Literature in English, British Isles Commons^™

Palimbiosis, Leila Walker

Publications and Research

How does one begin to talk about the end? Contemporary artistic and literary responses to climate change frequently invoke Romantic traditions, in part because many theorists attribute our current crisis to historical developments in the Romantic period, but also as means of representing how climate change collapses the familiar orderliness of time. This essay is about the narrative forms that emerge when our place of safety is revealed to be as unstable as melting permafrost. It centers on Mary Shelley’s 1825 essay about a frozen Englishman reanimated during that especially warm summer. I read Shelley’s essay anachronistically alongside contemporary climate …

Romancing The University: Bipoc Scholars In Romance Novels In The 1980s And Now, Jayashree Kamble

Publications and Research

English-language mass-market romance novels written by BIPOC (Black, Indigenous, and People of Color) writers and starring BIPOC protagonists are a small but important group. This article is a comparative analysis of how recent representations of diversity in this sub-set of the genre, specifically the character of the Black academic and the language of racial justice, compare with the first group of BIPOC novels that were published in 1984 (Sandra Kitt’s Adam and Eva and All Good Things as well as Barbara Stephens’s A Toast to Love). In Adrianna Herrera’s American Love Story (2019), Katrina Jackson’s Office Hours (2020), and …

Wench, Witch, Wife, Widow: The Power Of Address Terms In The Witch Of Edmonton, Laura Kolb

Publications and Research

This chapter explores address terms and their power to shape social reality, especially for women and the socially precarious. The opening of The Witch of Edmonton—“Come, wench!”—is the first of many moments in which one character classifies another in terms of gender, class, or social position. Tracking characters’ reactions to being named (and thereby “placed”) reveals divergent perspectives on the fit between assigned social identity and self-evaluation.

Productive Disruptions: Using Commonplace Books To Resist Eurocentrism, Andie Silva

Publications and Research

No abstract provided.

Dispatches From The Home Front: Violet Hunt As War Writer And Reluctant Modernist, Heather M. Robinson, Melissa Dinsman

Publications and Research

The life and work of Violet Hunt showcases the tension between modernism’s challenges to Victorian and Edwardian literary and social traditions, and the conservatism, particularly with regard to gender norms, of many of the modernist canon’s key figures: institutions, writers and critics alike. Although her work was well regarded during her lifetime, and she was a central figure in London’s literary scene in the early-twentieth century, Hunt is now best known for her long, and ultimately disastrous, relationship with Ford Madox Ford. Her copious literary oeuvre, comprising seventeen novels, three collections of short stories, and several works of biography, translation …

Art, Propaganda, And Truth, Melissa Dinsman

Publications and Research

This essay explores how British and American writers and theorists in the first half of the twentieth century thought about art, propaganda, and truth. Focusing largely on literature written during the First and the Second World Wars, this essay shows that very few authors defined their art as propaganda or truth and instead used words like “political,” “resistance,” “information,” and “anti-fascist” to describe their wartime writing. However, while authors might have eschewed the term propaganda, that does not mean that they avoided producing it. As this essay illustrates, what many authors wrote would now be considered “propaganda.” Moreover, even if …

Reading The Reception History Of Charlotte Yonge, Talia Shaffer

Publications and Research

No abstract provided.

The Legend Of The Legion: Nihilism And The Restoration Of The Aristocracy In Ouida’S Under Two Flags, Laura Clarke

Publications and Research

Ouida’s Under Two Flags (1867) is not a widely read Victorian novel today, but it is offers important insight into the philosophical concerns of a novelist who was hugely popular in her time. In Under Two Flags, Ouida explores what she saw as the epistemological problem developing in the nineteenth century, a nihilistic view that promoted scepticism, aestheticism, and idleness, which is a perspective she believed was responsible for the demise of the aristocracy. Wishing to restore the power and position of the aristocracy, Ouida sends her protagonist Bertie Cecil, a dandy who embodies the aestheticism and ennui of the …

Remixing The Canon: Shakespeare, Popular Culture, And The Undergraduate Editor, Andie Silva

Publications and Research

This essay explores the benefits and challenges of using digital editing as a platform for social knowledge production. First, I discuss the underlying impetus for the project, my choice of Scalar as a digital platform, and a number of specific assignments designed to develop skills toward the final edition. Next, I analyze examples from student work, considering the larger implications of students’ annotation choices and the thematic focus each of them chose for their acts. Finally, I outline some of the potential pitfalls of this course. My aim is to privilege students’ discovery, negotiation, and ownership of ideas. As a …

Feminine Performance In The Taming Of The Shrew: Final Speech And Missing Soliloquy, Laura Kolb

Publications and Research

No abstract provided.

