Literature in English, North America, Ethnic and Cultural Minority Commons^™

"Deceptive Intimacy": Narration And Machismo In The Works Of Junot Díaz, Ellen Elizabeth Hill

Chancellor’s Honors Program Projects

No abstract provided.

Zora Neale Hurston: Scientist, Folklorist, Storyteller, Mary Catherine Russell

Pursuit - The Journal of Undergraduate Research at The University of Tennessee

This paper examines the life and work of Zora Neale Hurston and her contribution to American literature in the 20th Century. While previous critical analysis of Hurston’s work has focused primarily on her most popular novel, Their Eyes Were Watching God, this paper examines Hurston’s career by taking a holistic approach to the body of her literary works. Hurston’s early career as an anthropologist is shown to provide a foundation for her later interest in folklore. In turn, her connection and participation in the Harlem Renaissance gave Hurston’s writing a nuanced and individualized style as part of the American modernist …

Translating Chopin's Parrot: Local Color Louisiana And The Limits Of Literary Interpretation, 1865-1914, Matthew Paul Smith

Doctoral Dissertations

In the aftermath of the American Civil War, national periodicals such as Harper's, The Century, and The Atlantic Monthly eagerly solicited and published literature depicting small, often isolated regional communities within the United States – literature collectively referred to as local color. This project examines a tension that exists between two conflicting impulses that drove local color writing – one that sought to participate in an ethnographic project rooted in literary realism, the other that reveled in representing local spaces as sites of ambiguity, uncertainty, illegibility, and impenetrability. "Translating Chopin's Parrot" argues that literary historicists, drawn to the …

Myth Y La Magia: Magical Realism And The Modernism Of Latin America, Hannah R. Widdifield

Masters Theses

The similarities between Latin American magical realism and European surrealism have long been regarded as part of a shared, cohesive movement in literature and art. After all, they share certain nonsensical and fantastical traits that place both movements far away from the Realism that modernism, as a whole, refutes. But in light of postcolonial theory, it becomes more and more necessary to explore magical realism as a geographically and politically situated movement with its own unique value in discussions of Modernism; not an offshoot of surrealism, but a sister genre, born in the distinct atmosphere of a region trying to …

A Transnational Novel In Disguise: The Influence Of Brazil In Nella Larsen's Passing, Grant M. Andersen

Chancellor’s Honors Program Projects

No abstract provided.

Paradox Of The Abject: Postcolonial Subjectivity In Jamaica Kincaid’S The Autobiography Of My Mother And Cristina García’S Dreaming In Cuban, Allison Nicole Harris

Masters Theses

In Powers of Horror, Julia Kristeva defines abjection as the seductive and destructive remainder of the process of entering the symbolic space of the father and leaving the pre-symbolic space of the mother, resulting in a desire to return to the jouissance of the pre-symbolic space. In this project, I read Jamaica Kincaid’s The Autobiography of My Mother as an attempt to link Xuela’s psychic abjection with the postcolonial identity. Xuela exists on the boundaries of the colonial dichotomy, embracing the space of the abject because she is haunted by her dead mother. She cannot return to her mother, …

No Place Like Home: Fiction Of Scandinavian Women And The American Prairie, Rebecca Frances Crockett

Masters Theses

This thesis examines various fictional depictions of Scandinavian pioneer women and their struggle to adapt to the American prairie. It looks specifically at three novels: Johan Bojer’s The Emigrants, O.E. Rolvaag’s Giants in the Earth, and Willa Cather’s O Pioneers!. All three novels depict Scandinavian immigrant groups who settle in the Great Plains area during the late nineteenth and early twentieth centuries.

The thesis looks in detail at the numerous ways in which each author’s female characters adapt or fail to adapt to the landscape, exploring the possible reasons for these successes and failures. It argues that …

Toward A Progressive African Americanism: Africanism And Intraracial Class Conflict In Twentieth- And Early Twenty-First-Century African American Literature, Laronda Meeshay Sanders-Senu

Doctoral Dissertations

In this work, I explore how African American authors and texts have contributed to or confronted what Toni Morrison calls “Africanism” in Playing in the Dark. I argue that the construction of blackness by non-black people and its consequent racial stigma, imbuing skin color with mental and physical inferiority, functions in an intraracial context to obscure the solidarity of all African Americans irrespective of their socioeconomic status. My work spans the twentieth and the beginning of the twenty-first centuries, investigating representations of the middle class who seek to deny or ignore the impact that a Eurocentric value system has on …

Ambiguous Recognition: Recursion, Cognitive Blending, And The Problem Of Interpretation In Twenty-First-Century Fiction, Christopher David Kilgore

Doctoral Dissertations

This dissertation uses theories of cognitive conceptual integration (as outlined by Gilles Fauconnier and Mark Turner) to propose a model of narrative reading that mediates between narratology and theories of reception. I use this model to demonstrate how new experimental narratives achieve a potent balance between a determinate and open story-form. Where the high postmodernists of the 1970s and 80s created ironic, undecidable story-worlds, the novels considered here allow readers to embrace seemingly opposite propositions without retreating into ironic suspension, trading the postmodernist “neither/nor” for a new “both/and.” This technique demands significant revision of both descriptions of radical experimentation in …

The Novel Mezclada: Subverting Colonialism’S Legacy In Junot Díaz’S The Brief Wondrous Life Of Oscar Wao, Emily A. Shifflette

Chancellor’s Honors Program Projects

No abstract provided.

Bharati Mukherjee And The American Immigrant: Reimaging The Nation In A Global Context, Leah Rang

Masters Theses

With its focus on immigration to the United States and development of American identity, Bharati Mukherjee’s fiction eludes literary categorization. It engages with the various contexts of multiculturalism, postcolonialism, and globalization, yet Mukherjee adamantly positions herself as an American author writing American literature. In this essay, I investigate the intersections between Mukherjee’s focus on the American character, culture, and people and developing theories and critical debates on globalization. Through Mukherjee’s works, we can see American identity in a state of flux, made possible by the immigrant and the relationships established between the transnational individual and America. Mukherjee’s immigrant characters challenge …