Literature in English, British Isles Commons^™

Uncertain Identity: Medical Practitioners In Doctor Thorne And Middlemarch, Denis Illige-Saucier

Electronic Theses and Dissertations

The medical practitioners who play leading roles in the novels Middlemarch by George Eliot and Doctor Thorne by Anthony Trollope are examples of a new breed of professional medical men that emerged during the middle of the nineteenth century in England. The new class of general practitioners held licenses from the old hierarchical system of physicians, surgeons, and apothecaries, but they were the driving force in favor of reform and professionalization in medicine. The 1858 Medical Act was an important step on the path toward a new conception of the medical practitioner, and the development of that new medical identity …

The Friar, Joly Wu '11

2009 Fall Semester

Though Hubert the Friar is supposed to be a shepherd for the devout, he (as revealed through the Geoffrey Chaucer’s sly, ironic writing) prances around in expensive clothing, lusts after anyone he wishes, and generally violates the teachings of the Church he vowed to represent. Thus, through its abundant detail and description of the Friar, the Canterbury Tales by Chaucer paints a portrait of a unique character that contradicts his commitment to the 14^th century Catholic Church.

Replacing The Priest: Tradition, Politics, And Religion In Early Modern Irish Drama., Leslie Ann Valley

Electronic Theses and Dissertations

By the beginning of the twentieth century, Ireland's identity was continually pulled between its loyalties to Catholicism and British imperialism. In response to this conflict of identity, W. B. Yeats and Lady Augusta Gregory argued the need for an Irish theatre that was demonstrative of the Irish people, returning to the literary traditions to the Celtic heritage. What resulted was a questioning of religion and politics in Ireland, specifically the Catholic Church and its priests. Yeat's own drama removed the priests from the stage and replaced them with characters demonstrative of those literary traditions, establishing what he called a "new …

Realism And The Irish Victorian Novel, Lorcan Sirr

Other Resources

SAMENVATTING Deze thesis onderzoekt de aard van Realisme in negentiende-eeuwse Ierse fictie. De nadruk ligt hierbij op het testen van de algemeen aanvaarde vooronderstelling dat Realisme opvallend afwezig was in de Ierse werken van die periode. De negentiende eeuw kende een grote toename in geletterdheid doorheen alle klassen en vormde op die manier een ideaal beginpunt voor het ontstaan van een nieuwe markt, zowel voor auteurs als uitgevers. Vooral in het Engeland van die periode werd dit duidelijk. Er speelde zich ook verschuivingen in stijl en literaire smaken af waarbij Realisme zichzelf als het meest populaire vooropstelde. De Ierse schrijvers …

Visions/Versions Of The Medieval In C.S. Lewis’S The Chronicles Of Narnia, Heather Herrick Jennings

Boise State University Theses and Dissertations

“Everything in the whole story should arise from the whole cast of the author’s mind. We must write for children out of those elements in our own imagination which we share with children: differing from our child readers not by any less, or less serious, interest in the things we handle, but by the fact that we have other interests which children would not share with us. The matter of our story should be a part of the habitual furniture of our minds.” —C.S. Lewis, “On Three Ways of Writing for Children”

The year 2010 will mark the sixtieth anniversary …

The Passions And Self-Esteem In Mary Astell's Early Feminist Prose, Kathleen A. Ahearn

Electronic Theses and Dissertations

This dissertation examines the influence of Cambridge Platonism and materialist philosophy on Mary Astell's early feminism. More specifically, I argue that Astell co-opts Descartes's theory of regulating the passions in his final publication, The Passions of the Soul, to articulate a comprehensive, Enlightenment and body friendly theory of feminine self-esteem that renders her feminism modern. My analysis of Astell's theory of feminine self-esteem follows both textual and contextual cues, thus allowing for a reorientation of her early feminism vis-a-vis contemporary feminist theory. An entire chapter in the dissertation is devoted to Astell's use of Descartes's theory of regulating the …

Review Of A Brave Vessel: The True Tale Of The Castaways Who Rescued Jamestown And Inspired Shakespeare's The Tempest, Michael F. Russo

Faculty Publications

No abstract provided.