Connection Failure: War, Spiritualism And Communications Media In Violet Hunt's "Love's Last Leave.", Melissa Dinsman, Heather M. Robinson

Publications and Research

An overlooked figure of modernist circles, Violent Hunt was a suffragette, novelist, and author of ghost stories. In her second collection of haunted narratives, More Tales of The Uneasy (1925), Hunt explores the ghostliness of the Great War, both for those on the front and at home. In this essay, we focus on the third story in this volume, “Love’s Last Leave,” and argue that Hunt includes both ghost story tropes and communications media to articulate the real deadliness of the Great War. Communications technology and spiritualism share a similar historical evolution, and in “Love’s Last Leave” both types …

The Dichotomy Of Nature And Culture In Riders To The Sea, Kayla J. Baur

Publications and Research

Jonathan Millington Synge spent his time on the Aran Islands wandering through the peasantry in the countryside, using his experiences and things he witnessed to inspire his writings. He wrote the play Riders to the Sea to portray the lives of the Aran peasants by showing the way in which they coped with the natural forces surrounding their island through believing in certain cultures. Synge constructs a dichotomy between the belief in the forces of nature and culture stemming from modern Christianity not only to portray the mixture of cultures present among the Aran peasants but also to challenge the …

Mother Monsters And Monster Mothers From Dracula To Stranger Things, Melissa Dinsman

Publications and Research

Netflix’s hit show Stranger Things is an homage to 1970s and 1980s sci-fi and horror, including Alien and Aliens, Carrie, the Star Wars trilogy, and Poltergeist, as well as buddy adventure films like Goonies and Stand by Me. But it is also, in its obsessive presentation of monsters as mothers and mothers as monsters, a show that takes its 1980s mothering cues straight out of Bram Stoker’s 1890s. Despite its 2016 production date, the Duffer Brother’s Stranger Things presents viewers with very old fashioned ideas of mothering, with Joyce Byers (Wynona Ryder) as the single, but exceedingly pro-active mom from …

Sensitive Plants And Senseless Weeds: Plants, Consciousness, And Elizabeth Kent, Leila Walker

Publications and Research

When a team of researchers in 2018 found that plants exposed to anesthesia appeared to lose consciousness, the press reported that plants might have a consciousness to lose. The ensuing debate revealed a gap between scientific and literary approaches to human and nonhuman consciousness that this article traces back to the botanical writing of the Romantic period. These concerns, I argue, are central to Elizabeth Kent’s Flora Domestica (1823) and Sylvan Sketches (1825), both botanical works that double as literary anthologies in order to expose a productive gap between literary and scientific knowledge. In a time when the distinction between …

Elizabeth Kent’S New Tales Of Botanical Friendship, Leila Walker

Publications and Research

Elizabeth Kent has been considered a rather minor figure in the Leigh Hunt circle. However, this examination of her previously unknown children’s tales illuminates how Kent’s generic crossings establish a common emphasis on observation in the realms of botany, pedagogy, and poetry while suggesting that what happens beyond the observable world might be equally generative. Taken as a whole, Kent’s work constitutes a previously unacknowledged challenge to the Cockney School’s almost fetishistic attachment to the social. The identification of New Tales brings into focus Kent’s efforts to systematize friendship through her writing and clarifies her ambiguous response to Cockney amiability.

A Journal Of The Plague Year As A Sequel To Robinson Crusoe, Ala Alryyes

Publications and Research

No abstract provided.

Fantastic Borderlands And Masonic Meta-Religion In Rudyard Kipling’S “The Man Who Would Be King”, Lucas Kwong

Publications and Research

This article examines Kipling’s The Man Who Would Be King” through the lens of Freemasonry’s interreligious ideology. In British India, members of “The Craft” offered what scholar James Laine calls a meta-religion, a fraternity whose emphasis on interreligious tolerance masks power relations between colonizers and colonized. When he became a Freemason, Kipling’s lifelong fascination with India’s religious diversity translated into enthusiasm for the sect’s unifying aspirations. In this context, “The Man Who Would Be King” stands out for how sharply it contests that enthusiasm. The story’s Masonic protagonists determine to find glory and riches in Kafiristan, a borderland region known …

Sartorial Subversion: Eliza Haywood’S Fantomina And The Literary Tradition Of Women’S Community, Ruth Garcia

Publications and Research

This article locates Fantomina in a literary tradition that proposes all-female communities, such as convents and monasteries, as liberating and empowering spaces. I argue that the novella implies a virtual community rather than an actual one, as the heroine collectively embodies many different women, all of distinct social ranks: the heroine is both one woman and a variety of women brought together under the auspices of a single body, much the way discrete individuals together compose a community. Then, too, Beauplaisir, the object of the heroine’s desire, treats all the personae the same, no matter their social station. This emphasis …

The White Album As Neo-Victorian Fiction Of Loss, Lucas Kwong

Publications and Research

Although much has been written about the Beatles' celebration of Victorian culture on the album Sgt. Pepper's Lonely Hearts Club Band, little scholarship, if any, has focused on the White Album’s relationship to the late Victorian period. This paper examines the White Album through the lens of what Victorian studies scholar Stephen Arata has called “fictions of loss,” a body of late Victorian texts depicting intertwined processes of “national, biological, [and] aesthetic” decline. Through examining songs like "Helter Skelter" and "Revolution Number 9," I argue that the White Album deserves consideration alongside Dracula and She as a “fiction of loss,” …

Debt Letters: Epistolary Economies In Early Modern England, Laura Kolb

Publications and Research

This essay tracks the emergence of ‘debt letters’, an epistolary sub-genre in seventeenth-century letter-writing manuals. Debt letters ask for money, offer funds and excuse the inability to make (or repay) loans. The rhetorical strategies evident in sample debt letters point to a cultural emphasis on friendship as a site of financial stability through reciprocal lending. Moreover, these rhetorical strategies serve multiple goals, which at times conflict: the short-term goal of navigating particular debt arrangements, and the long-term goal of maintaining an amicable bond over time.

