Literature in English, North America, Ethnic and Cultural Minority Commons^™

Review Of Place, Language, And Identity In Afro-Costa Rican Literature, By Dorothy E. Mosby, And The Fugitive Race: Minority Writers Resisting Whiteness, By Stephen P. Knadler, Tim Engles

Faculty Research & Creative Activity

No abstract provided.

A Conversation With Velma Pollard, Daryl Cumber Dance

English Faculty Publications

Noted poet, novelist, linguist, and educator, Velma Pollard was Visiting Professor of English at the University of Richmond in Richmond, Virginia, during the fall semester of 2001 when I conducted the following interview. John Martin, my graduate assistant at the time, assisted me in videotaping and transcribing our conversation, which took place in her cottage at the University on December 3, 2001.

[Introduction To] From Within The Frame: Storytelling In African-American Studies, Bertram D. Ashe

Bookshelf

The book explores the written representation of African-American oral storytelling from Charles Chesnutt, Zora Neale Hurston and Ralph Ellison to James Alan McPherson, Toni Cade Bambara and John Edgar Wideman. At its core, the book compares the relationship of the "frame tale" - an inside-the-text storyteller telling a tale to an inside-the-text listener - with the relationship between the outside-the-text writer and reader. The progression is from Chesnutt's 1899 frame texts, in which the black spoken voice is contained by a white narrator/listener, to Bambara's sixties-era example of a "frameless" spoken voice text, to Wideman's neo-frame text of the late …

Unsettling Identities In Two Novels By Leslie Marmon Silko, Olivia Smith

Masters Theses & Specialist Projects

Throughout Native American Literature the state of identity in connection to one’s tribal culture, nature, and spirituality is vital to understanding both the struggles that Native Americans have endured during contact with Europeans and then Americans and the current ongoing cultural negotiations of contemporary tribal peoples. Native American writers use literature as a venue to reclaim and reconstruct identity, particularly in relation to a rapidly changing and commercial world.

Grounded in identity theory and Native American literary criticism, this thesis explores how Native American author Leslie Marmon Silko “unsettles” identities in her two novels Almanac of the Dead and Gardens …

Eyes To The Street, Myron Macauley

The Griot

No abstract provided.

Urban Survival, Shaun Waters

The Griot

No abstract provided.

In The Black Forest, Shaun Waters

The Griot

No abstract provided.

I'M Comin' Daddy, Bryon Williams

The Griot

No abstract provided.

Directions, Shaun Waters

The Griot

No abstract provided.

Unseen Power, Bryon Williams

The Griot

This poem acknowledges an unseen presence that intervenes and protects the narrator from life's tribulations.

The Colored Girl In The Ring: A Guyanese Woman Remembers By Brenda Chester Doharris (Book Review), Daryl Cumber Dance

English Faculty Publications

Brenda Chester DoHarris's The Colored Girl in the Ring: A Guyanese Woman Remembers joins the company of some of the most memorable works of Caribbean literature, those classic accounts of coming-of-age, such as George Lamming's In the Castle of My Skin, V. S. Naipaul's A House for Mr. Biswas, Michael Anthony's The Year in San Fernando, Merle Hodge's Crick Crack, Monkey, Erna Brodber's Jane and Louisa Will Soon Come Home, Zea Edgell's Beka Lamb, Jamaica Kincaid's Annie John, and Beryl Gilroy's Sunlight on Sweet Water. Like most of the bildungsromans - and …

Chronic Love, Shaun Waters

The Griot

No abstract provided.

Larynx, Judithe Andre

The Griot

No abstract provided.

Words To Live By..."For Isaiah", Shaun Waters

The Griot

No abstract provided.

Lost Souls, Bryon Williams

The Griot

Poem about the effects of drug addiction.

O Lenço Da Minha Mãe...A Reflection, Alicia Veiga

The Griot

A young Cape Verdean woman reflects on the head scarf worn by her mother. The head scarf serves as a symbol of her mother's strength, culture and constant presence in her life despite a move from Cape Verde to the United States.