Women In Eighteenth Century London: Female Coming Of Age In Frances Burney’S Evelina, Cecilia, And The Witlings, Kate Hamilton

Honors Scholar Theses

The late eighteenth-century author Frances Burney is best known for popularizing the “comedy of manners,” a literary style later adopted by Jane Austen. Burney’s novels, journals, and plays offer an intriguing commentary on contemporary social customs and etiquette. In particular, she voices the concerns and desires of women, leading scholars to focus on the feminist overtones of her writing. Although she carefully examined female roles in the household and family structure, Burney also provided an insider’s perspective into London high life. As an acclaimed author and member of the royal court, Burney offers a rare insight into the lives of …

Rules Of Misrule, Meghan Forgione

Honors Scholar Theses

The project seeks to offer an alternative interpretation of sport culture in Renaissance England with respect to theater and football. I seek to show how sport culture, although seemingly threatening to the state, actually reinforces the monarchy due to its ability to provide the people with a controlled social release. The prose explores the function of carnival in sport culture and the way in which the two are manifested in football and theater in the Renaissance.

Writing The Wrongs Of Chancery And Victorian Society: Esther Summerson Of Bleak House And Defining The First-Person, Alexandra C. Cain

Honors Scholar Theses

“Writing the Wrongs of Chancery and Victorian Society: Esther Summerson of Bleak House and Defining the First-Person” discusses the identity crisis faced by the controversial first person narrator of Charles Dickens’s Bleak House. I argue that Esther is a complex character/narrator who develops an idealized self as a coping mechanism for her identity crisis. Dickens uses Esther’s illness as a physical manifestation of Esther’s separation from her mother and recognition of her identity crisis. By developing Esther’s identity crisis and using the illness to denote Esther’s separation from both her mother and her idealized self, Dickens creates a novel in …

Pow/Mic: Prisoners Of Words/Missing In Canon: Liberating The Neglected British War Poets Of The Great War., Larry T. French

Electronic Theses and Dissertations

Since the First World War ended in 1918 and anthologies began to emerge, limited attention has been paid to the poets of this era. While a few select male poets have achieved canonicity, women war poets of this era have fallen into enigmatic obscurity.

The intention of this paper is to expound, explicate, and expose the difficulties relating to gaining entry into the canon of English literature, especially where the poets of The Great War are concerned. This paper discusses the absence of the most profound and foreshadowing poems written during the war through research of scholarly journals and out-of-print …

“Who Hath The World In Honde”: Conflicts Of Agency In Three Canterbury Tales, Samantha Anne Streger

English Honors Papers

This thesis examines the subject of conflicting agency in three of Chaucer’s Canterbury Tales, and discusses the ways in which confusions of power shed light on the issues inherent in governing medieval social ideologies. In the Knight’s Tale, conflicting agency between the humans and the gods is evidence of the Knight’s failure to bring order to his tale. Because the Knight is unable to rationally explain the universe by employing the noble ideals of chivalry, honor, and faith in higher power, the confusion of power in the Knight’s Tale highlights the failure of noble pursuits. In the Wife of Bath’s …

Serving The Storyline Of The Novel: The Powerful Role Of The Feudal Servant-Narrator, Stephanie Turner

Pitzer Senior Theses

This thesis addresses issues of class as represented through the narrative agency exercised by the servant-narrator in Castle Rackrent and Wuthering Heights. Thady Quirk and Ellen Dean are servant-narrators who strategically use feigned allegiance, astute perception, and selective disclosure to wield power over the lives of their masters. These “arts of subordination” allow the servant-narrator to tell his or her own life narrative, while appearing to share the masters’ memoirs. While both servant-narrators are motivated by economic means, Ellen Dean’s involvement throughout Wuthering Heights is further complicated by her desires of emotional connection. However, each servant-narrator achieves his or her …

Opium Use In Victorian England: The Works Of Gaskell, Eliot, And Dickens, Jessica Rae Henderson

Boise State University Theses and Dissertations

England’s opium trade with China in the nineteenth century, often conjures up images of a powerful nation, for financial gain and heedless of the damage caused, nefariously thrusting addictive drugs on an unwitting Chinese people and unwilling Chinese government. But this image hides the English side of the story, i.e. England’s own problem with opium. The English imported thousands of pounds for domestic use each year in the 19^th century, and until the late 1860s its sale was completely unrestricted. It was used as a veritable cure-all for various diseases, as well as a relief for any kind of …

From Villain To Superhero: Evolution Of The Novel’S Lawyer Stereotype From The Nineteenth Through The Twenty-First Century, Carolyn A. Morway

Honors Scholar Theses

This thesis analyzes the evolution of the lawyer character from the novels of the early 19th century through those of the modern day. The representation of the lawyer character illustrates the contemporary view of lawyers in society and also provides a framework of the relationship between the lawyer and the common man.

