In Twentieth-Century American Literature And Culture, Claire E. Lenviel
Race Youth In Twentieth-Century American Literature And Culture, Claire E. Lenviel
Theses and Dissertations--English
Race Youth in Twentieth-Century American Literature and Culture argues for the centrality of black youth, both real and literary, to the trajectories of African American literature and its repudiation of white supremacy. Drawing on research into the rise of the adolescent and teenager as distinct social categories, I argue that age-based subjectivity should inform how we read race-based subjectivity. My first chapter explores how early twentieth-century black periodicals push back against white supremacist theories of human development in an explicit appeal to what I call “race youth,” the children and adolescents who would take up the mantle of racial uplift. …
Adaptive Acts: Queer Voices And Radical Adaptation In Multi-Ethnic American Literary And Visual Culture, Michael M. Means
Adaptive Acts: Queer Voices And Radical Adaptation In Multi-Ethnic American Literary And Visual Culture, Michael M. Means
Theses and Dissertations
Adaptation Studies suffers from a deficiency in the study of black, brown, yellow, and red adaptive texts, adaptive actors, and their practices. Adaptive Acts intervenes in this Eurocentric discourse as a study of adaptation with a (queer) POC perspective. My dissertation reveals that artists of color (re)create texts via dynamic modes of adaptation such as hyper-literary allusion, the use of meta-narratives as framing devices, and on-site collaborative re-writes that speak to/from specific cultural discourses that Eurocentric models alone cannot account for. I examine multi-ethnic American adaptations to delineate the role of adaptation in the continuance of stories that contest dominant …
Langston Hughes In Turkestan: Poems, Photos, And Notebooks 1932–1933, Zahera Z. Saed
Langston Hughes In Turkestan: Poems, Photos, And Notebooks 1932–1933, Zahera Z. Saed
Dissertations, Theses, and Capstone Projects
In June 1932, Langston Hughes landed in Leningrad (now St. Petersburg) with a group of mainly African American artists, writers, craftsmen, and activists, to participate in the Soviet propaganda film, Black and White, by Mezhrabpom. When the film project fell apart, Hughes asked permission for the group to visit Central Asia, a request that, as he documents in his essay, “South to Samarkand,” was met with “a pause” by Soviet authorities since tourists and journalists were not permitted to enter Central Asia. He rode on the Trans-Siberian Rail with hanging lamps lighting the small compartment and simple wooden chairs, …
The Afroethnic Impulse And Renewal: African American Transculturations In Afro-Latino Bildung Narratives, 1961 To 2013, Trent Masiki
The Afroethnic Impulse And Renewal: African American Transculturations In Afro-Latino Bildung Narratives, 1961 To 2013, Trent Masiki
Doctoral Dissertations
Until now, there has been little sustained critical attention to the way African American literature, history, culture, and politics influence transculturation and ethnoracial identity formation in Afro-Latino bildung narratives. This dissertation addresses that oversight. The Afroethnic Impulse and Renewal: African American Transculturations in Afro-Latino Bildung Narratives, 1961 to 2013, examines a long, but often neglected, history of intercultural affinities and literary encounters between African Americans and Afro-Latinos from the twentieth to the twenty-first century. In The Afroethnic Impulse and Renewal, I explore African American literary and cultural influences in the personal essays, memoirs, and autobiographically inspired fiction of …
The Influence Of Literacy On The Lives Of Twentieth Century Southern Female Minority Figures, Laura Leighann Dicks
The Influence Of Literacy On The Lives Of Twentieth Century Southern Female Minority Figures, Laura Leighann Dicks
Graduate Theses and Dissertations
The American South has long been a region associated with myth and fantasy; in popular culture especially, the region is consistently tied to skewed notions of the antebellum South that include images of large plantation homes, women in hoop skirts, and magnolia trees that manifest in television and film representations such as Gone With the Wind (1939). Juxtaposed with these idealized, mythic images is the hillbilly trope, reinforced by radio shows such as Lum and Abner, and films such as Scatterbrain (1940). Out of this idea comes the southern illiteracy stereotype, which suggests that southerners are collectively unconcerned with education …
Our Greatest Want: An Examination Of The Rhetorical Tendencies Employed By African American Female Abolitionist Frances Ellen Watkins Harper (1825-1911), Lauren Deborah Nye
Our Greatest Want: An Examination Of The Rhetorical Tendencies Employed By African American Female Abolitionist Frances Ellen Watkins Harper (1825-1911), Lauren Deborah Nye
English
You are standing at the doorway of a church in Philadelphia. Looking in, you see a mass of heads, all turned toward the podium, waiting for someone to get behind that podium. Then you see her. She is an attractive African American with “a fair figure, long, lustrous hair, and facial features pleasant to behold” (Logan 49). You overhear one person comment that she looks like “a bronze muse” (Logan 31). A reporter will later write that she has “a strong face, with a shadowed glow upon it, indicative of thoughtful fervor, and of a nature most femininely sensitive, but …
Who Owns The Whip?: Chesnutt, Tourgee, And Reconstruction Justice, Bill Hardwig
Who Owns The Whip?: Chesnutt, Tourgee, And Reconstruction Justice, Bill Hardwig
Bill Hardwig
Who Owns the Whip?: Chesnutt, Tourgée, and Reconstruction Justice Author(s): Bill Hardwig Source: African American Review, Vol. 36, No. 1 (Spring, 2002), pp. 5-20 Published by: St. Louis University Stable URL: http://www.jstor.org/stable/2903361
The Development Of Race Pride In American Negro Poetry, Sister Mary Boniface Adams
The Development Of Race Pride In American Negro Poetry, Sister Mary Boniface Adams
Electronic Thesis and Dissertation
The study of the development of race pride in the poetry of American Negro seeks to trace the though of the Negro from his entry into America to the present, including the important periods of history which affected this development and his reaction to them.