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Full-Text Articles in Literature in English, North America, Ethnic and Cultural Minority

Give Me Liberty Or Give Me (Double) Consciousness: Literacy, Orality, Print, And The Cultural Formation Of Black American Identity In Harriet Jacobs’S Incidents In The Life Of A Slave Girl And Octavia Butler’S Kindred, Aisha Matthews Jun 2021

Give Me Liberty Or Give Me (Double) Consciousness: Literacy, Orality, Print, And The Cultural Formation Of Black American Identity In Harriet Jacobs’S Incidents In The Life Of A Slave Girl And Octavia Butler’S Kindred, Aisha Matthews

Third Stone

While literacy may have signified the humanity of male slaves in the antebellum South (at least in their own view), the English language and American print culture did not similarly empower female slaves towards positive subject-formation through discourse. This article will examine the tension between oral culture and print culture in Harriet Jacobs’s Incidents in the Life of a Slave Girl and Octavia Butler’s Kindred. Ultimately, an analysis of Jacobs’s work through the lens of book history and its power to shape cultural formation will suggest a critical imperative for the contemporary neo-slave narrative genre.

Accordingly, the agency of contemporary …


Politicized Identity In Peter Ho Davies's The Welsh Girl And The Fortunes, Savanna S. Batson Apr 2019

Politicized Identity In Peter Ho Davies's The Welsh Girl And The Fortunes, Savanna S. Batson

English Department Theses

This thesis explores the effects of politicized identities on the basis of particular aspects of an individual’s being, such as gender, ethnicity, or nationality in Peter Ho Davies’s novels The Welsh Girl (2007) and The Fortunes (2016). By carefully studying each of his protagonists within the context of the particular time and place in which they have come of age, and are now living, this thesis demonstrates how Davies engages with themes of identity, community, and alienation relative to the specific socio-cultural matrix that informs the politicization of identities at their time. It explores how Davies’s characters undergo the process …


Introduction To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke Dec 2016

Introduction To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke

CLCWeb: Comparative Literature and Culture

No abstract provided for the introduction.


Thematic Bibliography To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke Dec 2016

Thematic Bibliography To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke

CLCWeb: Comparative Literature and Culture

No abstract provided.


Speaking And Mourning: Working Through Identity And Language In Chang-Rae Lee’S Native Speaker, Matthew L. Miller Sep 2016

Speaking And Mourning: Working Through Identity And Language In Chang-Rae Lee’S Native Speaker, Matthew L. Miller

Asian American Literature: Discourses & Pedagogies

In my essay entitled “Speaking and Mourning: Working Through Identity and Language in Chang-rae Lee’s Native Speaker,” I argue that the novel’s protagonist Henry Park finds himself at a critical juncture in his life at the novel’s beginning. I analyze the protagonist’s relationship to language acquisition and identity, which have been developed by Lee to be associated as traumas. Furthermore, these topics are complicated by the death of his son, Mitt. This loss is a trauma of the heart and of the self for the main character who sees a successful navigation of language and immigration lost by his …


Hip Hop And The Huxtables: Identity, Hip Hop, And The Cosby Effect In Colson Whitehead's Sag Harbor, Jonathan Naumowicz Jan 2016

Hip Hop And The Huxtables: Identity, Hip Hop, And The Cosby Effect In Colson Whitehead's Sag Harbor, Jonathan Naumowicz

The Graduate Review

Identity is a tricky thing for anyone in the formative years of adolescence, a thing made much more complex when you don’t fit the mold of any preexisting social group. For a black American in the 1980s, the formulation of identity was a remarkably unique challenge. The rise of hip hop as a major element of American culture gave a far-reaching voice to the challenges faced many black Americans, but its roots in and content about impoverished, usually violent urban areas offered a decidedly limited and negative view of black Americans. In Sag Harbor, Colson Whitehead delves into this complicated …


The (Dis)Ability Of Color; Or, That Middle World: Toward A New Understanding Of 19th And 20th Century Passing Narratives, Julia S. Charles Aug 2015

The (Dis)Ability Of Color; Or, That Middle World: Toward A New Understanding Of 19th And 20th Century Passing Narratives, Julia S. Charles

Doctoral Dissertations

This dissertation mines the intersection of racial performance and the history of the so-called “tragic mulatto” figure in American fiction. I propose that while many white writers depicted the “mulatto” character as inherently flawed because of some tainted “black blood,” many black writers’ depictions of mixed-race characters imagine solutions to the race problem. Many black writers critiqued some of America’s most egregious sins by demonstrating linkages between major shifts in American history and the mixed-race figure. Landmark legislation such as, Fugitive Slave Act 1850 and Plessy v. Ferguson (1896) are often plotlines in African American passing literature, thus demonstrating the …


Review Of Moving Out: A Nebraska Woman's Life, Susan Naramore Maher Jan 2004

Review Of Moving Out: A Nebraska Woman's Life, Susan Naramore Maher

English Faculty Publications

At the end of her memoir, Moving Out, Polly Spence assesses all the little ironies of her life and concludes, "[each] time everything seemed just right, each time I thought I'd found it all—the work, the love, and the ideal way to live—something brought change to me." Change is a central motif in her narrative, reflected in a title that underscores movement and mobility, not settlement. Spence's Nebraska life provides a toehold on the slippery surface of twentieth-century culture in America.