My Brother By Jamaica Kincaid (Book Review), Daryl Cumber Dance

English Faculty Publications

In Jamaica Kincaid's six previous autobiographical novels and essays (At the Bottom of the River, 1984; Annie John, 1985; A Small Place, 1988; Annie, Gwen, Lily, Pam and Julie, 1989; Lucy, 1990; and The Autobiography of My Mother, 1996), her readers have the feeling that she has told all about her troubled life in Antigua and her painful emotional conflicts with her family (especially her mother). We discover with her new memoir, My Brother, however, that some things have been just too painful to tell - until now. Clearly the most obvious …

Recent Polish-American Fiction, John A. Merchant

Modern Languages and Literatures: Faculty Publications and Other Works

This article examines the development of a Polish American voice in American literature through an analysis of works by Stuart Dybek, Anthony Bukoski, Susan Strempek Shea, and Denise Dee.

African-American Proverbs In Context By Sw. Anand Prahlad (Book Review), Daryl Cumber Dance

English Faculty Publications

Growing up in Hanover, Virginia, "surrounded by people who cast the world in vibrant and poetic colors," Sw. Anand Prahlad "fell in love with proverbs at an early age" (ix). This lifelong love affair has resulted in a rich collection of African American proverbs that expanded as Prahlad went through college and graduate school, and did postgraduate research. All the while, he was sharpening his critical skills and developing the theoretical framework to establish a model for use in examining the varied components of proverbial speech in the African American community, proceeding on the assumption that in order to understand …

Signs, Symbols, And Slave Culture: Representations In Black Thunder, Sandra M. Grayson

Trotter Review

Black Thunder (1936), by Arna Bontemps, is a historical novel that recreates Gabriel Prosser's 1800 slave revolt. This novel is useful in reviewing some of the historical and cultural linkages between Black slaves in the U.S. and African cultures. Thematically, Black Thunder does more than represent Black people's self-assertion through revolt, it also shows their assertion of identity through practicing Atlantic (or western) African traditions, especially those of the Kongo. This is a topic that continues to be significant in light of greater contemporary political and economic linkages between U.S. Blacks and Africans, as well as increasing African immigration into …

Notice The Mistletoe, Daryl Cumber Dance

English Faculty Publications

Selection of African-American folklore on the winter holidays.

James Welch's Winter In The Blood: Thawing The Fragments Of Misconception In Native American Fiction, Mario A. Leto Ii

Masters Theses

The conventional scholarly view of Native American literature asserts that Native authors often portray their characters as alienated and despairing individuals that are incapable of attaining the means for dispelling those negative feelings. As a result, the characters are presumably destined to forever wander the barren reservation, unable to grasp their fleeting cultural traditions or the modern Euroamerican way of life. James Welch, with his novel Winter in the Blood, challenges that stereotypical scenario by allowing his nameless protagonist to discover a previously unknown link to his traditional Blackfeet heritage. Through the knowledge of his ancestors and the unconscious …

The Zea Mexican Dairy: 7 Sept 1926 - 7 Sept 1986. By Kamau Brathwaite (Book Review), Daryl Cumber Dance

English Faculty Publications

I may be hard put to classify the latest work of noted poet, historian, literary critic, linguist, and Africanist Kamau (Eddie) Brathwaite, but I have no problem describing it - compelling, riveting, unforgettable! Begun when Brathwaite received the devastating news that his wife Doris (his Zea Mexican) was dying of cancer, it is a paean to her, a record of his efforts to deal with her dying, death, and absence, an account of their relationship, and an autobiographical confessional. The Zea Mexican Diary includes diary entries, letters, memorates, an epigraph, expressions of sympathy, confessions, autobiographical narrative, poems - but whatever …

Various Black Virginians As Told To Daryl Cumber Dance, Daryl Cumber Dance

English Faculty Publications

Shuckin' and Jivin': Folklore from Contemporary Black Americans, published in 1978, derived from fieldwork done far a doctoral dissertation at Virginia Commonwealth University by Daryl Cumber Dance (the only woman named Daryl I have heard of aside from Daryl Hannah). She gathered stories and verses from black Virginians in colleges, senior citizens' centers, and a penitentiary. Though she doesn't bring to the party an editorial touch as enlivening as Zora Neale Hurston's, she has an ear and-unlike far, far too many assiduous collectors of folktales - knows how to capture vocal rhythms on a page.