Architecture And Nostalgia In The British Modern Novel, Heather Lynn Lusty

UNLV Theses, Dissertations, Professional Papers, and Capstones

This dissertation focuses on Modern British literary culture and the construction of literary sites of nostalgia through architecture and landscape. The project considers examples from D.H. Lawrence, Virginia Woolf, Ford Madox Ford, and Evelyn Waugh, and examines how these authors employ presentations of architecture in their narratives to portray the irrevocably altered landscape of modernity.

The introduction presents the notion of national consciousness and literature, moving from Lukacs' conception of the historical novel to Victorian art critics John Ruskin and Walter Pater and their writings on national identity and architecture. Twentieth-century European culture responded to the trauma of the Great …

"Divine William" And The Master: The Influence Of Shakespeare On The Novels Of Henry James, Amy M. Green

UNLV Theses, Dissertations, Professional Papers, and Capstones

Henry James's most sustained commentary on Shakespeare comes in the form of an introduction to an edition of The Tempest that was published in 1907. In it, he remarks that the play is a reflection of Shakespeare "consciously tasting of the first and rarest of his gifts, that of imaged creative Expression...to show him as unresistingly aware" (1207). This praise ties unerringly back to James's praise of the artist as one who views the world through open eyes and can capture the nuance of experience. James himself worked at the craft of fiction, and writes extensively in his notebooks and …

Persuasiveness Of The Text: An Analysis Of Virginia Woolf's "Three Guineas", Carl William-John Linder

UNLV Theses, Dissertations, Professional Papers, and Capstones

This analysis is a consideration of the Three Guineas by Virginia Woolf and deals with her use of endnotes and citations throughout the essay-novel, and their persuasive role in regards to the text. This paper will investigate this paratextual source material and its purposeful inclusion into the work. As mnemonic components and logical evidence, the textual citations are subservient to the persuasive quality of the text and the arrangement of her argument. After separating historical elements from the rhetorical aspects of the essay-novel, the paper explores Virginia Woolf's use of Classical rhetorical strategies in constructing her argument in Three Guineas. …

Papacy In Paganism: The Great Schism Of Palamon And Arcite, Samantha Kathleen Diaz

Theses & Honors Papers

This thesis looks at Geoffrey Chaucer’s the Canterbury Tales in the historical context of the Great Schism of the Catholic Church, during which time Chaucer lived and was writing the Canterbury Tales. It compares this work with Giovanni Boccaccio’s Teseida Delle Nozze d’Emilia and analyzes the way in which the two literary works critique the conflict in the Catholic Church in that time period, as well as giving hints to Chaucer’s views on these events and of the Catholic Church as a whole.

King Of The Who? The Collective Unconscious And The Crafting Of National Identity In The Medieval Arthurian Tradition, Melissa Ridley-Elmes

Theses & Honors Papers

This thesis examines the ways in which British writers of old have attempted to create a sort of ideal, national, British identity through the archetypal image of King Arthur, the “once and future king.” Drawing from sources such as Malory, Laʒamon, and Geoffrey of Monmouth, this thesis suggests that these authors’ texts, along with the texts of others who have modified the myth throughout history, have helped change and develop the way in which Britons think of themselves and their nation over the course of time.

The Triumphant Tragedy Of King Lear, Erin Lamontage

English Student Scholarship

No abstract provided.

Making “Young Hamlet”, Matthew Harkins

English Faculty Publications

While youth’s subordinate position in Hamlet has played a vital role within the play’s critical tradition, this tradition has not questioned the ideological processes that create “youth” as a social category—that define what youth means, whom it includes, and why. Rather than portray an archetypal contest between the young and the old or portray Hamlet’s developmental progression from youth to maturity, the play examines the production and application of these categories as political phenomena. By exposing the circumscribed logic that produces these categories, Hamlet fractures the ideological justifications for early modern constructions of youth and age.