‘Framed And Clothed With Variety’: Print Culture, Multimodality, And Visual Design In John Derricke’S Image Of Irelande, Andie Silva

Publications and Research

This chapter argues that the twelve illustrative plates in John Derricke's Image of Ireland (1581) were the author's primary focus, aimed at readers who practiced the kinds of ‘laudable exercises’ demanded of committed Protestants: a kind of reading that was recursive, studious, and dynamic. This essay contextualises Derricke’s Image in relation to printer John Day’s output in the late sixteenth century as well as to contemporary illustrated texts from which Derricke may have drawn inspiration as a reader and woodcarver. I focus on the seven plates containing small alphabetical keys and their impact on how and in what order we …

"'In A Distant Unknown Country': A New Historicist Look At James Joyce’S “Eveline,” Argentina, And The Zwi Migdal In The Early 1900s.", M Laura Barberan Reinares

Publications and Research

This article analyzes James Joyce’s story “Eveline” (1904) looking at the moral panic about “white slavery” in Europe and the new continent, especially focusing on Argentina, the foremost recipient of trafficked women between 1880 and 1930 (and, of course, Joyce’s destination of choice for Eveline). It was precisely at the turn of the twentieth century that, along with the popularity of transatlantic migration, sex trafficking went fully global and news about international “dangers” for single white women reached the general public, provoking all kinds of repressive reactions through what became known as the “social purity” movement.

Defoe’S Robinson Crusoe: “Maps,” Natural Law, And The Enemy, Ala Alryyes

Publications and Research

No abstract provided.

Politics, Eugenics, And Yeats’S Radio Broadcasts, Melissa Dinsman

Publications and Research

Much has been written about the right-wing politics and eugenicist sympathies of Yeats’s late-1930s poetry in general and about On the Boiler in particular. Yeats’s focus on Ireland’s degeneration and his calls for its regeneration through cultural (and even biological methods) coincided with his dalliance with the Irish Blueshirts and his frustrations with the transformations of the Irish Free State under Éamon de Valera. However, these years also proved to be Yeats’s most active in terms of radio broadcasting, with six of his nine broadcasts made between 1937 and 1938. In this essay, I read Yeats’s broadcasts, in particular “In …

Debt's Poetry In Timon Of Athens, Laura Kolb

Publications and Research

No abstract provided.

In Anthropocene Air: Deleuze's Encounter With Shakespeare, Steven Swarbrick

Publications and Research

No abstract provided.

Whispering Together In The Dark: Rereading Samuel Beckett's Homosociality Through Harold Pinter, Aaron Botwick

Publications and Research

In a 1960 letter to a friend, Harold Pinter wrote of Samuel Beckett, “I’ll buy his goods hook, line, and sinker, because he leaves no stone unturned and no maggot lonely. He brings forth a body of beauty; his work is beautiful.” What do we learn if we take the word “beautiful” seriously? Rereading Waiting for Godot backward through Betrayal, this article argues that Beckett’s landscape, typically read as a realization of postwar angst, is in fact one released of the pressures of contemporary living and for Pinter a homosocial Eden. Jerry’s joke upon discovering the adultery—“Maybe I should …

Taverns, Theaters, Publics: The Intertheatrical Politics Of Caroline Drama, Allison Deutermann

Publications and Research

No abstract provided.

From Humiliation To Epiphany: The Role Of Onstage Spaces In T. S. Eliot’S Middle Plays, Ria Banerjee

Publications and Research

This essay looks at T. S. Eliot's major dramatic productions from the 1930s-40s: Murder in the Cathedral, The Family Reunion, and The Cocktail Party as a series of investigations into spatial expressions of faith. By using onstage space in unique ways, Eliot encourages audiences to consider the connections between performance and belief, the knowable and unknowable.

Victorian Dogs, Victorian Men: Affect And Animals In Nineteenth-Century Literature And Culture, Keridiana Chez

Publications and Research

Victorian Dogs, Victorian Men: Affect and Animals in Nineteenth-Century Literature and Culture by Keridiana W. Chez is the first monograph located at the intersection of animal and affect studies to examine how gender is produced via the regulation of interspecies relationships. Looking specifically at the development of the human-dog relationship, Chez argues that the bourgeoisie fostered connections with canine companions in order to mediate and regulate gender dynamics in the family. As Chez shows, the aim of these new practices was not to use animals as surrogates to fill emotional vacancies but rather to incorporate them as “emotional prostheses.”

Chez …