Matriarchs, Doves, And Nymphos: Prevalent Images Of Black, Indian, And White Women In Caribbean Literature, Daryl Cumber Dance

English Faculty Publications

Universally, male writers have tended to create images of women which reveal the familiar male tendency to view women merely as functionaries whose role basically is determined by male needs, male motivations, male fears, and male fantasies. When woman is submissive, docile and pure, she is to be protected and revered; then, she is the virgin/goddess. When she is assertive and strong, she is to be avoided and despised; then, she is the bitch/shrew. When she is passionate and active, she is to be resisted and feared; she is the whore/temptress. While this genera] categorizing of women characters carries over …

He Was A Glance From God: Mythic Analogues For Tea Cake Woods In Zora Neale Hurston's Their Eyes Were Watching God, Kathleen Hannah

Masters Theses & Specialist Projects

The use of myth in Zora Neale Hurston's Their Eyes Were Watching God has been touched on by a few critics, but the wealth of Hurston's knowledge of different cultures offers readers a number of stories and tales from which to draw possible analogues to her characters. In fact, readers can trace Greek, Roman, Norse, Babylonian, Egyptian, African and African-American mythic elements in her character Tea Cake Woods. Hurston uses these analogues to enrich the characterization and to posit her theories of love and happiness in the modern age.

An Interview Of Paule Marshall, Daryl Cumber Dance

English Faculty Publications

This Interview was conducted at the home of Paule Marshall in Richmond, Virginia, on June 14, 1991. Much of our discussion focused on Ms. Marshall's recently completed novel, Daughters, published this fall by Atheneum, which she characterizes here as "perhaps my most personal novel." There are, of course, frequent references to her earlier works, which include Brown Girl, Brownstones (1959), Soul Clap Hands and Sing (1961). The Chosen Place, the Timeless People (1969), Praisesong for the Widow (1983), and Reena and Other Stories (1983).

"He's Long Gone": The Theme Of Escape In Black Folklore And Literature, Daryl Cumber Dance

English Faculty Publications

Throughout their experiences in this country, certain segments of the Black population have viewed themselves as enslaved, whether they were chattel owned by slaveowners prior to emancipation, whether they were impressed into peonage and forced to work on white plantations and in chain gangs after slavery, whether they were victims of sharecropping systems that virtually reenslaved them during the twentieth century, whether they were the repressed and disfranchised and persecuted in Southern Jim Crow towns throughout the first half of the twentieth century, whether they are those trapped by unemployment and poverty today, or whether they are among the Blacks …

Teasing Tales And Tit(Bit)S, Daryl Cumber Dance

English Faculty Publications

Collection of African-American folklore from Shuckin' and Jivin' by Daryl Dance.

Go Eena Kumbla: A Comparison Of Erna Brodber's Jane And Louisa Will Soon Come Home And Toni Cade Bambara's The Salt Eaters, Daryl Cumber Dance

English Faculty Publications

When I returned to Jamaica in July 1982, I took as gifts for friends some recent novels by black American writers, including Toni Cade Bambara's The Salt Eaters. Upon my arrival, Erna Brodber gave me a copy of her new book, Jane and Louisa Will Soon Come Home. As I read it, I was struck by another instance of how similar experiences (in this case, being black and female in the Americas of the civil rights, black awareness, Rastafarian, and feminist movements) had inspired such strikingly similar expressions in books published the same year (1980) by an American …