The Anachronistic Shrews, James J. Marino

English Faculty Publications

A single line in the Folio text of The Taming of the Shrew seems to point to dates decades apart. A performer identified by his speech heading as 'Sinklo,' the actor John Sincklo or Sincler, recalls a stage character named 'Soto,' presumably the character from John Fletcher's Women Pleased. Sinklo's name is used to argue for an early date for the play, sometimes as early as 1592, while the allusion to Soto suggests a date around 1620. Scholars intent on setting an early date for the 1623 text and on preserving its priority to the 1594 Taming of a Shrew …

To Die A Noble Death: Blood Sacrifice And The Legacy Of The Easter Rising And The Battle Of The Somme In Northern Ireland History, Anne L. Reeder

History Honors Projects

In 1916, under the pressurized conditions of the Great War, two violent events transpired that altered the state of Anglo-Irish relations: the Easter Rising and the Battle of the Somme. These events were immediately transformed into examples of blood sacrifice for the two fundamentally opposed communities in Northern Ireland: Nationalists and Unionists. In 1969, Northern Ireland became embroiled in a civil war that lasted thirty years. The events of 1916 have been used to legitimize modern instances of violence. This paper argues, through the use of cultural texts, that such legitimization is the result of the creation of mythic histories.

Chivalry In Malory: A Look At The Inconsistencies Of Lancelot, Gareth, And Tristram In Le Morte D’Arthur, Natalie Beals

Senior Honors Theses

Chivalry and its counterpart, courtly love, are indispensible to Sir Thomas Malory’s fifteenth century work on Arthurian legend, Le Morte d’Arthur. The three great examples of chivalry in this work are the knights Lancelot, Gareth, and Tristram, each of whom has a book dedicated to his story. Within these knights’ portrayals of chivalry, however, develop certain inconsistencies which seem out of place against their chivalrous backdrop. The purpose of this thesis is to propose that the reason for these contradictions of character and of chivalry is the close yet destructive relationship between chivalry and courtly love. What leads Lancelot, Gareth, …

From Dawn To Twilight: The Byronic Hero, Stephanie Mendoza

Undergraduate Research Conference

No abstract provided.

The Literary And Political Activity Of Manuscript Verse Collectors, Joshua Eckhardt

English Publications

Chapter One of Manuscript verse collectors and the politics of anti-courtly love poetry, by Joshua Eckhardt.

The book analyzes the distinctive contribution to literary history of early-seventeenth-century hand-written English poetry anthologies. Compiled by manuscript verse collectors, these anthologies preserved a number of pieces by major authors of the English Renaissance, yet they tended to surround them with unprintable verses on sex and politics.

'That Which Marreth All': Constancy And Gender In The Virtuous Octavia, Yvonne Bruce

English Faculty Publications

This article reports on the play "The Virtuous Octavia," by Samuel Brandon, and the role of women in it. The article discusses the play in relation to the feminine ideal of the Christian Stoic, noting its role as a model for women in literature and drama. Information is also provided on constancy, suffering, and verse.

The Search For Irishness (Chapter One Of Buffoonery In Irish Drama: Staging Twentieth-Century Post-Colonial Stereotypes), Kathleen A. Heininge

Faculty Publications - Department of English

Excerpt: "A striking feature in Irish culture since at least the late 19th century is an impulse to define what constitutes "Irish," seemingly to establish the qualifications of those who claim to be Irish. It is an impulse that manifests itself in literature as diverse as George Bernard Shaw's play, john Buff's Other Island, James Joyce's A Portrait of the Artist as a Young Man, or Seamus Heaney's Station Island. The same impulse is at work in the public lives of figures like Oscar Wilde, who while exiled created a fascinating persona for himself; Patrick O'Brian, who refashioned himself as …

Satire's Club: Reality, Reason, And Knowledge In Joseph Andrews, Heather Anne Law Davis

Theses Digitization Project

Satire has been credited with possessing the power to deconstruct the distinctions we make between opposing concepts and thus lead us to reevaluate established views. Structuralist Ferdinand de Saussure claimed that language relies on sets of opposites, or binary pairs, to create meaning. Building on this idea, deconstructionist Jacques Derrida explored the hierarchies he believed were inherent in all binary pairs, arguing that on concept in each pair occupies a superior position in our consciousness.