Literature in English, British Isles Commons^™

Bergsonian Blend: Subjective Temporality Within Modernist Aesthetics Of Mental Illness, Lydia Victoria Gervais

Electronic Theses and Dissertations

Henri Bergson was a modernist French philosopher who wrote extensively on the topic of the lived experience of time, which he called durée, or duration. His contemporary, Sigmund Freud, was developing psychoanalytic theory in a growing field of psychological study, which serves as a prominent ancestor to modern psychiatry and current psychoanalytical literary studies. Fiction writers of the 1900s absorbed the zeitgeist of melded chronology and consciousness, interweaving themes of time and trauma in their works. Utilizing Henri Bergson’s durée as a philosophical framework, I examine the moralization of time-consciousness in connection with mental illness and investigate representations of …

Still Scribbling: Reflections On The Grub Street Project At Twenty Years, Allison Muri

ABO: Interactive Journal for Women in the Arts, 1640–1830

This article reflects on twenty years of the Grub Street Project, assessing its sustainability and the design principles and editorial practices that have supported its continuity and coherence from 2005 to 2025.

What To Do With An Improper Woman: Gender Roles And Their Repercussions In Great Expectations, Abby Shaver

Laurier Undergraduate Journal of the Arts

No abstract provided.

"Sing It Again": Linguistic Medievalisms In Geoffrey Hill And Seamus Heaney, Christian Cotten-Dixon

Honors College Theses

This study examines the use of early medieval structure and language in the poetry of Seamus Heaney and Geoffrey Hill, focusing on their near-contemporary collections, North and Mercian Hymns. Both collections use etymological and poetic structures to fashion an imagined medieval past in order to discuss personal and cultural narratives of history. Leveraging these structures in poetry and digging them out of past strata like a material artifact, Heaney and Hill collapse linear systems of time and language and access past word forms even as they evolve. This archaeological approach to poetry gives them the means to place the …

A Self-Reflective Destruction Of Humankind: A Christian Eco-Theological Reading Of W. B. Yeats’S “Second Coming”, Kehan Yang

Compass: An Undergraduate Journal of American Political Ideas

This essay proposes an innovative reading of W. B. Yeats’s poem “The Second Coming” through a lens of Christian Eco-theology as explained by Fr. Seán McDonagh in Pluriverse: A Post-Development Dictionary. It demonstrates how literature may efficiently bring topics of environmental protection, anti-war ideology, and theological allusion into integrity.

Mr. Hyde And His Representation Of Alcoholism, Jacob S. Capes

NEXUS: The Liberty Journal of Interdisciplinary Studies

This essay explores The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson through the lens of addiction psychology, drawing parallels between Dr. Jekyll’s descent into madness and the stages of alcoholism as defined by the DSM-5. By interpreting Jekyll’s relationship with his transformative elixir as a metaphor for alcohol abuse, the analysis traces his progression through early experimentation, growing dependency, and eventual loss of control, aligning with the three clinical stages of alcohol use disorder. The essay further examines how intelligence and genetic predisposition—two key risk factors for addiction—contribute to Jekyll’s vulnerability, incorporating both modern scientific …

Prophets Instead Of Priests: Diagonal Orientations & Coming-Of-Age Queerness In Jane Eyre And Oranges Are Not The Only Fruit, Emily G. Flanders

Honors Theses

This project asserts that the moment in which a girl leaves the trajectory of the expected in favor of the unknown in order to pursue her discovery of self is when her coming-of-age narrative becomes queer. This is demonstrated through Jane in Jane Eyre by Charlotte Brontë and Jeanette in Oranges Are Not the Only Fruit by Jeanette Winterson. Jane and Jeannette’s respective coming-of-age narratives–that is, them creating their fully embodied selves, the girl they believe and know themselves to be–happen off the expected life path in the liminal, in-between, undefined space of the queer oblique. There are moments …

The Vision Of The Inklings: Mythopoeia And Modern Christian Literature, Emmalene Sotomayor

Senior Honors Theses

The Inklings wrote with the intention to convey truth through myth. C. S. Lewis and J. R. R. Tolkien and their friends developed stories to point readers to something greater—very often God. Christian creators now can look to their example while writing their own works of art. Currently, Christian fiction is in a sad state, known for mediocre romance novels that hardly portray faith in a moving or truthful manner. Believers can use the wisdom of Tolkien and Lewis to develop their own excellent works. Lewis and Tolkien’s beliefs in myth pointing to God, hope against adversity, and good resisting …

Cultural Memory And The Search For Identity In Victorian Fantasy Fiction, Sadie Boggs

Honors College Theses

Fantasy literature's origins can be traced through myths and folktales, medieval romances, enlightenment fairy tale fantasy, and Romanticism, before finally taking firmer root in the Victorian period and blooming into its own genre in 20th century modern fantasy. Victorian thinkers reacted to the Enlightenment’s realism and technological innovation by “rediscovering” the Middle Ages as a time of beauty, simplicity, and moral virtue. Simultaneously, Psychology developed as a recognized field of study, and theories emerged about the psychological process of memory formation and retrieval, as well as its reliability and relation to identity.

