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Full-Text Articles in Literature in English, North America, Ethnic and Cultural Minority

The Politics & Poetics Of Audience Creation In Contemporary Epistolary Memoir, Sarah M. Davis Jun 2023

The Politics & Poetics Of Audience Creation In Contemporary Epistolary Memoir, Sarah M. Davis

Electronic Theses and Dissertations

This thesis examines Ocean Vuong’s On Earth We’re Briefly Gorgeous and Kiese Laymon’s Heavy as works of life writing that leverage the epistolary form to engage their direct maternal addressees and audiences beyond them in revision and reconstruction of identity. Secondary audiences are considered in light of Michael Warner’s “Publics and Counterpublics,” and the social affordances of the epistolary form and self-constructive affordances of life writing are analyzed in tandem as a hybrid epistolary memoir form. Specifically, this project explores how the epistolary memoir form affords Vuong and Laymon opportunities for the process of personal, relational, and communal identity construction, …


A Conversation With Stephen Graham Jones: Horror, Weird Fiction And The Way Of Slashers, With Sopapillas For Dessert, Billy J. Stratton Jan 2023

A Conversation With Stephen Graham Jones: Horror, Weird Fiction And The Way Of Slashers, With Sopapillas For Dessert, Billy J. Stratton

English and Literary Arts: Faculty Scholarship

An interview/conversation between Stephen Graham Jones and Billy J. Stratton, which took place in Denver on October 24, 2022.


On The Fictions Of Stephen Graham Jones And The Stories That Made Him, And Well, Us Too, Billy J. Stratton Jan 2023

On The Fictions Of Stephen Graham Jones And The Stories That Made Him, And Well, Us Too, Billy J. Stratton

English and Literary Arts: Faculty Scholarship

Introduction to the issue.

Since being honored in 2017 with a Bram Stoker Award for superior achievement in Mapping the Interior—his 17th novel—by the Horror Writer’s Association, the work of Stephen Graham Jones has exploded onto the national scene as so many of his readers have long anticipated.


Destruction And Resiliency: Decolonizing Settler Knowledge In Native American Literature Through The Peoplehood Matrix, Renissa R. Gannie Jan 2023

Destruction And Resiliency: Decolonizing Settler Knowledge In Native American Literature Through The Peoplehood Matrix, Renissa R. Gannie

Electronic Theses and Dissertations

This thesis explores the complex dynamics of settler colonialism and the construction of peoplehood within the Laguna Pueblo, Lakota, Jemez Pueblo, Anishinaabe, and Blackfeet culture through a comparative analysis of literary works focusing on Leslie Marmon Silko’s Ceremony, Frances Washburn’ Elsie’s Business, N. Scott Momaday’s House Made of Dawn, Gerald Vizenor’s The Heirs of Columbus, and Stephen Graham Jones’s Ledfeather; these authors employ narrative strategies to depict the destructive impacts of settler colonialism on indigenous identities and communities. Drawing upon postcolonial and indigenous literary theories, this research uses a comparative framework to analyze the diverse …


Regardless, ‘I’ And ‘You’: Lessons From Black Feminist Literature, Jasmine Veronica Sauceda Jan 2022

Regardless, ‘I’ And ‘You’: Lessons From Black Feminist Literature, Jasmine Veronica Sauceda

Electronic Theses and Dissertations

This thesis analyzes Toni Morrison’s Beloved, Octavia E. Butler’s Parable of the Sower, and Alice Walker’s The Color Purple from a Black feminist perspective to demonstrate oneness as capacious being. This project explores an I-You dialogue that works toward future-making through the notion of regardless, an idea from Walker’s definition of Womanist, deployed through sustained engagement with Kevin Quashie’s notion of oneness. Thus, this work extrapolates lessons found in the selected texts to demonstrate what it means to embody a capaciousness of being and how this then fosters healing in the face of trauma. In so doing, …


“Carried In The Arms Of Standing Waves:" The Transmotional Aesthetics Of Nora Marks Dauenhauer, Billy J. Stratton Nov 2015

“Carried In The Arms Of Standing Waves:" The Transmotional Aesthetics Of Nora Marks Dauenhauer, Billy J. Stratton

English and Literary Arts: Faculty Scholarship

In recent years, Native, Indigenous, First Nations, and Aboriginal scholars and writers have forged alliances to initiate and support decolonization efforts and the reassertion of native survivance. Native and non-Native scholars have responded to modern challenges by reconceptualizing notions of peoplehood, identity, and nationalism. Following these intellectual contours, rather than conceiving of native culture as totalizing, static, and/or incommensurable—as always already foreign—responsive readings informed by the critical work of Gerald Vizenor can support more sophisticated understandings of native literary production while revealing sites of native transmotion. Through a thusly informed examination of the work of the Tlingit poet, Nora Marks …


"Pieces In A Pattern": Virginia Woolf And Family Memory, Kirsten Marie Thoming Jan 2011

"Pieces In A Pattern": Virginia Woolf And Family Memory, Kirsten Marie Thoming

Electronic Theses and Dissertations

By examining two memoirs written by Virginia Woolf and one memoir written by her father, Leslie Stephen, along with Woolf's novel, To the Lighthouse, I will investigate the memoir genre, particularly in the context of understanding a shared history. These four texts provide a means of analyzing how texts form a discourse and what can be learned when conversational roles are determined. By grouping these four works together, one can better understand the rich genre of memoir, while also getting a glimpse of the powerful complexity and narrative intricacies of the Woolf/Stephen family conversation.


Jean Toomer And Carl Van Vechten: Identity, Exploitation, And The Harlem Renaissance, Phil Shaw Jan 2009

Jean Toomer And Carl Van Vechten: Identity, Exploitation, And The Harlem Renaissance, Phil Shaw

Electronic Theses and Dissertations

Jean Toomer's Cane is considered one of the literary achievements of the Harlem Renaissance, though the many of his philosophical ideas which inspired it are dismissed. Inversely, Carl Van Vechten's influence as an advocate and patron of African American art is foundational though his Nigger Heaven is dismissed. However, there are commonalities in each authors identity positioning and subsequent exploitation of the black Harlem Renaissance ethos. Further, their utilization of Gurdjieffian principles of objectivity and primitivist images of blacks links and explains, in part, how their identities contributed to the ideas expressed in the novels.