Considering these psychological theories, Victorian fantasy's cultural memory …

Science Fiction, Eng 2420, Syllabus And Course Outline, Jason W. Ellis

Open Educational Resources

This Science Fiction, ENG2420 syllabus and course outline was written for an online, asynchronous class taught in the Department of English at the New York City College of Technology, CUNY. It was designed to compliment the OER Yet Another Science Fiction Textbook (YASFT) and have a Zero Textbook Cost (ZTC) approach with readings and viewings found primarily through the Internet Archive. The course follows a historical approach to the science fiction genre covering the Origins of Science Fiction, Mary Shelley’s Frankenstein, Proto-SF, Pulp SF, SF Film Serials, Golden Age SF, SF Film Through the 1950s, New Wave …

Milton: Politics Of Desire And Dispossession, Sawyer K. Kemp

Open Educational Resources

In this course we will study John Milton’s most famous poem, Paradise Lost, alongside a selection of his major verse and prose works. Milton’s literary projects were inextricably political, and we will wade into the discourse of his legacy as either—or both—state propagandist or public scholar. We will discuss and explore Milton’s role in the charged political climate of the British Revolution of the 17^th century, as well as his work on gender, marriage, divorce, the free press, sin, and heroism.

How do we read Milton’s work in our own political climates of unrest? How has deconstruction of …

Ekphrasis: An Exploration Of Poetry Inspired By Art, Caitlin Cacciatore

Dissertations, Theses, and Capstone Projects

“Ekphrasis: An Exploration of Poetry Inspired by Art” is an Open Educational Resource (OER) that occupies the underdeveloped niche of freely available teaching and learning materials about the interdisciplinary poetic medium of ekphrasis. Ekphrastic poetry is a form dating back to Book XVIII of the Iliad, experiencing a revitalization in the latter half of the 18^th century, when demand for written descriptions of paintings was in high demand, and again taking on a new, modern meaning in the early 19^th century, with poems like John Keats’ 1819 “Ode on a Grecian Urn.” Ekphrasis is …

Politics, Authorship, And Philosophy: Teaching Margaret Cavendish’S The Blazing World In The Diverse Graduate Classroom, Martine Van Elk

ABO: Interactive Journal for Women in the Arts, 1640–1830

This essay explores how Margaret Cavendish’s The Blazing World works differently when taught and read on its own and in combination with Cavendish’s other works. Focusing specifically on the graduate classroom, I examine and present strategies for teaching the book alongside works by other early modern women and for teaching it in a single-author course. While in isolation, The Blazing World allows for discussions that focus primarily on questions of gender, genre, class, and politics, read in tandem with Cavendish’s other works, in particular her philosophical writings, The Blazing World becomes a source for reflections on questions of creaturely identity, …

Eng 155: Introduction To Literary Studies, Joseph Donica

Open Educational Resources

An OER syllabus covering the ways humans have read and continue to read literature from a variety of critical and theoretical perspectives. An emphasis is placed on the application of critical thought to writing expository essays and responding to readings.

Homemade Language, Conservative Fro-Yo, And Sci-Fi Sloths: How Speculative Migration Fiction Confronts The Ends Of Worlds By Challenging The Nation-State, Zoe R. Scheuerman

English Honors Projects

This English literature thesis project explores an emerging, genre-defying body of fiction which I call “speculative migration fiction.” Speculative migration fiction imagines how ongoing global developments like climate change, technological development, and war may shape future migrations. Drawing on Benedict Anderson’s conception of national culture, Wendy Brown’s theory of the border, and Caroline Levine’s understanding of literary form, as well as close readings from Scattered All Over the Earth by Yōko Tawada, Exit West by Mohsin Hamid, and 2 A.M. in Little America by Ken Kalfus, I argue that transnational migrations move toward becoming postnational migrations as migrants evade border …

Veiled Victorian Vampires: What Literary Antagonists Reveal About Societal Fears Of 19th Century England, Jenna Harford

Honors Theses

In my thesis paper I look at three primary texts, Charlotte Brontë’s Jane Eyre, Charles Dickens’ Great Expectations, and Oscar Wilde’s The Picture of Dorian Gray to analyze their main antagonists through a vampiric lens. I explain how the characters of Bertha Mason, Miss Havisham, and Dorian Gray are all written with veiled vampiric traits that revolve around themes of sexuality, secrecy and seclusion, and unbridled physical and emotional violence. Although none of these texts is obviously a “vampire novel”, the authors lean into vampire tropes including eerie physical description, doubled relationships, and other vampire lore that can be best …

Psychological Criticism And Shakespearean Allusions In J.M. Barrie’S Dear Brutus: A Neverland For Adults, Kathryn Alley

Senior Honors Theses

In Peter Pan, Sir James Barrie welcomes readers into Neverland, the realm of eternal youth. Barrie’s lesser-known play, Dear Brutus, ushers audiences into a supernatural garden free of responsibility, reality, and permanence. Referring to Cassius’ words in Shakespeare’s Julius Caesar, the 1917 tragedy explores the consequences of romantic escapism and the seductive power of second chances. Through the lens of Freud’s and Lacan’s psychological criticism, and Barrie’s connection to his might-have-been daughter, Margaret, Dear Brutus unveils the plight of eight mysterious strangers by illustrating that all adults are lost children. Dear Brutus feels in many ways like …

Teaching Charlotte Lennox’S Harriot Stuart: Romance, The Eighteenth-Century Novel, And Transatlantic Fictions, Marta Kvande

ABO: Interactive Journal for Women in the Arts, 1640–1830

Harriot Stuart is well worth teaching because it offers rich possibilities both for discussing literary forms such as heroic romance, epistolary form, and women’s narrative voices, and for investigating topics such the transatlantic experience, colonialism, and representations of Native Americans. Whether in a course focused specifically on Charlotte Lennox’s works or in a more broadly focused course in eighteenth-century fiction, Harriot Stuart can help students learn about the possibilities for women’s empowerment and about transatlantic and racial ideas during the period.

First Person Narration In Postwar British Women’S Fiction, Julia Mccoy

English Student Scholarship

Julia McCoy ’22
Majors: English and Political Science
Faculty Mentor: Dr. William Hogan, English

A study of postwar English novelists Margaret Drabble and Jeannette Winterson, looking particularly at the way these writers use first person narration in their works. Both writers explore how women’s identity can be ‘written into being’ against external pressures and authorities that seek to define women’s ‘proper’ role.

"I Want To Melt Into Her Body": Sexual Empowerment And A Feminist Recentering Of The Female Characters In Dracula By Bram Stoker, Carmilla By J. Sheridan Lefanu, And Villette By Charlotte Bronte, Carson Leigh Pender

Graduate Theses

Simone de Beauvoir argues in The Second Sex, “The normal sexual act [of intercourse] effectively makes woman dependent on the male and the species. It is he–as for most animals– who has the aggressive role and she who submits to his embrace. . . coitus cannot take place without male consent, and male satisfaction is its natural end result” (385). Essentially, de Beauvoir argues that the act of sex cannot exist without the presence of man, but particularly for heterosexual women, the act of sex is dependent on the presence of, responsibility of, and response of men. However, despite the …

Þorn: A Novel Excerpt Exploring Giantesses, Their Relation To Women's Bodily Expectations, And Patriarchal Control In The Literature Of Early Modern Britain And Contemporary America., Brady P Alexander

College of Arts & Sciences Senior Theses

This thesis will analyze examples of women of size in the literature of the British Isles throughout history, focusing predominantly upon the Early Modern Period, and will create a fiction piece in response to such attitudes. I argue that one of the most clear ways to dissect contemporary cultural attitudes about powerful women and women who occupy more space than men is to examine giantesses and other examples of women of size within this period of literature. From this, a novel excerpt will be written from the perspective of a time-traveling woman of size who engages with these texts and …

Visiting Jane: Jane Austen, Fan Culture, And Literary Tourism, Brianna Surratt

Senior Theses

People have been visiting sites associated with Jane Austen for two centuries now, and there have been fans of her work for even longer. Austen inspires unique devotion among her fans for an author about whose life we know very little. Furthermore, these fans have been fighting among themselves for as long as fans have existed over who loves her the right way – the academics or the amateurs? This work explores that unique fan culture in detail through the lens of literary tourism, going into detail about two sites in particular – Jane Austen’s House in Chawton, England, and …

John Donne And The Paradox: An Analysis Of “Batter My Heart, Three-Person’D God”, Lily Daniels

OUR Journal: ODU Undergraduate Research Journal

A paradox is a statement that appears contradictory but ultimately makes sense. “Sonnet XIV: Batter my heart, three person’d God” (1632) by John Donne reflects the many paradoxes within the Bible and Christian faith. Read within the context of his religious beliefs and the rest of the Holy Sonnets, “Batter my heart, three-person’d God” is a poem that exhibits Donne’s theology of God and the process of salvation. The speaker affirms that the power of the triune God is required to break the bonds of sin. He finds freedom from sin in submitting to God’s will, and he finds innocence …

Death, Discipline, And The Dead: Biopolitical Rhetoric In Early Modern English Texts, Leslie Raybuck Malland

Theses and Dissertations--English

Death, Discipline, and the Dead: Biopolitical Rhetoric in Early Modern English Texts locates allusions to the biopolitical culture of Early Modern England within popular English texts. Through my examination of the period’s fascination with death—public executions, newly-authorized anatomies—and the ways in which death, as well as the treatment of the dead, was authorized by and supported the ideological aims of the state, my research identifies how those themes carry over into the most popular works of the day, reviewing instances of both verbal and nonverbal rhetoric across genres to find allusions to biopower — or, state control of the biological. …

Dickens’S Changing Perspective Towards Capitalism And The Bourgeoisie, Christina Oliveira

Honors Program Theses

Most scholars agree that author and social activist Charles Dickens (1812-1870) made keen observations on human behavior and societal problems through his works. However, scholars are divided over whether to categorize Dickens and his work as radically reformist or pro-bourgeoisie. Through an analysis of three of Dickens’s texts, A Christmas Carol (1843), Bleak House (1852), and Great Expectations (1861), this thesis demonstrates that Dickens’s works carry contradictory ideologies. As time passes, Dickens becomes disillusioned with capitalism but continues to promote capitalist and bourgeois values and ideologies. The trajectory of Dickens’s views shows the difficulties in imagining different realities outside of …

How Apocalypse Now Adapts Heart Of Darkness’S Imperialist Critique To A New Medium And A Different Culture, Samuel Battle

Undergraduate Projects

Francis Ford Coppola’s 1979 film Apocalypse Now affirms the key message of its source material, Joseph Conrad’s 1899 novella Heart of Darkness, to suggest that the imperialist mindset continues to significantly affect international interactions even in modern times. While the original novella reflects and criticizes contemporary British imperialism in Africa, the adaptation shifts the setting to Vietnam in 1968 and primarily satirizes the American army’s actions during the war. While the subject of the story’s critique is different, Coppola preserves the core message of the novella – that all humans are capable of falling into their inner darkness and …

More Human Than Human: Artificial People In Literature And Media, Taylor P. Amalfitano

University of New Orleans Theses and Dissertations

Though Mary Shelley wrote Frankenstein over two hundred years ago, many of the main themes of alienation and revenge featured in Shelley’s novel reappear in HBO’s Westworld in 2016. This thesis establishes a genealogy for the stories of artificial people and analyzes the relationship between human beings and artificial life, as it is portrayed in speculative fiction and popular media. The popularity of robots and cyborgs is associated with people’s fear of technology, but their stories are often used as an allegory to explain aspects of the human experience that are unknown or difficult to understand. As artificial intelligence becomes …

"And Gladly Wolde He Lerne": Facilitating Discussion Based Learning About Medieval And Regency Literature Through Interactive Technologies, Emma Vallandingham

Honors Projects

A series of reading guides for Beowulf, The Canterbury Tales, and Frankenstein, that utilize interactive technologies to facilitate student engagement with and discussion of the texts. Each reading guide consists of an overview of the text, relevant historical context, and reading and discussion questions for students to answer. Some reading guides also have corresponding answer guides that provides sample answers as well as hints and tips for answering the questions.

The Roadmap: Exploring T.S. Eliot’S The Waste Land With World War One Literature, Matthew Bennett

Undergraduate Honors Theses

Through careful analysis paired with poetry, war memoirs, and novels from the same period, one can break down T.S. Eliot’s The Waste Land to recognize the impact of The Great War on the world's modern memory while pondering the possibility of memory as a tool to overcome trauma.

Commensality And Connection: How Shared Food Experiences Connect Characters In Philip Pullmans His Dark Materials, The Book Of Dust And ‘Lyra’ Stories, Susan Anna Grace

Articles

Commensality is an inherently social activity that shapes society and enacts social dynamics. Consequently, these shared exchanges can reveal much about the society and the individuals who engage in the act. This thesis explores commensality in Philip Pullman’s His Dark Materials trilogy, The Book of Dust Series and companion texts to the novels. The research investigates how commensal exchanges create and maintain connections between characters across the collection. In doing so, it considers how literary characters differ from real-life humans and how the existing body of knowledge on commensality can be applied to literary figures. A qualitative approach was …